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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FE3F2 it is the complementary color #901C0D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FE3F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FE3F2 shade: #74E3ED, #85F5FF, #96FFFF, #A7FFFF and #B8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FE3F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FE3F2 shade: #6FE3F2, #5ED1DF, #4DBFCC, #3CADB9 and #2B9BA6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FE3F2 shade: #6EE3F2, #6EBFF2, #6E9CF2, #6E78F2 and #886EF2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FE3F2 shade: #6EE3F2, #6EBFF2, #6E9CF2, #6E78F2 and #6E6EF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FE3F2 shade matches the following richer shades: #6EE3F2 and #62ECFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FE3F2 shade: #6EE3F2, #7BD9E5, #88CFD8, #95C5CB and #A1BBBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FE3F2 shade: #6EF2B9, #6EF2DC, #6EE4F2, #6EC1F2 and #6E9EF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FE3F2 shade: #23D4EB, #49DBEE, #6EE3F2, #94EAF5 and #BAF1F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FE3F2 shade: #6FE3F2, #966EF2 and #F2CA6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FE3F2 shade: #6FE3F2, #F26EE4 and #E4F26E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FE3F2 shade: #6FE3F2, #966EF2, #F27B6E and #CAF26E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FE3F2 shade: #6FE3F2, #BD6EF2, #F27B6E and #A3F26E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 6 / 0 / 5

HEX #6FE3F2

RGB 111 227 242

HSL 186.87, 0.83%, 0.69%

LAB 84.34, -28.75, -17.34

 

Complementary color

CMYK 0 / 81 / 91 / 44

HEX #901C0D

RGB 144 28 13

HSL 6.87, 0.83%, 0.31%

LAB 31.32, 46.79, 38.89

 

CMYK 51 / 4 / 0 / 7

HEX #74E3ED

RGB 116 227 237

HSL 184.96, 0.77%, 0.69%

LAB 84.36, -29.09, -14.65

 

CMYK 48 / 4 / 0 / 0

HEX #85F5FF

RGB 133 245 255

HSL 184.92, 1%, 0.76%

LAB 90.56, -29.48, -14.74

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 28 / 0 / 0 / 0

HEX #B8FFFF

RGB 184 255 255

HSL 180, 1%, 0.86%

LAB 95.55, -21.73, -7.06

 

CMYK 54 / 6 / 0 / 5

HEX #6FE3F2

RGB 111 227 242

HSL 186.87, 0.83%, 0.69%

LAB 84.34, -28.75, -17.34

 

CMYK 58 / 6 / 0 / 13

HEX #5ED1DF

RGB 94 209 223

HSL 186.51, 0.67%, 0.62%

LAB 78.06, -28.44, -16.75

 

CMYK 62 / 6 / 0 / 20

HEX #4DBFCC

RGB 77 191 204

HSL 186.14, 0.55%, 0.55%

LAB 71.69, -28.01, -16.12

 

CMYK 68 / 6 / 0 / 27

HEX #3CADB9

RGB 60 173 185

HSL 185.76, 0.51%, 0.48%

LAB 65.24, -27.42, -15.44

 

CMYK 74 / 7 / 0 / 35

HEX #2B9BA6

RGB 43 155 166

HSL 185.37, 0.59%, 0.41%

LAB 58.7, -26.6, -14.68

 

CMYK 55 / 6 / 0 / 5

HEX #6EE3F2

RGB 110 227 242

HSL 186.82, 0.84%, 0.69%

LAB 84.31, -28.94, -17.39

 

CMYK 55 / 21 / 0 / 5

HEX #6EBFF2

RGB 110 191 242

HSL 203.18, 0.84%, 0.69%

LAB 74.18, -10.65, -32.84

 

CMYK 55 / 36 / 0 / 5

HEX #6E9CF2

RGB 110 156 242

HSL 219.09, 0.84%, 0.69%

LAB 64.57, 8.87, -47.85

 

CMYK 55 / 50 / 0 / 5

HEX #6E78F2

RGB 110 120 242

HSL 235.45, 0.84%, 0.69%

LAB 55.24, 30.23, -62.72

 

CMYK 44 / 55 / 0 / 5

HEX #886EF2

RGB 136 110 242

HSL 251.82, 0.84%, 0.69%

LAB 54.86, 41.51, -63.22

 

CMYK 55 / 6 / 0 / 5

HEX #6EE3F2

RGB 110 227 242

HSL 186.82, 0.84%, 0.69%

LAB 84.31, -28.94, -17.39

 

CMYK 55 / 21 / 0 / 5

HEX #6EBFF2

RGB 110 191 242

HSL 203.18, 0.84%, 0.69%

LAB 74.18, -10.65, -32.84

 

CMYK 55 / 36 / 0 / 5

HEX #6E9CF2

RGB 110 156 242

HSL 219.09, 0.84%, 0.69%

LAB 64.57, 8.87, -47.85

 

CMYK 55 / 50 / 0 / 5

HEX #6E78F2

RGB 110 120 242

HSL 235.45, 0.84%, 0.69%

LAB 55.24, 30.23, -62.72

 

CMYK 55 / 55 / 0 / 5

HEX #6E6EF2

RGB 110 110 242

HSL 240, 0.84%, 0.69%

LAB 52.82, 36.21, -66.63

 

CMYK 55 / 6 / 0 / 5

HEX #6EE3F2

RGB 110 227 242

HSL 186.82, 0.84%, 0.69%

LAB 84.31, -28.94, -17.39

 

CMYK 61 / 7 / 0 / 0

HEX #62ECFE

RGB 98 236 254

HSL 186.92, 0.99%, 0.69%

LAB 86.87, -32.07, -19.88

 

CMYK 55 / 6 / 0 / 5

HEX #6EE3F2

RGB 110 227 242

HSL 186.82, 0.84%, 0.69%

LAB 84.31, -28.94, -17.39

 

CMYK 46 / 5 / 0 / 10

HEX #7BD9E5

RGB 123 217 229

HSL 186.79, 0.67%, 0.69%

LAB 81.56, -24.79, -14.58

 

CMYK 37 / 4 / 0 / 15

HEX #88CFD8

RGB 136 207 216

HSL 186.75, 0.51%, 0.69%

LAB 78.94, -19.91, -11.51

 

CMYK 27 / 3 / 0 / 20

HEX #95C5CB

RGB 149 197 203

HSL 186.67, 0.34%, 0.69%

LAB 76.46, -14.27, -8.13

 

CMYK 15 / 2 / 0 / 25

HEX #A1BBBE

RGB 161 187 190

HSL 186.21, 0.18%, 0.69%

LAB 74.08, -8.18, -4.5

 

CMYK 55 / 0 / 24 / 5

HEX #6EF2B9

RGB 110 242 185

HSL 154.09, 0.84%, 0.69%

LAB 87.15, -49.41, 16.67

 

CMYK 55 / 0 / 9 / 5

HEX #6EF2DC

RGB 110 242 220

HSL 170, 0.84%, 0.69%

LAB 87.96, -41.54, -0.4

 

CMYK 55 / 6 / 0 / 5

HEX #6EE4F2

RGB 110 228 242

HSL 186.36, 0.84%, 0.69%

LAB 84.59, -29.42, -16.96

 

CMYK 55 / 20 / 0 / 5

HEX #6EC1F2

RGB 110 193 242

HSL 202.27, 0.84%, 0.69%

LAB 74.74, -11.72, -31.98

 

CMYK 55 / 35 / 0 / 5

HEX #6E9EF2

RGB 110 158 242

HSL 218.18, 0.84%, 0.69%

LAB 65.1, 7.71, -47

 

CMYK 85 / 10 / 0 / 8

HEX #23D4EB

RGB 35 212 235

HSL 186.9, 0.83%, 0.53%

LAB 78.14, -33.48, -23.18

 

CMYK 69 / 8 / 0 / 7

HEX #49DBEE

RGB 73 219 238

HSL 186.91, 0.83%, 0.61%

LAB 80.88, -32.23, -20.55

 

CMYK 55 / 6 / 0 / 5

HEX #6EE3F2

RGB 110 227 242

HSL 186.82, 0.84%, 0.69%

LAB 84.31, -28.94, -17.39

 

CMYK 40 / 4 / 0 / 4

HEX #94EAF5

RGB 148 234 245

HSL 186.8, 0.83%, 0.77%

LAB 87.84, -23.2, -13.52

 

CMYK 25 / 3 / 0 / 2

HEX #BAF1F9

RGB 186 241 249

HSL 187.62, 0.84%, 0.85%

LAB 91.77, -15.58, -9.55

 

CMYK 54 / 6 / 0 / 5

HEX #6FE3F2

RGB 111 227 242

HSL 186.87, 0.83%, 0.69%

LAB 84.34, -28.75, -17.34

 

CMYK 38 / 55 / 0 / 5

HEX #966EF2

RGB 150 110 242

HSL 258.18, 0.84%, 0.69%

LAB 56.13, 44.64, -61.11

 

CMYK 0 / 17 / 55 / 5

HEX #F2CA6E

RGB 242 202 110

HSL 41.82, 0.84%, 0.69%

LAB 83.04, 3.32, 50.67

 

CMYK 54 / 6 / 0 / 5

HEX #6FE3F2

RGB 111 227 242

HSL 186.87, 0.83%, 0.69%

LAB 84.34, -28.75, -17.34

 

CMYK 0 / 55 / 6 / 5

HEX #F26EE4

RGB 242 110 228

HSL 306.36, 0.84%, 0.69%

LAB 66.24, 65.19, -36.64

 

CMYK 6 / 0 / 55 / 5

HEX #E4F26E

RGB 228 242 110

HSL 66.36, 0.84%, 0.69%

LAB 92.19, -22.31, 61.03

 

CMYK 54 / 6 / 0 / 5

HEX #6FE3F2

RGB 111 227 242

HSL 186.87, 0.83%, 0.69%

LAB 84.34, -28.75, -17.34

 

CMYK 38 / 55 / 0 / 5

HEX #966EF2

RGB 150 110 242

HSL 258.18, 0.84%, 0.69%

LAB 56.13, 44.64, -61.11

 

CMYK 0 / 49 / 55 / 5

HEX #F27B6E

RGB 242 123 110

HSL 5.91, 0.84%, 0.69%

LAB 65.1, 44.47, 28.26

 

CMYK 17 / 0 / 55 / 5

HEX #CAF26E

RGB 202 242 110

HSL 78.18, 0.84%, 0.69%

LAB 90.41, -32.31, 58.52

 

CMYK 54 / 6 / 0 / 5

HEX #6FE3F2

RGB 111 227 242

HSL 186.87, 0.83%, 0.69%

LAB 84.34, -28.75, -17.34

 

CMYK 22 / 55 / 0 / 5

HEX #BD6EF2

RGB 189 110 242

HSL 275.91, 0.84%, 0.69%

LAB 60.23, 54.03, -54.32

 

CMYK 0 / 49 / 55 / 5

HEX #F27B6E

RGB 242 123 110

HSL 5.91, 0.84%, 0.69%

LAB 65.1, 44.47, 28.26

 

CMYK 33 / 0 / 55 / 5

HEX #A3F26E

RGB 163 242 110

HSL 95.91, 0.84%, 0.69%

LAB 88.17, -46.26, 55.34

 

Description

Color code: HEX #6FE3F2 | qconv.com Color code: HEX #6FE3F2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 227 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 227 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 6 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 6% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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