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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7029B8 it is the complementary color #8FD647. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7029B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7029B8 shade: #7529B3, #863BC6, #974DD9, #A85FEC and #B971FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7029B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7029B8 shade: #7029B8, #5F17A5, #4E0592, #3D007F and #2C006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7029B8 shade: #7028B8, #9628B8, #B828B3, #B8288C and #B82865

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7029B8 shade: #7028B8, #4928B8 and #2828B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7029B8 shade matches the following richer shades: #7028B8, #7016CA and #6F04DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7029B8 shade: #7028B8, #703BA6, #704D94, #705F82 and #70716F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7029B8 shade: #2830B8, #4828B8, #6E28B8, #9428B8 and #B828B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7029B8 shade: #471A74, #5B2196, #7028B8, #8437D3 and #9958DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7029B8 shade: #7029B8, #B82856 and #28B834

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7029B8 shade: #7029B8, #B86E28 and #28B86E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7029B8 shade: #7029B8, #B82856, #73B828 and #28B88B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7029B8 shade: #7029B8, #B8282B, #73B828 and #28B8B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 78 / 0 / 28

HEX #7029B8

RGB 112 41 184

HSL 269.79, 0.64%, 0.44%

LAB 34.99, 57.04, -62.31

 

Complementary color

CMYK 33 / 0 / 67 / 16

HEX #8FD647

RGB 143 214 71

HSL 89.79, 0.64%, 0.56%

LAB 78.69, -44.67, 61.04

 

CMYK 35 / 77 / 0 / 30

HEX #7529B3

RGB 117 41 179

HSL 273.04, 0.63%, 0.43%

LAB 35.25, 56.71, -58.89

 

CMYK 32 / 70 / 0 / 22

HEX #863BC6

RGB 134 59 198

HSL 272.37, 0.55%, 0.5%

LAB 41.65, 56.59, -59.56

 

CMYK 30 / 65 / 0 / 15

HEX #974DD9

RGB 151 77 217

HSL 271.71, 0.65%, 0.58%

LAB 48.13, 56.04, -59.91

 

CMYK 29 / 60 / 0 / 7

HEX #A85FEC

RGB 168 95 236

HSL 271.06, 0.79%, 0.65%

LAB 54.62, 55.27, -60.09

 

CMYK 27 / 56 / 0 / 0

HEX #B971FF

RGB 185 113 255

HSL 270.42, 1%, 0.72%

LAB 61.08, 54.42, -60.17

 

CMYK 39 / 78 / 0 / 28

HEX #7029B8

RGB 112 41 184

HSL 269.79, 0.64%, 0.44%

LAB 34.99, 57.04, -62.31

 

CMYK 42 / 86 / 0 / 35

HEX #5F17A5

RGB 95 23 165

HSL 270.42, 0.76%, 0.37%

LAB 28.8, 56.43, -61.16

 

CMYK 47 / 97 / 0 / 43

HEX #4E0592

RGB 78 5 146

HSL 271.06, 0.93%, 0.3%

LAB 23.01, 54.43, -59.14

 

CMYK 52 / 100 / 0 / 50

HEX #3D007F

RGB 61 0 127

HSL 268.82, 1%, 0.25%

LAB 18.03, 49.67, -55.51

 

CMYK 59 / 100 / 0 / 58

HEX #2C006C

RGB 44 0 108

HSL 264.44, 1%, 0.21%

LAB 13.34, 43.68, -51.08

 

CMYK 39 / 78 / 0 / 28

HEX #7028B8

RGB 112 40 184

HSL 270, 0.64%, 0.44%

LAB 34.85, 57.43, -62.54

 

CMYK 18 / 78 / 0 / 28

HEX #9628B8

RGB 150 40 184

HSL 285.83, 0.64%, 0.44%

LAB 40.35, 64.06, -53.35

 

CMYK 0 / 78 / 3 / 28

HEX #B828B3

RGB 184 40 179

HSL 302.08, 0.64%, 0.44%

LAB 45.58, 69.85, -41.71

 

CMYK 0 / 78 / 24 / 28

HEX #B8288C

RGB 184 40 140

HSL 318.33, 0.64%, 0.44%

LAB 43.66, 64.33, -21.39

 

CMYK 0 / 78 / 45 / 28

HEX #B82865

RGB 184 40 101

HSL 334.58, 0.64%, 0.44%

LAB 42.23, 60.03, 0.55

 

CMYK 39 / 78 / 0 / 28

HEX #7028B8

RGB 112 40 184

HSL 270, 0.64%, 0.44%

LAB 34.85, 57.43, -62.54

 

CMYK 60 / 78 / 0 / 28

HEX #4928B8

RGB 73 40 184

HSL 253.75, 0.64%, 0.44%

LAB 30.39, 51.98, -70.03

 

CMYK 78 / 78 / 0 / 28

HEX #2828B8

RGB 40 40 184

HSL 240, 0.64%, 0.44%

LAB 27.92, 48.94, -74.18

 

CMYK 39 / 78 / 0 / 28

HEX #7028B8

RGB 112 40 184

HSL 270, 0.64%, 0.44%

LAB 34.85, 57.43, -62.54

 

CMYK 45 / 89 / 0 / 21

HEX #7016CA

RGB 112 22 202

HSL 270, 0.8%, 0.44%

LAB 34.57, 67.2, -73.58

 

CMYK 50 / 98 / 0 / 14

HEX #6F04DC

RGB 111 4 220

HSL 269.72, 0.96%, 0.44%

LAB 35.27, 74, -82.85

 

CMYK 39 / 78 / 0 / 28

HEX #7028B8

RGB 112 40 184

HSL 270, 0.64%, 0.44%

LAB 34.85, 57.43, -62.54

 

CMYK 33 / 64 / 0 / 35

HEX #703BA6

RGB 112 59 166

HSL 269.72, 0.48%, 0.44%

LAB 36.6, 44.23, -48.97

 

CMYK 24 / 48 / 0 / 42

HEX #704D94

RGB 112 77 148

HSL 269.58, 0.32%, 0.44%

LAB 39.4, 29.5, -33.68

 

CMYK 14 / 27 / 0 / 49

HEX #705F82

RGB 112 95 130

HSL 269.14, 0.16%, 0.44%

LAB 43.12, 14.17, -16.99

 

CMYK 1 / 0 / 2 / 56

HEX #70716F

RGB 112 113 111

HSL 90, 0.01%, 0.44%

LAB 47.5, -0.79, 0.97

 

CMYK 78 / 74 / 0 / 28

HEX #2830B8

RGB 40 48 184

HSL 236.67, 0.64%, 0.44%

LAB 29.48, 44.53, -71.61

 

CMYK 61 / 78 / 0 / 28

HEX #4828B8

RGB 72 40 184

HSL 253.33, 0.64%, 0.44%

LAB 30.29, 51.87, -70.19

 

CMYK 40 / 78 / 0 / 28

HEX #6E28B8

RGB 110 40 184

HSL 269.17, 0.64%, 0.44%

LAB 34.59, 57.11, -62.98

 

CMYK 20 / 78 / 0 / 28

HEX #9428B8

RGB 148 40 184

HSL 285, 0.64%, 0.44%

LAB 40.04, 63.69, -53.87

 

CMYK 0 / 78 / 1 / 28

HEX #B828B6

RGB 184 40 182

HSL 300.83, 0.64%, 0.44%

LAB 45.75, 70.32, -43.21

 

CMYK 39 / 78 / 0 / 55

HEX #471A74

RGB 71 26 116

HSL 270, 0.63%, 0.28%

LAB 21.35, 39.4, -42.96

 

CMYK 39 / 78 / 0 / 41

HEX #5B2196

RGB 91 33 150

HSL 269.74, 0.64%, 0.36%

LAB 28.15, 48.56, -53.1

 

CMYK 39 / 78 / 0 / 28

HEX #7028B8

RGB 112 40 184

HSL 270, 0.64%, 0.44%

LAB 34.85, 57.43, -62.54

 

CMYK 37 / 74 / 0 / 17

HEX #8437D3

RGB 132 55 211

HSL 269.62, 0.64%, 0.52%

LAB 41.75, 61.01, -66.92

 

CMYK 30 / 60 / 0 / 15

HEX #9958DA

RGB 153 88 218

HSL 270, 0.64%, 0.6%

LAB 50.47, 51.19, -56.7

 

CMYK 39 / 78 / 0 / 28

HEX #7029B8

RGB 112 41 184

HSL 269.79, 0.64%, 0.44%

LAB 34.99, 57.04, -62.31

 

CMYK 0 / 78 / 53 / 28

HEX #B82856

RGB 184 40 86

HSL 340.83, 0.64%, 0.44%

LAB 41.81, 58.75, 9.37

 

CMYK 78 / 0 / 72 / 28

HEX #28B834

RGB 40 184 52

HSL 125, 0.64%, 0.44%

LAB 65.73, -61.83, 53.74

 

CMYK 39 / 78 / 0 / 28

HEX #7029B8

RGB 112 41 184

HSL 269.79, 0.64%, 0.44%

LAB 34.99, 57.04, -62.31

 

CMYK 0 / 40 / 78 / 28

HEX #B86E28

RGB 184 110 40

HSL 29.17, 0.64%, 0.44%

LAB 53.49, 23.92, 49.15

 

CMYK 78 / 0 / 40 / 28

HEX #28B86E

RGB 40 184 110

HSL 149.17, 0.64%, 0.44%

LAB 66.41, -53.77, 27.32

 

CMYK 39 / 78 / 0 / 28

HEX #7029B8

RGB 112 41 184

HSL 269.79, 0.64%, 0.44%

LAB 34.99, 57.04, -62.31

 

CMYK 0 / 78 / 53 / 28

HEX #B82856

RGB 184 40 86

HSL 340.83, 0.64%, 0.44%

LAB 41.81, 58.75, 9.37

 

CMYK 38 / 0 / 78 / 28

HEX #73B828

RGB 115 184 40

HSL 88.75, 0.64%, 0.44%

LAB 68.08, -43.79, 60.98

 

CMYK 78 / 0 / 24 / 28

HEX #28B88B

RGB 40 184 139

HSL 161.25, 0.64%, 0.44%

LAB 66.97, -47.54, 12.49

 

CMYK 39 / 78 / 0 / 28

HEX #7029B8

RGB 112 41 184

HSL 269.79, 0.64%, 0.44%

LAB 34.99, 57.04, -62.31

 

CMYK 0 / 78 / 77 / 28

HEX #B8282B

RGB 184 40 43

HSL 358.75, 0.64%, 0.44%

LAB 41.03, 56.28, 34.89

 

CMYK 38 / 0 / 78 / 28

HEX #73B828

RGB 115 184 40

HSL 88.75, 0.64%, 0.44%

LAB 68.08, -43.79, 60.98

 

CMYK 78 / 0 / 1 / 28

HEX #28B8B6

RGB 40 184 182

HSL 179.17, 0.64%, 0.44%

LAB 68.1, -36.03, -9.52

 

Description

Color code: HEX #7029B8 | qconv.com Color code: HEX #7029B8 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 41 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 41 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 78 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 78% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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