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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FD845 it is the complementary color #9027BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FD845. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FD845 shade: #74D840, #85EA53, #96FC66, #A7FF79 and #B8FF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FD845. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FD845 shade: #6FD845, #5EC632, #4DB41F, #3CA20C and #2B9000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FD845 shade: #70D846, #97D846, #BED846, #D8CA46 and #D8A346

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FD845 shade: #70D846, #48D846, #46D86B, #46D892 and #46D8BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FD845 shade matches the following richer shades: #70D846, #68EA34 and #60FC22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FD845 shade: #70D846, #77C658, #7FB36A, #87A17C and #8F8F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FD845 shade: #BFD846, #99D846, #72D846, #4BD846 and #46D868

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FD845 shade: #49A824, #58CA2B, #70D846, #8ADF68 and #A4E68A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FD845 shade: #6FD845, #46D8C9 and #D846AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FD845 shade: #6FD845, #4672D8 and #D84672

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FD845 shade: #6FD845, #46D8C9, #AC46D8 and #D84654

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FD845 shade: #6FD845, #46BBD8, #AC46D8 and #D86346

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 68 / 15

HEX #6FD845

RGB 111 216 69

HSL 102.86, 0.65%, 0.56%

LAB 77.83, -55.93, 60.47

 

Complementary color

CMYK 23 / 79 / 0 / 27

HEX #9027BA

RGB 144 39 186

HSL 282.86, 0.65%, 0.44%

LAB 39.45, 63.67, -56.02

 

CMYK 46 / 0 / 70 / 15

HEX #74D840

RGB 116 216 64

HSL 99.47, 0.66%, 0.55%

LAB 77.99, -54.83, 62.58

 

CMYK 43 / 0 / 65 / 8

HEX #85EA53

RGB 133 234 83

HSL 100.13, 0.78%, 0.62%

LAB 84.2, -55.17, 62.03

 

CMYK 40 / 0 / 60 / 1

HEX #96FC66

RGB 150 252 102

HSL 100.8, 0.96%, 0.69%

LAB 90.35, -55.36, 61.19

 

CMYK 35 / 0 / 53 / 0

HEX #A7FF79

RGB 167 255 121

HSL 99.4, 1%, 0.74%

LAB 92.18, -49.28, 55.18

 

CMYK 28 / 0 / 45 / 0

HEX #B8FF8C

RGB 184 255 140

HSL 97.04, 1%, 0.77%

LAB 93.28, -41.49, 47.88

 

CMYK 49 / 0 / 68 / 15

HEX #6FD845

RGB 111 216 69

HSL 102.86, 0.65%, 0.56%

LAB 77.83, -55.93, 60.47

 

CMYK 53 / 0 / 75 / 22

HEX #5EC632

RGB 94 198 50

HSL 102.16, 0.6%, 0.49%

LAB 71.55, -55.39, 60.78

 

CMYK 57 / 0 / 83 / 29

HEX #4DB41F

RGB 77 180 31

HSL 101.48, 0.71%, 0.41%

LAB 65.22, -54.52, 60.34

 

CMYK 63 / 0 / 93 / 36

HEX #3CA20C

RGB 60 162 12

HSL 100.8, 0.86%, 0.34%

LAB 58.81, -53.18, 58.62

 

CMYK 70 / 0 / 100 / 44

HEX #2B9000

RGB 43 144 0

HSL 102.08, 1%, 0.28%

LAB 52.35, -51.19, 55.05

 

CMYK 48 / 0 / 68 / 15

HEX #70D846

RGB 112 216 70

HSL 102.74, 0.65%, 0.56%

LAB 77.87, -55.55, 60.14

 

CMYK 30 / 0 / 68 / 15

HEX #97D846

RGB 151 216 70

HSL 86.71, 0.65%, 0.56%

LAB 79.69, -42.75, 62.61

 

CMYK 12 / 0 / 68 / 15

HEX #BED846

RGB 190 216 70

HSL 70.68, 0.65%, 0.56%

LAB 82.11, -27.79, 65.86

 

CMYK 0 / 6 / 68 / 15

HEX #D8CA46

RGB 216 202 70

HSL 54.25, 0.65%, 0.56%

LAB 80.34, -10.16, 64.71

 

CMYK 0 / 25 / 68 / 15

HEX #D8A346

RGB 216 163 70

HSL 38.22, 0.65%, 0.56%

LAB 70.34, 10.25, 54.29

 

CMYK 48 / 0 / 68 / 15

HEX #70D846

RGB 112 216 70

HSL 102.74, 0.65%, 0.56%

LAB 77.87, -55.55, 60.14

 

CMYK 67 / 0 / 68 / 15

HEX #48D846

RGB 72 216 70

HSL 119.18, 0.65%, 0.56%

LAB 76.64, -65.29, 58.46

 

CMYK 68 / 0 / 50 / 15

HEX #46D86B

RGB 70 216 107

HSL 135.21, 0.65%, 0.56%

LAB 76.97, -61.29, 42.43

 

CMYK 68 / 0 / 32 / 15

HEX #46D892

RGB 70 216 146

HSL 151.23, 0.65%, 0.56%

LAB 77.57, -54.52, 23.52

 

CMYK 68 / 0 / 14 / 15

HEX #46D8BA

RGB 70 216 186

HSL 167.67, 0.65%, 0.56%

LAB 78.44, -45.48, 3.57

 

CMYK 48 / 0 / 68 / 15

HEX #70D846

RGB 112 216 70

HSL 102.74, 0.65%, 0.56%

LAB 77.87, -55.55, 60.14

 

CMYK 56 / 0 / 78 / 8

HEX #68EA34

RGB 104 234 52

HSL 102.86, 0.81%, 0.56%

LAB 82.93, -65.51, 71.24

 

CMYK 62 / 0 / 87 / 1

HEX #60FC22

RGB 96 252 34

HSL 102.94, 0.97%, 0.56%

LAB 88.08, -74.15, 80.08

 

CMYK 48 / 0 / 68 / 15

HEX #70D846

RGB 112 216 70

HSL 102.74, 0.65%, 0.56%

LAB 77.87, -55.55, 60.14

 

CMYK 40 / 0 / 56 / 22

HEX #77C658

RGB 119 198 88

HSL 103.09, 0.49%, 0.56%

LAB 72.9, -44.42, 46.95

 

CMYK 29 / 0 / 41 / 30

HEX #7FB36A

RGB 127 179 106

HSL 102.74, 0.32%, 0.56%

LAB 67.87, -30.9, 31.9

 

CMYK 16 / 0 / 23 / 37

HEX #87A17C

RGB 135 161 124

HSL 102.16, 0.16%, 0.56%

LAB 63.42, -16.21, 16.33

 

CMYK 0 / 0 / 1 / 44

HEX #8F8F8E

RGB 143 143 142

HSL 60, 0%, 0.56%

LAB 59.38, -0.19, 0.52

 

CMYK 12 / 0 / 68 / 15

HEX #BFD846

RGB 191 216 70

HSL 70.27, 0.65%, 0.56%

LAB 82.18, -27.39, 65.95

 

CMYK 29 / 0 / 68 / 15

HEX #99D846

RGB 153 216 70

HSL 85.89, 0.65%, 0.56%

LAB 79.8, -42.02, 62.75

 

CMYK 47 / 0 / 68 / 15

HEX #72D846

RGB 114 216 70

HSL 101.92, 0.65%, 0.56%

LAB 77.95, -54.97, 60.25

 

CMYK 65 / 0 / 68 / 15

HEX #4BD846

RGB 75 216 70

HSL 117.95, 0.65%, 0.56%

LAB 76.71, -64.7, 58.56

 

CMYK 68 / 0 / 52 / 15

HEX #46D868

RGB 70 216 104

HSL 133.97, 0.65%, 0.56%

LAB 76.93, -61.72, 43.83

 

CMYK 57 / 0 / 79 / 34

HEX #49A824

RGB 73 168 36

HSL 103.18, 0.65%, 0.4%

LAB 61.26, -50.94, 55.16

 

CMYK 56 / 0 / 79 / 21

HEX #58CA2B

RGB 88 202 43

HSL 103.02, 0.65%, 0.48%

LAB 72.55, -58.88, 63.9

 

CMYK 48 / 0 / 68 / 15

HEX #70D846

RGB 112 216 70

HSL 102.74, 0.65%, 0.56%

LAB 77.87, -55.55, 60.14

 

CMYK 38 / 0 / 53 / 13

HEX #8ADF68

RGB 138 223 104

HSL 102.86, 0.65%, 0.64%

LAB 81.39, -47.07, 49.77

 

CMYK 29 / 0 / 40 / 10

HEX #A4E68A

RGB 164 230 138

HSL 103.04, 0.65%, 0.72%

LAB 85.16, -37.33, 38.32

 

CMYK 49 / 0 / 68 / 15

HEX #6FD845

RGB 111 216 69

HSL 102.86, 0.65%, 0.56%

LAB 77.83, -55.93, 60.47

 

CMYK 68 / 0 / 7 / 15

HEX #46D8C9

RGB 70 216 201

HSL 173.84, 0.65%, 0.56%

LAB 78.83, -41.62, -3.88

 

CMYK 0 / 68 / 20 / 15

HEX #D846AC

RGB 216 70 172

HSL 318.08, 0.65%, 0.56%

LAB 53.98, 66.55, -24.08

 

CMYK 49 / 0 / 68 / 15

HEX #6FD845

RGB 111 216 69

HSL 102.86, 0.65%, 0.56%

LAB 77.83, -55.93, 60.47

 

CMYK 68 / 47 / 0 / 15

HEX #4672D8

RGB 70 114 216

HSL 221.92, 0.65%, 0.56%

LAB 49.85, 18.13, -56.91

 

CMYK 0 / 68 / 47 / 15

HEX #D84672

RGB 216 70 114

HSL 341.92, 0.65%, 0.56%

LAB 52.06, 60.01, 7.47

 

CMYK 49 / 0 / 68 / 15

HEX #6FD845

RGB 111 216 69

HSL 102.86, 0.65%, 0.56%

LAB 77.83, -55.93, 60.47

 

CMYK 68 / 0 / 7 / 15

HEX #46D8C9

RGB 70 216 201

HSL 173.84, 0.65%, 0.56%

LAB 78.83, -41.62, -3.88

 

CMYK 20 / 68 / 0 / 15

HEX #AC46D8

RGB 172 70 216

HSL 281.92, 0.65%, 0.56%

LAB 49.63, 63.49, -56.79

 

CMYK 0 / 68 / 61 / 15

HEX #D84654

RGB 216 70 84

HSL 354.25, 0.65%, 0.56%

LAB 51.4, 57.7, 24.55

 

CMYK 49 / 0 / 68 / 15

HEX #6FD845

RGB 111 216 69

HSL 102.86, 0.65%, 0.56%

LAB 77.83, -55.93, 60.47

 

CMYK 68 / 13 / 0 / 15

HEX #46BBD8

RGB 70 187 216

HSL 191.92, 0.65%, 0.56%

LAB 70.73, -23.53, -24.14

 

CMYK 20 / 68 / 0 / 15

HEX #AC46D8

RGB 172 70 216

HSL 281.92, 0.65%, 0.56%

LAB 49.63, 63.49, -56.79

 

CMYK 0 / 54 / 68 / 15

HEX #D86346

RGB 216 99 70

HSL 11.92, 0.65%, 0.56%

LAB 56.05, 43.97, 38.3

 

Description

Color code: HEX #6FD845 | qconv.com Color code: HEX #6FD845 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 216 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 216 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 68 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 68% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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