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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FEE55 it is the complementary color #9011AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FEE55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FEE55 shade: #74EE50, #85FF63, #96FF76, #A7FF89 and #B8FF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FEE55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FEE55 shade: #6FEE55, #5EDC42, #4DCA2F, #3CB81C and #2BA609

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FEE55 shade: #6EEE53, #97EE53, #C1EE53, #EBEE53 and #EEC853

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FEE55 shade: #6EEE53, #53EE63, #53EE8C, #53EEB6 and #53EEE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FEE55 shade matches the following richer shades: #6EEE53 and #64FD44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FEE55 shade: #6EEE53, #78DF63, #82CF72, #8CC081 and #96B190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FEE55 shade: #C2EE53, #99EE53, #70EE53, #53EE60 and #53EE89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FEE55 shade: #37D915, #4EEA2E, #6EEE53, #8DF279 and #ADF59E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FEE55 shade: #6FEE55, #53EBEE and #EE53AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FEE55 shade: #6FEE55, #5370EE and #EE5370

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FEE55 shade: #6FEE55, #53EBEE, #D253EE and #EE5653

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FEE55 shade: #6FEE55, #53BDEE, #D253EE and #EE8453

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 64 / 7

HEX #6FEE55

RGB 111 238 85

HSL 109.8, 0.82%, 0.63%

LAB 84.58, -62.72, 61.39

 

Complementary color

CMYK 15 / 90 / 0 / 33

HEX #9011AA

RGB 144 17 170

HSL 289.8, 0.82%, 0.37%

LAB 36.43, 66.15, -51.42

 

CMYK 51 / 0 / 66 / 7

HEX #74EE50

RGB 116 238 80

HSL 106.33, 0.82%, 0.62%

LAB 84.71, -61.84, 63.56

 

CMYK 48 / 0 / 61 / 0

HEX #85FF63

RGB 133 255 99

HSL 106.92, 1%, 0.69%

LAB 90.51, -61.79, 62.43

 

CMYK 41 / 0 / 54 / 0

HEX #96FF76

RGB 150 255 118

HSL 105.99, 1%, 0.73%

LAB 91.38, -54.92, 55.38

 

CMYK 35 / 0 / 46 / 0

HEX #A7FF89

RGB 167 255 137

HSL 104.75, 1%, 0.77%

LAB 92.37, -47.43, 47.99

 

CMYK 28 / 0 / 39 / 0

HEX #B8FF9C

RGB 184 255 156

HSL 103.03, 1%, 0.81%

LAB 93.5, -39.45, 40.43

 

CMYK 53 / 0 / 64 / 7

HEX #6FEE55

RGB 111 238 85

HSL 109.8, 0.82%, 0.63%

LAB 84.58, -62.72, 61.39

 

CMYK 57 / 0 / 70 / 14

HEX #5EDC42

RGB 94 220 66

HSL 109.09, 0.69%, 0.56%

LAB 78.44, -62.18, 62.06

 

CMYK 62 / 0 / 77 / 21

HEX #4DCA2F

RGB 77 202 47

HSL 108.39, 0.62%, 0.49%

LAB 72.24, -61.32, 62.26

 

CMYK 67 / 0 / 85 / 28

HEX #3CB81C

RGB 60 184 28

HSL 107.69, 0.74%, 0.42%

LAB 66, -60.01, 61.63

 

CMYK 74 / 0 / 95 / 35

HEX #2BA609

RGB 43 166 9

HSL 107.01, 0.9%, 0.34%

LAB 59.71, -58.07, 59.63

 

CMYK 54 / 0 / 65 / 7

HEX #6EEE53

RGB 110 238 83

HSL 109.55, 0.82%, 0.63%

LAB 84.53, -63.15, 62.13

 

CMYK 37 / 0 / 65 / 7

HEX #97EE53

RGB 151 238 83

HSL 93.68, 0.82%, 0.63%

LAB 86.18, -51.04, 64.39

 

CMYK 19 / 0 / 65 / 7

HEX #C1EE53

RGB 193 238 83

HSL 77.42, 0.82%, 0.63%

LAB 88.5, -35.99, 67.55

 

CMYK 1 / 0 / 65 / 7

HEX #EBEE53

RGB 235 238 83

HSL 61.16, 0.82%, 0.63%

LAB 91.43, -19.42, 71.5

 

CMYK 0 / 16 / 65 / 7

HEX #EEC853

RGB 238 200 83

HSL 45.29, 0.82%, 0.63%

LAB 81.9, 0.84, 61.61

 

CMYK 54 / 0 / 65 / 7

HEX #6EEE53

RGB 110 238 83

HSL 109.55, 0.82%, 0.63%

LAB 84.53, -63.15, 62.13

 

CMYK 65 / 0 / 58 / 7

HEX #53EE63

RGB 83 238 99

HSL 126.19, 0.82%, 0.63%

LAB 83.91, -67.56, 54.51

 

CMYK 65 / 0 / 41 / 7

HEX #53EE8C

RGB 83 238 140

HSL 142.06, 0.82%, 0.63%

LAB 84.42, -61.71, 35.77

 

CMYK 65 / 0 / 24 / 7

HEX #53EEB6

RGB 83 238 182

HSL 158.32, 0.82%, 0.63%

LAB 85.18, -53.53, 15.34

 

CMYK 65 / 0 / 6 / 7

HEX #53EEE0

RGB 83 238 224

HSL 174.58, 0.82%, 0.63%

LAB 86.19, -43.43, -5.18

 

CMYK 54 / 0 / 65 / 7

HEX #6EEE53

RGB 110 238 83

HSL 109.55, 0.82%, 0.63%

LAB 84.53, -63.15, 62.13

 

CMYK 60 / 0 / 73 / 1

HEX #64FD44

RGB 100 253 68

HSL 109.62, 0.98%, 0.63%

LAB 88.63, -71.89, 71.76

 

CMYK 54 / 0 / 65 / 7

HEX #6EEE53

RGB 110 238 83

HSL 109.55, 0.82%, 0.63%

LAB 84.53, -63.15, 62.13

 

CMYK 46 / 0 / 56 / 13

HEX #78DF63

RGB 120 223 99

HSL 109.84, 0.66%, 0.63%

LAB 80.55, -53.13, 50.89

 

CMYK 37 / 0 / 45 / 19

HEX #82CF72

RGB 130 207 114

HSL 109.68, 0.49%, 0.63%

LAB 76.43, -41.54, 38.78

 

CMYK 27 / 0 / 33 / 25

HEX #8CC081

RGB 140 192 129

HSL 109.52, 0.33%, 0.63%

LAB 72.8, -29.12, 26.44

 

CMYK 15 / 0 / 19 / 31

HEX #96B190

RGB 150 177 144

HSL 109.09, 0.17%, 0.63%

LAB 69.43, -15.62, 13.85

 

CMYK 18 / 0 / 65 / 7

HEX #C2EE53

RGB 194 238 83

HSL 77.03, 0.82%, 0.63%

LAB 88.56, -35.61, 67.64

 

CMYK 36 / 0 / 65 / 7

HEX #99EE53

RGB 153 238 83

HSL 92.9, 0.82%, 0.63%

LAB 86.28, -50.37, 64.53

 

CMYK 53 / 0 / 65 / 7

HEX #70EE53

RGB 112 238 83

HSL 108.77, 0.82%, 0.63%

LAB 84.6, -62.64, 62.22

 

CMYK 65 / 0 / 60 / 7

HEX #53EE60

RGB 83 238 96

HSL 125.03, 0.82%, 0.63%

LAB 83.88, -67.9, 55.78

 

CMYK 65 / 0 / 42 / 7

HEX #53EE89

RGB 83 238 137

HSL 140.9, 0.82%, 0.63%

LAB 84.38, -62.21, 37.2

 

CMYK 75 / 0 / 90 / 15

HEX #37D915

RGB 55 217 21

HSL 109.59, 0.82%, 0.47%

LAB 76.37, -71.41, 71.95

 

CMYK 67 / 0 / 80 / 8

HEX #4EEA2E

RGB 78 234 46

HSL 109.79, 0.82%, 0.55%

LAB 82.2, -71.64, 71.97

 

CMYK 54 / 0 / 65 / 7

HEX #6EEE53

RGB 110 238 83

HSL 109.55, 0.82%, 0.63%

LAB 84.53, -63.15, 62.13

 

CMYK 42 / 0 / 50 / 5

HEX #8DF279

RGB 141 242 121

HSL 110.08, 0.82%, 0.71%

LAB 87.26, -52.01, 48.96

 

CMYK 29 / 0 / 36 / 4

HEX #ADF59E

RGB 173 245 158

HSL 109.66, 0.81%, 0.79%

LAB 90.16, -38.29, 34.97

 

CMYK 53 / 0 / 64 / 7

HEX #6FEE55

RGB 111 238 85

HSL 109.8, 0.82%, 0.63%

LAB 84.58, -62.72, 61.39

 

CMYK 65 / 1 / 0 / 7

HEX #53EBEE

RGB 83 235 238

HSL 181.16, 0.82%, 0.63%

LAB 85.72, -38.33, -13.24

 

CMYK 0 / 65 / 27 / 7

HEX #EE53AE

RGB 238 83 174

HSL 324.77, 0.82%, 0.63%

LAB 59.36, 67.71, -16.7

 

CMYK 53 / 0 / 64 / 7

HEX #6FEE55

RGB 111 238 85

HSL 109.8, 0.82%, 0.63%

LAB 84.58, -62.72, 61.39

 

CMYK 65 / 53 / 0 / 7

HEX #5370EE

RGB 83 112 238

HSL 228.77, 0.82%, 0.63%

LAB 51.38, 29.04, -66.79

 

CMYK 0 / 65 / 53 / 7

HEX #EE5370

RGB 238 83 112

HSL 348.77, 0.82%, 0.63%

LAB 57.59, 61.44, 16.95

 

CMYK 53 / 0 / 64 / 7

HEX #6FEE55

RGB 111 238 85

HSL 109.8, 0.82%, 0.63%

LAB 84.58, -62.72, 61.39

 

CMYK 65 / 1 / 0 / 7

HEX #53EBEE

RGB 83 235 238

HSL 181.16, 0.82%, 0.63%

LAB 85.72, -38.33, -13.24

 

CMYK 12 / 65 / 0 / 7

HEX #D253EE

RGB 210 83 238

HSL 289.16, 0.82%, 0.63%

LAB 58.1, 70.62, -55.35

 

CMYK 0 / 64 / 65 / 7

HEX #EE5653

RGB 238 86 83

HSL 1.16, 0.82%, 0.63%

LAB 57.52, 58.27, 33.66

 

CMYK 53 / 0 / 64 / 7

HEX #6FEE55

RGB 111 238 85

HSL 109.8, 0.82%, 0.63%

LAB 84.58, -62.72, 61.39

 

CMYK 65 / 21 / 0 / 7

HEX #53BDEE

RGB 83 189 238

HSL 198.97, 0.82%, 0.63%

LAB 72.5, -15.73, -33.36

 

CMYK 12 / 65 / 0 / 7

HEX #D253EE

RGB 210 83 238

HSL 289.16, 0.82%, 0.63%

LAB 58.1, 70.62, -55.35

 

CMYK 0 / 45 / 65 / 7

HEX #EE8453

RGB 238 132 83

HSL 18.97, 0.82%, 0.63%

LAB 65.98, 36.52, 43.83

 

Description

Color code: HEX #6FEE55 | qconv.com Color code: HEX #6FEE55 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 238 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 238 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 64 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 64% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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