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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FFB95 it is the complementary color #90046A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FFB95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FFB95 shade: #74FB90, #85FFA3, #96FFB6, #A7FFC9 and #B8FFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FFB95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FFB95 shade: #6FFB95, #5EE982, #4DD76F, #3CC55C and #2BB349

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FFB95 shade: #6FFB95, #6FFB6F, #94FB6F, #BAFB6F and #E0FB6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FFB95 shade: #6FFB95, #6FFBBB, #6FFBE1, #6FF0FB and #6FCAFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FFB95 shade matches the following richer shades: #6FFB95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FFB95 shade: #6FFB95, #7BEF9A, #87E3A0, #93D7A5 and #9FCBAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FFB95 shade: #94FB6F, #6FFB6F, #6FFB94, #6FFBBA and #6FFBDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FFB95 shade: #1EF95A, #47FA77, #6FFB95, #97FCB3 and #BFFDD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FFB95 shade: #6FFB95, #6FBAFB and #FB6F82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FFB95 shade: #6FFB95, #946FFB and #FB946F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FFB95 shade: #6FFB95, #6FBAFB, #FB6FD6 and #FBB06F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FFB95 shade: #6FFB95, #6F90FB, #FB6FD6 and #FBDB6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 41 / 2

HEX #6FFB95

RGB 111 251 149

HSL 136.29, 0.95%, 0.71%

LAB 89.18, -59.44, 37.66

 

Complementary color

CMYK 0 / 97 / 26 / 44

HEX #90046A

RGB 144 4 106

HSL 316.29, 0.95%, 0.29%

LAB 31.94, 58.36, -18.9

 

CMYK 54 / 0 / 43 / 2

HEX #74FB90

RGB 116 251 144

HSL 132.44, 0.94%, 0.72%

LAB 89.26, -59.08, 40.25

 

CMYK 48 / 0 / 36 / 0

HEX #85FFA3

RGB 133 255 163

HSL 134.75, 1%, 0.76%

LAB 91.3, -53.46, 33.66

 

CMYK 41 / 0 / 29 / 0

HEX #96FFB6

RGB 150 255 182

HSL 138.29, 1%, 0.79%

LAB 92.3, -45.71, 25.56

 

CMYK 35 / 0 / 21 / 0

HEX #A7FFC9

RGB 167 255 201

HSL 143.18, 1%, 0.83%

LAB 93.43, -37.49, 17.57

 

CMYK 28 / 0 / 14 / 0

HEX #B8FFDC

RGB 184 255 220

HSL 150.42, 1%, 0.86%

LAB 94.69, -28.93, 9.71

 

CMYK 56 / 0 / 41 / 2

HEX #6FFB95

RGB 111 251 149

HSL 136.29, 0.95%, 0.71%

LAB 89.18, -59.44, 37.66

 

CMYK 60 / 0 / 44 / 9

HEX #5EE982

RGB 94 233 130

HSL 135.54, 0.76%, 0.64%

LAB 83.06, -59.32, 39.01

 

CMYK 64 / 0 / 48 / 16

HEX #4DD76F

RGB 77 215 111

HSL 134.78, 0.63%, 0.57%

LAB 76.88, -59.03, 40.41

 

CMYK 70 / 0 / 53 / 23

HEX #3CC55C

RGB 60 197 92

HSL 134.01, 0.54%, 0.5%

LAB 70.64, -58.47, 41.86

 

CMYK 76 / 0 / 59 / 30

HEX #2BB349

RGB 43 179 73

HSL 133.24, 0.61%, 0.44%

LAB 64.35, -57.52, 43.31

 

CMYK 56 / 0 / 41 / 2

HEX #6FFB95

RGB 111 251 149

HSL 136.29, 0.95%, 0.71%

LAB 89.18, -59.44, 37.66

 

CMYK 56 / 0 / 56 / 2

HEX #6FFB6F

RGB 111 251 111

HSL 120, 0.95%, 0.71%

LAB 88.7, -64.71, 54.99

 

CMYK 41 / 0 / 56 / 2

HEX #94FB6F

RGB 148 251 111

HSL 104.14, 0.95%, 0.71%

LAB 90.06, -54.67, 56.94

 

CMYK 26 / 0 / 56 / 2

HEX #BAFB6F

RGB 186 251 111

HSL 87.86, 0.95%, 0.71%

LAB 91.94, -42.12, 59.6

 

CMYK 11 / 0 / 56 / 2

HEX #E0FB6F

RGB 224 251 111

HSL 71.57, 0.95%, 0.71%

LAB 94.31, -28.04, 62.93

 

CMYK 56 / 0 / 41 / 2

HEX #6FFB95

RGB 111 251 149

HSL 136.29, 0.95%, 0.71%

LAB 89.18, -59.44, 37.66

 

CMYK 56 / 0 / 25 / 2

HEX #6FFBBB

RGB 111 251 187

HSL 152.57, 0.95%, 0.71%

LAB 89.84, -52.53, 19.4

 

CMYK 56 / 0 / 10 / 2

HEX #6FFBE1

RGB 111 251 225

HSL 168.86, 0.95%, 0.71%

LAB 90.69, -44.13, 0.98

 

CMYK 56 / 4 / 0 / 2

HEX #6FF0FB

RGB 111 240 251

HSL 184.71, 0.95%, 0.71%

LAB 88.29, -32.54, -16.13

 

CMYK 56 / 20 / 0 / 2

HEX #6FCAFB

RGB 111 202 251

HSL 201, 0.95%, 0.71%

LAB 77.63, -13.62, -32.35

 

CMYK 56 / 0 / 41 / 2

HEX #6FFB95

RGB 111 251 149

HSL 136.29, 0.95%, 0.71%

LAB 89.18, -59.44, 37.66

 

CMYK 56 / 0 / 41 / 2

HEX #6FFB95

RGB 111 251 149

HSL 136.29, 0.95%, 0.71%

LAB 89.18, -59.44, 37.66

 

CMYK 49 / 0 / 36 / 6

HEX #7BEF9A

RGB 123 239 154

HSL 136.03, 0.78%, 0.71%

LAB 86.14, -50.96, 31.24

 

CMYK 41 / 0 / 30 / 11

HEX #87E3A0

RGB 135 227 160

HSL 136.3, 0.62%, 0.71%

LAB 83.25, -41.56, 24.34

 

CMYK 32 / 0 / 23 / 16

HEX #93D7A5

RGB 147 215 165

HSL 135.88, 0.46%, 0.71%

LAB 80.47, -31.62, 17.99

 

CMYK 22 / 0 / 16 / 20

HEX #9FCBAB

RGB 159 203 171

HSL 136.36, 0.3%, 0.71%

LAB 77.89, -20.84, 11.27

 

CMYK 41 / 0 / 56 / 2

HEX #94FB6F

RGB 148 251 111

HSL 104.14, 0.95%, 0.71%

LAB 90.06, -54.67, 56.94

 

CMYK 56 / 0 / 56 / 2

HEX #6FFB6F

RGB 111 251 111

HSL 120, 0.95%, 0.71%

LAB 88.7, -64.71, 54.99

 

CMYK 56 / 0 / 41 / 2

HEX #6FFB94

RGB 111 251 148

HSL 135.86, 0.95%, 0.71%

LAB 89.16, -59.6, 38.13

 

CMYK 56 / 0 / 26 / 2

HEX #6FFBBA

RGB 111 251 186

HSL 152.14, 0.95%, 0.71%

LAB 89.82, -52.73, 19.88

 

CMYK 56 / 0 / 11 / 2

HEX #6FFBDF

RGB 111 251 223

HSL 168, 0.95%, 0.71%

LAB 90.64, -44.61, 1.95

 

CMYK 88 / 0 / 64 / 2

HEX #1EF95A

RGB 30 249 90

HSL 136.44, 0.95%, 0.55%

LAB 86.39, -78.71, 60.91

 

CMYK 72 / 0 / 52 / 2

HEX #47FA77

RGB 71 250 119

HSL 136.09, 0.95%, 0.63%

LAB 87.51, -71.1, 49.7

 

CMYK 56 / 0 / 41 / 2

HEX #6FFB95

RGB 111 251 149

HSL 136.29, 0.95%, 0.71%

LAB 89.18, -59.44, 37.66

 

CMYK 40 / 0 / 29 / 1

HEX #97FCB3

RGB 151 252 179

HSL 136.63, 0.94%, 0.79%

LAB 91.44, -44.66, 25.91

 

CMYK 25 / 0 / 18 / 1

HEX #BFFDD0

RGB 191 253 208

HSL 136.45, 0.94%, 0.87%

LAB 94.26, -28.08, 15.33

 

CMYK 56 / 0 / 41 / 2

HEX #6FFB95

RGB 111 251 149

HSL 136.29, 0.95%, 0.71%

LAB 89.18, -59.44, 37.66

 

CMYK 56 / 26 / 0 / 2

HEX #6FBAFB

RGB 111 186 251

HSL 207.86, 0.95%, 0.71%

LAB 73.2, -5.06, -39.22

 

CMYK 0 / 56 / 48 / 2

HEX #FB6F82

RGB 251 111 130

HSL 351.86, 0.95%, 0.71%

LAB 64.56, 55.05, 16.46

 

CMYK 56 / 0 / 41 / 2

HEX #6FFB95

RGB 111 251 149

HSL 136.29, 0.95%, 0.71%

LAB 89.18, -59.44, 37.66

 

CMYK 41 / 56 / 0 / 2

HEX #946FFB

RGB 148 111 251

HSL 255.86, 0.95%, 0.71%

LAB 56.71, 46.02, -65.18

 

CMYK 0 / 41 / 56 / 2

HEX #FB946F

RGB 251 148 111

HSL 15.86, 0.95%, 0.71%

LAB 71.44, 35.26, 36.13

 

CMYK 56 / 0 / 41 / 2

HEX #6FFB95

RGB 111 251 149

HSL 136.29, 0.95%, 0.71%

LAB 89.18, -59.44, 37.66

 

CMYK 56 / 26 / 0 / 2

HEX #6FBAFB

RGB 111 186 251

HSL 207.86, 0.95%, 0.71%

LAB 73.2, -5.06, -39.22

 

CMYK 0 / 56 / 15 / 2

HEX #FB6FD6

RGB 251 111 214

HSL 315.86, 0.95%, 0.71%

LAB 67.08, 65.05, -27.44

 

CMYK 0 / 30 / 56 / 2

HEX #FBB06F

RGB 251 176 111

HSL 27.86, 0.95%, 0.71%

LAB 77.7, 20.64, 43.94

 

CMYK 56 / 0 / 41 / 2

HEX #6FFB95

RGB 111 251 149

HSL 136.29, 0.95%, 0.71%

LAB 89.18, -59.44, 37.66

 

CMYK 56 / 43 / 0 / 2

HEX #6F90FB

RGB 111 144 251

HSL 225.86, 0.95%, 0.71%

LAB 61.9, 18.94, -57.01

 

CMYK 0 / 56 / 15 / 2

HEX #FB6FD6

RGB 251 111 214

HSL 315.86, 0.95%, 0.71%

LAB 67.08, 65.05, -27.44

 

CMYK 0 / 13 / 56 / 2

HEX #FBDB6F

RGB 251 219 111

HSL 46.29, 0.95%, 0.71%

LAB 88.12, -1.65, 56.38

 

Description

Color code: HEX #6FFB95 | qconv.com Color code: HEX #6FFB95 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 251 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 251 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 41 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 41% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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