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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #705984 it is the complementary color #8FA67B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #705984. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #705984 shade: #75597F, #866B92, #977DA5, #A88FB8 and #B9A1CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #705984. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #705984 shade: #705984, #5F4771, #4E355E, #3D234B and #2C1138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #705984 shade: #6F5982, #7A5982, #82597F, #825974 and #825969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #705984 shade: #6F5982, #645982 and #595982

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #705984 shade matches the following richer shades: #6F5982, #704794, #7235A6, #7324B8 and #7412C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #705984 shade: #6F5982, #6E6B71, #6D7C5F, #6B8E4D and #6AA03C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #705984 shade: #595982, #645982, #6F5982, #7A5982 and #825980

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #705984 shade: #453751, #5A486A, #6F5982, #846B9A and #9883AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #705984 shade: #705984, #825964 and #59825E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #705984 shade: #705984, #826F59 and #59826F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #705984 shade: #705984, #825964, #6C8259 and #598277

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #705984 shade: #705984, #825A59, #6C8259 and #598182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 33 / 0 / 48

HEX #705984

RGB 112 89 132

HSL 272.09, 0.19%, 0.43%

LAB 41.62, 18.31, -20.51

 

Complementary color

CMYK 14 / 0 / 26 / 35

HEX #8FA67B

RGB 143 166 123

HSL 92.09, 0.19%, 0.57%

LAB 65.39, -16.01, 19.68

 

CMYK 8 / 30 / 0 / 50

HEX #75597F

RGB 117 89 127

HSL 284.21, 0.18%, 0.42%

LAB 41.94, 18.9, -16.94

 

CMYK 8 / 27 / 0 / 43

HEX #866B92

RGB 134 107 146

HSL 281.54, 0.15%, 0.5%

LAB 49.08, 18.25, -17.26

 

CMYK 8 / 24 / 0 / 35

HEX #977DA5

RGB 151 125 165

HSL 279, 0.18%, 0.57%

LAB 56.05, 17.66, -17.57

 

CMYK 9 / 22 / 0 / 28

HEX #A88FB8

RGB 168 143 184

HSL 276.59, 0.22%, 0.64%

LAB 62.87, 17.14, -17.89

 

CMYK 9 / 21 / 0 / 20

HEX #B9A1CB

RGB 185 161 203

HSL 274.29, 0.29%, 0.71%

LAB 69.55, 16.65, -18.22

 

CMYK 15 / 33 / 0 / 48

HEX #705984

RGB 112 89 132

HSL 272.09, 0.19%, 0.43%

LAB 41.62, 18.31, -20.51

 

CMYK 16 / 37 / 0 / 56

HEX #5F4771

RGB 95 71 113

HSL 274.29, 0.23%, 0.36%

LAB 34.26, 19.06, -20.34

 

CMYK 17 / 44 / 0 / 63

HEX #4E355E

RGB 78 53 94

HSL 276.59, 0.28%, 0.29%

LAB 26.66, 19.91, -20.19

 

CMYK 19 / 53 / 0 / 71

HEX #3D234B

RGB 61 35 75

HSL 279, 0.36%, 0.22%

LAB 18.81, 20.86, -20.02

 

CMYK 21 / 70 / 0 / 78

HEX #2C1138

RGB 44 17 56

HSL 281.54, 0.53%, 0.14%

LAB 10.72, 21.78, -19.72

 

CMYK 15 / 32 / 0 / 49

HEX #6F5982

RGB 111 89 130

HSL 272.2, 0.19%, 0.43%

LAB 41.43, 17.49, -19.6

 

CMYK 6 / 32 / 0 / 49

HEX #7A5982

RGB 122 89 130

HSL 288.29, 0.19%, 0.43%

LAB 42.6, 21.32, -17.7

 

CMYK 0 / 32 / 2 / 49

HEX #82597F

RGB 130 89 127

HSL 304.39, 0.19%, 0.43%

LAB 43.39, 23.53, -14.59

 

CMYK 0 / 32 / 11 / 49

HEX #825974

RGB 130 89 116

HSL 320.49, 0.19%, 0.43%

LAB 42.99, 21.41, -8.51

 

CMYK 0 / 32 / 19 / 49

HEX #825969

RGB 130 89 105

HSL 336.59, 0.19%, 0.43%

LAB 42.63, 19.45, -2.32

 

CMYK 15 / 32 / 0 / 49

HEX #6F5982

RGB 111 89 130

HSL 272.2, 0.19%, 0.43%

LAB 41.43, 17.49, -19.6

 

CMYK 23 / 32 / 0 / 49

HEX #645982

RGB 100 89 130

HSL 256.1, 0.19%, 0.43%

LAB 40.35, 13.76, -21.35

 

CMYK 32 / 32 / 0 / 49

HEX #595982

RGB 89 89 130

HSL 240, 0.19%, 0.43%

LAB 39.38, 10.18, -22.94

 

CMYK 15 / 32 / 0 / 49

HEX #6F5982

RGB 111 89 130

HSL 272.2, 0.19%, 0.43%

LAB 41.43, 17.49, -19.6

 

CMYK 24 / 52 / 0 / 42

HEX #704794

RGB 112 71 148

HSL 271.95, 0.35%, 0.43%

LAB 38, 33.04, -35.88

 

CMYK 31 / 68 / 0 / 35

HEX #7235A6

RGB 114 53 166

HSL 272.39, 0.52%, 0.43%

LAB 35.75, 47.73, -50.34

 

CMYK 38 / 80 / 0 / 28

HEX #7324B8

RGB 115 36 184

HSL 272.03, 0.67%, 0.43%

LAB 34.74, 59.4, -62.7

 

CMYK 42 / 91 / 0 / 21

HEX #7412C9

RGB 116 18 201

HSL 272.13, 0.84%, 0.43%

LAB 34.73, 68.28, -72.71

 

CMYK 15 / 32 / 0 / 49

HEX #6F5982

RGB 111 89 130

HSL 272.2, 0.19%, 0.43%

LAB 41.43, 17.49, -19.6

 

CMYK 3 / 5 / 0 / 56

HEX #6E6B71

RGB 110 107 113

HSL 270, 0.03%, 0.43%

LAB 45.67, 2.4, -2.93

 

CMYK 12 / 0 / 23 / 51

HEX #6D7C5F

RGB 109 124 95

HSL 91.03, 0.13%, 0.43%

LAB 50.09, -11.22, 14.03

 

CMYK 25 / 0 / 46 / 44

HEX #6B8E4D

RGB 107 142 77

HSL 92.31, 0.3%, 0.43%

LAB 55.08, -24.25, 30.66

 

CMYK 34 / 0 / 63 / 37

HEX #6AA03C

RGB 106 160 60

HSL 92.4, 0.45%, 0.43%

LAB 60.37, -35.13, 45.32

 

CMYK 32 / 32 / 0 / 49

HEX #595982

RGB 89 89 130

HSL 240, 0.19%, 0.43%

LAB 39.38, 10.18, -22.94

 

CMYK 23 / 32 / 0 / 49

HEX #645982

RGB 100 89 130

HSL 256.1, 0.19%, 0.43%

LAB 40.35, 13.76, -21.35

 

CMYK 15 / 32 / 0 / 49

HEX #6F5982

RGB 111 89 130

HSL 272.2, 0.19%, 0.43%

LAB 41.43, 17.49, -19.6

 

CMYK 6 / 32 / 0 / 49

HEX #7A5982

RGB 122 89 130

HSL 288.29, 0.19%, 0.43%

LAB 42.6, 21.32, -17.7

 

CMYK 0 / 32 / 2 / 49

HEX #825980

RGB 130 89 128

HSL 302.93, 0.19%, 0.43%

LAB 43.43, 23.73, -15.14

 

CMYK 15 / 32 / 0 / 68

HEX #453751

RGB 69 55 81

HSL 272.31, 0.19%, 0.27%

LAB 25.54, 12.05, -13.49

 

CMYK 15 / 32 / 0 / 58

HEX #5A486A

RGB 90 72 106

HSL 271.76, 0.19%, 0.35%

LAB 33.67, 14.95, -16.9

 

CMYK 15 / 32 / 0 / 49

HEX #6F5982

RGB 111 89 130

HSL 272.2, 0.19%, 0.43%

LAB 41.43, 17.49, -19.6

 

CMYK 14 / 31 / 0 / 40

HEX #846B9A

RGB 132 107 154

HSL 271.91, 0.19%, 0.51%

LAB 49.2, 19.35, -21.82

 

CMYK 11 / 23 / 0 / 33

HEX #9883AB

RGB 152 131 171

HSL 271.5, 0.19%, 0.59%

LAB 57.89, 15.83, -18.21

 

CMYK 15 / 33 / 0 / 48

HEX #705984

RGB 112 89 132

HSL 272.09, 0.19%, 0.43%

LAB 41.62, 18.31, -20.51

 

CMYK 0 / 32 / 23 / 49

HEX #825964

RGB 130 89 100

HSL 343.9, 0.19%, 0.43%

LAB 42.48, 18.62, 0.52

 

CMYK 32 / 0 / 28 / 49

HEX #59825E

RGB 89 130 94

HSL 127.32, 0.19%, 0.43%

LAB 50.57, -22.1, 15.06

 

CMYK 15 / 33 / 0 / 48

HEX #705984

RGB 112 89 132

HSL 272.09, 0.19%, 0.43%

LAB 41.62, 18.31, -20.51

 

CMYK 0 / 15 / 32 / 49

HEX #826F59

RGB 130 111 89

HSL 32.2, 0.19%, 0.43%

LAB 48.05, 3.92, 15.03

 

CMYK 32 / 0 / 15 / 49

HEX #59826F

RGB 89 130 111

HSL 152.2, 0.19%, 0.43%

LAB 50.96, -18.6, 5.76

 

CMYK 15 / 33 / 0 / 48

HEX #705984

RGB 112 89 132

HSL 272.09, 0.19%, 0.43%

LAB 41.62, 18.31, -20.51

 

CMYK 0 / 32 / 23 / 49

HEX #825964

RGB 130 89 100

HSL 343.9, 0.19%, 0.43%

LAB 42.48, 18.62, 0.52

 

CMYK 17 / 0 / 32 / 49

HEX #6C8259

RGB 108 130 89

HSL 92.2, 0.19%, 0.43%

LAB 51.7, -15.88, 19.65

 

CMYK 32 / 0 / 8 / 49

HEX #598277

RGB 89 130 119

HSL 163.9, 0.19%, 0.43%

LAB 51.18, -16.78, 1.4

 

CMYK 15 / 33 / 0 / 48

HEX #705984

RGB 112 89 132

HSL 272.09, 0.19%, 0.43%

LAB 41.62, 18.31, -20.51

 

CMYK 0 / 31 / 32 / 49

HEX #825A59

RGB 130 90 89

HSL 1.46, 0.19%, 0.43%

LAB 42.43, 16.33, 7.18

 

CMYK 17 / 0 / 32 / 49

HEX #6C8259

RGB 108 130 89

HSL 92.2, 0.19%, 0.43%

LAB 51.7, -15.88, 19.65

 

CMYK 32 / 1 / 0 / 49

HEX #598182

RGB 89 129 130

HSL 181.46, 0.19%, 0.43%

LAB 51.19, -13.55, -5.01

 

Description

Color code: HEX #705984 | qconv.com Color code: HEX #705984 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 89 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 89 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 33 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 33% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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