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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FD8C2 it is the complementary color #90273D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FD8C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FD8C2 shade: #74D8BD, #85EAD0, #96FCE3, #A7FFF6 and #B8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FD8C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FD8C2 shade: #6FD8C2, #5EC6AF, #4DB49C, #3CA289 and #2B9076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FD8C2 shade: #6FD8C2, #6FD8A5, #6FD889, #71D86F and #8DD86F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FD8C2 shade: #6FD8C2, #6FD1D8, #6FB5D8, #6F99D8 and #6F7DD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FD8C2 shade matches the following richer shades: #6FD8C2, #60E6CA and #51F5D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FD8C2 shade: #6FD8C2, #7EC9B9, #8DBAB0, #9BABA8 and #AA9C9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FD8C2 shade: #6FD889, #6FD8A5, #6FD8C1, #6FD2D8 and #6FB6D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FD8C2 shade: #34BFA2, #4ECFB4, #6FD8C2, #8FE0CF and #B0E9DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FD8C2 shade: #6FD8C2, #6F71D8 and #D8976F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FD8C2 shade: #6FD8C2, #C16FD8 and #D8C16F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FD8C2 shade: #6FD8C2, #6F71D8, #D86F86 and #D8D66F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FD8C2 shade: #6FD8C2, #8D6FD8, #D86F86 and #BAD86F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 10 / 15

HEX #6FD8C2

RGB 111 216 194

HSL 167.43, 0.57%, 0.64%

LAB 79.83, -35.75, 1.47

 

Complementary color

CMYK 0 / 73 / 58 / 44

HEX #90273D

RGB 144 39 61

HSL 347.43, 0.57%, 0.36%

LAB 33.39, 45.2, 12.52

 

CMYK 46 / 0 / 13 / 15

HEX #74D8BD

RGB 116 216 189

HSL 163.8, 0.56%, 0.65%

LAB 79.9, -35.73, 4.25

 

CMYK 43 / 0 / 11 / 8

HEX #85EAD0

RGB 133 234 208

HSL 164.55, 0.71%, 0.72%

LAB 86.2, -35.6, 3.42

 

CMYK 40 / 0 / 10 / 1

HEX #96FCE3

RGB 150 252 227

HSL 165.29, 0.94%, 0.79%

LAB 92.42, -35.45, 2.63

 

CMYK 35 / 0 / 4 / 0

HEX #A7FFF6

RGB 167 255 246

HSL 173.86, 1%, 0.83%

LAB 94.48, -28.29, -4.1

 

CMYK 28 / 0 / 0 / 0

HEX #B8FFFF

RGB 184 255 255

HSL 180, 1%, 0.86%

LAB 95.55, -21.73, -7.06

 

CMYK 49 / 0 / 10 / 15

HEX #6FD8C2

RGB 111 216 194

HSL 167.43, 0.57%, 0.64%

LAB 79.83, -35.75, 1.47

 

CMYK 53 / 0 / 12 / 22

HEX #5EC6AF

RGB 94 198 175

HSL 166.73, 0.48%, 0.57%

LAB 73.46, -35.78, 2.34

 

CMYK 57 / 0 / 13 / 29

HEX #4DB49C

RGB 77 180 156

HSL 166.02, 0.41%, 0.5%

LAB 66.99, -35.74, 3.29

 

CMYK 63 / 0 / 15 / 36

HEX #3CA289

RGB 60 162 137

HSL 165.29, 0.46%, 0.44%

LAB 60.43, -35.58, 4.34

 

CMYK 70 / 0 / 18 / 44

HEX #2B9076

RGB 43 144 118

HSL 164.55, 0.54%, 0.37%

LAB 53.78, -35.22, 5.51

 

CMYK 49 / 0 / 10 / 15

HEX #6FD8C2

RGB 111 216 194

HSL 167.43, 0.57%, 0.64%

LAB 79.83, -35.75, 1.47

 

CMYK 49 / 0 / 24 / 15

HEX #6FD8A5

RGB 111 216 165

HSL 150.86, 0.57%, 0.64%

LAB 79.16, -42.15, 15.92

 

CMYK 49 / 0 / 37 / 15

HEX #6FD889

RGB 111 216 137

HSL 134.86, 0.57%, 0.64%

LAB 78.63, -47.4, 29.82

 

CMYK 48 / 0 / 49 / 15

HEX #71D86F

RGB 113 216 111

HSL 118.86, 0.57%, 0.64%

LAB 78.33, -50.83, 42.47

 

CMYK 35 / 0 / 49 / 15

HEX #8DD86F

RGB 141 216 111

HSL 102.86, 0.57%, 0.64%

LAB 79.57, -42.28, 44.28

 

CMYK 49 / 0 / 10 / 15

HEX #6FD8C2

RGB 111 216 194

HSL 167.43, 0.57%, 0.64%

LAB 79.83, -35.75, 1.47

 

CMYK 49 / 3 / 0 / 15

HEX #6FD1D8

RGB 111 209 216

HSL 184, 0.57%, 0.64%

LAB 78.43, -26.92, -12.38

 

CMYK 49 / 16 / 0 / 15

HEX #6FB5D8

RGB 111 181 216

HSL 200, 0.57%, 0.64%

LAB 70.44, -12.61, -24.46

 

CMYK 49 / 29 / 0 / 15

HEX #6F99D8

RGB 111 153 216

HSL 216, 0.57%, 0.64%

LAB 62.61, 2.89, -36.57

 

CMYK 49 / 42 / 0 / 15

HEX #6F7DD8

RGB 111 125 216

HSL 232, 0.57%, 0.64%

LAB 55.08, 19.39, -48.42

 

CMYK 49 / 0 / 10 / 15

HEX #6FD8C2

RGB 111 216 194

HSL 167.43, 0.57%, 0.64%

LAB 79.83, -35.75, 1.47

 

CMYK 58 / 0 / 12 / 10

HEX #60E6CA

RGB 96 230 202

HSL 167.46, 0.73%, 0.64%

LAB 83.62, -43.26, 2.68

 

CMYK 67 / 0 / 14 / 4

HEX #51F5D3

RGB 81 245 211

HSL 167.56, 0.89%, 0.64%

LAB 87.85, -50.01, 4.04

 

CMYK 49 / 0 / 10 / 15

HEX #6FD8C2

RGB 111 216 194

HSL 167.43, 0.57%, 0.64%

LAB 79.83, -35.75, 1.47

 

CMYK 37 / 0 / 8 / 21

HEX #7EC9B9

RGB 126 201 185

HSL 167.2, 0.41%, 0.64%

LAB 75.89, -26.94, 0.64

 

CMYK 24 / 0 / 5 / 27

HEX #8DBAB0

RGB 141 186 176

HSL 166.67, 0.25%, 0.64%

LAB 72.17, -17.02, 0.19

 

CMYK 9 / 0 / 2 / 33

HEX #9BABA8

RGB 155 171 168

HSL 168.75, 0.09%, 0.64%

LAB 68.69, -6.17, -0.37

 

CMYK 0 / 8 / 6 / 33

HEX #AA9C9F

RGB 170 156 159

HSL 347.14, 0.08%, 0.64%

LAB 65.61, 5.66, 0.28

 

CMYK 49 / 0 / 37 / 15

HEX #6FD889

RGB 111 216 137

HSL 134.86, 0.57%, 0.64%

LAB 78.63, -47.4, 29.82

 

CMYK 49 / 0 / 24 / 15

HEX #6FD8A5

RGB 111 216 165

HSL 150.86, 0.57%, 0.64%

LAB 79.16, -42.15, 15.92

 

CMYK 49 / 0 / 11 / 15

HEX #6FD8C1

RGB 111 216 193

HSL 166.86, 0.57%, 0.64%

LAB 79.81, -35.98, 1.97

 

CMYK 49 / 3 / 0 / 15

HEX #6FD2D8

RGB 111 210 216

HSL 183.43, 0.57%, 0.64%

LAB 78.71, -27.41, -11.96

 

CMYK 49 / 16 / 0 / 15

HEX #6FB6D8

RGB 111 182 216

HSL 199.43, 0.57%, 0.64%

LAB 70.73, -13.15, -24.02

 

CMYK 73 / 0 / 15 / 25

HEX #34BFA2

RGB 52 191 162

HSL 167.48, 0.57%, 0.48%

LAB 69.89, -43.31, 4.12

 

CMYK 62 / 0 / 13 / 19

HEX #4ECFB4

RGB 78 207 180

HSL 167.44, 0.57%, 0.56%

LAB 75.79, -41.77, 2.96

 

CMYK 49 / 0 / 10 / 15

HEX #6FD8C2

RGB 111 216 194

HSL 167.43, 0.57%, 0.64%

LAB 79.83, -35.75, 1.47

 

CMYK 36 / 0 / 8 / 12

HEX #8FE0CF

RGB 143 224 207

HSL 167.41, 0.57%, 0.72%

LAB 83.79, -28.53, 0.49

 

CMYK 24 / 0 / 5 / 9

HEX #B0E9DD

RGB 176 233 221

HSL 167.37, 0.56%, 0.8%

LAB 88.32, -20.5, -0.07

 

CMYK 49 / 0 / 10 / 15

HEX #6FD8C2

RGB 111 216 194

HSL 167.43, 0.57%, 0.64%

LAB 79.83, -35.75, 1.47

 

CMYK 49 / 48 / 0 / 15

HEX #6F71D8

RGB 111 113 216

HSL 238.86, 0.57%, 0.64%

LAB 52, 26.62, -53.32

 

CMYK 0 / 30 / 49 / 15

HEX #D8976F

RGB 216 151 111

HSL 22.86, 0.57%, 0.64%

LAB 67.93, 19.83, 30.79

 

CMYK 49 / 0 / 10 / 15

HEX #6FD8C2

RGB 111 216 194

HSL 167.43, 0.57%, 0.64%

LAB 79.83, -35.75, 1.47

 

CMYK 11 / 49 / 0 / 15

HEX #C16FD8

RGB 193 111 216

HSL 286.86, 0.57%, 0.64%

LAB 59.58, 49.12, -40.8

 

CMYK 0 / 11 / 49 / 15

HEX #D8C16F

RGB 216 193 111

HSL 46.86, 0.57%, 0.64%

LAB 78.4, -2.56, 44

 

CMYK 49 / 0 / 10 / 15

HEX #6FD8C2

RGB 111 216 194

HSL 167.43, 0.57%, 0.64%

LAB 79.83, -35.75, 1.47

 

CMYK 49 / 48 / 0 / 15

HEX #6F71D8

RGB 111 113 216

HSL 238.86, 0.57%, 0.64%

LAB 52, 26.62, -53.32

 

CMYK 0 / 49 / 38 / 15

HEX #D86F86

RGB 216 111 134

HSL 346.86, 0.57%, 0.64%

LAB 59.61, 43.44, 6.47

 

CMYK 0 / 1 / 49 / 15

HEX #D8D66F

RGB 216 214 111

HSL 58.86, 0.57%, 0.64%

LAB 83.88, -13.28, 50.65

 

CMYK 49 / 0 / 10 / 15

HEX #6FD8C2

RGB 111 216 194

HSL 167.43, 0.57%, 0.64%

LAB 79.83, -35.75, 1.47

 

CMYK 35 / 49 / 0 / 15

HEX #8D6FD8

RGB 141 111 216

HSL 257.14, 0.57%, 0.64%

LAB 54.02, 35.06, -49.97

 

CMYK 0 / 49 / 38 / 15

HEX #D86F86

RGB 216 111 134

HSL 346.86, 0.57%, 0.64%

LAB 59.61, 43.44, 6.47

 

CMYK 14 / 0 / 49 / 15

HEX #BAD86F

RGB 186 216 111

HSL 77.14, 0.57%, 0.64%

LAB 82.22, -26.08, 48.12

 

Description

Color code: HEX #6FD8C2 | qconv.com Color code: HEX #6FD8C2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 216 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 216 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 10 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 10% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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