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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #705C5E it is the complementary color #8FA3A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #705C5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #705C5E: #755C59, #866E6C, #97807F, #A89292 and #B9A4A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #705C5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #705C5E: #705C5E, #5F4A4B, #4E3838, #3D2625 and #2C1412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 16 / 56

HEX #705C5E

RGB 112 92 94

HSL 354, 0.1%, 0.4%

LAB 41.07, 8.49, 1.9

 

Complementary color

CMYK 12 / 0 / 1 / 36

HEX #8FA3A1

RGB 143 163 161

HSL 174, 0.1%, 0.6%

LAB 65.44, -7.39, -1.34

 

CMYK 0 / 21 / 24 / 54

HEX #755C59

RGB 117 92 89

HSL 6.43, 0.14%, 0.4%

LAB 41.47, 9.7, 5.61

 

CMYK 0 / 18 / 19 / 47

HEX #866E6C

RGB 134 110 108

HSL 4.62, 0.11%, 0.47%

LAB 48.64, 9.12, 4.66

 

CMYK 0 / 15 / 16 / 41

HEX #97807F

RGB 151 128 127

HSL 2.5, 0.1%, 0.55%

LAB 55.63, 8.63, 3.81

 

CMYK 0 / 13 / 13 / 34

HEX #A89292

RGB 168 146 146

HSL 0, 0.11%, 0.62%

LAB 62.47, 8.2, 3.02

 

CMYK 0 / 11 / 11 / 27

HEX #B9A4A5

RGB 185 164 165

HSL 357.14, 0.13%, 0.68%

LAB 69.17, 7.81, 2.28

 

CMYK 0 / 18 / 16 / 56

HEX #705C5E

RGB 112 92 94

HSL 354, 0.1%, 0.4%

LAB 41.07, 8.49, 1.9

 

CMYK 0 / 22 / 21 / 63

HEX #5F4A4B

RGB 95 74 75

HSL 357.14, 0.12%, 0.33%

LAB 33.64, 9.07, 2.8

 

CMYK 0 / 28 / 28 / 69

HEX #4E3838

RGB 78 56 56

HSL 0, 0.16%, 0.26%

LAB 25.96, 9.79, 3.83

 

CMYK 0 / 38 / 39 / 76

HEX #3D2625

RGB 61 38 37

HSL 2.5, 0.24%, 0.19%

LAB 17.97, 10.73, 5.11

 

CMYK 0 / 55 / 59 / 83

HEX #2C1412

RGB 44 20 18

HSL 4.62, 0.42%, 0.12%

LAB 9.64, 12.01, 6.5

 

CMYK 0 / 18 / 16 / 56

HEX #705C5E

RGB 112 92 94

HSL 354, 0.1%, 0.4%

LAB 41.07, 8.49, 1.9

 

CMYK 0 / 17 / 19 / 56

HEX #705D5B

RGB 112 93 91

HSL 5.71, 0.1%, 0.4%

LAB 41.26, 7.35, 4.02

 

CMYK 0 / 14 / 19 / 56

HEX #70605B

RGB 112 96 91

HSL 14.29, 0.1%, 0.4%

LAB 42.1, 5.54, 5.23

 

CMYK 0 / 12 / 19 / 56

HEX #70635B

RGB 112 99 91

HSL 22.86, 0.1%, 0.4%

LAB 42.95, 3.74, 6.43

 

CMYK 0 / 8 / 19 / 56

HEX #70675B

RGB 112 103 91

HSL 34.29, 0.1%, 0.4%

LAB 44.09, 1.36, 8.05

 

CMYK 0 / 18 / 16 / 56

HEX #705C5E

RGB 112 92 94

HSL 354, 0.1%, 0.4%

LAB 41.07, 8.49, 1.9

 

CMYK 0 / 18 / 16 / 36

HEX #A38689

RGB 163 134 137

HSL 353.79, 0.14%, 0.58%

LAB 58.64, 11.53, 2.54

 

CMYK 0 / 18 / 16 / 16

HEX #D6B0B4

RGB 214 176 180

HSL 353.68, 0.32%, 0.76%

LAB 75.23, 14.39, 3.14

 

CMYK 0 / 20 / 20 / 96

HEX #0A0808

RGB 10 8 8

HSL 0, 0.11%, 0.04%

LAB 2.31, 0.52, 0.18

 

CMYK 0 / 18 / 16 / 76

HEX #3D3233

RGB 61 50 51

HSL 354.55, 0.1%, 0.22%

LAB 21.99, 5.14, 1.21

 

CMYK 0 / 18 / 16 / 56

HEX #705C5E

RGB 112 92 94

HSL 354, 0.1%, 0.4%

LAB 41.07, 8.49, 1.9

 

CMYK 2 / 0 / 19 / 56

HEX #6E705B

RGB 110 112 91

HSL 65.71, 0.1%, 0.4%

LAB 46.52, -4.73, 11.44

 

CMYK 19 / 9 / 0 / 56

HEX #5B6670

RGB 91 102 112

HSL 208.57, 0.1%, 0.4%

LAB 42.61, -1.85, -7.04

 

CMYK 0 / 18 / 16 / 56

HEX #705C5E

RGB 112 92 94

HSL 354, 0.1%, 0.4%

LAB 41.07, 8.49, 1.9

 

CMYK 17 / 0 / 19 / 56

HEX #5D705B

RGB 93 112 91

HSL 114.29, 0.1%, 0.4%

LAB 45.18, -11.51, 9.36

 

CMYK 19 / 17 / 0 / 56

HEX #5B5D70

RGB 91 93 112

HSL 234.29, 0.1%, 0.4%

LAB 39.95, 3.61, -11.03

 

CMYK 0 / 18 / 16 / 56

HEX #705C5E

RGB 112 92 94

HSL 354, 0.1%, 0.4%

LAB 41.07, 8.49, 1.9

 

CMYK 2 / 0 / 19 / 56

HEX #6E705B

RGB 110 112 91

HSL 65.71, 0.1%, 0.4%

LAB 46.52, -4.73, 11.44

 

CMYK 19 / 0 / 2 / 56

HEX #5B706E

RGB 91 112 110

HSL 174.29, 0.1%, 0.4%

LAB 45.55, -8.19, -1.48

 

CMYK 17 / 19 / 0 / 56

HEX #5D5B70

RGB 93 91 112

HSL 245.71, 0.1%, 0.4%

LAB 39.55, 5.56, -11.63

 

CMYK 0 / 18 / 16 / 56

HEX #705C5E

RGB 112 92 94

HSL 354, 0.1%, 0.4%

LAB 41.07, 8.49, 1.9

 

CMYK 7 / 0 / 19 / 56

HEX #68705B

RGB 104 112 91

HSL 82.86, 0.1%, 0.4%

LAB 46.02, -7.17, 10.67

 

CMYK 19 / 0 / 2 / 56

HEX #5B706E

RGB 91 112 110

HSL 174.29, 0.1%, 0.4%

LAB 45.55, -8.19, -1.48

 

CMYK 12 / 19 / 0 / 56

HEX #635B70

RGB 99 91 112

HSL 262.86, 0.1%, 0.4%

LAB 40.09, 7.75, -10.75

 

Description

Color code: HEX #705C5E | qconv.com Color code: HEX #705C5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 92 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 92 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 16 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 16% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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