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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #702271 it is the complementary color #8FDD8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #702271. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #702271 shade: #75226C, #86347F, #974692, #A858A5 and #B96AB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #702271. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #702271 shade: #702271, #5F105E, #4E004B, #3D0038 and #2C0025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #702271 shade: #712272, #72225D, #722248, #722232 and #722222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #702271 shade: #712272, #5B2272, #462272, #302272 and #222272

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #702271 shade matches the following richer shades: #712272, #7D167E and #880A8A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #702271 shade: #712272, #652E66, #5A3A5A, #4E464E and #425242

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #702271 shade: #462272, #5B2272, #712272, #72225E and #722249

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #702271 shade: #320F32, #511952, #712272, #902C92 and #B035B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #702271 shade: #702271, #723122 and #227251

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #702271 shade: #702271, #727122 and #227271

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #702271 shade: #702271, #723122, #237222 and #226372

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #702271 shade: #702271, #724922, #237222 and #224B72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 70 / 0 / 56

HEX #702271

RGB 112 34 113

HSL 299.24, 0.54%, 0.29%

LAB 28.85, 44.54, -28.64

 

Complementary color

CMYK 35 / 0 / 36 / 13

HEX #8FDD8E

RGB 143 221 142

HSL 119.24, 0.54%, 0.71%

LAB 81.57, -39.52, 31.4

 

CMYK 0 / 71 / 8 / 54

HEX #75226C

RGB 117 34 108

HSL 306.51, 0.55%, 0.3%

LAB 29.43, 44.95, -24.47

 

CMYK 0 / 61 / 5 / 47

HEX #86347F

RGB 134 52 127

HSL 305.12, 0.44%, 0.36%

LAB 36.09, 45, -25.81

 

CMYK 0 / 54 / 3 / 41

HEX #974692

RGB 151 70 146

HSL 303.7, 0.37%, 0.43%

LAB 42.82, 44.58, -26.75

 

CMYK 0 / 48 / 2 / 34

HEX #A858A5

RGB 168 88 165

HSL 302.25, 0.31%, 0.5%

LAB 49.52, 43.93, -27.45

 

CMYK 0 / 43 / 1 / 27

HEX #B96AB8

RGB 185 106 184

HSL 300.76, 0.36%, 0.57%

LAB 56.17, 43.2, -28.01

 

CMYK 1 / 70 / 0 / 56

HEX #702271

RGB 112 34 113

HSL 299.24, 0.54%, 0.29%

LAB 28.85, 44.54, -28.64

 

CMYK 0 / 83 / 1 / 63

HEX #5F105E

RGB 95 16 94

HSL 300.76, 0.71%, 0.22%

LAB 22.34, 43.56, -26.82

 

CMYK 0 / 100 / 4 / 69

HEX #4E004B

RGB 78 0 75

HSL 302.31, 1%, 0.15%

LAB 16.14, 41.14, -24.06

 

CMYK 0 / 100 / 8 / 76

HEX #3D0038

RGB 61 0 56

HSL 304.92, 1%, 0.12%

LAB 11.12, 34.5, -18.88

 

CMYK 0 / 100 / 16 / 83

HEX #2C0025

RGB 44 0 37

HSL 309.55, 1%, 0.09%

LAB 6.04, 26.75, -13.01

 

CMYK 1 / 70 / 0 / 55

HEX #712272

RGB 113 34 114

HSL 299.25, 0.54%, 0.29%

LAB 29.08, 44.98, -28.91

 

CMYK 0 / 70 / 18 / 55

HEX #72225D

RGB 114 34 93

HSL 315.75, 0.54%, 0.29%

LAB 28.15, 41.65, -16.81

 

CMYK 0 / 70 / 37 / 55

HEX #722248

RGB 114 34 72

HSL 331.5, 0.54%, 0.29%

LAB 27.27, 38.68, -4.26

 

CMYK 0 / 70 / 56 / 55

HEX #722232

RGB 114 34 50

HSL 348, 0.54%, 0.29%

LAB 26.6, 36.31, 9.57

 

CMYK 0 / 70 / 70 / 55

HEX #722222

RGB 114 34 34

HSL 0, 0.54%, 0.29%

LAB 26.27, 35.11, 19.79

 

CMYK 1 / 70 / 0 / 55

HEX #712272

RGB 113 34 114

HSL 299.25, 0.54%, 0.29%

LAB 29.08, 44.98, -28.91

 

CMYK 20 / 70 / 0 / 55

HEX #5B2272

RGB 91 34 114

HSL 282.75, 0.54%, 0.29%

LAB 25.51, 39.49, -34.81

 

CMYK 39 / 70 / 0 / 55

HEX #462272

RGB 70 34 114

HSL 267, 0.54%, 0.29%

LAB 22.52, 34.54, -39.79

 

CMYK 58 / 70 / 0 / 55

HEX #302272

RGB 48 34 114

HSL 250.5, 0.54%, 0.29%

LAB 19.99, 30.03, -44.01

 

CMYK 70 / 70 / 0 / 55

HEX #222272

RGB 34 34 114

HSL 240, 0.54%, 0.29%

LAB 18.8, 27.75, -46.02

 

CMYK 1 / 70 / 0 / 55

HEX #712272

RGB 113 34 114

HSL 299.25, 0.54%, 0.29%

LAB 29.08, 44.98, -28.91

 

CMYK 1 / 83 / 0 / 51

HEX #7D167E

RGB 125 22 126

HSL 299.42, 0.7%, 0.29%

LAB 30.5, 53.92, -34.13

 

CMYK 1 / 93 / 0 / 46

HEX #880A8A

RGB 136 10 138

HSL 299.06, 0.86%, 0.29%

LAB 32.45, 60.46, -38.39

 

CMYK 1 / 70 / 0 / 55

HEX #712272

RGB 113 34 114

HSL 299.25, 0.54%, 0.29%

LAB 29.08, 44.98, -28.91

 

CMYK 1 / 55 / 0 / 60

HEX #652E66

RGB 101 46 102

HSL 298.93, 0.38%, 0.29%

LAB 28.59, 33.5, -22.12

 

CMYK 0 / 36 / 0 / 65

HEX #5A3A5A

RGB 90 58 90

HSL 300, 0.22%, 0.29%

LAB 29.26, 20.1, -13.45

 

CMYK 0 / 10 / 0 / 69

HEX #4E464E

RGB 78 70 78

HSL 300, 0.05%, 0.29%

LAB 30.76, 5.07, -3.56

 

CMYK 20 / 0 / 20 / 68

HEX #425242

RGB 66 82 66

HSL 120, 0.11%, 0.29%

LAB 33.11, -9.88, 7.35

 

CMYK 39 / 70 / 0 / 55

HEX #462272

RGB 70 34 114

HSL 267, 0.54%, 0.29%

LAB 22.52, 34.54, -39.79

 

CMYK 20 / 70 / 0 / 55

HEX #5B2272

RGB 91 34 114

HSL 282.75, 0.54%, 0.29%

LAB 25.51, 39.49, -34.81

 

CMYK 1 / 70 / 0 / 55

HEX #712272

RGB 113 34 114

HSL 299.25, 0.54%, 0.29%

LAB 29.08, 44.98, -28.91

 

CMYK 0 / 70 / 18 / 55

HEX #72225E

RGB 114 34 94

HSL 315, 0.54%, 0.29%

LAB 28.19, 41.81, -17.39

 

CMYK 0 / 70 / 36 / 55

HEX #722249

RGB 114 34 73

HSL 330.75, 0.54%, 0.29%

LAB 27.3, 38.8, -4.87

 

CMYK 0 / 70 / 0 / 80

HEX #320F32

RGB 50 15 50

HSL 300, 0.54%, 0.13%

LAB 10.92, 23.41, -14.98

 

CMYK 1 / 70 / 0 / 68

HEX #511952

RGB 81 25 82

HSL 298.95, 0.53%, 0.21%

LAB 20.26, 34.3, -22.27

 

CMYK 1 / 70 / 0 / 55

HEX #712272

RGB 113 34 114

HSL 299.25, 0.54%, 0.29%

LAB 29.08, 44.98, -28.91

 

CMYK 1 / 70 / 0 / 43

HEX #902C92

RGB 144 44 146

HSL 298.82, 0.54%, 0.37%

LAB 37.49, 54.37, -35.2

 

CMYK 1 / 70 / 0 / 31

HEX #B035B1

RGB 176 53 177

HSL 299.52, 0.54%, 0.45%

LAB 45.57, 63.77, -40.64

 

CMYK 1 / 70 / 0 / 56

HEX #702271

RGB 112 34 113

HSL 299.24, 0.54%, 0.29%

LAB 28.85, 44.54, -28.64

 

CMYK 0 / 57 / 70 / 55

HEX #723122

RGB 114 49 34

HSL 11.25, 0.54%, 0.29%

LAB 29.13, 27.53, 23.25

 

CMYK 70 / 0 / 29 / 55

HEX #227251

RGB 34 114 81

HSL 155.25, 0.54%, 0.29%

LAB 42.72, -32.49, 11.43

 

CMYK 1 / 70 / 0 / 56

HEX #702271

RGB 112 34 113

HSL 299.24, 0.54%, 0.29%

LAB 28.85, 44.54, -28.64

 

CMYK 0 / 1 / 70 / 55

HEX #727122

RGB 114 113 34

HSL 59.25, 0.54%, 0.29%

LAB 46.32, -10.11, 42

 

CMYK 70 / 0 / 1 / 55

HEX #227271

RGB 34 114 113

HSL 179.25, 0.54%, 0.29%

LAB 43.61, -23.6, -6.45

 

CMYK 1 / 70 / 0 / 56

HEX #702271

RGB 112 34 113

HSL 299.24, 0.54%, 0.29%

LAB 28.85, 44.54, -28.64

 

CMYK 0 / 57 / 70 / 55

HEX #723122

RGB 114 49 34

HSL 11.25, 0.54%, 0.29%

LAB 29.13, 27.53, 23.25

 

CMYK 69 / 0 / 70 / 55

HEX #237222

RGB 35 114 34

HSL 119.25, 0.54%, 0.29%

LAB 42.01, -40.47, 36.08

 

CMYK 70 / 13 / 0 / 55

HEX #226372

RGB 34 99 114

HSL 191.25, 0.54%, 0.29%

LAB 38.69, -15.16, -14.48

 

CMYK 1 / 70 / 0 / 56

HEX #702271

RGB 112 34 113

HSL 299.24, 0.54%, 0.29%

LAB 28.85, 44.54, -28.64

 

CMYK 0 / 36 / 70 / 55

HEX #724922

RGB 114 73 34

HSL 29.25, 0.54%, 0.29%

LAB 34.92, 13.46, 29.91

 

CMYK 69 / 0 / 70 / 55

HEX #237222

RGB 35 114 34

HSL 119.25, 0.54%, 0.29%

LAB 42.01, -40.47, 36.08

 

CMYK 70 / 34 / 0 / 55

HEX #224B72

RGB 34 75 114

HSL 209.25, 0.54%, 0.29%

LAB 30.85, -0.52, -26.63

 

Description

Color code: HEX #702271 | qconv.com Color code: HEX #702271 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 34 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 34 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 70 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 70% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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