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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CA6D6 it is the complementary color #935929. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CA6D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CA6D6 shade: #71A6D1, #82B8E4, #93CAF7, #A4DCFF and #B5EEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CA6D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CA6D6 shade: #6CA6D6, #5B94C3, #4A82B0, #39709D and #285E8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CA6D6 shade: #6CA6D5, #6C89D5, #6C6DD5, #876CD5 and #A46CD5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CA6D6 shade: #6CA6D5, #6C89D5, #6C6DD5 and #6C6CD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CA6D6 shade matches the following richer shades: #6CA6D5, #5DA7E5 and #4DA9F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CA6D6 shade: #6CA6D5, #7BA4C6, #8AA3B7, #9AA1A8 and #A9A098

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CA6D6 shade: #6CD5CD, #6CC2D5, #6CA6D5, #6C8AD5 and #6C6ED5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CA6D6 shade: #357EBA, #4C92CC, #6CA6D5, #8CB9DF and #ACCDE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CA6D6 shade: #6CA6D6, #B16CD5 and #D0D56C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CA6D6 shade: #6CA6D6, #D56CA6 and #A6D56C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CA6D6 shade: #6CA6D6, #B16CD5, #D59B6C and #91D56C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CA6D6 shade: #6CA6D6, #D06CD5, #D59B6C and #71D56C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 22 / 0 / 16

HEX #6CA6D6

RGB 108 166 214

HSL 207.17, 0.56%, 0.63%

LAB 65.99, -5.74, -30.21

 

Complementary color

CMYK 0 / 39 / 72 / 42

HEX #935929

RGB 147 89 41

HSL 27.17, 0.56%, 0.37%

LAB 43.52, 19.56, 36.91

 

CMYK 46 / 21 / 0 / 18

HEX #71A6D1

RGB 113 166 209

HSL 206.88, 0.51%, 0.63%

LAB 66.05, -5.99, -27.34

 

CMYK 43 / 19 / 0 / 11

HEX #82B8E4

RGB 130 184 228

HSL 206.94, 0.64%, 0.7%

LAB 72.65, -6.31, -27.55

 

CMYK 40 / 18 / 0 / 3

HEX #93CAF7

RGB 147 202 247

HSL 207, 0.86%, 0.77%

LAB 79.13, -6.59, -27.76

 

CMYK 36 / 14 / 0 / 0

HEX #A4DCFF

RGB 164 220 255

HSL 203.08, 1%, 0.82%

LAB 85.15, -9.58, -22.76

 

CMYK 29 / 7 / 0 / 0

HEX #B5EEFF

RGB 181 238 255

HSL 193.78, 1%, 0.85%

LAB 90.87, -14.15, -14.05

 

CMYK 50 / 22 / 0 / 16

HEX #6CA6D6

RGB 108 166 214

HSL 207.17, 0.56%, 0.63%

LAB 65.99, -5.74, -30.21

 

CMYK 53 / 24 / 0 / 24

HEX #5B94C3

RGB 91 148 195

HSL 207.12, 0.46%, 0.56%

LAB 59.29, -5.22, -30.05

 

CMYK 58 / 26 / 0 / 31

HEX #4A82B0

RGB 74 130 176

HSL 207.06, 0.41%, 0.49%

LAB 52.46, -4.57, -29.9

 

CMYK 64 / 29 / 0 / 38

HEX #39709D

RGB 57 112 157

HSL 207, 0.47%, 0.42%

LAB 45.49, -3.72, -29.75

 

CMYK 71 / 32 / 0 / 46

HEX #285E8A

RGB 40 94 138

HSL 206.94, 0.55%, 0.35%

LAB 38.36, -2.56, -29.61

 

CMYK 49 / 22 / 0 / 16

HEX #6CA6D5

RGB 108 166 213

HSL 206.86, 0.56%, 0.63%

LAB 65.95, -6.03, -29.72

 

CMYK 49 / 36 / 0 / 16

HEX #6C89D5

RGB 108 137 213

HSL 223.43, 0.56%, 0.63%

LAB 57.93, 10.6, -42.24

 

CMYK 49 / 49 / 0 / 16

HEX #6C6DD5

RGB 108 109 213

HSL 239.43, 0.56%, 0.63%

LAB 50.6, 27.46, -53.87

 

CMYK 37 / 49 / 0 / 16

HEX #876CD5

RGB 135 108 213

HSL 255.43, 0.56%, 0.63%

LAB 52.6, 34.48, -50.56

 

CMYK 23 / 49 / 0 / 16

HEX #A46CD5

RGB 164 108 213

HSL 272, 0.56%, 0.63%

LAB 55.5, 42.08, -45.76

 

CMYK 49 / 22 / 0 / 16

HEX #6CA6D5

RGB 108 166 213

HSL 206.86, 0.56%, 0.63%

LAB 65.95, -6.03, -29.72

 

CMYK 49 / 36 / 0 / 16

HEX #6C89D5

RGB 108 137 213

HSL 223.43, 0.56%, 0.63%

LAB 57.93, 10.6, -42.24

 

CMYK 49 / 49 / 0 / 16

HEX #6C6DD5

RGB 108 109 213

HSL 239.43, 0.56%, 0.63%

LAB 50.6, 27.46, -53.87

 

CMYK 49 / 49 / 0 / 16

HEX #6C6CD5

RGB 108 108 213

HSL 240, 0.56%, 0.63%

LAB 50.35, 28.06, -54.27

 

CMYK 49 / 22 / 0 / 16

HEX #6CA6D5

RGB 108 166 213

HSL 206.86, 0.56%, 0.63%

LAB 65.95, -6.03, -29.72

 

CMYK 59 / 27 / 0 / 10

HEX #5DA7E5

RGB 93 167 229

HSL 207.35, 0.72%, 0.63%

LAB 66.23, -4.89, -38.16

 

CMYK 68 / 31 / 0 / 4

HEX #4DA9F4

RGB 77 169 244

HSL 206.95, 0.88%, 0.63%

LAB 66.89, -3.82, -45.38

 

CMYK 49 / 22 / 0 / 16

HEX #6CA6D5

RGB 108 166 213

HSL 206.86, 0.56%, 0.63%

LAB 65.95, -6.03, -29.72

 

CMYK 38 / 17 / 0 / 22

HEX #7BA4C6

RGB 123 164 198

HSL 207.2, 0.4%, 0.63%

LAB 65.62, -5.31, -21.85

 

CMYK 25 / 11 / 0 / 28

HEX #8AA3B7

RGB 138 163 183

HSL 206.67, 0.24%, 0.63%

LAB 65.76, -4.13, -13.19

 

CMYK 8 / 4 / 0 / 34

HEX #9AA1A8

RGB 154 161 168

HSL 210, 0.07%, 0.63%

LAB 65.89, -1.08, -4.5

 

CMYK 0 / 5 / 10 / 34

HEX #A9A098

RGB 169 160 152

HSL 28.24, 0.09%, 0.63%

LAB 66.4, 1.84, 5.33

 

CMYK 49 / 0 / 4 / 16

HEX #6CD5CD

RGB 108 213 205

HSL 175.43, 0.56%, 0.63%

LAB 79.15, -32.33, -5.43

 

CMYK 49 / 9 / 0 / 16

HEX #6CC2D5

RGB 108 194 213

HSL 190.86, 0.56%, 0.63%

LAB 73.92, -20.9, -17.55

 

CMYK 49 / 22 / 0 / 16

HEX #6CA6D5

RGB 108 166 213

HSL 206.86, 0.56%, 0.63%

LAB 65.95, -6.03, -29.72

 

CMYK 49 / 35 / 0 / 16

HEX #6C8AD5

RGB 108 138 213

HSL 222.86, 0.56%, 0.63%

LAB 58.2, 10.01, -41.82

 

CMYK 49 / 48 / 0 / 16

HEX #6C6ED5

RGB 108 110 213

HSL 238.86, 0.56%, 0.63%

LAB 50.86, 26.85, -53.47

 

CMYK 72 / 32 / 0 / 27

HEX #357EBA

RGB 53 126 186

HSL 207.07, 0.56%, 0.47%

LAB 50.95, -2.55, -38.07

 

CMYK 63 / 28 / 0 / 20

HEX #4C92CC

RGB 76 146 204

HSL 207.19, 0.56%, 0.55%

LAB 58.47, -4.25, -36.45

 

CMYK 49 / 22 / 0 / 16

HEX #6CA6D5

RGB 108 166 213

HSL 206.86, 0.56%, 0.63%

LAB 65.95, -6.03, -29.72

 

CMYK 37 / 17 / 0 / 13

HEX #8CB9DF

RGB 140 185 223

HSL 207.47, 0.56%, 0.71%

LAB 73.29, -5.58, -23.8

 

CMYK 26 / 12 / 0 / 9

HEX #ACCDE8

RGB 172 205 232

HSL 207, 0.57%, 0.79%

LAB 80.88, -5, -16.95

 

CMYK 50 / 22 / 0 / 16

HEX #6CA6D6

RGB 108 166 214

HSL 207.17, 0.56%, 0.63%

LAB 65.99, -5.74, -30.21

 

CMYK 17 / 49 / 0 / 16

HEX #B16CD5

RGB 177 108 213

HSL 279.43, 0.56%, 0.63%

LAB 56.95, 45.64, -43.38

 

CMYK 2 / 0 / 49 / 16

HEX #D0D56C

RGB 208 213 108

HSL 62.86, 0.56%, 0.63%

LAB 82.96, -16.26, 50.81

 

CMYK 50 / 22 / 0 / 16

HEX #6CA6D6

RGB 108 166 214

HSL 207.17, 0.56%, 0.63%

LAB 65.99, -5.74, -30.21

 

CMYK 0 / 49 / 22 / 16

HEX #D56CA6

RGB 213 108 166

HSL 326.86, 0.56%, 0.63%

LAB 59.55, 48.07, -12.16

 

CMYK 22 / 0 / 49 / 16

HEX #A6D56C

RGB 166 213 108

HSL 86.86, 0.56%, 0.63%

LAB 80.05, -32.51, 46.64

 

CMYK 50 / 22 / 0 / 16

HEX #6CA6D6

RGB 108 166 214

HSL 207.17, 0.56%, 0.63%

LAB 65.99, -5.74, -30.21

 

CMYK 17 / 49 / 0 / 16

HEX #B16CD5

RGB 177 108 213

HSL 279.43, 0.56%, 0.63%

LAB 56.95, 45.64, -43.38

 

CMYK 0 / 27 / 49 / 16

HEX #D59B6C

RGB 213 155 108

HSL 26.86, 0.56%, 0.63%

LAB 68.51, 16.16, 33.08

 

CMYK 32 / 0 / 49 / 16

HEX #91D56C

RGB 145 213 108

HSL 98.86, 0.56%, 0.63%

LAB 78.86, -39.97, 44.91

 

CMYK 50 / 22 / 0 / 16

HEX #6CA6D6

RGB 108 166 214

HSL 207.17, 0.56%, 0.63%

LAB 65.99, -5.74, -30.21

 

CMYK 2 / 49 / 0 / 16

HEX #D06CD5

RGB 208 108 213

HSL 297.14, 0.56%, 0.63%

LAB 60.73, 54.26, -37.19

 

CMYK 0 / 27 / 49 / 16

HEX #D59B6C

RGB 213 155 108

HSL 26.86, 0.56%, 0.63%

LAB 68.51, 16.16, 33.08

 

CMYK 47 / 0 / 49 / 16

HEX #71D56C

RGB 113 213 108

HSL 117.14, 0.56%, 0.63%

LAB 77.39, -50.02, 42.77

 

Description

Color code: HEX #6ca6d6 | qconv.com Color code: HEX #6ca6d6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 166 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 166 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 22 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 22% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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