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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7029A8 it is the complementary color #8FD657. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7029A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7029A8 shade: #7529A3, #863BB6, #974DC9, #A85FDC and #B971EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7029A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7029A8 shade: #7029A8, #5F1795, #4E0582, #3D006F and #2C005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7029A8 shade: #7029A8, #9229A8, #A8299C, #A82979 and #A82957

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7029A8 shade: #7029A8, #4E29A8, #2B29A8 and #2929A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7029A8 shade matches the following richer shades: #7029A8, #7218B9 and #7407CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7029A8 shade: #7029A8, #6E3A97, #6C4B86, #6A5C76 and #686C65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7029A8 shade: #2B29A8, #4D29A8, #6F29A8, #9129A8 and #A8299E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7029A8 shade: #441966, #5A2187, #7029A8, #8631CA and #9A4FD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7029A8 shade: #7029A8, #A82949 and #29A83C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7029A8 shade: #7029A8, #A86F29 and #29A86F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7029A8 shade: #7029A8, #A82949, #62A829 and #29A888

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7029A8 shade: #7029A8, #A82F29, #62A829 and #29A2A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 76 / 0 / 34

HEX #7029A8

RGB 112 41 168

HSL 273.54, 0.61%, 0.41%

LAB 33.68, 53.27, -54.9

 

Complementary color

CMYK 33 / 0 / 59 / 16

HEX #8FD657

RGB 143 214 87

HSL 93.54, 0.61%, 0.59%

LAB 78.82, -43.32, 54.53

 

CMYK 28 / 75 / 0 / 36

HEX #7529A3

RGB 117 41 163

HSL 277.38, 0.6%, 0.4%

LAB 34.01, 53.08, -51.33

 

CMYK 26 / 68 / 0 / 29

HEX #863BB6

RGB 134 59 182

HSL 276.59, 0.51%, 0.47%

LAB 40.53, 52.93, -52

 

CMYK 25 / 62 / 0 / 21

HEX #974DC9

RGB 151 77 201

HSL 275.81, 0.53%, 0.55%

LAB 47.11, 52.37, -52.38

 

CMYK 24 / 57 / 0 / 14

HEX #A85FDC

RGB 168 95 220

HSL 275.04, 0.64%, 0.62%

LAB 53.68, 51.63, -52.59

 

CMYK 23 / 53 / 0 / 6

HEX #B971EF

RGB 185 113 239

HSL 274.29, 0.8%, 0.69%

LAB 60.21, 50.81, -52.72

 

CMYK 33 / 76 / 0 / 34

HEX #7029A8

RGB 112 41 168

HSL 273.54, 0.61%, 0.41%

LAB 33.68, 53.27, -54.9

 

CMYK 36 / 85 / 0 / 42

HEX #5F1795

RGB 95 23 149

HSL 274.29, 0.73%, 0.34%

LAB 27.34, 52.72, -53.79

 

CMYK 40 / 96 / 0 / 49

HEX #4E0582

RGB 78 5 130

HSL 275.04, 0.93%, 0.26%

LAB 21.36, 50.79, -51.84

 

CMYK 45 / 100 / 0 / 56

HEX #3D006F

RGB 61 0 111

HSL 272.97, 1%, 0.22%

LAB 16.2, 45.92, -48.22

 

CMYK 52 / 100 / 0 / 64

HEX #2C005C

RGB 44 0 92

HSL 268.7, 1%, 0.18%

LAB 11.33, 39.68, -43.77

 

CMYK 33 / 76 / 0 / 34

HEX #7029A8

RGB 112 41 168

HSL 273.54, 0.61%, 0.41%

LAB 33.68, 53.27, -54.9

 

CMYK 13 / 76 / 0 / 34

HEX #9229A8

RGB 146 41 168

HSL 289.61, 0.61%, 0.41%

LAB 38.77, 59.91, -46.43

 

CMYK 0 / 76 / 7 / 34

HEX #A8299C

RGB 168 41 156

HSL 305.67, 0.61%, 0.41%

LAB 41.71, 62.58, -34.33

 

CMYK 0 / 76 / 28 / 34

HEX #A82979

RGB 168 41 121

HSL 322.2, 0.61%, 0.41%

LAB 40.07, 57.66, -15.47

 

CMYK 0 / 76 / 48 / 34

HEX #A82957

RGB 168 41 87

HSL 338.27, 0.61%, 0.41%

LAB 38.9, 53.99, 4.18

 

CMYK 33 / 76 / 0 / 34

HEX #7029A8

RGB 112 41 168

HSL 273.54, 0.61%, 0.41%

LAB 33.68, 53.27, -54.9

 

CMYK 54 / 76 / 0 / 34

HEX #4E29A8

RGB 78 41 168

HSL 257.48, 0.61%, 0.41%

LAB 29.49, 47.58, -61.91

 

CMYK 74 / 76 / 0 / 34

HEX #2B29A8

RGB 43 41 168

HSL 240.94, 0.61%, 0.41%

LAB 26.52, 43.39, -66.91

 

CMYK 76 / 76 / 0 / 34

HEX #2929A8

RGB 41 41 168

HSL 240, 0.61%, 0.41%

LAB 26.4, 43.21, -67.11

 

CMYK 33 / 76 / 0 / 34

HEX #7029A8

RGB 112 41 168

HSL 273.54, 0.61%, 0.41%

LAB 33.68, 53.27, -54.9

 

CMYK 38 / 87 / 0 / 27

HEX #7218B9

RGB 114 24 185

HSL 273.54, 0.77%, 0.41%

LAB 33.42, 63.19, -65.45

 

CMYK 43 / 97 / 0 / 21

HEX #7407CA

RGB 116 7 202

HSL 273.54, 0.93%, 0.41%

LAB 34.25, 70.21, -74.08

 

CMYK 33 / 76 / 0 / 34

HEX #7029A8

RGB 112 41 168

HSL 273.54, 0.61%, 0.41%

LAB 33.68, 53.27, -54.9

 

CMYK 27 / 62 / 0 / 41

HEX #6E3A97

RGB 110 58 151

HSL 273.55, 0.44%, 0.41%

LAB 35.15, 40.58, -42.26

 

CMYK 19 / 44 / 0 / 47

HEX #6C4B86

RGB 108 75 134

HSL 273.56, 0.28%, 0.41%

LAB 37.74, 26.01, -27.81

 

CMYK 10 / 22 / 0 / 54

HEX #6A5C76

RGB 106 92 118

HSL 272.31, 0.12%, 0.41%

LAB 41.26, 11.08, -12.6

 

CMYK 4 / 0 / 6 / 58

HEX #686C65

RGB 104 108 101

HSL 94.29, 0.03%, 0.41%

LAB 45.09, -2.97, 3.38

 

CMYK 74 / 76 / 0 / 34

HEX #2B29A8

RGB 43 41 168

HSL 240.94, 0.61%, 0.41%

LAB 26.52, 43.39, -66.91

 

CMYK 54 / 76 / 0 / 34

HEX #4D29A8

RGB 77 41 168

HSL 257.01, 0.61%, 0.41%

LAB 29.39, 47.44, -62.09

 

CMYK 34 / 76 / 0 / 34

HEX #6F29A8

RGB 111 41 168

HSL 273.07, 0.61%, 0.41%

LAB 33.55, 53.09, -55.13

 

CMYK 14 / 76 / 0 / 34

HEX #9129A8

RGB 145 41 168

HSL 289.13, 0.61%, 0.41%

LAB 38.61, 59.71, -46.7

 

CMYK 0 / 76 / 6 / 34

HEX #A8299E

RGB 168 41 158

HSL 304.72, 0.61%, 0.41%

LAB 41.81, 62.89, -35.37

 

CMYK 33 / 75 / 0 / 60

HEX #441966

RGB 68 25 102

HSL 273.51, 0.61%, 0.25%

LAB 19.57, 35.63, -36.79

 

CMYK 33 / 76 / 0 / 47

HEX #5A2187

RGB 90 33 135

HSL 273.53, 0.61%, 0.33%

LAB 26.77, 44.69, -46.08

 

CMYK 33 / 76 / 0 / 34

HEX #7029A8

RGB 112 41 168

HSL 273.54, 0.61%, 0.41%

LAB 33.68, 53.27, -54.9

 

CMYK 34 / 76 / 0 / 21

HEX #8631CA

RGB 134 49 202

HSL 273.33, 0.61%, 0.49%

LAB 40.46, 61.73, -63.81

 

CMYK 27 / 63 / 0 / 17

HEX #9A4FD4

RGB 154 79 212

HSL 273.83, 0.61%, 0.57%

LAB 48.53, 54.57, -56.39

 

CMYK 33 / 76 / 0 / 34

HEX #7029A8

RGB 112 41 168

HSL 273.54, 0.61%, 0.41%

LAB 33.68, 53.27, -54.9

 

CMYK 0 / 76 / 57 / 34

HEX #A82949

RGB 168 41 73

HSL 344.88, 0.61%, 0.41%

LAB 38.54, 52.82, 12.58

 

CMYK 76 / 0 / 64 / 34

HEX #29A83C

RGB 41 168 60

HSL 128.98, 0.61%, 0.41%

LAB 60.61, -55.67, 44.94

 

CMYK 33 / 76 / 0 / 34

HEX #7029A8

RGB 112 41 168

HSL 273.54, 0.61%, 0.41%

LAB 33.68, 53.27, -54.9

 

CMYK 0 / 34 / 76 / 34

HEX #A86F29

RGB 168 111 41

HSL 33.07, 0.61%, 0.41%

LAB 51.67, 16.39, 46.23

 

CMYK 76 / 0 / 34 / 34

HEX #29A86F

RGB 41 168 111

HSL 153.07, 0.61%, 0.41%

LAB 61.33, -47.32, 19.98

 

CMYK 33 / 76 / 0 / 34

HEX #7029A8

RGB 112 41 168

HSL 273.54, 0.61%, 0.41%

LAB 33.68, 53.27, -54.9

 

CMYK 0 / 76 / 57 / 34

HEX #A82949

RGB 168 41 73

HSL 344.88, 0.61%, 0.41%

LAB 38.54, 52.82, 12.58

 

CMYK 42 / 0 / 76 / 34

HEX #62A829

RGB 98 168 41

HSL 93.07, 0.61%, 0.41%

LAB 62.31, -42.93, 54.85

 

CMYK 76 / 0 / 19 / 34

HEX #29A888

RGB 41 168 136

HSL 164.88, 0.61%, 0.41%

LAB 61.87, -41.47, 6.91

 

CMYK 33 / 76 / 0 / 34

HEX #7029A8

RGB 112 41 168

HSL 273.54, 0.61%, 0.41%

LAB 33.68, 53.27, -54.9

 

CMYK 0 / 72 / 76 / 34

HEX #A82F29

RGB 168 47 41

HSL 2.83, 0.61%, 0.41%

LAB 38.76, 48.78, 32.67

 

CMYK 42 / 0 / 76 / 34

HEX #62A829

RGB 98 168 41

HSL 93.07, 0.61%, 0.41%

LAB 62.31, -42.93, 54.85

 

CMYK 76 / 4 / 0 / 34

HEX #29A2A8

RGB 41 162 168

HSL 182.83, 0.61%, 0.41%

LAB 60.9, -29.68, -12.49

 

Description

Color code: HEX #7029A8 | qconv.com Color code: HEX #7029A8 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 41 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 41 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 76 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 76% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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