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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #705B44 it is the complementary color #8FA4BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #705B44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #705B44 shade: #755B3F, #866D52, #977F65, #A89178 and #B9A38B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #705B44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #705B44 shade: #705B44, #5F4931, #4E371E, #3D250B and #2C1300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #705B44 shade: #6F5A44, #6F4F44 and #6F4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #705B44 shade: #6F5A44, #6F6644, #6C6F44, #606F44 and #556F44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #705B44 shade matches the following richer shades: #6F5A44, #7D5B35, #8C5C27, #9A5C19 and #A85D0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #705B44 shade: #6F5A44, #605A52, #525961, #43586F and #35587E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #705B44 shade: #6F4445, #6F4F44, #6F5A44, #6F6544 and #6D6F44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #705B44 shade: #3C3124, #554534, #6F5A44, #886F54 and #A08465

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #705B44 shade: #705B44, #506F44 and #49446F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #705B44 shade: #705B44, #446F5A and #5A446F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #705B44 shade: #705B44, #506F44, #44596F and #63446F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #705B44 shade: #705B44, #446F45, #44596F and #6F446E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 39 / 56

HEX #705B44

RGB 112 91 68

HSL 31.36, 0.24%, 0.35%

LAB 40.15, 5.01, 16.49

 

Complementary color

CMYK 24 / 12 / 0 / 27

HEX #8FA4BB

RGB 143 164 187

HSL 211.36, 0.24%, 0.65%

LAB 66.5, -2.17, -14.27

 

CMYK 0 / 22 / 46 / 54

HEX #755B3F

RGB 117 91 63

HSL 31.11, 0.3%, 0.35%

LAB 40.61, 6.64, 20.19

 

CMYK 0 / 19 / 39 / 47

HEX #866D52

RGB 134 109 82

HSL 31.15, 0.24%, 0.42%

LAB 47.77, 5.86, 18.81

 

CMYK 0 / 16 / 33 / 41

HEX #977F65

RGB 151 127 101

HSL 31.2, 0.2%, 0.49%

LAB 54.76, 5.22, 17.58

 

CMYK 0 / 14 / 29 / 34

HEX #A89178

RGB 168 145 120

HSL 31.25, 0.22%, 0.56%

LAB 61.6, 4.69, 16.46

 

CMYK 0 / 12 / 25 / 27

HEX #B9A38B

RGB 185 163 139

HSL 31.3, 0.25%, 0.64%

LAB 68.29, 4.24, 15.42

 

CMYK 0 / 19 / 39 / 56

HEX #705B44

RGB 112 91 68

HSL 31.36, 0.24%, 0.35%

LAB 40.15, 5.01, 16.49

 

CMYK 0 / 23 / 48 / 63

HEX #5F4931

RGB 95 73 49

HSL 31.3, 0.32%, 0.28%

LAB 32.74, 5.83, 17.92

 

CMYK 0 / 29 / 62 / 69

HEX #4E371E

RGB 78 55 30

HSL 31.25, 0.44%, 0.21%

LAB 25.09, 6.95, 19.56

 

CMYK 0 / 39 / 82 / 76

HEX #3D250B

RGB 61 37 11

HSL 31.2, 0.69%, 0.14%

LAB 17.18, 8.55, 20.62

 

CMYK 0 / 57 / 100 / 83

HEX #2C1300

RGB 44 19 0

HSL 25.91, 1%, 0.09%

LAB 9, 10.93, 13.71

 

CMYK 0 / 19 / 39 / 56

HEX #6F5A44

RGB 111 90 68

HSL 30.7, 0.24%, 0.35%

LAB 39.76, 5.17, 15.95

 

CMYK 0 / 29 / 39 / 56

HEX #6F4F44

RGB 111 79 68

HSL 15.35, 0.24%, 0.35%

LAB 36.72, 11.86, 11.81

 

CMYK 0 / 39 / 39 / 56

HEX #6F4444

RGB 111 68 68

HSL 0, 0.24%, 0.35%

LAB 33.84, 18.56, 7.8

 

CMYK 0 / 19 / 39 / 56

HEX #6F5A44

RGB 111 90 68

HSL 30.7, 0.24%, 0.35%

LAB 39.76, 5.17, 15.95

 

CMYK 0 / 8 / 39 / 56

HEX #6F6644

RGB 111 102 68

HSL 47.44, 0.24%, 0.35%

LAB 43.21, -1.97, 20.53

 

CMYK 3 / 0 / 39 / 56

HEX #6C6F44

RGB 108 111 68

HSL 64.19, 0.24%, 0.35%

LAB 45.6, -8.48, 23.58

 

CMYK 14 / 0 / 39 / 56

HEX #606F44

RGB 96 111 68

HSL 80.93, 0.24%, 0.35%

LAB 44.62, -13.63, 22.12

 

CMYK 23 / 0 / 39 / 56

HEX #556F44

RGB 85 111 68

HSL 96.28, 0.24%, 0.35%

LAB 43.83, -18.15, 20.93

 

CMYK 0 / 19 / 39 / 56

HEX #6F5A44

RGB 111 90 68

HSL 30.7, 0.24%, 0.35%

LAB 39.76, 5.17, 15.95

 

CMYK 0 / 27 / 58 / 51

HEX #7D5B35

RGB 125 91 53

HSL 31.67, 0.4%, 0.35%

LAB 41.37, 9.26, 27.17

 

CMYK 0 / 34 / 72 / 45

HEX #8C5C27

RGB 140 92 39

HSL 31.49, 0.56%, 0.35%

LAB 43.32, 14.54, 37.44

 

CMYK 0 / 40 / 84 / 40

HEX #9A5C19

RGB 154 92 25

HSL 31.16, 0.72%, 0.35%

LAB 45.07, 20.27, 46.1

 

CMYK 0 / 45 / 94 / 34

HEX #A85D0A

RGB 168 93 10

HSL 31.52, 0.89%, 0.35%

LAB 47.2, 25.55, 53.3

 

CMYK 0 / 19 / 39 / 56

HEX #6F5A44

RGB 111 90 68

HSL 30.7, 0.24%, 0.35%

LAB 39.76, 5.17, 15.95

 

CMYK 0 / 6 / 15 / 62

HEX #605A52

RGB 96 90 82

HSL 34.29, 0.08%, 0.35%

LAB 38.57, 0.87, 5.48

 

CMYK 15 / 8 / 0 / 62

HEX #525961

RGB 82 89 97

HSL 212, 0.08%, 0.35%

LAB 37.48, -0.88, -5.55

 

CMYK 40 / 21 / 0 / 56

HEX #43586F

RGB 67 88 111

HSL 211.36, 0.25%, 0.35%

LAB 36.59, -1.59, -15.69

 

CMYK 58 / 30 / 0 / 51

HEX #35587E

RGB 53 88 126

HSL 211.23, 0.41%, 0.35%

LAB 36.45, -0.53, -25.24

 

CMYK 0 / 39 / 38 / 56

HEX #6F4445

RGB 111 68 69

HSL 358.6, 0.24%, 0.35%

LAB 33.86, 18.7, 7.2

 

CMYK 0 / 29 / 39 / 56

HEX #6F4F44

RGB 111 79 68

HSL 15.35, 0.24%, 0.35%

LAB 36.72, 11.86, 11.81

 

CMYK 0 / 19 / 39 / 56

HEX #6F5A44

RGB 111 90 68

HSL 30.7, 0.24%, 0.35%

LAB 39.76, 5.17, 15.95

 

CMYK 0 / 9 / 39 / 56

HEX #6F6544

RGB 111 101 68

HSL 46.05, 0.24%, 0.35%

LAB 42.92, -1.38, 20.14

 

CMYK 2 / 0 / 39 / 56

HEX #6D6F44

RGB 109 111 68

HSL 62.79, 0.24%, 0.35%

LAB 45.69, -8.04, 23.7

 

CMYK 0 / 18 / 40 / 76

HEX #3C3124

RGB 60 49 36

HSL 32.5, 0.25%, 0.19%

LAB 21.15, 2.66, 10.16

 

CMYK 0 / 19 / 39 / 67

HEX #554534

RGB 85 69 52

HSL 30.91, 0.24%, 0.27%

LAB 30.49, 4.04, 12.85

 

CMYK 0 / 19 / 39 / 56

HEX #6F5A44

RGB 111 90 68

HSL 30.7, 0.24%, 0.35%

LAB 39.76, 5.17, 15.95

 

CMYK 0 / 18 / 38 / 47

HEX #886F54

RGB 136 111 84

HSL 31.15, 0.24%, 0.43%

LAB 48.57, 5.81, 18.75

 

CMYK 0 / 18 / 37 / 37

HEX #A08465

RGB 160 132 101

HSL 31.53, 0.24%, 0.51%

LAB 56.99, 6.15, 20.76

 

CMYK 0 / 19 / 39 / 56

HEX #705B44

RGB 112 91 68

HSL 31.36, 0.24%, 0.35%

LAB 40.15, 5.01, 16.49

 

CMYK 28 / 0 / 39 / 56

HEX #506F44

RGB 80 111 68

HSL 103.26, 0.24%, 0.35%

LAB 43.49, -20.12, 20.43

 

CMYK 34 / 39 / 0 / 56

HEX #49446F

RGB 73 68 111

HSL 246.98, 0.24%, 0.35%

LAB 31.11, 13.14, -24.15

 

CMYK 0 / 19 / 39 / 56

HEX #705B44

RGB 112 91 68

HSL 31.36, 0.24%, 0.35%

LAB 40.15, 5.01, 16.49

 

CMYK 39 / 0 / 19 / 56

HEX #446F5A

RGB 68 111 90

HSL 150.7, 0.24%, 0.35%

LAB 43.27, -20.09, 7.03

 

CMYK 19 / 39 / 0 / 56

HEX #5A446F

RGB 90 68 111

HSL 270.7, 0.24%, 0.35%

LAB 32.82, 18.74, -21.35

 

CMYK 0 / 19 / 39 / 56

HEX #705B44

RGB 112 91 68

HSL 31.36, 0.24%, 0.35%

LAB 40.15, 5.01, 16.49

 

CMYK 28 / 0 / 39 / 56

HEX #506F44

RGB 80 111 68

HSL 103.26, 0.24%, 0.35%

LAB 43.49, -20.12, 20.43

 

CMYK 39 / 20 / 0 / 56

HEX #44596F

RGB 68 89 111

HSL 210.7, 0.24%, 0.35%

LAB 36.97, -1.9, -15.11

 

CMYK 11 / 39 / 0 / 56

HEX #63446F

RGB 99 68 111

HSL 283.26, 0.24%, 0.35%

LAB 33.85, 21.83, -19.68

 

CMYK 0 / 19 / 39 / 56

HEX #705B44

RGB 112 91 68

HSL 31.36, 0.24%, 0.35%

LAB 40.15, 5.01, 16.49

 

CMYK 39 / 0 / 38 / 56

HEX #446F45

RGB 68 111 69

HSL 121.4, 0.24%, 0.35%

LAB 42.8, -24.37, 18.81

 

CMYK 39 / 20 / 0 / 56

HEX #44596F

RGB 68 89 111

HSL 210.7, 0.24%, 0.35%

LAB 36.97, -1.9, -15.11

 

CMYK 0 / 39 / 1 / 56

HEX #6F446E

RGB 111 68 110

HSL 301.4, 0.24%, 0.35%

LAB 35.28, 25.81, -16.72

 

Description

Color code: HEX #705B44 | qconv.com Color code: HEX #705B44 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 91 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 91 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 39 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 39% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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