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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FE453 it is the complementary color #901BAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FE453. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FE453 shade: #74E44E, #85F661, #96FF74, #A7FF87 and #B8FF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FE453. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FE453 shade: #6FE453, #5ED240, #4DC02D, #3CAE1A and #2B9C07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FE453 shade: #6FE453, #96E453, #BDE453, #E4E453 and #E4BD53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FE453 shade: #6FE453, #53E45E, #53E485, #53E4AC and #53E4D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FE453 shade matches the following richer shades: #6FE453 and #65F443

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FE453 shade: #6FE453, #79D463, #83C473, #8DB483 and #96A493

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FE453 shade: #BDE453, #97E453, #70E453, #53E45D and #53E483

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FE453 shade: #3FC61F, #51DF2F, #6FE453, #8DEA77 and #ABEF9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FE453 shade: #6FE453, #53E4E4 and #E453AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FE453 shade: #6FE453, #5370E4 and #E45370

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FE453 shade: #6FE453, #53E4E4, #C753E4 and #E45353

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FE453 shade: #6FE453, #53B9E4, #C753E4 and #E47F53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 64 / 11

HEX #6FE453

RGB 111 228 83

HSL 108.41, 0.73%, 0.61%

LAB 81.56, -59.23, 58.9

 

Complementary color

CMYK 16 / 84 / 0 / 33

HEX #901BAC

RGB 144 27 172

HSL 288.41, 0.73%, 0.39%

LAB 37.28, 64.42, -51.23

 

CMYK 49 / 0 / 66 / 11

HEX #74E44E

RGB 116 228 78

HSL 104.8, 0.74%, 0.6%

LAB 81.7, -58.29, 61.13

 

CMYK 46 / 0 / 61 / 4

HEX #85F661

RGB 133 246 97

HSL 105.5, 0.89%, 0.67%

LAB 87.85, -58.56, 60.29

 

CMYK 41 / 0 / 55 / 0

HEX #96FF74

RGB 150 255 116

HSL 105.32, 1%, 0.73%

LAB 91.35, -55.14, 56.25

 

CMYK 35 / 0 / 47 / 0

HEX #A7FF87

RGB 167 255 135

HSL 104, 1%, 0.76%

LAB 92.35, -47.67, 48.9

 

CMYK 28 / 0 / 40 / 0

HEX #B8FF9A

RGB 184 255 154

HSL 102.18, 1%, 0.8%

LAB 93.47, -39.72, 41.37

 

CMYK 51 / 0 / 64 / 11

HEX #6FE453

RGB 111 228 83

HSL 108.41, 0.73%, 0.61%

LAB 81.56, -59.23, 58.9

 

CMYK 55 / 0 / 70 / 18

HEX #5ED240

RGB 94 210 64

HSL 107.67, 0.62%, 0.54%

LAB 75.35, -58.76, 59.6

 

CMYK 60 / 0 / 77 / 25

HEX #4DC02D

RGB 77 192 45

HSL 106.94, 0.62%, 0.46%

LAB 69.09, -57.99, 59.84

 

CMYK 66 / 0 / 85 / 32

HEX #3CAE1A

RGB 60 174 26

HSL 106.22, 0.74%, 0.39%

LAB 62.77, -56.77, 59.22

 

CMYK 72 / 0 / 96 / 39

HEX #2B9C07

RGB 43 156 7

HSL 105.5, 0.91%, 0.32%

LAB 56.39, -54.93, 57.18

 

CMYK 51 / 0 / 64 / 11

HEX #6FE453

RGB 111 228 83

HSL 108.41, 0.73%, 0.61%

LAB 81.56, -59.23, 58.9

 

CMYK 34 / 0 / 64 / 11

HEX #96E453

RGB 150 228 83

HSL 92.28, 0.73%, 0.61%

LAB 83.23, -47.23, 61.2

 

CMYK 17 / 0 / 64 / 11

HEX #BDE453

RGB 189 228 83

HSL 76.14, 0.73%, 0.61%

LAB 85.47, -32.96, 64.27

 

CMYK 0 / 0 / 64 / 11

HEX #E4E453

RGB 228 228 83

HSL 60, 0.73%, 0.61%

LAB 88.26, -17.4, 68.06

 

CMYK 0 / 17 / 64 / 11

HEX #E4BD53

RGB 228 189 83

HSL 43.86, 0.73%, 0.61%

LAB 78.18, 2.36, 57.31

 

CMYK 51 / 0 / 64 / 11

HEX #6FE453

RGB 111 228 83

HSL 108.41, 0.73%, 0.61%

LAB 81.56, -59.23, 58.9

 

CMYK 64 / 0 / 59 / 11

HEX #53E45E

RGB 83 228 94

HSL 124.55, 0.73%, 0.61%

LAB 80.81, -64.71, 53.13

 

CMYK 64 / 0 / 42 / 11

HEX #53E485

RGB 83 228 133

HSL 140.69, 0.73%, 0.61%

LAB 81.3, -59.18, 35.2

 

CMYK 64 / 0 / 25 / 11

HEX #53E4AC

RGB 83 228 172

HSL 156.83, 0.73%, 0.61%

LAB 82, -51.66, 16.1

 

CMYK 64 / 0 / 7 / 11

HEX #53E4D4

RGB 83 228 212

HSL 173.38, 0.73%, 0.61%

LAB 82.96, -42.12, -3.62

 

CMYK 51 / 0 / 64 / 11

HEX #6FE453

RGB 111 228 83

HSL 108.41, 0.73%, 0.61%

LAB 81.56, -59.23, 58.9

 

CMYK 59 / 0 / 73 / 4

HEX #65F443

RGB 101 244 67

HSL 108.47, 0.89%, 0.61%

LAB 85.94, -68.72, 69.42

 

CMYK 51 / 0 / 64 / 11

HEX #6FE453

RGB 111 228 83

HSL 108.41, 0.73%, 0.61%

LAB 81.56, -59.23, 58.9

 

CMYK 43 / 0 / 53 / 17

HEX #79D463

RGB 121 212 99

HSL 108.32, 0.57%, 0.61%

LAB 77.31, -48.39, 47.05

 

CMYK 33 / 0 / 41 / 23

HEX #83C473

RGB 131 196 115

HSL 108.15, 0.41%, 0.61%

LAB 73.25, -36.15, 34.23

 

CMYK 22 / 0 / 27 / 29

HEX #8DB483

RGB 141 180 131

HSL 107.76, 0.25%, 0.61%

LAB 69.43, -22.57, 20.83

 

CMYK 9 / 0 / 10 / 36

HEX #96A493

RGB 150 164 147

HSL 109.41, 0.09%, 0.61%

LAB 65.86, -8.22, 7.14

 

CMYK 17 / 0 / 64 / 11

HEX #BDE453

RGB 189 228 83

HSL 76.14, 0.73%, 0.61%

LAB 85.47, -32.96, 64.27

 

CMYK 34 / 0 / 64 / 11

HEX #97E453

RGB 151 228 83

HSL 91.86, 0.73%, 0.61%

LAB 83.28, -46.89, 61.27

 

CMYK 51 / 0 / 64 / 11

HEX #70E453

RGB 112 228 83

HSL 108, 0.73%, 0.61%

LAB 81.6, -58.95, 58.95

 

CMYK 64 / 0 / 59 / 11

HEX #53E45D

RGB 83 228 93

HSL 124.14, 0.73%, 0.61%

LAB 80.8, -64.82, 53.56

 

CMYK 64 / 0 / 43 / 11

HEX #53E483

RGB 83 228 131

HSL 139.86, 0.73%, 0.61%

LAB 81.27, -59.51, 36.16

 

CMYK 68 / 0 / 84 / 22

HEX #3FC61F

RGB 63 198 31

HSL 108.5, 0.73%, 0.45%

LAB 70.56, -63.82, 65.02

 

CMYK 64 / 0 / 79 / 13

HEX #51DF2F

RGB 81 223 47

HSL 108.41, 0.73%, 0.53%

LAB 78.89, -67.45, 68.63

 

CMYK 51 / 0 / 64 / 11

HEX #6FE453

RGB 111 228 83

HSL 108.41, 0.73%, 0.61%

LAB 81.56, -59.23, 58.9

 

CMYK 40 / 0 / 49 / 8

HEX #8DEA77

RGB 141 234 119

HSL 108.52, 0.73%, 0.69%

LAB 84.91, -48.96, 47.03

 

CMYK 28 / 0 / 36 / 6

HEX #ABEF9A

RGB 171 239 154

HSL 108, 0.73%, 0.77%

LAB 88.32, -36.82, 34.51

 

CMYK 51 / 0 / 64 / 11

HEX #6FE453

RGB 111 228 83

HSL 108.41, 0.73%, 0.61%

LAB 81.56, -59.23, 58.9

 

CMYK 64 / 0 / 0 / 11

HEX #53E4E4

RGB 83 228 228

HSL 180, 0.73%, 0.61%

LAB 83.4, -37.86, -11.43

 

CMYK 0 / 64 / 25 / 11

HEX #E453AA

RGB 228 83 170

HSL 324, 0.73%, 0.61%

LAB 57.64, 64.47, -17.15

 

CMYK 51 / 0 / 64 / 11

HEX #6FE453

RGB 111 228 83

HSL 108.41, 0.73%, 0.61%

LAB 81.56, -59.23, 58.9

 

CMYK 64 / 51 / 0 / 11

HEX #5370E4

RGB 83 112 228

HSL 228, 0.73%, 0.61%

LAB 50.72, 25.63, -62.25

 

CMYK 0 / 64 / 51 / 11

HEX #E45370

RGB 228 83 112

HSL 348, 0.73%, 0.61%

LAB 55.94, 58.31, 14.41

 

CMYK 51 / 0 / 64 / 11

HEX #6FE453

RGB 111 228 83

HSL 108.41, 0.73%, 0.61%

LAB 81.56, -59.23, 58.9

 

CMYK 64 / 0 / 0 / 11

HEX #53E4E4

RGB 83 228 228

HSL 180, 0.73%, 0.61%

LAB 83.4, -37.86, -11.43

 

CMYK 13 / 64 / 0 / 11

HEX #C753E4

RGB 199 83 228

HSL 288, 0.73%, 0.61%

LAB 56.02, 66.29, -53.15

 

CMYK 0 / 64 / 64 / 11

HEX #E45353

RGB 228 83 83

HSL 0, 0.73%, 0.61%

LAB 55.39, 56.23, 30.64

 

CMYK 51 / 0 / 64 / 11

HEX #6FE453

RGB 111 228 83

HSL 108.41, 0.73%, 0.61%

LAB 81.56, -59.23, 58.9

 

CMYK 64 / 19 / 0 / 11

HEX #53B9E4

RGB 83 185 228

HSL 197.79, 0.73%, 0.61%

LAB 70.97, -16.75, -30.3

 

CMYK 13 / 64 / 0 / 11

HEX #C753E4

RGB 199 83 228

HSL 288, 0.73%, 0.61%

LAB 56.02, 66.29, -53.15

 

CMYK 0 / 44 / 64 / 11

HEX #E47F53

RGB 228 127 83

HSL 18.21, 0.73%, 0.61%

LAB 63.59, 35.19, 40.67

 

Description

Color code: HEX #6FE453 | qconv.com Color code: HEX #6FE453 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 228 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 228 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 64 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 64% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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