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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #701187 it is the complementary color #8FEE78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #701187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #701187 shade: #751182, #862395, #9735A8, #A847BB and #B959CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #701187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #701187 shade: #701187, #5F0074, #4E0061, #3D004E and #2C003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #701187 shade: #711188, #88117F, #88115F, #88113F and #88111F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #701187 shade: #711188, #511188, #311188 and #111188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #701187 shade matches the following richer shades: #711188 and #780495

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #701187 shade: #711188, #691D7C, #622A6F, #5A3663 and #534257

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #701187 shade: #311188, #501188, #701188, #881180 and #881160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #701187 shade: #34083F, #520C63, #711188, #8F15AD and #AE1AD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #701187 shade: #701187, #881111 and #118841

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #701187 shade: #701187, #887011 and #118870

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #701187 shade: #701187, #881111, #298811 and #118888

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #701187 shade: #701187, #883511, #298811 and #116488

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 87 / 0 / 47

HEX #701187

RGB 112 17 135

HSL 288.31, 0.78%, 0.3%

LAB 28.37, 54.3, -43.32

 

Complementary color

CMYK 40 / 0 / 50 / 7

HEX #8FEE78

RGB 143 238 120

HSL 108.31, 0.78%, 0.7%

LAB 86.18, -49.88, 48.12

 

CMYK 10 / 87 / 0 / 49

HEX #751182

RGB 117 17 130

HSL 293.1, 0.77%, 0.29%

LAB 28.89, 54.29, -39.3

 

CMYK 10 / 77 / 0 / 42

HEX #862395

RGB 134 35 149

HSL 292.11, 0.62%, 0.36%

LAB 34.88, 55.93, -41.28

 

CMYK 10 / 68 / 0 / 34

HEX #9735A8

RGB 151 53 168

HSL 291.13, 0.52%, 0.43%

LAB 41.14, 56.47, -42.59

 

CMYK 10 / 62 / 0 / 27

HEX #A847BB

RGB 168 71 187

HSL 290.17, 0.46%, 0.51%

LAB 47.52, 56.39, -43.48

 

CMYK 10 / 57 / 0 / 19

HEX #B959CE

RGB 185 89 206

HSL 289.23, 0.54%, 0.58%

LAB 53.94, 55.97, -44.11

 

CMYK 17 / 87 / 0 / 47

HEX #701187

RGB 112 17 135

HSL 288.31, 0.78%, 0.3%

LAB 28.37, 54.3, -43.32

 

CMYK 18 / 100 / 0 / 55

HEX #5F0074

RGB 95 0 116

HSL 289.14, 1%, 0.23%

LAB 22.63, 51.43, -40.71

 

CMYK 20 / 100 / 0 / 62

HEX #4E0061

RGB 78 0 97

HSL 288.25, 1%, 0.19%

LAB 17.84, 45.15, -36.22

 

CMYK 22 / 100 / 0 / 69

HEX #3D004E

RGB 61 0 78

HSL 286.92, 1%, 0.15%

LAB 12.87, 38.65, -31.58

 

CMYK 25 / 100 / 0 / 77

HEX #2C003B

RGB 44 0 59

HSL 284.75, 1%, 0.12%

LAB 7.69, 31.86, -26.76

 

CMYK 17 / 88 / 0 / 47

HEX #711188

RGB 113 17 136

HSL 288.4, 0.78%, 0.3%

LAB 28.61, 54.67, -43.53

 

CMYK 0 / 88 / 7 / 47

HEX #88117F

RGB 136 17 127

HSL 304.54, 0.78%, 0.3%

LAB 32.19, 57.52, -31.95

 

CMYK 0 / 88 / 30 / 47

HEX #88115F

RGB 136 17 95

HSL 320.67, 0.78%, 0.3%

LAB 30.55, 53.08, -14.06

 

CMYK 0 / 88 / 54 / 47

HEX #88113F

RGB 136 17 63

HSL 336.81, 0.78%, 0.3%

LAB 29.4, 49.82, 5.4

 

CMYK 0 / 88 / 77 / 47

HEX #88111F

RGB 136 17 31

HSL 352.94, 0.78%, 0.3%

LAB 28.73, 47.87, 25.76

 

CMYK 17 / 88 / 0 / 47

HEX #711188

RGB 113 17 136

HSL 288.4, 0.78%, 0.3%

LAB 28.61, 54.67, -43.53

 

CMYK 40 / 88 / 0 / 47

HEX #511188

RGB 81 17 136

HSL 272.27, 0.78%, 0.3%

LAB 23.43, 49.5, -52.2

 

CMYK 64 / 88 / 0 / 47

HEX #311188

RGB 49 17 136

HSL 256.13, 0.78%, 0.3%

LAB 19.36, 45.7, -59.06

 

CMYK 88 / 88 / 0 / 47

HEX #111188

RGB 17 17 136

HSL 240, 0.78%, 0.3%

LAB 16.98, 43.64, -63.07

 

CMYK 17 / 88 / 0 / 47

HEX #711188

RGB 113 17 136

HSL 288.4, 0.78%, 0.3%

LAB 28.61, 54.67, -43.53

 

CMYK 19 / 97 / 0 / 42

HEX #780495

RGB 120 4 149

HSL 288, 0.95%, 0.3%

LAB 30.03, 60.6, -49.23

 

CMYK 17 / 88 / 0 / 47

HEX #711188

RGB 113 17 136

HSL 288.4, 0.78%, 0.3%

LAB 28.61, 54.67, -43.53

 

CMYK 15 / 77 / 0 / 51

HEX #691D7C

RGB 105 29 124

HSL 288, 0.62%, 0.3%

LAB 27.67, 47.03, -37.58

 

CMYK 12 / 62 / 0 / 56

HEX #622A6F

RGB 98 42 111

HSL 288.7, 0.45%, 0.3%

LAB 27.85, 36.64, -29.1

 

CMYK 9 / 45 / 0 / 61

HEX #5A3663

RGB 90 54 99

HSL 288, 0.29%, 0.3%

LAB 28.68, 24.6, -20.17

 

CMYK 5 / 24 / 0 / 66

HEX #534257

RGB 83 66 87

HSL 288.57, 0.14%, 0.3%

LAB 30.46, 11.67, -9.76

 

CMYK 64 / 88 / 0 / 47

HEX #311188

RGB 49 17 136

HSL 256.13, 0.78%, 0.3%

LAB 19.36, 45.7, -59.06

 

CMYK 41 / 88 / 0 / 47

HEX #501188

RGB 80 17 136

HSL 271.76, 0.78%, 0.3%

LAB 23.28, 49.36, -52.45

 

CMYK 18 / 88 / 0 / 47

HEX #701188

RGB 112 17 136

HSL 287.9, 0.78%, 0.3%

LAB 28.44, 54.49, -43.82

 

CMYK 0 / 88 / 6 / 47

HEX #881180

RGB 136 17 128

HSL 304.03, 0.78%, 0.3%

LAB 32.24, 57.67, -32.48

 

CMYK 0 / 88 / 29 / 47

HEX #881160

RGB 136 17 96

HSL 320.17, 0.78%, 0.3%

LAB 30.59, 53.21, -14.64

 

CMYK 17 / 87 / 0 / 75

HEX #34083F

RGB 52 8 63

HSL 288, 0.77%, 0.14%

LAB 11.01, 30.26, -24.18

 

CMYK 17 / 88 / 0 / 61

HEX #520C63

RGB 82 12 99

HSL 288.28, 0.78%, 0.22%

LAB 19.87, 42.94, -34.21

 

CMYK 17 / 88 / 0 / 47

HEX #711188

RGB 113 17 136

HSL 288.4, 0.78%, 0.3%

LAB 28.61, 54.67, -43.53

 

CMYK 17 / 88 / 0 / 32

HEX #8F15AD

RGB 143 21 173

HSL 288.16, 0.78%, 0.38%

LAB 36.73, 65.78, -52.73

 

CMYK 17 / 88 / 0 / 18

HEX #AE1AD2

RGB 174 26 210

HSL 288.26, 0.78%, 0.46%

LAB 44.79, 76.35, -61.14

 

CMYK 17 / 87 / 0 / 47

HEX #701187

RGB 112 17 135

HSL 288.31, 0.78%, 0.3%

LAB 28.37, 54.3, -43.32

 

CMYK 0 / 88 / 88 / 47

HEX #881111

RGB 136 17 17

HSL 0, 0.78%, 0.3%

LAB 28.58, 47.42, 33.96

 

CMYK 88 / 0 / 52 / 47

HEX #118841

RGB 17 136 65

HSL 144.2, 0.78%, 0.3%

LAB 49.63, -46.92, 29.49

 

CMYK 17 / 87 / 0 / 47

HEX #701187

RGB 112 17 135

HSL 288.31, 0.78%, 0.3%

LAB 28.37, 54.3, -43.32

 

CMYK 0 / 18 / 88 / 47

HEX #887011

RGB 136 112 17

HSL 47.9, 0.78%, 0.3%

LAB 48.09, 0.12, 50.5

 

CMYK 88 / 0 / 18 / 47

HEX #118870

RGB 17 136 112

HSL 167.9, 0.78%, 0.3%

LAB 50.57, -36.37, 4.3

 

CMYK 17 / 87 / 0 / 47

HEX #701187

RGB 112 17 135

HSL 288.31, 0.78%, 0.3%

LAB 28.37, 54.3, -43.32

 

CMYK 0 / 88 / 88 / 47

HEX #881111

RGB 136 17 17

HSL 0, 0.78%, 0.3%

LAB 28.58, 47.42, 33.96

 

CMYK 70 / 0 / 88 / 47

HEX #298811

RGB 41 136 17

HSL 107.9, 0.78%, 0.3%

LAB 49.64, -48.32, 49.52

 

CMYK 88 / 0 / 0 / 47

HEX #118888

RGB 17 136 136

HSL 180, 0.78%, 0.3%

LAB 51.27, -29.23, -8.64

 

CMYK 17 / 87 / 0 / 47

HEX #701187

RGB 112 17 135

HSL 288.31, 0.78%, 0.3%

LAB 28.37, 54.3, -43.32

 

CMYK 0 / 61 / 88 / 47

HEX #883511

RGB 136 53 17

HSL 18.15, 0.78%, 0.3%

LAB 33.61, 33.67, 38.32

 

CMYK 70 / 0 / 88 / 47

HEX #298811

RGB 41 136 17

HSL 107.9, 0.78%, 0.3%

LAB 49.64, -48.32, 49.52

 

CMYK 88 / 26 / 0 / 47

HEX #116488

RGB 17 100 136

HSL 198.15, 0.78%, 0.3%

LAB 39.6, -9.81, -26.5

 

Description

Color code: HEX #701187 | qconv.com Color code: HEX #701187 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 17 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 17 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 87 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 87% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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