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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FF38A it is the complementary color #900C75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FF38A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FF38A shade: #74F385, #85FF98, #96FFAB, #A7FFBE and #B8FFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FF38A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FF38A shade: #6FF38A, #5EE177, #4DCF64, #3CBD51 and #2BAB3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FF38A shade: #6DF388, #76F36D, #9AF36D, #BEF36D and #E2F36D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FF38A shade: #6DF388, #6DF3AC, #6DF3D1, #6DF1F3 and #6DCDF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FF38A shade matches the following richer shades: #6DF388

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FF38A shade: #6DF388, #7AE690, #86DA97, #93CD9F and #A0C0A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FF38A shade: #9AF36D, #76F36D, #6DF388, #6DF3AB and #6DF3CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FF38A shade: #20ED4A, #47F069, #6DF388, #93F6A7 and #B9F9C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FF38A shade: #6FF38A, #6DBDF3 and #F36D88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FF38A shade: #6FF38A, #886DF3 and #F3886D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FF38A shade: #6FF38A, #6DBDF3, #F36DD8 and #F3A36D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FF38A shade: #6FF38A, #6D95F3, #F36DD8 and #F3CB6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 43 / 5

HEX #6FF38A

RGB 111 243 138

HSL 132.27, 0.85%, 0.69%

LAB 86.66, -58.09, 39.8

 

Complementary color

CMYK 0 / 92 / 19 / 44

HEX #900C75

RGB 144 12 117

HSL 312.27, 0.85%, 0.31%

LAB 32.87, 58.62, -24.46

 

CMYK 52 / 0 / 45 / 5

HEX #74F385

RGB 116 243 133

HSL 128.03, 0.84%, 0.7%

LAB 86.75, -57.63, 42.39

 

CMYK 48 / 0 / 40 / 0

HEX #85FF98

RGB 133 255 152

HSL 129.34, 1%, 0.76%

LAB 91.13, -55.21, 38.87

 

CMYK 41 / 0 / 33 / 0

HEX #96FFAB

RGB 150 255 171

HSL 132, 1%, 0.79%

LAB 92.11, -47.59, 30.85

 

CMYK 35 / 0 / 25 / 0

HEX #A7FFBE

RGB 167 255 190

HSL 135.68, 1%, 0.83%

LAB 93.21, -39.48, 22.88

 

CMYK 28 / 0 / 18 / 0

HEX #B8FFD1

RGB 184 255 209

HSL 141.13, 1%, 0.86%

LAB 94.45, -30.99, 15.02

 

CMYK 54 / 0 / 43 / 5

HEX #6FF38A

RGB 111 243 138

HSL 132.27, 0.85%, 0.69%

LAB 86.66, -58.09, 39.8

 

CMYK 58 / 0 / 47 / 12

HEX #5EE177

RGB 94 225 119

HSL 131.45, 0.69%, 0.63%

LAB 80.49, -57.98, 41.15

 

CMYK 63 / 0 / 52 / 19

HEX #4DCF64

RGB 77 207 100

HSL 130.62, 0.58%, 0.56%

LAB 74.27, -57.69, 42.53

 

CMYK 68 / 0 / 57 / 26

HEX #3CBD51

RGB 60 189 81

HSL 129.77, 0.52%, 0.49%

LAB 67.98, -57.13, 43.92

 

CMYK 75 / 0 / 64 / 33

HEX #2BAB3E

RGB 43 171 62

HSL 128.91, 0.6%, 0.42%

LAB 61.64, -56.15, 45.23

 

CMYK 55 / 0 / 44 / 5

HEX #6DF388

RGB 109 243 136

HSL 132.09, 0.85%, 0.69%

LAB 86.57, -58.86, 40.65

 

CMYK 51 / 0 / 55 / 5

HEX #76F36D

RGB 118 243 109

HSL 115.97, 0.85%, 0.69%

LAB 86.53, -60.26, 53.39

 

CMYK 37 / 0 / 55 / 5

HEX #9AF36D

RGB 154 243 109

HSL 99.85, 0.85%, 0.69%

LAB 88, -49.75, 55.49

 

CMYK 22 / 0 / 55 / 5

HEX #BEF36D

RGB 190 243 109

HSL 83.73, 0.85%, 0.69%

LAB 89.93, -37.31, 58.22

 

CMYK 7 / 0 / 55 / 5

HEX #E2F36D

RGB 226 243 109

HSL 67.61, 0.85%, 0.69%

LAB 92.3, -23.65, 61.56

 

CMYK 55 / 0 / 44 / 5

HEX #6DF388

RGB 109 243 136

HSL 132.09, 0.85%, 0.69%

LAB 86.57, -58.86, 40.65

 

CMYK 55 / 0 / 29 / 5

HEX #6DF3AC

RGB 109 243 172

HSL 148.21, 0.85%, 0.69%

LAB 87.16, -52.65, 23.36

 

CMYK 55 / 0 / 14 / 5

HEX #6DF3D1

RGB 109 243 209

HSL 164.78, 0.85%, 0.69%

LAB 87.95, -44.78, 5.31

 

CMYK 55 / 1 / 0 / 5

HEX #6DF1F3

RGB 109 241 243

HSL 180.9, 0.85%, 0.69%

LAB 88.27, -35.49, -11.98

 

CMYK 55 / 16 / 0 / 5

HEX #6DCDF3

RGB 109 205 243

HSL 197.01, 0.85%, 0.69%

LAB 78.1, -17.9, -27.35

 

CMYK 55 / 0 / 44 / 5

HEX #6DF388

RGB 109 243 136

HSL 132.09, 0.85%, 0.69%

LAB 86.57, -58.86, 40.65

 

CMYK 55 / 0 / 44 / 5

HEX #6DF388

RGB 109 243 136

HSL 132.09, 0.85%, 0.69%

LAB 86.57, -58.86, 40.65

 

CMYK 47 / 0 / 37 / 10

HEX #7AE690

RGB 122 230 144

HSL 132.22, 0.68%, 0.69%

LAB 83.31, -49.17, 32.52

 

CMYK 39 / 0 / 31 / 15

HEX #86DA97

RGB 134 218 151

HSL 132.14, 0.53%, 0.69%

LAB 80.43, -39.43, 25.16

 

CMYK 28 / 0 / 22 / 20

HEX #93CD9F

RGB 147 205 159

HSL 132.41, 0.37%, 0.69%

LAB 77.5, -27.95, 17.03

 

CMYK 17 / 0 / 14 / 25

HEX #A0C0A6

RGB 160 192 166

HSL 131.25, 0.2%, 0.69%

LAB 74.78, -15.88, 9.54

 

CMYK 37 / 0 / 55 / 5

HEX #9AF36D

RGB 154 243 109

HSL 99.85, 0.85%, 0.69%

LAB 88, -49.75, 55.49

 

CMYK 51 / 0 / 55 / 5

HEX #76F36D

RGB 118 243 109

HSL 115.97, 0.85%, 0.69%

LAB 86.53, -60.26, 53.39

 

CMYK 55 / 0 / 44 / 5

HEX #6DF388

RGB 109 243 136

HSL 132.09, 0.85%, 0.69%

LAB 86.57, -58.86, 40.65

 

CMYK 55 / 0 / 30 / 5

HEX #6DF3AB

RGB 109 243 171

HSL 147.76, 0.85%, 0.69%

LAB 87.14, -52.84, 23.85

 

CMYK 55 / 0 / 15 / 5

HEX #6DF3CF

RGB 109 243 207

HSL 163.88, 0.85%, 0.69%

LAB 87.9, -45.24, 6.29

 

CMYK 86 / 0 / 69 / 7

HEX #20ED4A

RGB 32 237 74

HSL 132.29, 0.85%, 0.53%

LAB 82.58, -76.65, 63.05

 

CMYK 70 / 0 / 56 / 6

HEX #47F069

RGB 71 240 105

HSL 132.07, 0.85%, 0.61%

LAB 84.32, -69.61, 52.26

 

CMYK 55 / 0 / 44 / 5

HEX #6DF388

RGB 109 243 136

HSL 132.09, 0.85%, 0.69%

LAB 86.57, -58.86, 40.65

 

CMYK 40 / 0 / 32 / 4

HEX #93F6A7

RGB 147 246 167

HSL 132.12, 0.85%, 0.77%

LAB 89.35, -45.24, 29.13

 

CMYK 26 / 0 / 20 / 2

HEX #B9F9C6

RGB 185 249 198

HSL 132.19, 0.84%, 0.85%

LAB 92.64, -29.85, 18.13

 

CMYK 54 / 0 / 43 / 5

HEX #6FF38A

RGB 111 243 138

HSL 132.27, 0.85%, 0.69%

LAB 86.66, -58.09, 39.8

 

CMYK 55 / 22 / 0 / 5

HEX #6DBDF3

RGB 109 189 243

HSL 204.18, 0.85%, 0.69%

LAB 73.62, -9.49, -34.25

 

CMYK 0 / 55 / 44 / 5

HEX #F36D88

RGB 243 109 136

HSL 347.91, 0.85%, 0.69%

LAB 63.15, 53.86, 10.89

 

CMYK 54 / 0 / 43 / 5

HEX #6FF38A

RGB 111 243 138

HSL 132.27, 0.85%, 0.69%

LAB 86.66, -58.09, 39.8

 

CMYK 44 / 55 / 0 / 5

HEX #886DF3

RGB 136 109 243

HSL 252.09, 0.85%, 0.69%

LAB 54.7, 42.36, -64.03

 

CMYK 0 / 44 / 55 / 5

HEX #F3886D

RGB 243 136 109

HSL 12.09, 0.85%, 0.69%

LAB 67.85, 38.21, 32.41

 

CMYK 54 / 0 / 43 / 5

HEX #6FF38A

RGB 111 243 138

HSL 132.27, 0.85%, 0.69%

LAB 86.66, -58.09, 39.8

 

CMYK 55 / 22 / 0 / 5

HEX #6DBDF3

RGB 109 189 243

HSL 204.18, 0.85%, 0.69%

LAB 73.62, -9.49, -34.25

 

CMYK 0 / 55 / 11 / 5

HEX #F36DD8

RGB 243 109 216

HSL 312.09, 0.85%, 0.69%

LAB 65.71, 64.02, -30.76

 

CMYK 0 / 33 / 55 / 5

HEX #F3A36D

RGB 243 163 109

HSL 24.18, 0.85%, 0.69%

LAB 73.77, 24.12, 39.91

 

CMYK 54 / 0 / 43 / 5

HEX #6FF38A

RGB 111 243 138

HSL 132.27, 0.85%, 0.69%

LAB 86.66, -58.09, 39.8

 

CMYK 55 / 39 / 0 / 5

HEX #6D95F3

RGB 109 149 243

HSL 222.09, 0.85%, 0.69%

LAB 62.69, 13.06, -51.37

 

CMYK 0 / 55 / 11 / 5

HEX #F36DD8

RGB 243 109 216

HSL 312.09, 0.85%, 0.69%

LAB 65.71, 64.02, -30.76

 

CMYK 0 / 16 / 55 / 5

HEX #F3CB6D

RGB 243 203 109

HSL 42.09, 0.85%, 0.69%

LAB 83.37, 3.13, 51.56

 

Description

Color code: HEX #6FF38A | qconv.com Color code: HEX #6FF38A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 243 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 243 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 43 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 43% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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