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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FFB38 it is the complementary color #9004C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FFB38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FFB38 shade: #74FB33, #85FF46, #96FF59, #A7FF6C and #B8FF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FFB38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FFB38 shade: #6FFB38, #5EE925, #4DD712, #3CC500 and #2BB300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FFB38 shade: #6EFB37, #A3FB37, #D8FB37, #FBE937 and #FBB437

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FFB38 shade: #6EFB37, #39FB37, #37FB69, #37FB9E and #37FBD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FFB38 shade matches the following richer shades: #6EFB37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FFB38 shade: #6EFB37, #76EA48, #7DDA58, #84C969 and #8BB979

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FFB38 shade: #D7FB37, #A3FB37, #6FFB37, #3AFB37 and #37FB68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FFB38 shade: #41DB04, #51FA0F, #6EFB37, #8CFC60 and #A9FD88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FFB38 shade: #6FFB38, #37FBEB and #FB37BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FFB38 shade: #6FFB38, #376FFB and #FB376F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FFB38 shade: #6FFB38, #37FBEB, #C337FB and #FB3747

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FFB38 shade: #6FFB38, #37D0FB, #C337FB and #FB6237

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 78 / 2

HEX #6FFB38

RGB 111 251 56

HSL 103.08, 0.96%, 0.6%

LAB 88.29, -69.37, 75.23

 

Complementary color

CMYK 28 / 98 / 0 / 22

HEX #9004C7

RGB 144 4 199

HSL 283.08, 0.96%, 0.4%

LAB 38.09, 73.16, -65.86

 

CMYK 54 / 0 / 80 / 2

HEX #74FB33

RGB 116 251 51

HSL 100.5, 0.96%, 0.59%

LAB 88.42, -68.36, 76.78

 

CMYK 48 / 0 / 73 / 0

HEX #85FF46

RGB 133 255 70

HSL 99.57, 1%, 0.64%

LAB 90.3, -64.09, 73.11

 

CMYK 41 / 0 / 65 / 0

HEX #96FF59

RGB 150 255 89

HSL 97.95, 1%, 0.67%

LAB 91.11, -57.67, 67.31

 

CMYK 35 / 0 / 58 / 0

HEX #A7FF6C

RGB 167 255 108

HSL 95.92, 1%, 0.71%

LAB 92.05, -50.59, 60.77

 

CMYK 28 / 0 / 50 / 0

HEX #B8FF7F

RGB 184 255 127

HSL 93.28, 1%, 0.75%

LAB 93.12, -42.96, 53.77

 

CMYK 56 / 0 / 78 / 2

HEX #6FFB38

RGB 111 251 56

HSL 103.08, 0.96%, 0.6%

LAB 88.29, -69.37, 75.23

 

CMYK 60 / 0 / 84 / 9

HEX #5EE925

RGB 94 233 37

HSL 102.55, 0.82%, 0.53%

LAB 82.27, -68.32, 74.38

 

CMYK 64 / 0 / 92 / 16

HEX #4DD712

RGB 77 215 18

HSL 102.03, 0.85%, 0.46%

LAB 76.21, -66.86, 72.44

 

CMYK 70 / 0 / 100 / 23

HEX #3CC500

RGB 60 197 0

HSL 101.73, 1%, 0.39%

LAB 70.1, -64.92, 69.32

 

CMYK 76 / 0 / 100 / 30

HEX #2BB300

RGB 43 179 0

HSL 105.59, 1%, 0.35%

LAB 63.96, -62.31, 64.29

 

CMYK 56 / 0 / 78 / 2

HEX #6EFB37

RGB 110 251 55

HSL 103.16, 0.96%, 0.6%

LAB 88.25, -69.67, 75.47

 

CMYK 35 / 0 / 78 / 2

HEX #A3FB37

RGB 163 251 55

HSL 86.94, 0.96%, 0.6%

LAB 90.35, -53.99, 78.18

 

CMYK 14 / 0 / 78 / 2

HEX #D8FB37

RGB 216 251 55

HSL 70.71, 0.96%, 0.6%

LAB 93.39, -34.41, 82.08

 

CMYK 0 / 7 / 78 / 2

HEX #FBE937

RGB 251 233 55

HSL 54.49, 0.96%, 0.6%

LAB 91.26, -11.64, 81.17

 

CMYK 0 / 28 / 78 / 2

HEX #FBB437

RGB 251 180 55

HSL 38.27, 0.96%, 0.6%

LAB 78.13, 15.42, 69.33

 

CMYK 56 / 0 / 78 / 2

HEX #6EFB37

RGB 110 251 55

HSL 103.16, 0.96%, 0.6%

LAB 88.25, -69.67, 75.47

 

CMYK 77 / 0 / 78 / 2

HEX #39FB37

RGB 57 251 55

HSL 119.39, 0.96%, 0.6%

LAB 87.07, -79.58, 73.93

 

CMYK 78 / 0 / 58 / 2

HEX #37FB69

RGB 55 251 105

HSL 135.31, 0.96%, 0.6%

LAB 87.4, -75.35, 55.81

 

CMYK 78 / 0 / 37 / 2

HEX #37FB9E

RGB 55 251 158

HSL 151.53, 0.96%, 0.6%

LAB 88.1, -67.14, 31.54

 

CMYK 78 / 0 / 16 / 2

HEX #37FBD3

RGB 55 251 211

HSL 167.76, 0.96%, 0.6%

LAB 89.16, -55.58, 5.88

 

CMYK 56 / 0 / 78 / 2

HEX #6EFB37

RGB 110 251 55

HSL 103.16, 0.96%, 0.6%

LAB 88.25, -69.67, 75.47

 

CMYK 56 / 0 / 78 / 2

HEX #6EFB37

RGB 110 251 55

HSL 103.16, 0.96%, 0.6%

LAB 88.25, -69.67, 75.47

 

CMYK 50 / 0 / 69 / 8

HEX #76EA48

RGB 118 234 72

HSL 102.96, 0.79%, 0.6%

LAB 83.53, -60.46, 65.37

 

CMYK 43 / 0 / 60 / 15

HEX #7DDA58

RGB 125 218 88

HSL 102.92, 0.64%, 0.6%

LAB 79.16, -50.8, 54.25

 

CMYK 34 / 0 / 48 / 21

HEX #84C969

RGB 132 201 105

HSL 103.13, 0.47%, 0.6%

LAB 74.63, -39.41, 41.02

 

CMYK 25 / 0 / 35 / 27

HEX #8BB979

RGB 139 185 121

HSL 103.13, 0.31%, 0.6%

LAB 70.57, -27.33, 27.69

 

CMYK 14 / 0 / 78 / 2

HEX #D7FB37

RGB 215 251 55

HSL 71.02, 0.96%, 0.6%

LAB 93.33, -34.8, 81.99

 

CMYK 35 / 0 / 78 / 2

HEX #A3FB37

RGB 163 251 55

HSL 86.94, 0.96%, 0.6%

LAB 90.35, -53.99, 78.18

 

CMYK 56 / 0 / 78 / 2

HEX #6FFB37

RGB 111 251 55

HSL 102.86, 0.96%, 0.6%

LAB 88.28, -69.43, 75.51

 

CMYK 77 / 0 / 78 / 2

HEX #3AFB37

RGB 58 251 55

HSL 119.08, 0.96%, 0.6%

LAB 87.08, -79.45, 73.95

 

CMYK 78 / 0 / 59 / 2

HEX #37FB68

RGB 55 251 104

HSL 135, 0.96%, 0.6%

LAB 87.39, -75.47, 56.23

 

CMYK 70 / 0 / 98 / 14

HEX #41DB04

RGB 65 219 4

HSL 102.98, 0.96%, 0.44%

LAB 77.16, -70.71, 74.6

 

CMYK 68 / 0 / 94 / 2

HEX #51FA0F

RGB 81 250 15

HSL 103.15, 0.96%, 0.52%

LAB 87.07, -77.02, 81.8

 

CMYK 56 / 0 / 78 / 2

HEX #6EFB37

RGB 110 251 55

HSL 103.16, 0.96%, 0.6%

LAB 88.25, -69.67, 75.47

 

CMYK 44 / 0 / 62 / 1

HEX #8CFC60

RGB 140 252 96

HSL 103.08, 0.96%, 0.68%

LAB 89.88, -58.93, 63.05

 

CMYK 33 / 0 / 46 / 1

HEX #A9FD88

RGB 169 253 136

HSL 103.08, 0.97%, 0.76%

LAB 91.89, -46.06, 47.88

 

CMYK 56 / 0 / 78 / 2

HEX #6FFB38

RGB 111 251 56

HSL 103.08, 0.96%, 0.6%

LAB 88.29, -69.37, 75.23

 

CMYK 78 / 0 / 6 / 2

HEX #37FBEB

RGB 55 251 235

HSL 175.1, 0.96%, 0.6%

LAB 89.77, -49.42, -5.71

 

CMYK 0 / 78 / 25 / 2

HEX #FB37BD

RGB 251 55 189

HSL 318.98, 0.96%, 0.6%

LAB 58.9, 81.7, -25.87

 

CMYK 56 / 0 / 78 / 2

HEX #6FFB38

RGB 111 251 56

HSL 103.08, 0.96%, 0.6%

LAB 88.29, -69.37, 75.23

 

CMYK 78 / 56 / 0 / 2

HEX #376FFB

RGB 55 111 251

HSL 222.86, 0.96%, 0.6%

LAB 50.86, 30.77, -74.94

 

CMYK 0 / 78 / 56 / 2

HEX #FB376F

RGB 251 55 111

HSL 342.86, 0.96%, 0.6%

LAB 56.48, 74.45, 16.37

 

CMYK 56 / 0 / 78 / 2

HEX #6FFB38

RGB 111 251 56

HSL 103.08, 0.96%, 0.6%

LAB 88.29, -69.37, 75.23

 

CMYK 78 / 0 / 6 / 2

HEX #37FBEB

RGB 55 251 235

HSL 175.1, 0.96%, 0.6%

LAB 89.77, -49.42, -5.71

 

CMYK 22 / 78 / 0 / 2

HEX #C337FB

RGB 195 55 251

HSL 282.86, 0.96%, 0.6%

LAB 53.28, 80.06, -70.46

 

CMYK 0 / 78 / 72 / 2

HEX #FB3747

RGB 251 55 71

HSL 355.1, 0.96%, 0.6%

LAB 55.78, 72.3, 38.94

 

CMYK 56 / 0 / 78 / 2

HEX #6FFB38

RGB 111 251 56

HSL 103.08, 0.96%, 0.6%

LAB 88.29, -69.37, 75.23

 

CMYK 78 / 17 / 0 / 2

HEX #37D0FB

RGB 55 208 251

HSL 193.16, 0.96%, 0.6%

LAB 77.81, -24.9, -32.2

 

CMYK 22 / 78 / 0 / 2

HEX #C337FB

RGB 195 55 251

HSL 282.86, 0.96%, 0.6%

LAB 53.28, 80.06, -70.46

 

CMYK 0 / 61 / 78 / 2

HEX #FB6237

RGB 251 98 55

HSL 13.16, 0.96%, 0.6%

LAB 61.24, 56.31, 53.24

 

Description

Color code: HEX #6FFB38 | qconv.com Color code: HEX #6FFB38 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 251 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 251 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 78 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 78% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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