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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #702EB6 it is the complementary color #8FD149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #702EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #702EB6 shade: #752EB1, #8640C4, #9752D7, #A864EA and #B976FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #702EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #702EB6 shade: #702EB6, #5F1CA3, #4E0A90, #3D007D and #2C006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #702EB6 shade: #702DB7, #952DB7, #B72DB4, #B72D8F and #B72D69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #702EB6 shade: #702DB7, #4B2DB7 and #2D2DB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #702EB6 shade matches the following richer shades: #702DB7, #701BCA and #6F08DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #702EB6 shade: #702DB7, #7140A5, #715392, #72657F and #72786D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #702EB6 shade: #2D34B7, #4B2DB7, #702DB7, #952DB7 and #B72DB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #702EB6 shade: #481D75, #5C2596, #702DB7, #853FCF and #9A60D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #702EB6 shade: #702EB6, #B72D59 and #2DB739

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #702EB6 shade: #702EB6, #B7702D and #2DB770

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #702EB6 shade: #702EB6, #B72D59, #75B72D and #2DB78B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #702EB6 shade: #702EB6, #B72D30, #75B72D and #2DB7B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 75 / 0 / 29

HEX #702EB6

RGB 112 46 182

HSL 269.12, 0.6%, 0.45%

LAB 35.55, 54.47, -60.21

 

Complementary color

CMYK 32 / 0 / 65 / 18

HEX #8FD149

RGB 143 209 73

HSL 89.12, 0.6%, 0.55%

LAB 77.23, -42.36, 58.7

 

CMYK 34 / 74 / 0 / 31

HEX #752EB1

RGB 117 46 177

HSL 272.52, 0.59%, 0.44%

LAB 35.81, 54.18, -56.79

 

CMYK 32 / 67 / 0 / 23

HEX #8640C4

RGB 134 64 196

HSL 271.82, 0.53%, 0.51%

LAB 42.34, 53.8, -57.27

 

CMYK 30 / 62 / 0 / 16

HEX #9752D7

RGB 151 82 215

HSL 271.13, 0.62%, 0.58%

LAB 48.91, 53.09, -57.51

 

CMYK 28 / 57 / 0 / 8

HEX #A864EA

RGB 168 100 234

HSL 270.45, 0.76%, 0.65%

LAB 55.46, 52.25, -57.62

 

CMYK 27 / 53 / 0 / 1

HEX #B976FD

RGB 185 118 253

HSL 269.78, 0.97%, 0.73%

LAB 61.97, 51.36, -57.66

 

CMYK 38 / 75 / 0 / 29

HEX #702EB6

RGB 112 46 182

HSL 269.12, 0.6%, 0.45%

LAB 35.55, 54.47, -60.21

 

CMYK 42 / 83 / 0 / 36

HEX #5F1CA3

RGB 95 28 163

HSL 269.78, 0.71%, 0.37%

LAB 29.18, 54.31, -59.33

 

CMYK 46 / 93 / 0 / 44

HEX #4E0A90

RGB 78 10 144

HSL 270.45, 0.87%, 0.3%

LAB 23.17, 52.85, -57.64

 

CMYK 51 / 100 / 0 / 51

HEX #3D007D

RGB 61 0 125

HSL 269.28, 1%, 0.25%

LAB 17.8, 49.19, -54.63

 

CMYK 58 / 100 / 0 / 58

HEX #2C006A

RGB 44 0 106

HSL 264.91, 1%, 0.21%

LAB 13.08, 43.18, -50.19

 

CMYK 39 / 75 / 0 / 28

HEX #702DB7

RGB 112 45 183

HSL 269.13, 0.61%, 0.45%

LAB 35.48, 55.14, -60.91

 

CMYK 19 / 75 / 0 / 28

HEX #952DB7

RGB 149 45 183

HSL 285.22, 0.61%, 0.45%

LAB 40.71, 61.99, -52.19

 

CMYK 0 / 75 / 2 / 28

HEX #B72DB4

RGB 183 45 180

HSL 301.3, 0.61%, 0.45%

LAB 45.96, 68.39, -41.71

 

CMYK 0 / 75 / 22 / 28

HEX #B72D8F

RGB 183 45 143

HSL 317.39, 0.61%, 0.45%

LAB 44.13, 62.99, -22.5

 

CMYK 0 / 75 / 43 / 28

HEX #B72D69

RGB 183 45 105

HSL 333.91, 0.61%, 0.45%

LAB 42.71, 58.6, -1.27

 

CMYK 39 / 75 / 0 / 28

HEX #702DB7

RGB 112 45 183

HSL 269.13, 0.61%, 0.45%

LAB 35.48, 55.14, -60.91

 

CMYK 59 / 75 / 0 / 28

HEX #4B2DB7

RGB 75 45 183

HSL 253.04, 0.61%, 0.45%

LAB 31.33, 49.5, -67.88

 

CMYK 75 / 75 / 0 / 28

HEX #2D2DB7

RGB 45 45 183

HSL 240, 0.61%, 0.45%

LAB 29.04, 46.29, -71.73

 

CMYK 39 / 75 / 0 / 28

HEX #702DB7

RGB 112 45 183

HSL 269.13, 0.61%, 0.45%

LAB 35.48, 55.14, -60.91

 

CMYK 45 / 87 / 0 / 21

HEX #701BCA

RGB 112 27 202

HSL 269.14, 0.76%, 0.45%

LAB 34.99, 65.93, -72.88

 

CMYK 50 / 96 / 0 / 14

HEX #6F08DC

RGB 111 8 220

HSL 269.15, 0.93%, 0.45%

LAB 35.44, 73.48, -82.57

 

CMYK 39 / 75 / 0 / 28

HEX #702DB7

RGB 112 45 183

HSL 269.13, 0.61%, 0.45%

LAB 35.48, 55.14, -60.91

 

CMYK 32 / 61 / 0 / 35

HEX #7140A5

RGB 113 64 165

HSL 269.11, 0.44%, 0.45%

LAB 37.65, 41.53, -46.68

 

CMYK 23 / 43 / 0 / 43

HEX #715392

RGB 113 83 146

HSL 268.57, 0.28%, 0.45%

LAB 40.85, 25.7, -30.17

 

CMYK 10 / 20 / 0 / 50

HEX #72657F

RGB 114 101 127

HSL 270, 0.11%, 0.45%

LAB 44.83, 10.55, -12.57

 

CMYK 5 / 0 / 9 / 53

HEX #72786D

RGB 114 120 109

HSL 92.73, 0.05%, 0.45%

LAB 49.63, -4.46, 5.26

 

CMYK 75 / 72 / 0 / 28

HEX #2D34B7

RGB 45 52 183

HSL 236.96, 0.61%, 0.45%

LAB 30.48, 42.26, -69.35

 

CMYK 59 / 75 / 0 / 28

HEX #4B2DB7

RGB 75 45 183

HSL 253.04, 0.61%, 0.45%

LAB 31.33, 49.5, -67.88

 

CMYK 39 / 75 / 0 / 28

HEX #702DB7

RGB 112 45 183

HSL 269.13, 0.61%, 0.45%

LAB 35.48, 55.14, -60.91

 

CMYK 19 / 75 / 0 / 28

HEX #952DB7

RGB 149 45 183

HSL 285.22, 0.61%, 0.45%

LAB 40.71, 61.99, -52.19

 

CMYK 0 / 75 / 1 / 28

HEX #B72DB5

RGB 183 45 181

HSL 300.87, 0.61%, 0.45%

LAB 46.02, 68.55, -42.21

 

CMYK 38 / 75 / 0 / 54

HEX #481D75

RGB 72 29 117

HSL 269.32, 0.6%, 0.29%

LAB 22.09, 38.41, -42.4

 

CMYK 39 / 75 / 0 / 41

HEX #5C2596

RGB 92 37 150

HSL 269.2, 0.6%, 0.37%

LAB 28.9, 46.97, -51.87

 

CMYK 39 / 75 / 0 / 28

HEX #702DB7

RGB 112 45 183

HSL 269.13, 0.61%, 0.45%

LAB 35.48, 55.14, -60.91

 

CMYK 36 / 70 / 0 / 19

HEX #853FCF

RGB 133 63 207

HSL 269.17, 0.6%, 0.53%

LAB 42.83, 56.68, -62.85

 

CMYK 28 / 55 / 0 / 16

HEX #9A60D7

RGB 154 96 215

HSL 269.24, 0.6%, 0.61%

LAB 52, 46.49, -52.54

 

CMYK 38 / 75 / 0 / 29

HEX #702EB6

RGB 112 46 182

HSL 269.12, 0.6%, 0.45%

LAB 35.55, 54.47, -60.21

 

CMYK 0 / 75 / 51 / 28

HEX #B72D59

RGB 183 45 89

HSL 340.87, 0.61%, 0.45%

LAB 42.25, 57.15, 8.08

 

CMYK 75 / 0 / 69 / 28

HEX #2DB739

RGB 45 183 57

HSL 125.22, 0.61%, 0.45%

LAB 65.53, -60.34, 51.6

 

CMYK 38 / 75 / 0 / 29

HEX #702EB6

RGB 112 46 182

HSL 269.12, 0.6%, 0.45%

LAB 35.55, 54.47, -60.21

 

CMYK 0 / 39 / 75 / 28

HEX #B7702D

RGB 183 112 45

HSL 29.13, 0.61%, 0.45%

LAB 53.86, 22.59, 47.25

 

CMYK 75 / 0 / 39 / 28

HEX #2DB770

RGB 45 183 112

HSL 149.13, 0.61%, 0.45%

LAB 66.21, -52.36, 26.01

 

CMYK 38 / 75 / 0 / 29

HEX #702EB6

RGB 112 46 182

HSL 269.12, 0.6%, 0.45%

LAB 35.55, 54.47, -60.21

 

CMYK 0 / 75 / 51 / 28

HEX #B72D59

RGB 183 45 89

HSL 340.87, 0.61%, 0.45%

LAB 42.25, 57.15, 8.08

 

CMYK 36 / 0 / 75 / 28

HEX #75B72D

RGB 117 183 45

HSL 88.7, 0.61%, 0.45%

LAB 67.9, -42.38, 59.24

 

CMYK 75 / 0 / 24 / 28

HEX #2DB78B

RGB 45 183 139

HSL 160.87, 0.61%, 0.45%

LAB 66.74, -46.53, 12.17

 

CMYK 38 / 75 / 0 / 29

HEX #702EB6

RGB 112 46 182

HSL 269.12, 0.6%, 0.45%

LAB 35.55, 54.47, -60.21

 

CMYK 0 / 75 / 74 / 28

HEX #B72D30

RGB 183 45 48

HSL 358.7, 0.61%, 0.45%

LAB 41.47, 54.58, 32.39

 

CMYK 36 / 0 / 75 / 28

HEX #75B72D

RGB 117 183 45

HSL 88.7, 0.61%, 0.45%

LAB 67.9, -42.38, 59.24

 

CMYK 75 / 0 / 1 / 28

HEX #2DB7B5

RGB 45 183 181

HSL 179.13, 0.61%, 0.45%

LAB 67.84, -35.35, -9.34

 

Description

Color code: HEX #702EB6 | qconv.com Color code: HEX #702EB6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 46 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 46 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 75 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 75% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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