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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #700478 it is the complementary color #8FFB87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #700478. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #700478 shade: #750473, #861686, #972899, #A83AAC and #B94CBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #700478. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #700478 shade: #700478, #5F0065, #4E0052, #3D003F and #2C002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #700478 shade: #6F0477, #770460, #770441, #770422 and #770404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #700478 shade: #6F0477, #500477, #310477, #120477 and #040477

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #700478 shade matches the following richer shades: #6F0477

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #700478 shade: #6F0477, #660E6D, #5E1763, #552159 and #4D2B4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #700478 shade: #300477, #4E0477, #6D0477, #770462 and #770443

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #700478 shade: #240127, #49024F, #6F0477, #94059F and #B906C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #700478 shade: #700478, #771104 and #04773F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #700478 shade: #700478, #776D04 and #04776D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #700478 shade: #700478, #771104, #0D7704 and #046977

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #700478 shade: #700478, #773404, #0D7704 and #044777

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 97 / 0 / 53

HEX #700478

RGB 112 4 120

HSL 295.86, 0.94%, 0.24%

LAB 26.41, 54.14, -37.01

 

Complementary color

CMYK 43 / 0 / 46 / 2

HEX #8FFB87

RGB 143 251 135

HSL 115.86, 0.94%, 0.76%

LAB 90.13, -53.3, 45.9

 

CMYK 0 / 97 / 2 / 54

HEX #750473

RGB 117 4 115

HSL 301.06, 0.93%, 0.24%

LAB 27.04, 54.21, -32.76

 

CMYK 0 / 84 / 0 / 47

HEX #861686

RGB 134 22 134

HSL 300, 0.72%, 0.31%

LAB 32.62, 57.11, -35.65

 

CMYK 1 / 74 / 0 / 40

HEX #972899

RGB 151 40 153

HSL 298.94, 0.59%, 0.38%

LAB 38.55, 58.63, -37.71

 

CMYK 2 / 66 / 0 / 33

HEX #A83AAC

RGB 168 58 172

HSL 297.89, 0.5%, 0.45%

LAB 44.7, 59.17, -39.14

 

CMYK 3 / 60 / 0 / 25

HEX #B94CBF

RGB 185 76 191

HSL 296.87, 0.47%, 0.52%

LAB 50.97, 59.15, -40.18

 

CMYK 7 / 97 / 0 / 53

HEX #700478

RGB 112 4 120

HSL 295.86, 0.94%, 0.24%

LAB 26.41, 54.14, -37.01

 

CMYK 6 / 100 / 0 / 60

HEX #5F0065

RGB 95 0 101

HSL 296.44, 1%, 0.2%

LAB 21.48, 48.72, -32.82

 

CMYK 5 / 100 / 0 / 68

HEX #4E0052

RGB 78 0 82

HSL 297.07, 1%, 0.16%

LAB 16.65, 42.35, -28.06

 

CMYK 3 / 100 / 0 / 75

HEX #3D003F

RGB 61 0 63

HSL 298.1, 1%, 0.12%

LAB 11.63, 35.74, -23.09

 

CMYK 0 / 100 / 0 / 83

HEX #2C002C

RGB 44 0 44

HSL 300, 1%, 0.09%

LAB 6.48, 28.34, -17.65

 

CMYK 7 / 97 / 0 / 53

HEX #6F0477

RGB 111 4 119

HSL 295.83, 0.93%, 0.24%

LAB 26.15, 53.79, -36.8

 

CMYK 0 / 97 / 19 / 53

HEX #770460

RGB 119 4 96

HSL 312, 0.93%, 0.24%

LAB 26.31, 51.78, -21.55

 

CMYK 0 / 97 / 45 / 53

HEX #770441

RGB 119 4 65

HSL 328.17, 0.93%, 0.24%

LAB 24.92, 48.13, -2.9

 

CMYK 0 / 97 / 71 / 53

HEX #770422

RGB 119 4 34

HSL 344.35, 0.93%, 0.24%

LAB 24.08, 45.82, 17.31

 

CMYK 0 / 97 / 97 / 53

HEX #770404

RGB 119 4 4

HSL 0, 0.93%, 0.24%

LAB 23.73, 44.85, 33.96

 

CMYK 7 / 97 / 0 / 53

HEX #6F0477

RGB 111 4 119

HSL 295.83, 0.93%, 0.24%

LAB 26.15, 53.79, -36.8

 

CMYK 33 / 97 / 0 / 53

HEX #500477

RGB 80 4 119

HSL 279.65, 0.93%, 0.24%

LAB 20.53, 48.88, -46.17

 

CMYK 59 / 97 / 0 / 53

HEX #310477

RGB 49 4 119

HSL 263.48, 0.93%, 0.24%

LAB 15.86, 45.41, -54.03

 

CMYK 85 / 97 / 0 / 53

HEX #120477

RGB 18 4 119

HSL 247.3, 0.93%, 0.24%

LAB 12.91, 43.67, -59.03

 

CMYK 97 / 97 / 0 / 53

HEX #040477

RGB 4 4 119

HSL 240, 0.93%, 0.24%

LAB 12.25, 43.35, -60.14

 

CMYK 7 / 97 / 0 / 53

HEX #6F0477

RGB 111 4 119

HSL 295.83, 0.93%, 0.24%

LAB 26.15, 53.79, -36.8

 

CMYK 7 / 97 / 0 / 53

HEX #6F0477

RGB 111 4 119

HSL 295.83, 0.93%, 0.24%

LAB 26.15, 53.79, -36.8

 

CMYK 6 / 87 / 0 / 57

HEX #660E6D

RGB 102 14 109

HSL 295.58, 0.77%, 0.24%

LAB 24.46, 48.3, -33.18

 

CMYK 5 / 77 / 0 / 61

HEX #5E1763

RGB 94 23 99

HSL 296.05, 0.62%, 0.24%

LAB 23.32, 41.85, -28.57

 

CMYK 4 / 63 / 0 / 65

HEX #552159

RGB 85 33 89

HSL 295.71, 0.46%, 0.24%

LAB 22.79, 32.9, -22.9

 

CMYK 3 / 46 / 0 / 69

HEX #4D2B4F

RGB 77 43 79

HSL 296.67, 0.3%, 0.24%

LAB 23.24, 22.32, -15.64

 

CMYK 60 / 97 / 0 / 53

HEX #300477

RGB 48 4 119

HSL 262.96, 0.93%, 0.24%

LAB 15.73, 45.33, -54.25

 

CMYK 34 / 97 / 0 / 53

HEX #4E0477

RGB 78 4 119

HSL 278.61, 0.93%, 0.24%

LAB 20.2, 48.6, -46.74

 

CMYK 8 / 97 / 0 / 53

HEX #6D0477

RGB 109 4 119

HSL 294.78, 0.93%, 0.24%

LAB 25.77, 53.44, -37.43

 

CMYK 0 / 97 / 18 / 53

HEX #770462

RGB 119 4 98

HSL 310.96, 0.93%, 0.24%

LAB 26.42, 52.05, -22.7

 

CMYK 0 / 97 / 44 / 53

HEX #770443

RGB 119 4 67

HSL 327.13, 0.93%, 0.24%

LAB 25, 48.32, -4.16

 

CMYK 8 / 97 / 0 / 85

HEX #240127

RGB 36 1 39

HSL 295.26, 0.95%, 0.08%

LAB 4.91, 23.14, -16.42

 

CMYK 8 / 97 / 0 / 69

HEX #49024F

RGB 73 2 79

HSL 295.32, 0.95%, 0.16%

LAB 15.61, 40.23, -27.72

 

CMYK 7 / 97 / 0 / 53

HEX #6F0477

RGB 111 4 119

HSL 295.83, 0.93%, 0.24%

LAB 26.15, 53.79, -36.8

 

CMYK 7 / 97 / 0 / 38

HEX #94059F

RGB 148 5 159

HSL 295.71, 0.94%, 0.32%

LAB 35.81, 66.6, -45.76

 

CMYK 7 / 97 / 0 / 22

HEX #B906C7

RGB 185 6 199

HSL 295.65, 0.94%, 0.4%

LAB 45.04, 78.78, -54.28

 

CMYK 7 / 97 / 0 / 53

HEX #700478

RGB 112 4 120

HSL 295.86, 0.94%, 0.24%

LAB 26.41, 54.14, -37.01

 

CMYK 0 / 86 / 97 / 53

HEX #771104

RGB 119 17 4

HSL 6.78, 0.93%, 0.24%

LAB 24.74, 41.96, 34.95

 

CMYK 97 / 0 / 47 / 53

HEX #04773F

RGB 4 119 63

HSL 150.78, 0.93%, 0.24%

LAB 43.62, -42.11, 22.96

 

CMYK 7 / 97 / 0 / 53

HEX #700478

RGB 112 4 120

HSL 295.86, 0.94%, 0.24%

LAB 26.41, 54.14, -37.01

 

CMYK 0 / 8 / 97 / 53

HEX #776D04

RGB 119 109 4

HSL 54.78, 0.93%, 0.24%

LAB 45.45, -6.62, 50.71

 

CMYK 97 / 0 / 8 / 53

HEX #04776D

RGB 4 119 109

HSL 174.78, 0.93%, 0.24%

LAB 44.69, -30.33, -2.49

 

CMYK 7 / 97 / 0 / 53

HEX #700478

RGB 112 4 120

HSL 295.86, 0.94%, 0.24%

LAB 26.41, 54.14, -37.01

 

CMYK 0 / 86 / 97 / 53

HEX #771104

RGB 119 17 4

HSL 6.78, 0.93%, 0.24%

LAB 24.74, 41.96, 34.95

 

CMYK 89 / 0 / 97 / 53

HEX #0D7704

RGB 13 119 4

HSL 115.3, 0.93%, 0.24%

LAB 43.19, -47.73, 46.6

 

CMYK 97 / 12 / 0 / 53

HEX #046977

RGB 4 105 119

HSL 187.3, 0.93%, 0.24%

LAB 40.35, -19.88, -15.04

 

CMYK 7 / 97 / 0 / 53

HEX #700478

RGB 112 4 120

HSL 295.86, 0.94%, 0.24%

LAB 26.41, 54.14, -37.01

 

CMYK 0 / 56 / 97 / 53

HEX #773404

RGB 119 52 4

HSL 25.04, 0.93%, 0.24%

LAB 30.37, 26.83, 39.76

 

CMYK 89 / 0 / 97 / 53

HEX #0D7704

RGB 13 119 4

HSL 115.3, 0.93%, 0.24%

LAB 43.19, -47.73, 46.6

 

CMYK 97 / 40 / 0 / 53

HEX #044777

RGB 4 71 119

HSL 205.04, 0.93%, 0.24%

LAB 29.07, 0.69, -32.65

 

Description

Color code: HEX #700478 | qconv.com Color code: HEX #700478 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 4 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 4 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 97 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 97% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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