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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7058AE it is the complementary color #8FA751. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7058AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7058AE shade: #7558A9, #866ABC, #977CCF, #A88EE2 and #B9A0F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7058AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7058AE shade: #7058AE, #5F469B, #4E3488, #3D2275 and #2C1062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7058AE shade: #6F56AE, #8656AE, #9E56AE, #AE56A6 and #AE568E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7058AE shade: #6F56AE, #5756AE and #5656AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7058AE shade matches the following richer shades: #6F56AE, #6642C2, #5D2ED6, #541AEA and #4B05FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7058AE shade: #6F56AE, #786B9A, #817F85, #8A9371 and #92A75D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7058AE shade: #566EAE, #5656AE, #6E56AE, #8556AE and #9C56AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7058AE shade: #4B3A78, #5C4794, #6F56AE, #8772BB and #9E8EC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7058AE shade: #7058AE, #AE5685 and #62AE56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7058AE shade: #7058AE, #AE6E56 and #56AE6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7058AE shade: #7058AE, #AE5685, #96AE56 and #56AE7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7058AE shade: #7058AE, #AE566B, #96AE56 and #56AE99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 49 / 0 / 32

HEX #7058AE

RGB 112 88 174

HSL 256.74, 0.35%, 0.51%

LAB 43.48, 29.76, -42.7

 

Complementary color

CMYK 14 / 0 / 51 / 35

HEX #8FA751

RGB 143 167 81

HSL 76.74, 0.35%, 0.49%

LAB 65.02, -22.04, 41.31

 

CMYK 31 / 48 / 0 / 34

HEX #7558A9

RGB 117 88 169

HSL 261.48, 0.32%, 0.5%

LAB 43.69, 29.77, -39.38

 

CMYK 29 / 44 / 0 / 26

HEX #866ABC

RGB 134 106 188

HSL 260.49, 0.38%, 0.58%

LAB 50.7, 28.82, -39.28

 

CMYK 27 / 40 / 0 / 19

HEX #977CCF

RGB 151 124 207

HSL 259.52, 0.46%, 0.65%

LAB 57.56, 27.97, -39.22

 

CMYK 26 / 37 / 0 / 11

HEX #A88EE2

RGB 168 142 226

HSL 258.57, 0.59%, 0.72%

LAB 64.29, 27.2, -39.19

 

CMYK 24 / 35 / 0 / 4

HEX #B9A0F5

RGB 185 160 245

HSL 257.65, 0.81%, 0.79%

LAB 70.9, 26.49, -39.19

 

CMYK 36 / 49 / 0 / 32

HEX #7058AE

RGB 112 88 174

HSL 256.74, 0.35%, 0.51%

LAB 43.48, 29.76, -42.7

 

CMYK 39 / 55 / 0 / 39

HEX #5F469B

RGB 95 70 155

HSL 257.65, 0.38%, 0.44%

LAB 36.33, 30.91, -42.9

 

CMYK 43 / 62 / 0 / 47

HEX #4E3488

RGB 78 52 136

HSL 258.57, 0.45%, 0.37%

LAB 29.04, 32.18, -43.09

 

CMYK 48 / 71 / 0 / 54

HEX #3D2275

RGB 61 34 117

HSL 259.52, 0.55%, 0.3%

LAB 21.65, 33.49, -43.17

 

CMYK 55 / 84 / 0 / 62

HEX #2C1062

RGB 44 16 98

HSL 260.49, 0.72%, 0.22%

LAB 14.33, 34.46, -42.84

 

CMYK 36 / 51 / 0 / 32

HEX #6F56AE

RGB 111 86 174

HSL 257.05, 0.35%, 0.51%

LAB 42.9, 30.69, -43.63

 

CMYK 23 / 51 / 0 / 32

HEX #8656AE

RGB 134 86 174

HSL 272.73, 0.35%, 0.51%

LAB 45.33, 36.95, -39.61

 

CMYK 9 / 51 / 0 / 32

HEX #9E56AE

RGB 158 86 174

HSL 289.09, 0.35%, 0.51%

LAB 48.24, 43.77, -34.84

 

CMYK 0 / 51 / 5 / 32

HEX #AE56A6

RGB 174 86 166

HSL 305.45, 0.35%, 0.51%

LAB 49.99, 46.94, -27.25

 

CMYK 0 / 51 / 18 / 32

HEX #AE568E

RGB 174 86 142

HSL 321.82, 0.35%, 0.51%

LAB 49.02, 42.94, -14.53

 

CMYK 36 / 51 / 0 / 32

HEX #6F56AE

RGB 111 86 174

HSL 257.05, 0.35%, 0.51%

LAB 42.9, 30.69, -43.63

 

CMYK 50 / 51 / 0 / 32

HEX #5756AE

RGB 87 86 174

HSL 240.68, 0.35%, 0.51%

LAB 40.8, 24.78, -47.11

 

CMYK 51 / 51 / 0 / 32

HEX #5656AE

RGB 86 86 174

HSL 240, 0.35%, 0.51%

LAB 40.72, 24.55, -47.24

 

CMYK 36 / 51 / 0 / 32

HEX #6F56AE

RGB 111 86 174

HSL 257.05, 0.35%, 0.51%

LAB 42.9, 30.69, -43.63

 

CMYK 47 / 66 / 0 / 24

HEX #6642C2

RGB 102 66 194

HSL 256.88, 0.51%, 0.51%

LAB 38.93, 45.87, -61.81

 

CMYK 57 / 79 / 0 / 16

HEX #5D2ED6

RGB 93 46 214

HSL 256.79, 0.67%, 0.51%

LAB 36.25, 59.95, -77.85

 

CMYK 64 / 89 / 0 / 8

HEX #541AEA

RGB 84 26 234

HSL 256.73, 0.83%, 0.51%

LAB 35.13, 71.33, -91.18

 

CMYK 71 / 98 / 0 / 0

HEX #4B05FF

RGB 75 5 255

HSL 256.8, 1%, 0.51%

LAB 35.64, 79.7, -102.21

 

CMYK 36 / 51 / 0 / 32

HEX #6F56AE

RGB 111 86 174

HSL 257.05, 0.35%, 0.51%

LAB 42.9, 30.69, -43.63

 

CMYK 22 / 31 / 0 / 40

HEX #786B9A

RGB 120 107 154

HSL 256.6, 0.19%, 0.51%

LAB 48.06, 15.39, -23.66

 

CMYK 3 / 5 / 0 / 48

HEX #817F85

RGB 129 127 133

HSL 260, 0.02%, 0.51%

LAB 53.53, 1.96, -2.98

 

CMYK 6 / 0 / 23 / 42

HEX #8A9371

RGB 138 147 113

HSL 75.88, 0.14%, 0.51%

LAB 59.4, -9.43, 16.95

 

CMYK 13 / 0 / 44 / 35

HEX #92A75D

RGB 146 167 93

HSL 77.03, 0.3%, 0.51%

LAB 65.39, -19.52, 35.75

 

CMYK 51 / 37 / 0 / 32

HEX #566EAE

RGB 86 110 174

HSL 223.64, 0.35%, 0.51%

LAB 47.22, 9.52, -36.9

 

CMYK 51 / 51 / 0 / 32

HEX #5656AE

RGB 86 86 174

HSL 240, 0.35%, 0.51%

LAB 40.72, 24.55, -47.24

 

CMYK 37 / 51 / 0 / 32

HEX #6E56AE

RGB 110 86 174

HSL 256.36, 0.35%, 0.51%

LAB 42.8, 30.43, -43.79

 

CMYK 24 / 51 / 0 / 32

HEX #8556AE

RGB 133 86 174

HSL 272.05, 0.35%, 0.51%

LAB 45.22, 36.67, -39.8

 

CMYK 10 / 51 / 0 / 32

HEX #9C56AE

RGB 156 86 174

HSL 287.73, 0.35%, 0.51%

LAB 47.98, 43.2, -35.26

 

CMYK 38 / 52 / 0 / 53

HEX #4B3A78

RGB 75 58 120

HSL 256.45, 0.35%, 0.35%

LAB 29.1, 22.92, -32.99

 

CMYK 38 / 52 / 0 / 42

HEX #5C4794

RGB 92 71 148

HSL 256.36, 0.35%, 0.43%

LAB 35.83, 27.51, -39.47

 

CMYK 36 / 51 / 0 / 32

HEX #6F56AE

RGB 111 86 174

HSL 257.05, 0.35%, 0.51%

LAB 42.9, 30.69, -43.63

 

CMYK 28 / 39 / 0 / 27

HEX #8772BB

RGB 135 114 187

HSL 257.26, 0.35%, 0.59%

LAB 52.7, 24.14, -35.55

 

CMYK 21 / 29 / 0 / 21

HEX #9E8EC9

RGB 158 142 201

HSL 256.27, 0.35%, 0.67%

LAB 62.37, 18.25, -28.31

 

CMYK 36 / 49 / 0 / 32

HEX #7058AE

RGB 112 88 174

HSL 256.74, 0.35%, 0.51%

LAB 43.48, 29.76, -42.7

 

CMYK 0 / 51 / 24 / 32

HEX #AE5685

RGB 174 86 133

HSL 327.95, 0.35%, 0.51%

LAB 48.7, 41.57, -9.64

 

CMYK 44 / 0 / 51 / 32

HEX #62AE56

RGB 98 174 86

HSL 111.82, 0.35%, 0.51%

LAB 64.6, -41.09, 37.71

 

CMYK 36 / 49 / 0 / 32

HEX #7058AE

RGB 112 88 174

HSL 256.74, 0.35%, 0.51%

LAB 43.48, 29.76, -42.7

 

CMYK 0 / 37 / 51 / 32

HEX #AE6E56

RGB 174 110 86

HSL 16.36, 0.35%, 0.51%

LAB 52.75, 22.76, 23.95

 

CMYK 51 / 0 / 37 / 32

HEX #56AE6E

RGB 86 174 110

HSL 136.36, 0.35%, 0.51%

LAB 64.46, -40.82, 24.96

 

CMYK 36 / 49 / 0 / 32

HEX #7058AE

RGB 112 88 174

HSL 256.74, 0.35%, 0.51%

LAB 43.48, 29.76, -42.7

 

CMYK 0 / 51 / 24 / 32

HEX #AE5685

RGB 174 86 133

HSL 327.95, 0.35%, 0.51%

LAB 48.7, 41.57, -9.64

 

CMYK 14 / 0 / 51 / 32

HEX #96AE56

RGB 150 174 86

HSL 76.36, 0.35%, 0.51%

LAB 67.6, -22.21, 42.05

 

CMYK 51 / 0 / 27 / 32

HEX #56AE7F

RGB 86 174 127

HSL 147.95, 0.35%, 0.51%

LAB 64.79, -37.54, 16.18

 

CMYK 36 / 49 / 0 / 32

HEX #7058AE

RGB 112 88 174

HSL 256.74, 0.35%, 0.51%

LAB 43.48, 29.76, -42.7

 

CMYK 0 / 51 / 39 / 32

HEX #AE566B

RGB 174 86 107

HSL 345.68, 0.35%, 0.51%

LAB 47.9, 38.11, 4.85

 

CMYK 14 / 0 / 51 / 32

HEX #96AE56

RGB 150 174 86

HSL 76.36, 0.35%, 0.51%

LAB 67.6, -22.21, 42.05

 

CMYK 51 / 0 / 12 / 32

HEX #56AE99

RGB 86 174 153

HSL 165.68, 0.35%, 0.51%

LAB 65.4, -31.68, 2.68

 

Description

Color code: HEX #7058AE | qconv.com Color code: HEX #7058AE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 88 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 88 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 49 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 49% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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