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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FD78C it is the complementary color #902873. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FD78C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FD78C shade: #74D787, #85E99A, #96FBAD, #A7FFC0 and #B8FFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FD78C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FD78C shade: #6FD78C, #5EC579, #4DB366, #3CA153 and #2B8F40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FD78C shade: #6FD88C, #6FD870, #8AD86F, #A6D86F and #C3D86F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FD78C shade: #6FD88C, #6FD8A8, #6FD8C4, #6FCED8 and #6FB2D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FD78C shade matches the following richer shades: #6FD88C, #60E685 and #51F57F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FD78C shade: #6FD88C, #7EC993, #8DBA99, #9BABA0 and #AA9CA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FD78C shade: #8BD86F, #6FD86F, #6FD88B, #6FD8A7 and #6FD8C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FD78C shade: #34BF5B, #4ECF72, #6FD88C, #8FE0A6 and #B0E9C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FD78C shade: #6FD78C, #6FA7D8 and #D86F7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FD78C shade: #6FD78C, #8B6FD8 and #D88B6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FD78C shade: #6FD78C, #6FA7D8, #D86FBC and #D8A06F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FD78C shade: #6FD78C, #6F87D8, #D86FBC and #D8BF6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 35 / 16

HEX #6FD78C

RGB 111 215 140

HSL 136.73, 0.57%, 0.64%

LAB 78.39, -46.46, 27.94

 

Complementary color

CMYK 0 / 72 / 20 / 44

HEX #902873

RGB 144 40 115

HSL 316.73, 0.57%, 0.36%

LAB 35.37, 50.89, -19.31

 

CMYK 46 / 0 / 37 / 16

HEX #74D787

RGB 116 215 135

HSL 131.52, 0.55%, 0.65%

LAB 78.5, -45.97, 30.7

 

CMYK 43 / 0 / 34 / 9

HEX #85E99A

RGB 133 233 154

HSL 132.6, 0.69%, 0.72%

LAB 84.79, -45.77, 29.49

 

CMYK 40 / 0 / 31 / 2

HEX #96FBAD

RGB 150 251 173

HSL 133.66, 0.93%, 0.79%

LAB 91.01, -45.54, 28.35

 

CMYK 35 / 0 / 25 / 0

HEX #A7FFC0

RGB 167 255 192

HSL 137.05, 1%, 0.83%

LAB 93.25, -39.13, 21.91

 

CMYK 28 / 0 / 17 / 0

HEX #B8FFD3

RGB 184 255 211

HSL 142.82, 1%, 0.86%

LAB 94.49, -30.63, 14.06

 

CMYK 48 / 0 / 35 / 16

HEX #6FD78C

RGB 111 215 140

HSL 136.73, 0.57%, 0.64%

LAB 78.39, -46.46, 27.94

 

CMYK 52 / 0 / 39 / 23

HEX #5EC579

RGB 94 197 121

HSL 135.73, 0.47%, 0.57%

LAB 72.02, -46.58, 29.22

 

CMYK 57 / 0 / 43 / 30

HEX #4DB366

RGB 77 179 102

HSL 134.71, 0.4%, 0.5%

LAB 65.57, -46.59, 30.59

 

CMYK 63 / 0 / 48 / 37

HEX #3CA153

RGB 60 161 83

HSL 133.66, 0.46%, 0.43%

LAB 59.04, -46.41, 32.03

 

CMYK 70 / 0 / 55 / 44

HEX #2B8F40

RGB 43 143 64

HSL 132.6, 0.54%, 0.36%

LAB 52.43, -45.92, 33.54

 

CMYK 49 / 0 / 35 / 15

HEX #6FD88C

RGB 111 216 140

HSL 136.57, 0.57%, 0.64%

LAB 78.69, -46.88, 28.34

 

CMYK 49 / 0 / 48 / 15

HEX #6FD870

RGB 111 216 112

HSL 120.57, 0.57%, 0.64%

LAB 78.26, -51.25, 41.89

 

CMYK 36 / 0 / 49 / 15

HEX #8AD86F

RGB 138 216 111

HSL 104.57, 0.57%, 0.64%

LAB 79.42, -43.26, 44.07

 

CMYK 23 / 0 / 49 / 15

HEX #A6D86F

RGB 166 216 111

HSL 88.57, 0.57%, 0.64%

LAB 80.94, -33.57, 46.28

 

CMYK 10 / 0 / 49 / 15

HEX #C3D86F

RGB 195 216 111

HSL 72, 0.57%, 0.64%

LAB 82.84, -22.59, 49.02

 

CMYK 49 / 0 / 35 / 15

HEX #6FD88C

RGB 111 216 140

HSL 136.57, 0.57%, 0.64%

LAB 78.69, -46.88, 28.34

 

CMYK 49 / 0 / 22 / 15

HEX #6FD8A8

RGB 111 216 168

HSL 152.57, 0.57%, 0.64%

LAB 79.22, -41.53, 14.42

 

CMYK 49 / 0 / 9 / 15

HEX #6FD8C4

RGB 111 216 196

HSL 168.57, 0.57%, 0.64%

LAB 79.88, -35.27, 0.48

 

CMYK 49 / 5 / 0 / 15

HEX #6FCED8

RGB 111 206 216

HSL 185.71, 0.57%, 0.64%

LAB 77.57, -25.45, -13.67

 

CMYK 49 / 18 / 0 / 15

HEX #6FB2D8

RGB 111 178 216

HSL 201.71, 0.57%, 0.64%

LAB 69.6, -11.01, -25.76

 

CMYK 49 / 0 / 35 / 15

HEX #6FD88C

RGB 111 216 140

HSL 136.57, 0.57%, 0.64%

LAB 78.69, -46.88, 28.34

 

CMYK 58 / 0 / 42 / 10

HEX #60E685

RGB 96 230 133

HSL 136.57, 0.73%, 0.64%

LAB 82.26, -57.28, 36.5

 

CMYK 67 / 0 / 48 / 4

HEX #51F57F

RGB 81 245 127

HSL 136.83, 0.89%, 0.64%

LAB 86.3, -66.63, 44.5

 

CMYK 49 / 0 / 35 / 15

HEX #6FD88C

RGB 111 216 140

HSL 136.57, 0.57%, 0.64%

LAB 78.69, -46.88, 28.34

 

CMYK 37 / 0 / 27 / 21

HEX #7EC993

RGB 126 201 147

HSL 136.8, 0.41%, 0.64%

LAB 75.02, -34.79, 19.81

 

CMYK 24 / 0 / 18 / 27

HEX #8DBA99

RGB 141 186 153

HSL 136, 0.25%, 0.64%

LAB 71.61, -21.67, 11.93

 

CMYK 9 / 0 / 6 / 33

HEX #9BABA0

RGB 155 171 160

HSL 138.75, 0.09%, 0.64%

LAB 68.48, -7.74, 3.75

 

CMYK 0 / 8 / 2 / 33

HEX #AA9CA6

RGB 170 156 166

HSL 317.14, 0.08%, 0.64%

LAB 65.81, 6.95, -3.36

 

CMYK 36 / 0 / 49 / 15

HEX #8BD86F

RGB 139 216 111

HSL 104, 0.57%, 0.64%

LAB 79.47, -42.93, 44.14

 

CMYK 49 / 0 / 49 / 15

HEX #6FD86F

RGB 111 216 111

HSL 120, 0.57%, 0.64%

LAB 78.25, -51.38, 42.36

 

CMYK 49 / 0 / 36 / 15

HEX #6FD88B

RGB 111 216 139

HSL 136, 0.57%, 0.64%

LAB 78.67, -47.06, 28.83

 

CMYK 49 / 0 / 23 / 15

HEX #6FD8A7

RGB 111 216 167

HSL 152, 0.57%, 0.64%

LAB 79.2, -41.74, 14.92

 

CMYK 49 / 0 / 10 / 15

HEX #6FD8C3

RGB 111 216 195

HSL 168, 0.57%, 0.64%

LAB 79.86, -35.51, 0.97

 

CMYK 73 / 0 / 52 / 25

HEX #34BF5B

RGB 52 191 91

HSL 136.83, 0.57%, 0.48%

LAB 68.57, -57.82, 39.78

 

CMYK 62 / 0 / 45 / 19

HEX #4ECF72

RGB 78 207 114

HSL 136.74, 0.57%, 0.56%

LAB 74.48, -55.38, 35.9

 

CMYK 49 / 0 / 35 / 15

HEX #6FD88C

RGB 111 216 140

HSL 136.57, 0.57%, 0.64%

LAB 78.69, -46.88, 28.34

 

CMYK 36 / 0 / 26 / 12

HEX #8FE0A6

RGB 143 224 166

HSL 137.04, 0.57%, 0.72%

LAB 82.86, -36.82, 20.75

 

CMYK 24 / 0 / 18 / 9

HEX #B0E9C0

RGB 176 233 192

HSL 136.84, 0.56%, 0.8%

LAB 87.64, -26.16, 14.12

 

CMYK 48 / 0 / 35 / 16

HEX #6FD78C

RGB 111 215 140

HSL 136.73, 0.57%, 0.64%

LAB 78.39, -46.46, 27.94

 

CMYK 49 / 23 / 0 / 15

HEX #6FA7D8

RGB 111 167 216

HSL 208, 0.57%, 0.64%

LAB 66.5, -5.01, -30.52

 

CMYK 0 / 49 / 42 / 15

HEX #D86F7D

RGB 216 111 125

HSL 352, 0.57%, 0.64%

LAB 59.39, 42.44, 11.36

 

CMYK 48 / 0 / 35 / 16

HEX #6FD78C

RGB 111 215 140

HSL 136.73, 0.57%, 0.64%

LAB 78.39, -46.46, 27.94

 

CMYK 36 / 49 / 0 / 15

HEX #8B6FD8

RGB 139 111 216

HSL 256, 0.57%, 0.64%

LAB 53.83, 34.55, -50.27

 

CMYK 0 / 36 / 49 / 15

HEX #D88B6F

RGB 216 139 111

HSL 16, 0.57%, 0.64%

LAB 65.13, 26.3, 27.12

 

CMYK 48 / 0 / 35 / 16

HEX #6FD78C

RGB 111 215 140

HSL 136.73, 0.57%, 0.64%

LAB 78.39, -46.46, 27.94

 

CMYK 49 / 23 / 0 / 15

HEX #6FA7D8

RGB 111 167 216

HSL 208, 0.57%, 0.64%

LAB 66.5, -5.01, -30.52

 

CMYK 0 / 49 / 13 / 15

HEX #D86FBC

RGB 216 111 188

HSL 316, 0.57%, 0.64%

LAB 61.31, 50.86, -22.06

 

CMYK 0 / 26 / 49 / 15

HEX #D8A06F

RGB 216 160 111

HSL 28, 0.57%, 0.64%

LAB 70.1, 14.97, 33.58

 

CMYK 48 / 0 / 35 / 16

HEX #6FD78C

RGB 111 215 140

HSL 136.73, 0.57%, 0.64%

LAB 78.39, -46.46, 27.94

 

CMYK 49 / 38 / 0 / 15

HEX #6F87D8

RGB 111 135 216

HSL 226.29, 0.57%, 0.64%

LAB 57.72, 13.41, -44.24

 

CMYK 0 / 49 / 13 / 15

HEX #D86FBC

RGB 216 111 188

HSL 316, 0.57%, 0.64%

LAB 61.31, 50.86, -22.06

 

CMYK 0 / 12 / 49 / 15

HEX #D8BF6F

RGB 216 191 111

HSL 45.71, 0.57%, 0.64%

LAB 77.88, -1.52, 43.37

 

Description

Color code: HEX #6FD78C | qconv.com Color code: HEX #6FD78C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 215 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 215 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 35 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 35% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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