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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FD655 it is the complementary color #9029AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FD655. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FD655 shade: #74D650, #85E863, #96FA76, #A7FF89 and #B8FF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FD655. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FD655 shade: #6FD655, #5EC442, #4DB22F, #3CA01C and #2B8E09

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FD655 shade: #70D657, #93D657, #B5D657, #D6D557 and #D6B257

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FD655 shade: #70D657, #57D65F, #57D682, #57D6A4 and #57D6C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FD655 shade matches the following richer shades: #70D657, #66E746 and #5CF835

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FD655 shade: #70D657, #7AC568, #85B479, #8FA389 and #99939A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FD655 shade: #B6D657, #94D657, #72D657, #57D65D and #57D67F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FD655 shade: #45B02B, #54CE35, #70D657, #8DDE78 and #A9E699

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FD655 shade: #6FD655, #57D6D4 and #D657A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FD655 shade: #6FD655, #5772D6 and #D65772

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FD655 shade: #6FD655, #57D6D4, #BB57D6 and #D65759

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FD655 shade: #6FD655, #57B2D6, #BB57D6 and #D67B57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 60 / 16

HEX #6FD655

RGB 111 214 85

HSL 107.91, 0.61%, 0.59%

LAB 77.36, -53.69, 53.36

 

Complementary color

CMYK 15 / 76 / 0 / 33

HEX #9029AA

RGB 144 41 170

HSL 287.91, 0.61%, 0.41%

LAB 38.58, 59.88, -47.94

 

CMYK 46 / 0 / 63 / 16

HEX #74D650

RGB 116 214 80

HSL 103.88, 0.62%, 0.58%

LAB 77.51, -52.72, 55.73

 

CMYK 43 / 0 / 57 / 9

HEX #85E863

RGB 133 232 99

HSL 104.66, 0.74%, 0.65%

LAB 83.76, -52.87, 54.76

 

CMYK 40 / 0 / 53 / 2

HEX #96FA76

RGB 150 250 118

HSL 105.45, 0.93%, 0.72%

LAB 89.94, -52.9, 53.67

 

CMYK 35 / 0 / 46 / 0

HEX #A7FF89

RGB 167 255 137

HSL 104.75, 1%, 0.77%

LAB 92.37, -47.43, 47.99

 

CMYK 28 / 0 / 39 / 0

HEX #B8FF9C

RGB 184 255 156

HSL 103.03, 1%, 0.81%

LAB 93.5, -39.45, 40.43

 

CMYK 48 / 0 / 60 / 16

HEX #6FD655

RGB 111 214 85

HSL 107.91, 0.61%, 0.59%

LAB 77.36, -53.69, 53.36

 

CMYK 52 / 0 / 66 / 23

HEX #5EC442

RGB 94 196 66

HSL 107.08, 0.52%, 0.51%

LAB 71.04, -53.39, 54.26

 

CMYK 57 / 0 / 74 / 30

HEX #4DB22F

RGB 77 178 47

HSL 106.26, 0.58%, 0.44%

LAB 64.66, -52.82, 54.78

 

CMYK 63 / 0 / 83 / 37

HEX #3CA01C

RGB 60 160 28

HSL 105.45, 0.7%, 0.37%

LAB 58.21, -51.84, 54.56

 

CMYK 70 / 0 / 94 / 44

HEX #2B8E09

RGB 43 142 9

HSL 104.66, 0.88%, 0.3%

LAB 51.7, -50.25, 52.95

 

CMYK 48 / 0 / 59 / 16

HEX #70D657

RGB 112 214 87

HSL 108.19, 0.61%, 0.59%

LAB 77.42, -53.2, 52.56

 

CMYK 31 / 0 / 59 / 16

HEX #93D657

RGB 147 214 87

HSL 91.65, 0.61%, 0.59%

LAB 79.03, -41.93, 54.82

 

CMYK 15 / 0 / 59 / 16

HEX #B5D657

RGB 181 214 87

HSL 75.59, 0.61%, 0.59%

LAB 81.07, -29.24, 57.67

 

CMYK 0 / 0 / 59 / 16

HEX #D6D557

RGB 214 213 87

HSL 59.53, 0.61%, 0.59%

LAB 83.22, -15.48, 60.72

 

CMYK 0 / 17 / 59 / 16

HEX #D6B257

RGB 214 178 87

HSL 42.99, 0.61%, 0.59%

LAB 74.08, 2.5, 50.51

 

CMYK 48 / 0 / 59 / 16

HEX #70D657

RGB 112 214 87

HSL 108.19, 0.61%, 0.59%

LAB 77.42, -53.2, 52.56

 

CMYK 59 / 0 / 56 / 16

HEX #57D65F

RGB 87 214 95

HSL 123.78, 0.61%, 0.59%

LAB 76.65, -58.74, 47.82

 

CMYK 59 / 0 / 39 / 16

HEX #57D682

RGB 87 214 130

HSL 140.31, 0.61%, 0.59%

LAB 77.12, -53.52, 31.26

 

CMYK 59 / 0 / 23 / 16

HEX #57D6A4

RGB 87 214 164

HSL 156.38, 0.61%, 0.59%

LAB 77.76, -46.84, 14.36

 

CMYK 59 / 0 / 7 / 16

HEX #57D6C7

RGB 87 214 199

HSL 172.91, 0.61%, 0.59%

LAB 78.6, -38.51, -3.09

 

CMYK 48 / 0 / 59 / 16

HEX #70D657

RGB 112 214 87

HSL 108.19, 0.61%, 0.59%

LAB 77.42, -53.2, 52.56

 

CMYK 56 / 0 / 70 / 9

HEX #66E746

RGB 102 231 70

HSL 108.07, 0.77%, 0.59%

LAB 82.07, -63.76, 64.42

 

CMYK 63 / 0 / 79 / 3

HEX #5CF835

RGB 92 248 53

HSL 108, 0.93%, 0.59%

LAB 86.83, -72.9, 74.51

 

CMYK 48 / 0 / 59 / 16

HEX #70D657

RGB 112 214 87

HSL 108.19, 0.61%, 0.59%

LAB 77.42, -53.2, 52.56

 

CMYK 38 / 0 / 47 / 23

HEX #7AC568

RGB 122 197 104

HSL 108.39, 0.44%, 0.59%

LAB 72.94, -41.07, 39.29

 

CMYK 26 / 0 / 33 / 29

HEX #85B479

RGB 133 180 121

HSL 107.8, 0.28%, 0.59%

LAB 68.76, -27.02, 25.21

 

CMYK 12 / 0 / 16 / 36

HEX #8FA389

RGB 143 163 137

HSL 106.15, 0.12%, 0.59%

LAB 64.84, -12.05, 11.18

 

CMYK 1 / 5 / 0 / 40

HEX #99939A

RGB 153 147 154

HSL 291.43, 0.03%, 0.59%

LAB 61.63, 3.54, -2.91

 

CMYK 15 / 0 / 59 / 16

HEX #B6D657

RGB 182 214 87

HSL 75.12, 0.61%, 0.59%

LAB 81.14, -28.84, 57.76

 

CMYK 31 / 0 / 59 / 16

HEX #94D657

RGB 148 214 87

HSL 91.18, 0.61%, 0.59%

LAB 79.09, -41.58, 54.9

 

CMYK 47 / 0 / 59 / 16

HEX #72D657

RGB 114 214 87

HSL 107.24, 0.61%, 0.59%

LAB 77.49, -52.62, 52.67

 

CMYK 59 / 0 / 57 / 16

HEX #57D65D

RGB 87 214 93

HSL 122.83, 0.61%, 0.59%

LAB 76.62, -58.99, 48.72

 

CMYK 59 / 0 / 41 / 16

HEX #57D67F

RGB 87 214 127

HSL 138.9, 0.61%, 0.59%

LAB 77.07, -54.04, 32.73

 

CMYK 61 / 0 / 76 / 31

HEX #45B02B

RGB 69 176 43

HSL 108.27, 0.61%, 0.43%

LAB 63.75, -54.41, 55.2

 

CMYK 59 / 0 / 74 / 19

HEX #54CE35

RGB 84 206 53

HSL 107.84, 0.61%, 0.51%

LAB 73.73, -60.66, 61.81

 

CMYK 48 / 0 / 59 / 16

HEX #70D657

RGB 112 214 87

HSL 108.19, 0.61%, 0.59%

LAB 77.42, -53.2, 52.56

 

CMYK 36 / 0 / 46 / 13

HEX #8DDE78

RGB 141 222 120

HSL 107.65, 0.61%, 0.67%

LAB 81.44, -43.74, 42.23

 

CMYK 27 / 0 / 33 / 10

HEX #A9E699

RGB 169 230 153

HSL 107.53, 0.61%, 0.75%

LAB 85.67, -33.51, 31.49

 

CMYK 48 / 0 / 60 / 16

HEX #6FD655

RGB 111 214 85

HSL 107.91, 0.61%, 0.59%

LAB 77.36, -53.69, 53.36

 

CMYK 59 / 0 / 1 / 16

HEX #57D6D4

RGB 87 214 212

HSL 179.06, 0.61%, 0.59%

LAB 78.97, -35.09, -9.51

 

CMYK 0 / 59 / 23 / 16

HEX #D657A5

RGB 214 87 165

HSL 323.15, 0.61%, 0.59%

LAB 55.92, 58.14, -17.06

 

CMYK 48 / 0 / 60 / 16

HEX #6FD655

RGB 111 214 85

HSL 107.91, 0.61%, 0.59%

LAB 77.36, -53.69, 53.36

 

CMYK 59 / 47 / 0 / 16

HEX #5772D6

RGB 87 114 214

HSL 227.24, 0.61%, 0.59%

LAB 50.59, 20.37, -54.54

 

CMYK 0 / 59 / 47 / 16

HEX #D65772

RGB 214 87 114

HSL 347.24, 0.61%, 0.59%

LAB 54.37, 52.22, 10.7

 

CMYK 48 / 0 / 60 / 16

HEX #6FD655

RGB 111 214 85

HSL 107.91, 0.61%, 0.59%

LAB 77.36, -53.69, 53.36

 

CMYK 59 / 0 / 1 / 16

HEX #57D6D4

RGB 87 214 212

HSL 179.06, 0.61%, 0.59%

LAB 78.97, -35.09, -9.51

 

CMYK 13 / 59 / 0 / 16

HEX #BB57D6

RGB 187 87 214

HSL 287.24, 0.61%, 0.59%

LAB 54.28, 58.98, -48.1

 

CMYK 0 / 59 / 58 / 16

HEX #D65759

RGB 214 87 89

HSL 359.06, 0.61%, 0.59%

LAB 53.85, 50.14, 24.73

 

CMYK 48 / 0 / 60 / 16

HEX #6FD655

RGB 111 214 85

HSL 107.91, 0.61%, 0.59%

LAB 77.36, -53.69, 53.36

 

CMYK 59 / 17 / 0 / 16

HEX #57B2D6

RGB 87 178 214

HSL 197.01, 0.61%, 0.59%

LAB 68.55, -16.64, -26.35

 

CMYK 13 / 59 / 0 / 16

HEX #BB57D6

RGB 187 87 214

HSL 287.24, 0.61%, 0.59%

LAB 54.28, 58.98, -48.1

 

CMYK 0 / 43 / 59 / 16

HEX #D67B57

RGB 214 123 87

HSL 17.01, 0.61%, 0.59%

LAB 60.91, 32.02, 34.85

 

Description

Color code: HEX #6FD655 | qconv.com Color code: HEX #6FD655 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 214 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 214 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 60 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 60% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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