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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7050B2 it is the complementary color #8FAF4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7050B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7050B2 shade: #7550AD, #8662C0, #9774D3, #A886E6 and #B998F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7050B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7050B2 shade: #7050B2, #5F3E9F, #4E2C8C, #3D1A79 and #2C0866

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7050B2 shade: #7151B3, #8B51B3, #A651B3, #B351A6 and #B3518B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7050B2 shade: #7151B3, #5751B3 and #5151B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7050B2 shade matches the following richer shades: #7151B3, #6A3DC7, #6329DB and #5C15EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7050B2 shade: #7151B3, #78669F, #7F7A8A, #868E76 and #8DA262

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7050B2 shade: #5166B3, #5651B3, #7051B3, #8A51B3 and #A451B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7050B2 shade: #4D367B, #5F4398, #7151B3, #896EBF and #A08BCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7050B2 shade: #7050B2, #B35180 and #59B351

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7050B2 shade: #7050B2, #B37051 and #51B370

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7050B2 shade: #7050B2, #B35180, #94B351 and #51B384

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7050B2 shade: #7050B2, #B35163, #94B351 and #51B3A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 55 / 0 / 30

HEX #7050B2

RGB 112 80 178

HSL 259.59, 0.39%, 0.51%

LAB 41.84, 35.61, -47.67

 

Complementary color

CMYK 18 / 0 / 56 / 31

HEX #8FAF4D

RGB 143 175 77

HSL 79.59, 0.39%, 0.49%

LAB 67.3, -26.39, 45.92

 

CMYK 32 / 54 / 0 / 32

HEX #7550AD

RGB 117 80 173

HSL 263.87, 0.37%, 0.5%

LAB 42.06, 35.54, -44.35

 

CMYK 30 / 49 / 0 / 25

HEX #8662C0

RGB 134 98 192

HSL 262.98, 0.43%, 0.57%

LAB 49.02, 34.51, -44.25

 

CMYK 28 / 45 / 0 / 17

HEX #9774D3

RGB 151 116 211

HSL 262.11, 0.52%, 0.64%

LAB 55.86, 33.56, -44.16

 

CMYK 27 / 42 / 0 / 10

HEX #A886E6

RGB 168 134 230

HSL 261.25, 0.66%, 0.71%

LAB 62.58, 32.69, -44.09

 

CMYK 26 / 39 / 0 / 2

HEX #B998F9

RGB 185 152 249

HSL 260.41, 0.89%, 0.79%

LAB 69.19, 31.89, -44.04

 

CMYK 37 / 55 / 0 / 30

HEX #7050B2

RGB 112 80 178

HSL 259.59, 0.39%, 0.51%

LAB 41.84, 35.61, -47.67

 

CMYK 40 / 61 / 0 / 38

HEX #5F3E9F

RGB 95 62 159

HSL 260.41, 0.44%, 0.43%

LAB 34.76, 36.8, -47.83

 

CMYK 44 / 69 / 0 / 45

HEX #4E2C8C

RGB 78 44 140

HSL 261.25, 0.52%, 0.36%

LAB 27.61, 38.01, -47.88

 

CMYK 50 / 79 / 0 / 53

HEX #3D1A79

RGB 61 26 121

HSL 262.11, 0.65%, 0.29%

LAB 20.48, 38.96, -47.64

 

CMYK 57 / 92 / 0 / 60

HEX #2C0866

RGB 44 8 102

HSL 262.98, 0.85%, 0.22%

LAB 13.64, 38.96, -46.63

 

CMYK 37 / 55 / 0 / 30

HEX #7151B3

RGB 113 81 179

HSL 259.59, 0.39%, 0.51%

LAB 42.23, 35.54, -47.63

 

CMYK 22 / 55 / 0 / 30

HEX #8B51B3

RGB 139 81 179

HSL 275.51, 0.39%, 0.51%

LAB 45.12, 42.26, -42.85

 

CMYK 7 / 55 / 0 / 30

HEX #A651B3

RGB 166 81 179

HSL 292.04, 0.39%, 0.51%

LAB 48.57, 49.58, -37.17

 

CMYK 0 / 55 / 7 / 30

HEX #B351A6

RGB 179 81 166

HSL 307.96, 0.39%, 0.51%

LAB 49.76, 50.87, -27.54

 

CMYK 0 / 55 / 22 / 30

HEX #B3518B

RGB 179 81 139

HSL 324.49, 0.39%, 0.51%

LAB 48.68, 46.6, -13.19

 

CMYK 37 / 55 / 0 / 30

HEX #7151B3

RGB 113 81 179

HSL 259.59, 0.39%, 0.51%

LAB 42.23, 35.54, -47.63

 

CMYK 51 / 55 / 0 / 30

HEX #5751B3

RGB 87 81 179

HSL 243.67, 0.39%, 0.51%

LAB 39.86, 29.49, -51.57

 

CMYK 55 / 55 / 0 / 30

HEX #5151B3

RGB 81 81 179

HSL 240, 0.39%, 0.51%

LAB 39.39, 28.23, -52.34

 

CMYK 37 / 55 / 0 / 30

HEX #7151B3

RGB 113 81 179

HSL 259.59, 0.39%, 0.51%

LAB 42.23, 35.54, -47.63

 

CMYK 47 / 69 / 0 / 22

HEX #6A3DC7

RGB 106 61 199

HSL 259.57, 0.55%, 0.51%

LAB 38.77, 50.64, -64.97

 

CMYK 55 / 81 / 0 / 14

HEX #6329DB

RGB 99 41 219

HSL 259.55, 0.71%, 0.51%

LAB 36.66, 63.97, -80.03

 

CMYK 62 / 91 / 0 / 6

HEX #5C15EF

RGB 92 21 239

HSL 259.54, 0.87%, 0.51%

LAB 36.07, 74.26, -92.44

 

CMYK 37 / 55 / 0 / 30

HEX #7151B3

RGB 113 81 179

HSL 259.59, 0.39%, 0.51%

LAB 42.23, 35.54, -47.63

 

CMYK 25 / 36 / 0 / 38

HEX #78669F

RGB 120 102 159

HSL 258.95, 0.23%, 0.51%

LAB 46.97, 19.66, -28.3

 

CMYK 8 / 12 / 0 / 46

HEX #7F7A8A

RGB 127 122 138

HSL 258.75, 0.06%, 0.51%

LAB 52.14, 5.18, -8

 

CMYK 6 / 0 / 17 / 44

HEX #868E76

RGB 134 142 118

HSL 80, 0.1%, 0.51%

LAB 57.77, -7.43, 11.82

 

CMYK 13 / 0 / 40 / 36

HEX #8DA262

RGB 141 162 98

HSL 79.69, 0.26%, 0.51%

LAB 63.66, -18.33, 30.87

 

CMYK 55 / 43 / 0 / 30

HEX #5166B3

RGB 81 102 179

HSL 227.14, 0.39%, 0.51%

LAB 44.95, 14.97, -43.43

 

CMYK 52 / 55 / 0 / 30

HEX #5651B3

RGB 86 81 179

HSL 243.06, 0.39%, 0.51%

LAB 39.78, 29.28, -51.7

 

CMYK 37 / 55 / 0 / 30

HEX #7051B3

RGB 112 81 179

HSL 258.98, 0.39%, 0.51%

LAB 42.13, 35.3, -47.8

 

CMYK 23 / 55 / 0 / 30

HEX #8A51B3

RGB 138 81 179

HSL 274.9, 0.39%, 0.51%

LAB 45, 42, -43.04

 

CMYK 8 / 55 / 0 / 30

HEX #A451B3

RGB 164 81 179

HSL 290.82, 0.39%, 0.51%

LAB 48.3, 49.03, -37.61

 

CMYK 37 / 56 / 0 / 52

HEX #4D367B

RGB 77 54 123

HSL 260, 0.39%, 0.35%

LAB 28.5, 26.89, -35.83

 

CMYK 38 / 56 / 0 / 40

HEX #5F4398

RGB 95 67 152

HSL 259.76, 0.39%, 0.43%

LAB 35.43, 31.88, -42.53

 

CMYK 37 / 55 / 0 / 30

HEX #7151B3

RGB 113 81 179

HSL 259.59, 0.39%, 0.51%

LAB 42.23, 35.54, -47.63

 

CMYK 28 / 42 / 0 / 25

HEX #896EBF

RGB 137 110 191

HSL 260, 0.39%, 0.59%

LAB 52.1, 28.09, -38.78

 

CMYK 22 / 32 / 0 / 20

HEX #A08BCC

RGB 160 139 204

HSL 259.38, 0.39%, 0.67%

LAB 61.91, 21.29, -30.68

 

CMYK 37 / 55 / 0 / 30

HEX #7050B2

RGB 112 80 178

HSL 259.59, 0.39%, 0.51%

LAB 41.84, 35.61, -47.67

 

CMYK 0 / 55 / 28 / 30

HEX #B35180

RGB 179 81 128

HSL 331.22, 0.39%, 0.51%

LAB 48.29, 45.05, -7.16

 

CMYK 50 / 0 / 55 / 30

HEX #59B351

RGB 89 179 81

HSL 115.1, 0.39%, 0.51%

LAB 65.72, -46.51, 41.44

 

CMYK 37 / 55 / 0 / 30

HEX #7050B2

RGB 112 80 178

HSL 259.59, 0.39%, 0.51%

LAB 41.84, 35.61, -47.67

 

CMYK 0 / 37 / 55 / 30

HEX #B37051

RGB 179 112 81

HSL 18.98, 0.39%, 0.51%

LAB 53.78, 23.27, 28.24

 

CMYK 55 / 0 / 37 / 30

HEX #51B370

RGB 81 179 112

HSL 138.98, 0.39%, 0.51%

LAB 65.87, -43.88, 25.73

 

CMYK 37 / 55 / 0 / 30

HEX #7050B2

RGB 112 80 178

HSL 259.59, 0.39%, 0.51%

LAB 41.84, 35.61, -47.67

 

CMYK 0 / 55 / 28 / 30

HEX #B35180

RGB 179 81 128

HSL 331.22, 0.39%, 0.51%

LAB 48.29, 45.05, -7.16

 

CMYK 17 / 0 / 55 / 30

HEX #94B351

RGB 148 179 81

HSL 78.98, 0.39%, 0.51%

LAB 68.85, -25.97, 45.91

 

CMYK 55 / 0 / 26 / 30

HEX #51B384

RGB 81 179 132

HSL 151.22, 0.39%, 0.51%

LAB 66.26, -39.94, 15.45

 

CMYK 37 / 55 / 0 / 30

HEX #7050B2

RGB 112 80 178

HSL 259.59, 0.39%, 0.51%

LAB 41.84, 35.61, -47.67

 

CMYK 0 / 55 / 45 / 30

HEX #B35163

RGB 179 81 99

HSL 348.98, 0.39%, 0.51%

LAB 47.46, 41.57, 9.16

 

CMYK 17 / 0 / 55 / 30

HEX #94B351

RGB 148 179 81

HSL 78.98, 0.39%, 0.51%

LAB 68.85, -25.97, 45.91

 

CMYK 55 / 0 / 10 / 30

HEX #51B3A1

RGB 81 179 161

HSL 168.98, 0.39%, 0.51%

LAB 66.95, -33.18, 0.48

 

Description

Color code: HEX #7050B2 | qconv.com Color code: HEX #7050B2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 80 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 80 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 55 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 55% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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