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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FF7D4 it is the complementary color #90082B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FF7D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FF7D4 shade: #74F7CF, #85FFE2, #96FFF5, #A7FFFF and #B8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FF7D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FF7D4 shade: #6FF7D4, #5EE5C1, #4DD3AE, #3CC19B and #2BAF88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FF7D4 shade: #6EF7D4, #6EF7AF, #6EF78A, #77F76E and #9CF76E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FF7D4 shade: #6EF7D4, #6EF5F7, #6ED0F7, #6EABF7 and #6E87F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FF7D4 shade matches the following richer shades: #6EF7D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FF7D4 shade: #6EF7D4, #7BEACE, #87DEC8, #94D1C2 and #A0C5BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FF7D4 shade: #6EF78A, #6EF7AE, #6EF7D2, #6EF7F7 and #6ED2F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FF7D4 shade: #20F2BC, #47F4C8, #6EF7D4, #95F9DF and #BCFBEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FF7D4 shade: #6FF7D4, #6E77F7 and #F79C6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FF7D4 shade: #6FF7D4, #D26EF7 and #F7D26E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FF7D4 shade: #6FF7D4, #6E77F7, #F76E93 and #F7EE6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FF7D4 shade: #6FF7D4, #8E6EF7, #F76E93 and #D7F76E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 14 / 3

HEX #6FF7D4

RGB 111 247 212

HSL 164.56, 0.89%, 0.7%

LAB 89.23, -45.43, 5.61

 

Complementary color

CMYK 0 / 94 / 70 / 44

HEX #90082B

RGB 144 8 43

HSL 344.56, 0.89%, 0.3%

LAB 30.1, 52.29, 20.01

 

CMYK 53 / 0 / 16 / 3

HEX #74F7CF

RGB 116 247 207

HSL 161.68, 0.89%, 0.71%

LAB 89.27, -45.54, 8.29

 

CMYK 48 / 0 / 11 / 0

HEX #85FFE2

RGB 133 255 226

HSL 165.74, 1%, 0.76%

LAB 92.57, -41.08, 3.29

 

CMYK 41 / 0 / 4 / 0

HEX #96FFF5

RGB 150 255 245

HSL 174.29, 1%, 0.79%

LAB 93.71, -32.78, -4.8

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 28 / 0 / 0 / 0

HEX #B8FFFF

RGB 184 255 255

HSL 180, 1%, 0.86%

LAB 95.55, -21.73, -7.06

 

CMYK 55 / 0 / 14 / 3

HEX #6FF7D4

RGB 111 247 212

HSL 164.56, 0.89%, 0.7%

LAB 89.23, -45.43, 5.61

 

CMYK 59 / 0 / 16 / 10

HEX #5EE5C1

RGB 94 229 193

HSL 164, 0.72%, 0.63%

LAB 83.06, -45.34, 6.6

 

CMYK 64 / 0 / 18 / 17

HEX #4DD3AE

RGB 77 211 174

HSL 163.43, 0.6%, 0.56%

LAB 76.81, -45.14, 7.66

 

CMYK 69 / 0 / 20 / 24

HEX #3CC19B

RGB 60 193 155

HSL 162.86, 0.53%, 0.5%

LAB 70.5, -44.78, 8.83

 

CMYK 75 / 0 / 22 / 31

HEX #2BAF88

RGB 43 175 136

HSL 162.27, 0.61%, 0.43%

LAB 64.12, -44.19, 10.12

 

CMYK 55 / 0 / 14 / 3

HEX #6EF7D4

RGB 110 247 212

HSL 164.67, 0.9%, 0.7%

LAB 89.2, -45.63, 5.57

 

CMYK 55 / 0 / 29 / 3

HEX #6EF7AF

RGB 110 247 175

HSL 148.47, 0.9%, 0.7%

LAB 88.42, -53.48, 23.56

 

CMYK 55 / 0 / 44 / 3

HEX #6EF78A

RGB 110 247 138

HSL 132.26, 0.9%, 0.7%

LAB 87.81, -59.85, 41.27

 

CMYK 52 / 0 / 55 / 3

HEX #77F76E

RGB 119 247 110

HSL 116.06, 0.9%, 0.7%

LAB 87.76, -61.39, 54.4

 

CMYK 37 / 0 / 55 / 3

HEX #9CF76E

RGB 156 247 110

HSL 99.85, 0.9%, 0.7%

LAB 89.26, -50.66, 56.53

 

CMYK 55 / 0 / 14 / 3

HEX #6EF7D4

RGB 110 247 212

HSL 164.67, 0.9%, 0.7%

LAB 89.2, -45.63, 5.57

 

CMYK 55 / 1 / 0 / 3

HEX #6EF5F7

RGB 110 245 247

HSL 180.88, 0.9%, 0.7%

LAB 89.55, -36.11, -12.16

 

CMYK 55 / 16 / 0 / 3

HEX #6ED0F7

RGB 110 208 247

HSL 197.08, 0.9%, 0.7%

LAB 79.12, -18.09, -27.92

 

CMYK 55 / 31 / 0 / 3

HEX #6EABF7

RGB 110 171 247

HSL 213.28, 0.9%, 0.7%

LAB 68.86, 1.84, -43.82

 

CMYK 55 / 45 / 0 / 3

HEX #6E87F7

RGB 110 135 247

HSL 229.05, 0.9%, 0.7%

LAB 59.3, 22.82, -58.96

 

CMYK 55 / 0 / 14 / 3

HEX #6EF7D4

RGB 110 247 212

HSL 164.67, 0.9%, 0.7%

LAB 89.2, -45.63, 5.57

 

CMYK 55 / 0 / 14 / 3

HEX #6EF7D4

RGB 110 247 212

HSL 164.67, 0.9%, 0.7%

LAB 89.2, -45.63, 5.57

 

CMYK 47 / 0 / 12 / 8

HEX #7BEACE

RGB 123 234 206

HSL 164.86, 0.73%, 0.7%

LAB 85.76, -38.44, 3.78

 

CMYK 39 / 0 / 10 / 13

HEX #87DEC8

RGB 135 222 200

HSL 164.83, 0.57%, 0.7%

LAB 82.68, -31.26, 2.54

 

CMYK 29 / 0 / 7 / 18

HEX #94D1C2

RGB 148 209 194

HSL 165.25, 0.4%, 0.7%

LAB 79.5, -22.64, 1.18

 

CMYK 19 / 0 / 5 / 23

HEX #A0C5BC

RGB 160 197 188

HSL 165.41, 0.24%, 0.7%

LAB 76.7, -14.14, 0.42

 

CMYK 55 / 0 / 44 / 3

HEX #6EF78A

RGB 110 247 138

HSL 132.26, 0.9%, 0.7%

LAB 87.81, -59.85, 41.27

 

CMYK 55 / 0 / 30 / 3

HEX #6EF7AE

RGB 110 247 174

HSL 148.03, 0.9%, 0.7%

LAB 88.4, -53.67, 24.05

 

CMYK 55 / 0 / 15 / 3

HEX #6EF7D2

RGB 110 247 210

HSL 163.8, 0.9%, 0.7%

LAB 89.15, -46.09, 6.54

 

CMYK 55 / 0 / 0 / 3

HEX #6EF7F7

RGB 110 247 247

HSL 180, 0.9%, 0.7%

LAB 90.11, -37.03, -11.32

 

CMYK 55 / 15 / 0 / 3

HEX #6ED2F7

RGB 110 210 247

HSL 196.2, 0.9%, 0.7%

LAB 79.68, -19.11, -27.07

 

CMYK 87 / 0 / 22 / 5

HEX #20F2BC

RGB 32 242 188

HSL 164.57, 0.89%, 0.54%

LAB 85.73, -59.39, 12.88

 

CMYK 71 / 0 / 18 / 4

HEX #47F4C8

RGB 71 244 200

HSL 164.74, 0.89%, 0.62%

LAB 87.1, -53.62, 8.67

 

CMYK 55 / 0 / 14 / 3

HEX #6EF7D4

RGB 110 247 212

HSL 164.67, 0.9%, 0.7%

LAB 89.2, -45.63, 5.57

 

CMYK 40 / 0 / 10 / 2

HEX #95F9DF

RGB 149 249 223

HSL 164.4, 0.89%, 0.78%

LAB 91.45, -35.19, 3.28

 

CMYK 25 / 0 / 6 / 2

HEX #BCFBEB

RGB 188 251 235

HSL 164.76, 0.89%, 0.86%

LAB 94.18, -22.87, 1.27

 

CMYK 55 / 0 / 14 / 3

HEX #6FF7D4

RGB 111 247 212

HSL 164.56, 0.89%, 0.7%

LAB 89.23, -45.43, 5.61

 

CMYK 55 / 52 / 0 / 3

HEX #6E77F7

RGB 110 119 247

HSL 236.06, 0.9%, 0.7%

LAB 55.3, 32.4, -65.39

 

CMYK 0 / 37 / 55 / 3

HEX #F79C6E

RGB 247 156 110

HSL 20.15, 0.9%, 0.7%

LAB 72.68, 29.47, 38.12

 

CMYK 55 / 0 / 14 / 3

HEX #6FF7D4

RGB 111 247 212

HSL 164.56, 0.89%, 0.7%

LAB 89.23, -45.43, 5.61

 

CMYK 15 / 55 / 0 / 3

HEX #D26EF7

RGB 210 110 247

HSL 283.8, 0.9%, 0.7%

LAB 62.98, 60.31, -52.56

 

CMYK 0 / 15 / 55 / 3

HEX #F7D26E

RGB 247 210 110

HSL 43.8, 0.9%, 0.7%

LAB 85.5, 1.24, 53.69

 

CMYK 55 / 0 / 14 / 3

HEX #6FF7D4

RGB 111 247 212

HSL 164.56, 0.89%, 0.7%

LAB 89.23, -45.43, 5.61

 

CMYK 55 / 52 / 0 / 3

HEX #6E77F7

RGB 110 119 247

HSL 236.06, 0.9%, 0.7%

LAB 55.3, 32.4, -65.39

 

CMYK 0 / 55 / 40 / 3

HEX #F76E93

RGB 247 110 147

HSL 343.8, 0.9%, 0.7%

LAB 64.19, 55.83, 6.14

 

CMYK 0 / 4 / 55 / 3

HEX #F7EE6E

RGB 247 238 110

HSL 56.06, 0.9%, 0.7%

LAB 92.6, -12.83, 61.88

 

CMYK 55 / 0 / 14 / 3

HEX #6FF7D4

RGB 111 247 212

HSL 164.56, 0.89%, 0.7%

LAB 89.23, -45.43, 5.61

 

CMYK 43 / 55 / 0 / 3

HEX #8E6EF7

RGB 142 110 247

HSL 254.01, 0.9%, 0.7%

LAB 55.7, 44.19, -64.62

 

CMYK 0 / 55 / 40 / 3

HEX #F76E93

RGB 247 110 147

HSL 343.8, 0.9%, 0.7%

LAB 64.19, 55.83, 6.14

 

CMYK 13 / 0 / 55 / 3

HEX #D7F76E

RGB 215 247 110

HSL 74.01, 0.9%, 0.7%

LAB 92.62, -29.7, 61.28

 

Description

Color code: HEX #6FF7D4 | qconv.com Color code: HEX #6FF7D4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 247 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 247 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 14 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 14% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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