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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #704CDF it is the complementary color #8FB320. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #704CDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #704CDF shade: #754CDA, #865EED, #9770FF, #A882FF and #B994FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #704CDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #704CDF shade: #704CDF, #5F3ACC, #4E28B9, #3D16A6 and #2C0493

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #704CDF shade: #714DE0, #994DE0, #C04DE0, #E04DD8 and #E04DB0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #704CDF shade: #714DE0 and #4D4DE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #704CDF shade matches the following richer shades: #714DE0 and #683CF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #704CDF shade: #714DE0, #7A5ECF, #826FBE, #8B80AD and #94919C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #704CDF shade: #4D79E0, #4D52E0, #6F4DE0, #964DE0 and #BD4DE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #704CDF shade: #4621BA, #552AD9, #714DE0, #8D70E6 and #A993EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #704CDF shade: #704CDF, #E04DA0 and #66E04D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #704CDF shade: #704CDF, #E06F4D and #4DE06F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #704CDF shade: #704CDF, #E04DA0, #BDE04D and #4DE08D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #704CDF shade: #704CDF, #E04D74, #BDE04D and #4DE0B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 66 / 0 / 13

HEX #704CDF

RGB 112 76 223

HSL 254.69, 0.7%, 0.59%

LAB 44.15, 50.43, -69.98

 

Complementary color

CMYK 20 / 0 / 82 / 30

HEX #8FB320

RGB 143 179 32

HSL 74.69, 0.7%, 0.41%

LAB 68.16, -31.21, 63.94

 

CMYK 46 / 65 / 0 / 15

HEX #754CDA

RGB 117 76 218

HSL 257.32, 0.66%, 0.58%

LAB 44.25, 49.95, -66.94

 

CMYK 43 / 60 / 0 / 7

HEX #865EED

RGB 134 94 237

HSL 256.78, 0.8%, 0.65%

LAB 50.91, 48.68, -66.82

 

CMYK 41 / 56 / 0 / 0

HEX #9770FF

RGB 151 112 255

HSL 256.36, 1%, 0.72%

LAB 57.45, 47.18, -66.18

 

CMYK 34 / 49 / 0 / 0

HEX #A882FF

RGB 168 130 255

HSL 258.24, 1%, 0.75%

LAB 62.94, 41.14, -57.31

 

CMYK 27 / 42 / 0 / 0

HEX #B994FF

RGB 185 148 255

HSL 260.75, 1%, 0.79%

LAB 68.54, 35.54, -48.33

 

CMYK 50 / 66 / 0 / 13

HEX #704CDF

RGB 112 76 223

HSL 254.69, 0.7%, 0.59%

LAB 44.15, 50.43, -69.98

 

CMYK 53 / 72 / 0 / 20

HEX #5F3ACC

RGB 95 58 204

HSL 255.21, 0.59%, 0.51%

LAB 37.51, 51.77, -69.97

 

CMYK 58 / 78 / 0 / 27

HEX #4E28B9

RGB 78 40 185

HSL 255.72, 0.64%, 0.44%

LAB 30.97, 52.86, -69.64

 

CMYK 63 / 87 / 0 / 35

HEX #3D16A6

RGB 61 22 166

HSL 256.25, 0.77%, 0.37%

LAB 24.7, 53.26, -68.67

 

CMYK 70 / 97 / 0 / 42

HEX #2C0493

RGB 44 4 147

HSL 256.78, 0.95%, 0.3%

LAB 18.92, 52.34, -66.66

 

CMYK 50 / 66 / 0 / 12

HEX #714DE0

RGB 113 77 224

HSL 254.69, 0.7%, 0.59%

LAB 44.52, 50.35, -69.94

 

CMYK 32 / 66 / 0 / 12

HEX #994DE0

RGB 153 77 224

HSL 271.02, 0.7%, 0.59%

LAB 48.84, 58.08, -62.74

 

CMYK 14 / 66 / 0 / 12

HEX #C04DE0

RGB 192 77 224

HSL 286.94, 0.7%, 0.59%

LAB 53.92, 66.48, -54.3

 

CMYK 0 / 66 / 4 / 12

HEX #E04DD8

RGB 224 77 216

HSL 303.27, 0.7%, 0.59%

LAB 58.14, 72.38, -42.78

 

CMYK 0 / 66 / 21 / 12

HEX #E04DB0

RGB 224 77 176

HSL 319.59, 0.7%, 0.59%

LAB 56.38, 66.53, -22.61

 

CMYK 50 / 66 / 0 / 12

HEX #714DE0

RGB 113 77 224

HSL 254.69, 0.7%, 0.59%

LAB 44.52, 50.35, -69.94

 

CMYK 66 / 66 / 0 / 12

HEX #4D4DE0

RGB 77 77 224

HSL 240, 0.7%, 0.59%

LAB 41.64, 44.78, -74.77

 

CMYK 50 / 66 / 0 / 12

HEX #714DE0

RGB 113 77 224

HSL 254.69, 0.7%, 0.59%

LAB 44.52, 50.35, -69.94

 

CMYK 57 / 75 / 0 / 5

HEX #683CF1

RGB 104 60 241

HSL 254.59, 0.87%, 0.59%

LAB 42.04, 62.32, -83.66

 

CMYK 50 / 66 / 0 / 12

HEX #714DE0

RGB 113 77 224

HSL 254.69, 0.7%, 0.59%

LAB 44.52, 50.35, -69.94

 

CMYK 41 / 55 / 0 / 19

HEX #7A5ECF

RGB 122 94 207

HSL 254.87, 0.54%, 0.59%

LAB 47.81, 37.83, -54.87

 

CMYK 32 / 42 / 0 / 25

HEX #826FBE

RGB 130 111 190

HSL 254.43, 0.38%, 0.59%

LAB 51.65, 25.26, -38.96

 

CMYK 20 / 26 / 0 / 32

HEX #8B80AD

RGB 139 128 173

HSL 254.67, 0.22%, 0.59%

LAB 56.03, 13.71, -22.3

 

CMYK 5 / 7 / 0 / 39

HEX #94919C

RGB 148 145 156

HSL 256.36, 0.05%, 0.59%

LAB 60.73, 3.28, -5.41

 

CMYK 66 / 46 / 0 / 12

HEX #4D79E0

RGB 77 121 224

HSL 222.04, 0.7%, 0.59%

LAB 52.55, 17.7, -57.08

 

CMYK 66 / 63 / 0 / 12

HEX #4D52E0

RGB 77 82 224

HSL 237.96, 0.7%, 0.59%

LAB 42.75, 41.81, -72.94

 

CMYK 50 / 66 / 0 / 12

HEX #6F4DE0

RGB 111 77 224

HSL 253.88, 0.7%, 0.59%

LAB 44.33, 50, -70.26

 

CMYK 33 / 66 / 0 / 12

HEX #964DE0

RGB 150 77 224

HSL 269.8, 0.7%, 0.59%

LAB 48.48, 57.47, -63.33

 

CMYK 16 / 66 / 0 / 12

HEX #BD4DE0

RGB 189 77 224

HSL 285.71, 0.7%, 0.59%

LAB 53.5, 65.82, -54.99

 

CMYK 62 / 82 / 0 / 27

HEX #4621BA

RGB 70 33 186

HSL 254.51, 0.7%, 0.43%

LAB 29.25, 55.33, -73.11

 

CMYK 61 / 81 / 0 / 15

HEX #552AD9

RGB 85 42 217

HSL 254.74, 0.7%, 0.51%

LAB 35.2, 61.58, -81.34

 

CMYK 50 / 66 / 0 / 12

HEX #714DE0

RGB 113 77 224

HSL 254.69, 0.7%, 0.59%

LAB 44.52, 50.35, -69.94

 

CMYK 39 / 51 / 0 / 10

HEX #8D70E6

RGB 141 112 230

HSL 254.75, 0.7%, 0.67%

LAB 55.04, 38.21, -56.22

 

CMYK 28 / 38 / 0 / 7

HEX #A993EC

RGB 169 147 236

HSL 254.83, 0.7%, 0.75%

LAB 66.03, 27.08, -41.98

 

CMYK 50 / 66 / 0 / 13

HEX #704CDF

RGB 112 76 223

HSL 254.69, 0.7%, 0.59%

LAB 44.15, 50.43, -69.98

 

CMYK 0 / 66 / 29 / 12

HEX #E04DA0

RGB 224 77 160

HSL 326.12, 0.7%, 0.59%

LAB 55.78, 64.49, -14.2

 

CMYK 54 / 0 / 66 / 12

HEX #66E04D

RGB 102 224 77

HSL 109.8, 0.7%, 0.59%

LAB 79.99, -60.67, 59.54

 

CMYK 50 / 66 / 0 / 13

HEX #704CDF

RGB 112 76 223

HSL 254.69, 0.7%, 0.59%

LAB 44.15, 50.43, -69.98

 

CMYK 0 / 50 / 66 / 12

HEX #E06F4D

RGB 224 111 77

HSL 13.88, 0.7%, 0.59%

LAB 59.66, 41.44, 39.07

 

CMYK 66 / 0 / 50 / 12

HEX #4DE06F

RGB 77 224 111

HSL 133.88, 0.7%, 0.59%

LAB 79.63, -62.27, 43.84

 

CMYK 50 / 66 / 0 / 13

HEX #704CDF

RGB 112 76 223

HSL 254.69, 0.7%, 0.59%

LAB 44.15, 50.43, -69.98

 

CMYK 0 / 66 / 29 / 12

HEX #E04DA0

RGB 224 77 160

HSL 326.12, 0.7%, 0.59%

LAB 55.78, 64.49, -14.2

 

CMYK 16 / 0 / 66 / 12

HEX #BDE04D

RGB 189 224 77

HSL 74.29, 0.7%, 0.59%

LAB 84.31, -31.51, 65.42

 

CMYK 66 / 0 / 37 / 12

HEX #4DE08D

RGB 77 224 141

HSL 146.12, 0.7%, 0.59%

LAB 80.07, -57.36, 29.5

 

CMYK 50 / 66 / 0 / 13

HEX #704CDF

RGB 112 76 223

HSL 254.69, 0.7%, 0.59%

LAB 44.15, 50.43, -69.98

 

CMYK 0 / 66 / 48 / 12

HEX #E04D74

RGB 224 77 116

HSL 344.08, 0.7%, 0.59%

LAB 54.47, 59.85, 9.88

 

CMYK 16 / 0 / 66 / 12

HEX #BDE04D

RGB 189 224 77

HSL 74.29, 0.7%, 0.59%

LAB 84.31, -31.51, 65.42

 

CMYK 66 / 0 / 17 / 12

HEX #4DE0B9

RGB 77 224 185

HSL 164.08, 0.7%, 0.59%

LAB 80.96, -48.05, 7.75

 

Description

Color code: HEX #704CDF | qconv.com Color code: HEX #704CDF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 76 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 76 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 66 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 66% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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