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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7052CD it is the complementary color #8FAD32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7052CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7052CD shade: #7552C8, #8664DB, #9776EE, #A888FF and #B99AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7052CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7052CD shade: #7052CD, #5F40BA, #4E2EA7, #3D1C94 and #2C0A81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7052CD shade: #6F51CD, #9051CD, #B251CD, #CD51C6 and #CD51A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7052CD shade: #6F51CD and #5151CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7052CD shade matches the following richer shades: #6F51CD, #663FDF and #5D2DF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7052CD shade: #6F51CD, #7863BA, #8275A8, #8B8896 and #949A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7052CD shade: #5176CD, #5155CD, #6E51CD, #8F51CD and #B051CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7052CD shade: #492E9D, #5837BD, #6F51CD, #8A71D6 and #A491DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7052CD shade: #7052CD, #CD5197 and #66CD51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7052CD shade: #7052CD, #CD6E51 and #51CD6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7052CD shade: #7052CD, #CD5197, #B0CD51 and #51CD87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7052CD shade: #7052CD, #CD5172, #B0CD51 and #51CDAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 60 / 0 / 20

HEX #7052CD

RGB 112 82 205

HSL 254.63, 0.55%, 0.56%

LAB 44.07, 41.99, -59.8

 

Complementary color

CMYK 17 / 0 / 71 / 32

HEX #8FAD32

RGB 143 173 50

HSL 74.63, 0.55%, 0.44%

LAB 66.49, -27.49, 56.6

 

CMYK 42 / 59 / 0 / 22

HEX #7552C8

RGB 117 82 200

HSL 257.8, 0.52%, 0.55%

LAB 44.21, 41.66, -56.66

 

CMYK 39 / 54 / 0 / 14

HEX #8664DB

RGB 134 100 219

HSL 257.14, 0.62%, 0.63%

LAB 51.03, 40.46, -56.47

 

CMYK 37 / 50 / 0 / 7

HEX #9776EE

RGB 151 118 238

HSL 256.5, 0.78%, 0.7%

LAB 57.76, 39.33, -56.27

 

CMYK 34 / 47 / 0 / 0

HEX #A888FF

RGB 168 136 255

HSL 256.13, 1%, 0.77%

LAB 64.28, 37.79, -55.16

 

CMYK 27 / 40 / 0 / 0

HEX #B99AFF

RGB 185 154 255

HSL 258.42, 1%, 0.8%

LAB 69.93, 32.21, -46.15

 

CMYK 45 / 60 / 0 / 20

HEX #7052CD

RGB 112 82 205

HSL 254.63, 0.55%, 0.56%

LAB 44.07, 41.99, -59.8

 

CMYK 49 / 66 / 0 / 27

HEX #5F40BA

RGB 95 64 186

HSL 255.25, 0.49%, 0.49%

LAB 37.2, 43.38, -59.97

 

CMYK 53 / 72 / 0 / 35

HEX #4E2EA7

RGB 78 46 167

HSL 255.87, 0.57%, 0.42%

LAB 30.31, 44.73, -59.97

 

CMYK 59 / 81 / 0 / 42

HEX #3D1C94

RGB 61 28 148

HSL 256.5, 0.68%, 0.35%

LAB 23.54, 45.77, -59.58

 

CMYK 66 / 92 / 0 / 49

HEX #2C0A81

RGB 44 10 129

HSL 257.14, 0.86%, 0.27%

LAB 17.17, 45.74, -58.28

 

CMYK 46 / 60 / 0 / 20

HEX #6F51CD

RGB 111 81 205

HSL 254.52, 0.55%, 0.56%

LAB 43.76, 42.36, -60.31

 

CMYK 30 / 60 / 0 / 20

HEX #9051CD

RGB 144 81 205

HSL 270.48, 0.55%, 0.56%

LAB 47.26, 49.64, -54.48

 

CMYK 13 / 60 / 0 / 20

HEX #B251CD

RGB 178 81 205

HSL 286.94, 0.55%, 0.56%

LAB 51.56, 57.78, -47.36

 

CMYK 0 / 60 / 3 / 20

HEX #CD51C6

RGB 205 81 198

HSL 303.39, 0.55%, 0.56%

LAB 55.01, 63.26, -37.65

 

CMYK 0 / 60 / 20 / 20

HEX #CD51A5

RGB 205 81 165

HSL 319.35, 0.55%, 0.56%

LAB 53.58, 58.17, -20.75

 

CMYK 46 / 60 / 0 / 20

HEX #6F51CD

RGB 111 81 205

HSL 254.52, 0.55%, 0.56%

LAB 43.76, 42.36, -60.31

 

CMYK 60 / 60 / 0 / 20

HEX #5151CD

RGB 81 81 205

HSL 240, 0.55%, 0.56%

LAB 41.28, 36.75, -64.44

 

CMYK 46 / 60 / 0 / 20

HEX #6F51CD

RGB 111 81 205

HSL 254.52, 0.55%, 0.56%

LAB 43.76, 42.36, -60.31

 

CMYK 54 / 72 / 0 / 13

HEX #663FDF

RGB 102 63 223

HSL 254.63, 0.71%, 0.56%

LAB 40.75, 55.62, -75.58

 

CMYK 61 / 81 / 0 / 5

HEX #5D2DF1

RGB 93 45 241

HSL 254.69, 0.88%, 0.56%

LAB 38.82, 67.55, -89.01

 

CMYK 46 / 60 / 0 / 20

HEX #6F51CD

RGB 111 81 205

HSL 254.52, 0.55%, 0.56%

LAB 43.76, 42.36, -60.31

 

CMYK 35 / 47 / 0 / 27

HEX #7863BA

RGB 120 99 186

HSL 254.48, 0.39%, 0.56%

LAB 47.57, 28.58, -43.15

 

CMYK 23 / 30 / 0 / 34

HEX #8275A8

RGB 130 117 168

HSL 255.29, 0.23%, 0.56%

LAB 52.17, 16.09, -25.43

 

CMYK 7 / 9 / 0 / 41

HEX #8B8896

RGB 139 136 150

HSL 252.86, 0.06%, 0.56%

LAB 57.37, 3.94, -7.06

 

CMYK 4 / 0 / 14 / 40

HEX #949A84

RGB 148 154 132

HSL 76.36, 0.1%, 0.56%

LAB 62.57, -6.23, 10.82

 

CMYK 60 / 42 / 0 / 20

HEX #5176CD

RGB 81 118 205

HSL 222.1, 0.55%, 0.56%

LAB 50.82, 13.73, -49.08

 

CMYK 60 / 59 / 0 / 20

HEX #5155CD

RGB 81 85 205

HSL 238.06, 0.55%, 0.56%

LAB 42.24, 34.3, -62.89

 

CMYK 46 / 60 / 0 / 20

HEX #6E51CD

RGB 110 81 205

HSL 254.03, 0.55%, 0.56%

LAB 43.66, 42.15, -60.47

 

CMYK 30 / 60 / 0 / 20

HEX #8F51CD

RGB 143 81 205

HSL 270, 0.55%, 0.56%

LAB 47.15, 49.4, -54.67

 

CMYK 14 / 60 / 0 / 20

HEX #B051CD

RGB 176 81 205

HSL 285.97, 0.55%, 0.56%

LAB 51.29, 57.29, -47.81

 

CMYK 54 / 71 / 0 / 38

HEX #492E9D

RGB 73 46 157

HSL 254.59, 0.55%, 0.4%

LAB 28.91, 40.94, -56.22

 

CMYK 53 / 71 / 0 / 26

HEX #5837BD

RGB 88 55 189

HSL 254.78, 0.55%, 0.48%

LAB 34.97, 47.95, -65.41

 

CMYK 46 / 60 / 0 / 20

HEX #6F51CD

RGB 111 81 205

HSL 254.52, 0.55%, 0.56%

LAB 43.76, 42.36, -60.31

 

CMYK 36 / 47 / 0 / 16

HEX #8A71D6

RGB 138 113 214

HSL 254.85, 0.55%, 0.64%

LAB 54.1, 32.6, -48.72

 

CMYK 26 / 35 / 0 / 13

HEX #A491DF

RGB 164 145 223

HSL 254.62, 0.55%, 0.72%

LAB 64.54, 23.61, -37.16

 

CMYK 45 / 60 / 0 / 20

HEX #7052CD

RGB 112 82 205

HSL 254.63, 0.55%, 0.56%

LAB 44.07, 41.99, -59.8

 

CMYK 0 / 60 / 26 / 20

HEX #CD5197

RGB 205 81 151

HSL 326.13, 0.55%, 0.56%

LAB 53.06, 56.25, -13.32

 

CMYK 50 / 0 / 60 / 20

HEX #66CD51

RGB 102 205 81

HSL 109.84, 0.55%, 0.56%

LAB 74.24, -53.16, 51.49

 

CMYK 45 / 60 / 0 / 20

HEX #7052CD

RGB 112 82 205

HSL 254.63, 0.55%, 0.56%

LAB 44.07, 41.99, -59.8

 

CMYK 0 / 46 / 60 / 20

HEX #CD6E51

RGB 205 110 81

HSL 14.03, 0.55%, 0.56%

LAB 56.81, 34.87, 32.78

 

CMYK 60 / 0 / 46 / 20

HEX #51CD6E

RGB 81 205 110

HSL 134.03, 0.55%, 0.56%

LAB 73.89, -54.62, 37.17

 

CMYK 45 / 60 / 0 / 20

HEX #7052CD

RGB 112 82 205

HSL 254.63, 0.55%, 0.56%

LAB 44.07, 41.99, -59.8

 

CMYK 0 / 60 / 26 / 20

HEX #CD5197

RGB 205 81 151

HSL 326.13, 0.55%, 0.56%

LAB 53.06, 56.25, -13.32

 

CMYK 14 / 0 / 60 / 20

HEX #B0CD51

RGB 176 205 81

HSL 74.03, 0.55%, 0.56%

LAB 78.16, -27.4, 56.95

 

CMYK 60 / 0 / 34 / 20

HEX #51CD87

RGB 81 205 135

HSL 146.13, 0.55%, 0.56%

LAB 74.29, -50.29, 24.87

 

CMYK 45 / 60 / 0 / 20

HEX #7052CD

RGB 112 82 205

HSL 254.63, 0.55%, 0.56%

LAB 44.07, 41.99, -59.8

 

CMYK 0 / 60 / 44 / 20

HEX #CD5172

RGB 205 81 114

HSL 344.03, 0.55%, 0.56%

LAB 51.93, 51.97, 7.04

 

CMYK 14 / 0 / 60 / 20

HEX #B0CD51

RGB 176 205 81

HSL 74.03, 0.55%, 0.56%

LAB 78.16, -27.4, 56.95

 

CMYK 60 / 0 / 16 / 20

HEX #51CDAC

RGB 81 205 172

HSL 164.03, 0.55%, 0.56%

LAB 75.07, -42.3, 6.25

 

Description

Color code: HEX #7052CD | qconv.com Color code: HEX #7052CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 82 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 82 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 60 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 60% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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