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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70538A it is the complementary color #8FAC75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70538A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70538A shade: #755385, #866598, #9777AB, #A889BE and #B99BD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70538A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70538A shade: #70538A, #5F4177, #4E2F64, #3D1D51 and #2C0B3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70538A shade: #6F5289, #7E5289, #895285, #895277 and #895268

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70538A shade: #6F5289, #605289 and #525289

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70538A shade matches the following richer shades: #6F5289, #70409B, #712FAD, #721DBE and #730BD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70538A shade: #6F5289, #6E6477, #6D7666, #6C8754 and #6B9942

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70538A shade: #525389, #605289, #6F5289, #7D5289 and #895286

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70538A shade: #453355, #5A436F, #6F5289, #8463A1 and #987DB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70538A shade: #70538A, #895262 and #528959

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70538A shade: #70538A, #896F52 and #52896F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70538A shade: #70538A, #895262, #6D8952 and #52897A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70538A shade: #70538A, #895352, #6D8952 and #528889

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 40 / 0 / 46

HEX #70538A

RGB 112 83 138

HSL 271.64, 0.25%, 0.43%

LAB 40.35, 23.41, -26.12

 

Complementary color

CMYK 17 / 0 / 32 / 33

HEX #8FAC75

RGB 143 172 117

HSL 91.64, 0.25%, 0.57%

LAB 67, -20.02, 25.11

 

CMYK 12 / 38 / 0 / 48

HEX #755385

RGB 117 83 133

HSL 280.8, 0.23%, 0.42%

LAB 40.67, 23.88, -22.54

 

CMYK 12 / 34 / 0 / 40

HEX #866598

RGB 134 101 152

HSL 278.82, 0.2%, 0.5%

LAB 47.81, 23.12, -22.76

 

CMYK 12 / 30 / 0 / 33

HEX #9777AB

RGB 151 119 171

HSL 276.92, 0.24%, 0.57%

LAB 54.78, 22.44, -22.99

 

CMYK 12 / 28 / 0 / 25

HEX #A889BE

RGB 168 137 190

HSL 275.09, 0.29%, 0.64%

LAB 61.6, 21.81, -23.22

 

CMYK 11 / 26 / 0 / 18

HEX #B99BD1

RGB 185 155 209

HSL 273.33, 0.37%, 0.71%

LAB 68.29, 21.24, -23.47

 

CMYK 19 / 40 / 0 / 46

HEX #70538A

RGB 112 83 138

HSL 271.64, 0.25%, 0.43%

LAB 40.35, 23.41, -26.12

 

CMYK 20 / 45 / 0 / 53

HEX #5F4177

RGB 95 65 119

HSL 273.33, 0.29%, 0.36%

LAB 33.02, 24.28, -26.03

 

CMYK 22 / 53 / 0 / 61

HEX #4E2F64

RGB 78 47 100

HSL 275.09, 0.36%, 0.29%

LAB 25.48, 25.24, -25.94

 

CMYK 25 / 64 / 0 / 68

HEX #3D1D51

RGB 61 29 81

HSL 276.92, 0.47%, 0.22%

LAB 17.76, 26.19, -25.76

 

CMYK 29 / 82 / 0 / 76

HEX #2C0B3E

RGB 44 11 62

HSL 278.82, 0.7%, 0.14%

LAB 9.97, 26.72, -25.21

 

CMYK 19 / 40 / 0 / 46

HEX #6F5289

RGB 111 82 137

HSL 271.64, 0.25%, 0.43%

LAB 39.95, 23.45, -26.15

 

CMYK 8 / 40 / 0 / 46

HEX #7E5289

RGB 126 82 137

HSL 288, 0.25%, 0.43%

LAB 41.65, 28.36, -23.37

 

CMYK 0 / 40 / 3 / 46

HEX #895285

RGB 137 82 133

HSL 304.36, 0.25%, 0.43%

LAB 42.83, 31.22, -19.01

 

CMYK 0 / 40 / 13 / 46

HEX #895277

RGB 137 82 119

HSL 319.64, 0.25%, 0.43%

LAB 42.28, 28.62, -11.32

 

CMYK 0 / 40 / 24 / 46

HEX #895268

RGB 137 82 104

HSL 336, 0.25%, 0.43%

LAB 41.77, 26.1, -2.87

 

CMYK 19 / 40 / 0 / 46

HEX #6F5289

RGB 111 82 137

HSL 271.64, 0.25%, 0.43%

LAB 39.95, 23.45, -26.15

 

CMYK 30 / 40 / 0 / 46

HEX #605289

RGB 96 82 137

HSL 255.27, 0.25%, 0.43%

LAB 38.42, 18.71, -28.65

 

CMYK 40 / 40 / 0 / 46

HEX #525289

RGB 82 82 137

HSL 240, 0.25%, 0.43%

LAB 37.18, 14.54, -30.69

 

CMYK 19 / 40 / 0 / 46

HEX #6F5289

RGB 111 82 137

HSL 271.64, 0.25%, 0.43%

LAB 39.95, 23.45, -26.15

 

CMYK 28 / 59 / 0 / 39

HEX #70409B

RGB 112 64 155

HSL 271.65, 0.42%, 0.43%

LAB 36.89, 38.78, -41.89

 

CMYK 35 / 73 / 0 / 32

HEX #712FAD

RGB 113 47 173

HSL 271.43, 0.57%, 0.43%

LAB 35.12, 52.04, -55.54

 

CMYK 40 / 85 / 0 / 25

HEX #721DBE

RGB 114 29 190

HSL 271.68, 0.74%, 0.43%

LAB 34.34, 62.9, -66.9

 

CMYK 45 / 95 / 0 / 18

HEX #730BD0

RGB 115 11 208

HSL 271.68, 0.9%, 0.43%

LAB 34.88, 70.85, -76.54

 

CMYK 19 / 40 / 0 / 46

HEX #6F5289

RGB 111 82 137

HSL 271.64, 0.25%, 0.43%

LAB 39.95, 23.45, -26.15

 

CMYK 8 / 16 / 0 / 53

HEX #6E6477

RGB 110 100 119

HSL 271.58, 0.09%, 0.43%

LAB 43.89, 7.9, -9.2

 

CMYK 8 / 0 / 14 / 54

HEX #6D7666

RGB 109 118 102

HSL 93.75, 0.07%, 0.43%

LAB 48.47, -6.59, 7.67

 

CMYK 20 / 0 / 38 / 47

HEX #6C8754

RGB 108 135 84

HSL 91.76, 0.23%, 0.43%

LAB 53.12, -19.3, 24.35

 

CMYK 30 / 0 / 57 / 40

HEX #6B9942

RGB 107 153 66

HSL 91.72, 0.4%, 0.43%

LAB 58.32, -30.91, 40.19

 

CMYK 40 / 39 / 0 / 46

HEX #525389

RGB 82 83 137

HSL 238.91, 0.25%, 0.43%

LAB 37.46, 13.9, -30.26

 

CMYK 30 / 40 / 0 / 46

HEX #605289

RGB 96 82 137

HSL 255.27, 0.25%, 0.43%

LAB 38.42, 18.71, -28.65

 

CMYK 19 / 40 / 0 / 46

HEX #6F5289

RGB 111 82 137

HSL 271.64, 0.25%, 0.43%

LAB 39.95, 23.45, -26.15

 

CMYK 9 / 40 / 0 / 46

HEX #7D5289

RGB 125 82 137

HSL 286.91, 0.25%, 0.43%

LAB 41.53, 28.03, -23.56

 

CMYK 0 / 40 / 2 / 46

HEX #895286

RGB 137 82 134

HSL 303.27, 0.25%, 0.43%

LAB 42.87, 31.42, -19.55

 

CMYK 19 / 40 / 0 / 67

HEX #453355

RGB 69 51 85

HSL 271.76, 0.25%, 0.27%

LAB 24.6, 15.74, -17.58

 

CMYK 19 / 40 / 0 / 56

HEX #5A436F

RGB 90 67 111

HSL 271.36, 0.25%, 0.35%

LAB 32.56, 19.37, -21.76

 

CMYK 19 / 40 / 0 / 46

HEX #6F5289

RGB 111 82 137

HSL 271.64, 0.25%, 0.43%

LAB 39.95, 23.45, -26.15

 

CMYK 18 / 39 / 0 / 37

HEX #8463A1

RGB 132 99 161

HSL 271.94, 0.25%, 0.51%

LAB 47.5, 25.72, -28.57

 

CMYK 14 / 29 / 0 / 31

HEX #987DB1

RGB 152 125 177

HSL 271.15, 0.25%, 0.59%

LAB 56.6, 20.62, -23.62

 

CMYK 19 / 40 / 0 / 46

HEX #70538A

RGB 112 83 138

HSL 271.64, 0.25%, 0.43%

LAB 40.35, 23.41, -26.12

 

CMYK 0 / 40 / 28 / 46

HEX #895262

RGB 137 82 98

HSL 342.55, 0.25%, 0.43%

LAB 41.59, 25.18, 0.56

 

CMYK 40 / 0 / 35 / 46

HEX #528959

RGB 82 137 89

HSL 127.64, 0.25%, 0.43%

LAB 52.29, -28.88, 20.18

 

CMYK 19 / 40 / 0 / 46

HEX #70538A

RGB 112 83 138

HSL 271.64, 0.25%, 0.43%

LAB 40.35, 23.41, -26.12

 

CMYK 0 / 19 / 40 / 46

HEX #896F52

RGB 137 111 82

HSL 31.64, 0.25%, 0.43%

LAB 48.63, 5.99, 20.02

 

CMYK 40 / 0 / 19 / 46

HEX #52896F

RGB 82 137 111

HSL 151.64, 0.25%, 0.43%

LAB 52.77, -24.45, 8.28

 

CMYK 19 / 40 / 0 / 46

HEX #70538A

RGB 112 83 138

HSL 271.64, 0.25%, 0.43%

LAB 40.35, 23.41, -26.12

 

CMYK 0 / 40 / 28 / 46

HEX #895262

RGB 137 82 98

HSL 342.55, 0.25%, 0.43%

LAB 41.59, 25.18, 0.56

 

CMYK 20 / 0 / 40 / 46

HEX #6D8952

RGB 109 137 82

HSL 90.55, 0.25%, 0.43%

LAB 53.76, -20.23, 26.3

 

CMYK 40 / 0 / 11 / 46

HEX #52897A

RGB 82 137 122

HSL 163.64, 0.25%, 0.43%

LAB 53.05, -21.9, 2.33

 

CMYK 19 / 40 / 0 / 46

HEX #70538A

RGB 112 83 138

HSL 271.64, 0.25%, 0.43%

LAB 40.35, 23.41, -26.12

 

CMYK 0 / 39 / 40 / 46

HEX #895352

RGB 137 83 82

HSL 1.09, 0.25%, 0.43%

LAB 41.4, 22.4, 10.15

 

CMYK 20 / 0 / 40 / 46

HEX #6D8952

RGB 109 137 82

HSL 90.55, 0.25%, 0.43%

LAB 53.76, -20.23, 26.3

 

CMYK 40 / 1 / 0 / 46

HEX #528889

RGB 82 136 137

HSL 181.09, 0.25%, 0.43%

LAB 53.18, -17.58, -6.19

 

Description

Color code: HEX #70538A | qconv.com Color code: HEX #70538A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 83 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 83 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 40 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 40% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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