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Color name
HEX #6FE919

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FE919 it is the complementary color #9016E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FE919. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FE919 shade: #74E914, #85FB27, #96FF3A, #A7FF4D and #B8FF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FE919. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FE919 shade: #6FE919, #5ED706, #4DC500, #3CB300 and #2BA100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FE919 shade: #70EA1A, #A8EA1A, #E0EA1A, #EABC1A and #EA841A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FE919 shade: #70EA1A, #38EA1A, #1AEA34, #1AEA6C and #1AEAA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FE919 shade matches the following richer shades: #70EA1A and #6DFE06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FE919 shade: #70EA1A, #74D62F, #77C143, #7BAD57 and #7E996B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FE919 shade: #DFEA1A, #A8EA1A, #71EA1A, #39EA1A and #1AEA33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FE919 shade: #4CA20F, #5EC813, #70EA1A, #88ED40 and #9FF166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FE919 shade: #6FE919, #1AEABD and #EA1AC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FE919 shade: #6FE919, #1A71EA and #EA1A71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FE919 shade: #6FE919, #1AEABD, #931AEA and #EA1A47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FE919 shade: #6FE919, #1AD8EA, #931AEA and #EA2C1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 89 / 9

HEX #6FE919

RGB 111 233 25

HSL 95.19, 0.83%, 0.51%

LAB 82.77, -64.4, 77.3

 

Complementary color

CMYK 37 / 90 / 0 / 10

HEX #9016E6

RGB 144 22 230

HSL 275.19, 0.83%, 0.49%

LAB 41.56, 76.78, -78.05

 

CMYK 50 / 0 / 91 / 9

HEX #74E914

RGB 116 233 20

HSL 92.96, 0.84%, 0.5%

LAB 82.94, -63.12, 78.24

 

CMYK 47 / 0 / 84 / 2

HEX #85FB27

RGB 133 251 39

HSL 93.4, 0.96%, 0.57%

LAB 88.98, -64.16, 80.35

 

CMYK 41 / 0 / 77 / 0

HEX #96FF3A

RGB 150 255 58

HSL 91.98, 1%, 0.61%

LAB 90.92, -59.67, 77.65

 

CMYK 35 / 0 / 70 / 0

HEX #A7FF4D

RGB 167 255 77

HSL 89.66, 1%, 0.65%

LAB 91.81, -53.05, 72.72

 

CMYK 28 / 0 / 62 / 0

HEX #B8FF60

RGB 184 255 96

HSL 86.79, 1%, 0.69%

LAB 92.82, -45.83, 66.87

 

CMYK 52 / 0 / 89 / 9

HEX #6FE919

RGB 111 233 25

HSL 95.19, 0.83%, 0.51%

LAB 82.77, -64.4, 77.3

 

CMYK 56 / 0 / 97 / 16

HEX #5ED706

RGB 94 215 6

HSL 94.74, 0.95%, 0.43%

LAB 76.68, -63.05, 74.34

 

CMYK 61 / 0 / 100 / 23

HEX #4DC500

RGB 77 197 0

HSL 96.55, 1%, 0.39%

LAB 70.53, -61.28, 69.85

 

CMYK 66 / 0 / 100 / 30

HEX #3CB300

RGB 60 179 0

HSL 99.89, 1%, 0.35%

LAB 64.32, -59.18, 64.73

 

CMYK 73 / 0 / 100 / 37

HEX #2BA100

RGB 43 161 0

HSL 103.98, 1%, 0.32%

LAB 58.04, -56.72, 59.57

 

CMYK 52 / 0 / 89 / 8

HEX #70EA1A

RGB 112 234 26

HSL 95.19, 0.83%, 0.51%

LAB 83.11, -64.45, 77.44

 

CMYK 28 / 0 / 89 / 8

HEX #A8EA1A

RGB 168 234 26

HSL 79.04, 0.83%, 0.51%

LAB 85.63, -46.18, 80.56

 

CMYK 4 / 0 / 89 / 8

HEX #E0EA1A

RGB 224 234 26

HSL 62.88, 0.83%, 0.51%

LAB 89.28, -24.06, 85.03

 

CMYK 0 / 20 / 89 / 8

HEX #EABC1A

RGB 234 188 26

HSL 46.73, 0.83%, 0.51%

LAB 78.19, 3.22, 76.7

 

CMYK 0 / 44 / 89 / 8

HEX #EA841A

RGB 234 132 26

HSL 30.58, 0.83%, 0.51%

LAB 65.02, 32.74, 66.57

 

CMYK 52 / 0 / 89 / 8

HEX #70EA1A

RGB 112 234 26

HSL 95.19, 0.83%, 0.51%

LAB 83.11, -64.45, 77.44

 

CMYK 76 / 0 / 89 / 8

HEX #38EA1A

RGB 56 234 26

HSL 111.35, 0.83%, 0.51%

LAB 81.71, -76.1, 75.69

 

CMYK 89 / 0 / 78 / 8

HEX #1AEA34

RGB 26 234 52

HSL 127.5, 0.83%, 0.51%

LAB 81.46, -77.91, 69.33

 

CMYK 89 / 0 / 54 / 8

HEX #1AEA6C

RGB 26 234 108

HSL 143.65, 0.83%, 0.51%

LAB 81.92, -72.23, 47.88

 

CMYK 89 / 0 / 30 / 8

HEX #1AEAA4

RGB 26 234 164

HSL 159.81, 0.83%, 0.51%

LAB 82.78, -62.17, 21.21

 

CMYK 52 / 0 / 89 / 8

HEX #70EA1A

RGB 112 234 26

HSL 95.19, 0.83%, 0.51%

LAB 83.11, -64.45, 77.44

 

CMYK 57 / 0 / 98 / 0

HEX #6DFE06

RGB 109 254 6

HSL 95.08, 0.99%, 0.51%

LAB 88.99, -72.38, 84.39

 

CMYK 52 / 0 / 89 / 8

HEX #70EA1A

RGB 112 234 26

HSL 95.19, 0.83%, 0.51%

LAB 83.11, -64.45, 77.44

 

CMYK 46 / 0 / 78 / 16

HEX #74D62F

RGB 116 214 47

HSL 95.21, 0.67%, 0.51%

LAB 77.29, -55.13, 67.54

 

CMYK 38 / 0 / 65 / 24

HEX #77C143

RGB 119 193 67

HSL 95.24, 0.5%, 0.51%

LAB 71.19, -44.36, 54.31

 

CMYK 29 / 0 / 50 / 32

HEX #7BAD57

RGB 123 173 87

HSL 94.88, 0.34%, 0.51%

LAB 65.58, -32, 38.71

 

CMYK 18 / 0 / 30 / 40

HEX #7E996B

RGB 126 153 107

HSL 95.22, 0.18%, 0.51%

LAB 60.14, -18.21, 21.16

 

CMYK 5 / 0 / 89 / 8

HEX #DFEA1A

RGB 223 234 26

HSL 63.17, 0.83%, 0.51%

LAB 89.21, -24.47, 84.94

 

CMYK 28 / 0 / 89 / 8

HEX #A8EA1A

RGB 168 234 26

HSL 79.04, 0.83%, 0.51%

LAB 85.63, -46.18, 80.56

 

CMYK 52 / 0 / 89 / 8

HEX #71EA1A

RGB 113 234 26

HSL 94.9, 0.83%, 0.51%

LAB 83.14, -64.17, 77.48

 

CMYK 76 / 0 / 89 / 8

HEX #39EA1A

RGB 57 234 26

HSL 111.06, 0.83%, 0.51%

LAB 81.72, -75.96, 75.71

 

CMYK 89 / 0 / 78 / 8

HEX #1AEA33

RGB 26 234 51

HSL 127.21, 0.83%, 0.51%

LAB 81.46, -77.97, 69.62

 

CMYK 53 / 0 / 91 / 36

HEX #4CA20F

RGB 76 162 15

HSL 95.1, 0.83%, 0.35%

LAB 59.35, -48.8, 58.78

 

CMYK 53 / 0 / 91 / 22

HEX #5EC813

RGB 94 200 19

HSL 95.14, 0.83%, 0.43%

LAB 72.05, -57.52, 69.04

 

CMYK 52 / 0 / 89 / 8

HEX #70EA1A

RGB 112 234 26

HSL 95.19, 0.83%, 0.51%

LAB 83.11, -64.45, 77.44

 

CMYK 43 / 0 / 73 / 7

HEX #88ED40

RGB 136 237 64

HSL 95.03, 0.83%, 0.59%

LAB 85.08, -56.81, 69.98

 

CMYK 34 / 0 / 58 / 5

HEX #9FF166

RGB 159 241 102

HSL 95.4, 0.83%, 0.67%

LAB 87.6, -47.97, 58.18

 

CMYK 52 / 0 / 89 / 9

HEX #6FE919

RGB 111 233 25

HSL 95.19, 0.83%, 0.51%

LAB 82.77, -64.4, 77.3

 

CMYK 89 / 0 / 19 / 8

HEX #1AEABD

RGB 26 234 189

HSL 167.02, 0.83%, 0.51%

LAB 83.31, -56.39, 8.91

 

CMYK 0 / 89 / 16 / 8

HEX #EA1AC4

RGB 234 26 196

HSL 310.96, 0.83%, 0.51%

LAB 54.26, 84.74, -37.35

 

CMYK 52 / 0 / 89 / 9

HEX #6FE919

RGB 111 233 25

HSL 95.19, 0.83%, 0.51%

LAB 82.77, -64.4, 77.3

 

CMYK 89 / 52 / 0 / 8

HEX #1A71EA

RGB 26 113 234

HSL 214.9, 0.83%, 0.51%

LAB 49.46, 20.99, -67.75

 

CMYK 0 / 89 / 52 / 8

HEX #EA1A71

RGB 234 26 113

HSL 334.9, 0.83%, 0.51%

LAB 51.18, 76.44, 7.28

 

CMYK 52 / 0 / 89 / 9

HEX #6FE919

RGB 111 233 25

HSL 95.19, 0.83%, 0.51%

LAB 82.77, -64.4, 77.3

 

CMYK 89 / 0 / 19 / 8

HEX #1AEABD

RGB 26 234 189

HSL 167.02, 0.83%, 0.51%

LAB 83.31, -56.39, 8.91

 

CMYK 37 / 89 / 0 / 8

HEX #931AEA

RGB 147 26 234

HSL 274.9, 0.83%, 0.51%

LAB 42.59, 77.19, -78.62

 

CMYK 0 / 89 / 70 / 8

HEX #EA1A47

RGB 234 26 71

HSL 347.02, 0.83%, 0.51%

LAB 50.32, 74.02, 31.63

 

CMYK 52 / 0 / 89 / 9

HEX #6FE919

RGB 111 233 25

HSL 95.19, 0.83%, 0.51%

LAB 82.77, -64.4, 77.3

 

CMYK 89 / 8 / 0 / 8

HEX #1AD8EA

RGB 26 216 234

HSL 185.19, 0.83%, 0.51%

LAB 79.2, -36.16, -21.03

 

CMYK 37 / 89 / 0 / 8

HEX #931AEA

RGB 147 26 234

HSL 274.9, 0.83%, 0.51%

LAB 42.59, 77.19, -78.62

 

CMYK 0 / 81 / 89 / 8

HEX #EA2C1A

RGB 234 44 26

HSL 5.19, 0.83%, 0.51%

LAB 51.12, 69.16, 56.19

 

Description

Color code: HEX #6FE919 | qconv.com Color code: HEX #6FE919 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 233 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 233 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 89 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 89% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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