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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #701DDF it is the complementary color #8FE220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #701DDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #701DDF shade: #751DDA, #862FED, #9741FF, #A853FF and #B965FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #701DDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #701DDF shade: #701DDF, #5F0BCC, #4E00B9, #3D00A6 and #2C0093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #701DDF shade: #6F1DDD, #A31DDD, #D71DDD, #DD1DB0 and #DD1D7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #701DDF shade: #6F1DDD, #3B1DDD and #1D1DDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #701DDF shade matches the following richer shades: #6F1DDD and #6C09F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #701DDF shade: #6F1DDD, #7231C9, #7545B5, #7859A1 and #7B6E8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #701DDF shade: #1D33DD, #3A1DDD, #6D1DDD, #A01DDD and #D41DDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #701DDF shade: #4A1394, #5D18B9, #6F1DDD, #853DE6 and #9C62EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #701DDF shade: #701DDF, #DD1D67 and #1DDD20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #701DDF shade: #701DDF, #DD6D1D and #1DDD6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #701DDF shade: #701DDF, #DD1D67, #8DDD1D and #1DDD93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #701DDF shade: #701DDF, #DD1D2D, #8DDD1D and #1DDDCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 87 / 0 / 13

HEX #701DDF

RGB 112 29 223

HSL 265.67, 0.77%, 0.49%

LAB 37.21, 70.21, -81.36

 

Complementary color

CMYK 37 / 0 / 86 / 11

HEX #8FE220

RGB 143 226 32

HSL 85.67, 0.77%, 0.51%

LAB 82.02, -51.64, 75.94

 

CMYK 46 / 87 / 0 / 15

HEX #751DDA

RGB 117 29 218

HSL 267.94, 0.77%, 0.48%

LAB 37.34, 69.6, -78.26

 

CMYK 43 / 80 / 0 / 7

HEX #862FED

RGB 134 47 237

HSL 267.47, 0.84%, 0.56%

LAB 43.09, 70.45, -79.57

 

CMYK 41 / 75 / 0 / 0

HEX #9741FF

RGB 151 65 255

HSL 267.16, 1%, 0.63%

LAB 48.98, 70.27, -79.92

 

CMYK 34 / 67 / 0 / 0

HEX #A853FF

RGB 168 83 255

HSL 269.65, 1%, 0.66%

LAB 53.74, 65.43, -72.09

 

CMYK 27 / 60 / 0 / 0

HEX #B965FF

RGB 185 101 255

HSL 272.73, 1%, 0.7%

LAB 58.83, 60.44, -63.78

 

CMYK 50 / 87 / 0 / 13

HEX #701DDF

RGB 112 29 223

HSL 265.67, 0.77%, 0.49%

LAB 37.21, 70.21, -81.36

 

CMYK 53 / 95 / 0 / 20

HEX #5F0BCC

RGB 95 11 204

HSL 266.11, 0.9%, 0.42%

LAB 31.88, 68.19, -79.25

 

CMYK 58 / 100 / 0 / 27

HEX #4E00B9

RGB 78 0 185

HSL 265.3, 1%, 0.36%

LAB 27.08, 64.43, -76.08

 

CMYK 63 / 100 / 0 / 35

HEX #3D00A6

RGB 61 0 166

HSL 262.05, 1%, 0.33%

LAB 22.81, 58.97, -71.81

 

CMYK 70 / 100 / 0 / 42

HEX #2C0093

RGB 44 0 147

HSL 257.96, 1%, 0.29%

LAB 18.55, 53.49, -67.28

 

CMYK 50 / 87 / 0 / 13

HEX #6F1DDD

RGB 111 29 221

HSL 265.63, 0.77%, 0.49%

LAB 36.89, 69.65, -80.75

 

CMYK 26 / 87 / 0 / 13

HEX #A31DDD

RGB 163 29 221

HSL 281.88, 0.77%, 0.49%

LAB 44.07, 76.12, -68.7

 

CMYK 3 / 87 / 0 / 13

HEX #D71DDD

RGB 215 29 221

HSL 298.13, 0.77%, 0.49%

LAB 52.45, 84.33, -54.75

 

CMYK 0 / 87 / 20 / 13

HEX #DD1DB0

RGB 221 29 176

HSL 314.06, 0.77%, 0.49%

LAB 51.14, 79.27, -30.77

 

CMYK 0 / 87 / 44 / 13

HEX #DD1D7C

RGB 221 29 124

HSL 330.31, 0.77%, 0.49%

LAB 49.14, 73.81, -2.69

 

CMYK 50 / 87 / 0 / 13

HEX #6F1DDD

RGB 111 29 221

HSL 265.63, 0.77%, 0.49%

LAB 36.89, 69.65, -80.75

 

CMYK 73 / 87 / 0 / 13

HEX #3B1DDD

RGB 59 29 221

HSL 249.38, 0.77%, 0.49%

LAB 31.87, 65.61, -89.21

 

CMYK 87 / 87 / 0 / 13

HEX #1D1DDD

RGB 29 29 221

HSL 240, 0.77%, 0.49%

LAB 30.3, 64.45, -91.87

 

CMYK 50 / 87 / 0 / 13

HEX #6F1DDD

RGB 111 29 221

HSL 265.63, 0.77%, 0.49%

LAB 36.89, 69.65, -80.75

 

CMYK 55 / 96 / 0 / 5

HEX #6C09F1

RGB 108 9 241

HSL 265.6, 0.93%, 0.49%

LAB 37.36, 77.73, -91.38

 

CMYK 50 / 87 / 0 / 13

HEX #6F1DDD

RGB 111 29 221

HSL 265.63, 0.77%, 0.49%

LAB 36.89, 69.65, -80.75

 

CMYK 43 / 76 / 0 / 21

HEX #7231C9

RGB 114 49 201

HSL 265.66, 0.61%, 0.49%

LAB 37.83, 58.17, -67.63

 

CMYK 35 / 62 / 0 / 29

HEX #7545B5

RGB 117 69 181

HSL 265.71, 0.45%, 0.49%

LAB 40.2, 43.83, -52.04

 

CMYK 25 / 45 / 0 / 37

HEX #7859A1

RGB 120 89 161

HSL 265.83, 0.29%, 0.49%

LAB 43.82, 27.98, -34.43

 

CMYK 12 / 21 / 0 / 45

HEX #7B6E8C

RGB 123 110 140

HSL 266, 0.12%, 0.49%

LAB 48.58, 11.28, -14.56

 

CMYK 87 / 77 / 0 / 13

HEX #1D33DD

RGB 29 51 221

HSL 233.13, 0.77%, 0.49%

LAB 33.67, 54.56, -86.28

 

CMYK 74 / 87 / 0 / 13

HEX #3A1DDD

RGB 58 29 221

HSL 249.06, 0.77%, 0.49%

LAB 31.8, 65.56, -89.33

 

CMYK 51 / 87 / 0 / 13

HEX #6D1DDD

RGB 109 29 221

HSL 265, 0.77%, 0.49%

LAB 36.65, 69.45, -81.15

 

CMYK 28 / 87 / 0 / 13

HEX #A01DDD

RGB 160 29 221

HSL 280.94, 0.77%, 0.49%

LAB 43.61, 75.69, -69.46

 

CMYK 4 / 87 / 0 / 13

HEX #D41DDD

RGB 212 29 221

HSL 297.19, 0.77%, 0.49%

LAB 51.95, 83.82, -55.58

 

CMYK 50 / 87 / 0 / 42

HEX #4A1394

RGB 74 19 148

HSL 265.58, 0.77%, 0.33%

LAB 23.87, 50.89, -58.98

 

CMYK 50 / 87 / 0 / 27

HEX #5D18B9

RGB 93 24 185

HSL 265.71, 0.77%, 0.41%

LAB 30.6, 60.64, -70.2

 

CMYK 50 / 87 / 0 / 13

HEX #6F1DDD

RGB 111 29 221

HSL 265.63, 0.77%, 0.49%

LAB 36.89, 69.65, -80.75

 

CMYK 42 / 73 / 0 / 10

HEX #853DE6

RGB 133 61 230

HSL 265.56, 0.77%, 0.57%

LAB 44.29, 63.15, -73.64

 

CMYK 34 / 58 / 0 / 8

HEX #9C62EB

RGB 156 98 235

HSL 265.4, 0.77%, 0.65%

LAB 53.82, 50.75, -60.89

 

CMYK 50 / 87 / 0 / 13

HEX #701DDF

RGB 112 29 223

HSL 265.67, 0.77%, 0.49%

LAB 37.21, 70.21, -81.36

 

CMYK 0 / 87 / 53 / 13

HEX #DD1D67

RGB 221 29 103

HSL 336.88, 0.77%, 0.49%

LAB 48.55, 72.15, 9.31

 

CMYK 87 / 0 / 86 / 13

HEX #1DDD20

RGB 29 221 32

HSL 120.94, 0.77%, 0.49%

LAB 77.33, -75.12, 70.63

 

CMYK 50 / 87 / 0 / 13

HEX #701DDF

RGB 112 29 223

HSL 265.67, 0.77%, 0.49%

LAB 37.21, 70.21, -81.36

 

CMYK 0 / 51 / 87 / 13

HEX #DD6D1D

RGB 221 109 29

HSL 25, 0.77%, 0.49%

LAB 58.41, 39.37, 59.74

 

CMYK 87 / 0 / 51 / 13

HEX #1DDD6D

RGB 29 221 109

HSL 145, 0.77%, 0.49%

LAB 77.92, -67.75, 42.52

 

CMYK 50 / 87 / 0 / 13

HEX #701DDF

RGB 112 29 223

HSL 265.67, 0.77%, 0.49%

LAB 37.21, 70.21, -81.36

 

CMYK 0 / 87 / 53 / 13

HEX #DD1D67

RGB 221 29 103

HSL 336.88, 0.77%, 0.49%

LAB 48.55, 72.15, 9.31

 

CMYK 36 / 0 / 87 / 13

HEX #8DDD1D

RGB 141 221 29

HSL 85, 0.77%, 0.49%

LAB 80.44, -50.4, 75.15

 

CMYK 87 / 0 / 33 / 13

HEX #1DDD93

RGB 29 221 147

HSL 156.88, 0.77%, 0.49%

LAB 78.51, -60.88, 24.17

 

CMYK 50 / 87 / 0 / 13

HEX #701DDF

RGB 112 29 223

HSL 265.67, 0.77%, 0.49%

LAB 37.21, 70.21, -81.36

 

CMYK 0 / 87 / 80 / 13

HEX #DD1D2D

RGB 221 29 45

HSL 355, 0.77%, 0.49%

LAB 47.55, 69.27, 42.88

 

CMYK 36 / 0 / 87 / 13

HEX #8DDD1D

RGB 141 221 29

HSL 85, 0.77%, 0.49%

LAB 80.44, -50.4, 75.15

 

CMYK 87 / 0 / 7 / 13

HEX #1DDDCD

RGB 29 221 205

HSL 175, 0.77%, 0.49%

LAB 79.83, -46.73, -4.61

 

Description

Color code: HEX #701DDF | qconv.com Color code: HEX #701DDF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 29 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 29 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 87 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 87% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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