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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70528B it is the complementary color #8FAD74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70528B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70528B shade: #755286, #866499, #9776AC, #A888BF and #B99AD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70528B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70528B shade: #70528B, #5F4078, #4E2E65, #3D1C52 and #2C0A3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70528B shade: #6F518A, #7F518A, #8A5186, #8A5177 and #8A5168

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70528B shade: #6F518A, #60518A and #51518A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70528B shade matches the following richer shades: #6F518A, #703F9C, #712EAE, #721CBF and #730AD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70528B shade: #6F518A, #6E6378, #6D7567, #6C8655 and #6B9843

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70528B shade: #51528A, #5F518A, #6F518A, #7E518A and #8A5187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70528B shade: #453356, #5A4270, #6F518A, #8462A3 and #987CB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70528B shade: #70528B, #8A5161 and #518A58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70528B shade: #70528B, #8A6F51 and #518A6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70528B shade: #70528B, #8A5161, #6D8A51 and #518A7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70528B shade: #70528B, #8A5251, #6D8A51 and #51898A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 41 / 0 / 45

HEX #70528B

RGB 112 82 139

HSL 271.58, 0.26%, 0.43%

LAB 40.15, 24.26, -27.04

 

Complementary color

CMYK 17 / 0 / 33 / 32

HEX #8FAD74

RGB 143 173 116

HSL 91.58, 0.26%, 0.57%

LAB 67.27, -20.67, 26.01

 

CMYK 13 / 39 / 0 / 47

HEX #755286

RGB 117 82 134

HSL 280.38, 0.24%, 0.42%

LAB 40.47, 24.71, -23.46

 

CMYK 12 / 35 / 0 / 40

HEX #866499

RGB 134 100 153

HSL 278.49, 0.21%, 0.5%

LAB 47.6, 23.94, -23.67

 

CMYK 12 / 31 / 0 / 33

HEX #9776AC

RGB 151 118 172

HSL 276.67, 0.25%, 0.57%

LAB 54.57, 23.23, -23.88

 

CMYK 12 / 29 / 0 / 25

HEX #A888BF

RGB 168 136 191

HSL 274.91, 0.3%, 0.64%

LAB 61.39, 22.6, -24.1

 

CMYK 12 / 27 / 0 / 18

HEX #B99AD2

RGB 185 154 210

HSL 273.21, 0.38%, 0.71%

LAB 68.08, 22.01, -24.34

 

CMYK 19 / 41 / 0 / 45

HEX #70528B

RGB 112 82 139

HSL 271.58, 0.26%, 0.43%

LAB 40.15, 24.26, -27.04

 

CMYK 21 / 47 / 0 / 53

HEX #5F4078

RGB 95 64 120

HSL 273.21, 0.3%, 0.36%

LAB 32.82, 25.15, -26.96

 

CMYK 23 / 54 / 0 / 60

HEX #4E2E65

RGB 78 46 101

HSL 274.91, 0.37%, 0.29%

LAB 25.3, 26.11, -26.87

 

CMYK 26 / 66 / 0 / 68

HEX #3D1C52

RGB 61 28 82

HSL 276.67, 0.49%, 0.22%

LAB 17.61, 27.05, -26.68

 

CMYK 30 / 84 / 0 / 75

HEX #2C0A3F

RGB 44 10 63

HSL 278.49, 0.73%, 0.14%

LAB 9.89, 27.47, -26.06

 

CMYK 20 / 41 / 0 / 46

HEX #6F518A

RGB 111 81 138

HSL 271.58, 0.26%, 0.43%

LAB 39.75, 24.3, -27.07

 

CMYK 8 / 41 / 0 / 46

HEX #7F518A

RGB 127 81 138

HSL 288.42, 0.26%, 0.43%

LAB 41.58, 29.49, -24.08

 

CMYK 0 / 41 / 3 / 46

HEX #8A5186

RGB 138 81 134

HSL 304.21, 0.26%, 0.43%

LAB 42.78, 32.32, -19.69

 

CMYK 0 / 41 / 14 / 46

HEX #8A5177

RGB 138 81 119

HSL 320, 0.26%, 0.43%

LAB 42.19, 29.55, -11.45

 

CMYK 0 / 41 / 25 / 46

HEX #8A5168

RGB 138 81 104

HSL 335.79, 0.26%, 0.43%

LAB 41.67, 27.05, -3.01

 

CMYK 20 / 41 / 0 / 46

HEX #6F518A

RGB 111 81 138

HSL 271.58, 0.26%, 0.43%

LAB 39.75, 24.3, -27.07

 

CMYK 30 / 41 / 0 / 46

HEX #60518A

RGB 96 81 138

HSL 255.79, 0.26%, 0.43%

LAB 38.21, 19.61, -29.59

 

CMYK 41 / 41 / 0 / 46

HEX #51518A

RGB 81 81 138

HSL 240, 0.26%, 0.43%

LAB 36.87, 15.2, -31.79

 

CMYK 20 / 41 / 0 / 46

HEX #6F518A

RGB 111 81 138

HSL 271.58, 0.26%, 0.43%

LAB 39.75, 24.3, -27.07

 

CMYK 28 / 60 / 0 / 39

HEX #703F9C

RGB 112 63 156

HSL 271.61, 0.42%, 0.43%

LAB 36.74, 39.58, -42.73

 

CMYK 35 / 74 / 0 / 32

HEX #712EAE

RGB 113 46 174

HSL 271.41, 0.58%, 0.43%

LAB 35.04, 52.72, -56.27

 

CMYK 40 / 85 / 0 / 25

HEX #721CBF

RGB 114 28 191

HSL 271.66, 0.74%, 0.43%

LAB 34.33, 63.42, -67.5

 

CMYK 45 / 95 / 0 / 18

HEX #730AD1

RGB 115 10 209

HSL 271.66, 0.91%, 0.43%

LAB 34.93, 71.2, -77.03

 

CMYK 20 / 41 / 0 / 46

HEX #6F518A

RGB 111 81 138

HSL 271.58, 0.26%, 0.43%

LAB 39.75, 24.3, -27.07

 

CMYK 8 / 18 / 0 / 53

HEX #6E6378

RGB 110 99 120

HSL 271.43, 0.1%, 0.43%

LAB 43.65, 8.73, -10.17

 

CMYK 7 / 0 / 12 / 54

HEX #6D7567

RGB 109 117 103

HSL 94.29, 0.06%, 0.43%

LAB 48.2, -5.83, 6.7

 

CMYK 19 / 0 / 37 / 47

HEX #6C8655

RGB 108 134 85

HSL 91.84, 0.22%, 0.43%

LAB 52.83, -18.63, 23.42

 

CMYK 30 / 0 / 56 / 40

HEX #6B9843

RGB 107 152 67

HSL 91.76, 0.39%, 0.43%

LAB 58.03, -30.33, 39.36

 

CMYK 41 / 41 / 0 / 46

HEX #51528A

RGB 81 82 138

HSL 238.95, 0.26%, 0.43%

LAB 37.15, 14.56, -31.35

 

CMYK 31 / 41 / 0 / 46

HEX #5F518A

RGB 95 81 138

HSL 254.74, 0.26%, 0.43%

LAB 38.12, 19.3, -29.75

 

CMYK 20 / 41 / 0 / 46

HEX #6F518A

RGB 111 81 138

HSL 271.58, 0.26%, 0.43%

LAB 39.75, 24.3, -27.07

 

CMYK 9 / 41 / 0 / 46

HEX #7E518A

RGB 126 81 138

HSL 287.37, 0.26%, 0.43%

LAB 41.46, 29.16, -24.27

 

CMYK 0 / 41 / 2 / 46

HEX #8A5187

RGB 138 81 135

HSL 303.16, 0.26%, 0.43%

LAB 42.82, 32.51, -20.23

 

CMYK 20 / 41 / 0 / 66

HEX #453356

RGB 69 51 86

HSL 270.86, 0.26%, 0.27%

LAB 24.65, 16, -18.16

 

CMYK 20 / 41 / 0 / 56

HEX #5A4270

RGB 90 66 112

HSL 271.3, 0.26%, 0.35%

LAB 32.35, 20.26, -22.72

 

CMYK 20 / 41 / 0 / 46

HEX #6F518A

RGB 111 81 138

HSL 271.58, 0.26%, 0.43%

LAB 39.75, 24.3, -27.07

 

CMYK 19 / 40 / 0 / 36

HEX #8462A3

RGB 132 98 163

HSL 271.38, 0.26%, 0.51%

LAB 47.35, 26.78, -29.99

 

CMYK 15 / 30 / 0 / 30

HEX #987CB2

RGB 152 124 178

HSL 271.11, 0.26%, 0.59%

LAB 56.39, 21.42, -24.52

 

CMYK 19 / 41 / 0 / 45

HEX #70528B

RGB 112 82 139

HSL 271.58, 0.26%, 0.43%

LAB 40.15, 24.26, -27.04

 

CMYK 0 / 41 / 30 / 46

HEX #8A5161

RGB 138 81 97

HSL 343.16, 0.26%, 0.43%

LAB 41.46, 26, 1

 

CMYK 41 / 0 / 36 / 46

HEX #518A58

RGB 81 138 88

HSL 127.37, 0.26%, 0.43%

LAB 52.54, -29.87, 21.07

 

CMYK 19 / 41 / 0 / 45

HEX #70528B

RGB 112 82 139

HSL 271.58, 0.26%, 0.43%

LAB 40.15, 24.26, -27.04

 

CMYK 0 / 20 / 41 / 46

HEX #8A6F51

RGB 138 111 81

HSL 31.58, 0.26%, 0.43%

LAB 48.72, 6.31, 20.73

 

CMYK 41 / 0 / 20 / 46

HEX #518A6F

RGB 81 138 111

HSL 151.58, 0.26%, 0.43%

LAB 53.03, -25.25, 8.65

 

CMYK 19 / 41 / 0 / 45

HEX #70528B

RGB 112 82 139

HSL 271.58, 0.26%, 0.43%

LAB 40.15, 24.26, -27.04

 

CMYK 0 / 41 / 30 / 46

HEX #8A5161

RGB 138 81 97

HSL 343.16, 0.26%, 0.43%

LAB 41.46, 26, 1

 

CMYK 21 / 0 / 41 / 46

HEX #6D8A51

RGB 109 138 81

HSL 90.53, 0.26%, 0.43%

LAB 54.05, -20.89, 27.22

 

CMYK 41 / 0 / 12 / 46

HEX #518A7A

RGB 81 138 122

HSL 163.16, 0.26%, 0.43%

LAB 53.31, -22.7, 2.7

 

CMYK 19 / 41 / 0 / 45

HEX #70528B

RGB 112 82 139

HSL 271.58, 0.26%, 0.43%

LAB 40.15, 24.26, -27.04

 

CMYK 0 / 41 / 41 / 46

HEX #8A5251

RGB 138 82 81

HSL 1.05, 0.26%, 0.43%

LAB 41.27, 23.26, 10.6

 

CMYK 21 / 0 / 41 / 46

HEX #6D8A51

RGB 109 138 81

HSL 90.53, 0.26%, 0.43%

LAB 54.05, -20.89, 27.22

 

CMYK 41 / 1 / 0 / 46

HEX #51898A

RGB 81 137 138

HSL 181.05, 0.26%, 0.43%

LAB 53.47, -18.12, -6.34

 

Description

Color code: HEX #70528B | qconv.com Color code: HEX #70528B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 82 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 82 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 41 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 41% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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