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Color name
HEX #6FD559

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FD559 it is the complementary color #902AA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FD559. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FD559 shade: #74D554, #85E767, #96F97A, #A7FF8D and #B8FFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FD559. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FD559 shade: #6FD559, #5EC346, #4DB133, #3C9F20 and #2B8D0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FD559 shade: #6ED558, #90D558, #B2D558, #D3D558 and #D5B558

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FD559 shade: #6ED558, #58D563, #58D585, #58D5A7 and #58D5C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FD559 shade matches the following richer shades: #6ED558, #63E647 and #58F736

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FD559 shade: #6ED558, #79C469, #84B37A, #8FA28A and #9A929B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FD559 shade: #B2D558, #90D558, #6FD558, #58D562 and #58D584

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FD559 shade: #43AF2C, #51CD37, #6ED558, #8BDD79 and #A7E69A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FD559 shade: #6FD559, #58D3D5 and #D558A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FD559 shade: #6FD559, #586FD5 and #D5586F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FD559 shade: #6FD559, #58D3D5, #BE58D5 and #D55A58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FD559 shade: #6FD559, #58ADD5, #BE58D5 and #D57F58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 58 / 16

HEX #6FD559

RGB 111 213 89

HSL 109.35, 0.6%, 0.59%

LAB 77.09, -52.88, 51.29

 

Complementary color

CMYK 13 / 75 / 0 / 35

HEX #902AA6

RGB 144 42 166

HSL 289.35, 0.6%, 0.41%

LAB 38.44, 58.77, -45.77

 

CMYK 46 / 0 / 61 / 16

HEX #74D554

RGB 116 213 84

HSL 105.12, 0.61%, 0.58%

LAB 77.25, -51.94, 53.72

 

CMYK 42 / 0 / 55 / 9

HEX #85E767

RGB 133 231 103

HSL 105.94, 0.73%, 0.65%

LAB 83.5, -52.04, 52.67

 

CMYK 40 / 0 / 51 / 2

HEX #96F97A

RGB 150 249 122

HSL 106.77, 0.91%, 0.73%

LAB 89.69, -52.03, 51.54

 

CMYK 35 / 0 / 45 / 0

HEX #A7FF8D

RGB 167 255 141

HSL 106.32, 1%, 0.78%

LAB 92.42, -46.92, 46.15

 

CMYK 28 / 0 / 37 / 0

HEX #B8FFA0

RGB 184 255 160

HSL 104.84, 1%, 0.81%

LAB 93.56, -38.9, 38.54

 

CMYK 48 / 0 / 58 / 16

HEX #6FD559

RGB 111 213 89

HSL 109.35, 0.6%, 0.59%

LAB 77.09, -52.88, 51.29

 

CMYK 52 / 0 / 64 / 24

HEX #5EC346

RGB 94 195 70

HSL 108.48, 0.51%, 0.52%

LAB 70.77, -52.64, 52.29

 

CMYK 56 / 0 / 71 / 31

HEX #4DB133

RGB 77 177 51

HSL 107.62, 0.55%, 0.45%

LAB 64.37, -52.14, 52.99

 

CMYK 62 / 0 / 80 / 38

HEX #3C9F20

RGB 60 159 32

HSL 106.77, 0.66%, 0.37%

LAB 57.91, -51.25, 53.08

 

CMYK 70 / 0 / 91 / 45

HEX #2B8D0D

RGB 43 141 13

HSL 105.94, 0.83%, 0.3%

LAB 51.37, -49.78, 51.94

 

CMYK 48 / 0 / 59 / 16

HEX #6ED558

RGB 110 213 88

HSL 109.44, 0.6%, 0.59%

LAB 77.05, -53.27, 51.67

 

CMYK 32 / 0 / 59 / 16

HEX #90D558

RGB 144 213 88

HSL 93.12, 0.6%, 0.59%

LAB 78.59, -42.45, 53.84

 

CMYK 16 / 0 / 59 / 16

HEX #B2D558

RGB 178 213 88

HSL 76.8, 0.6%, 0.59%

LAB 80.6, -29.85, 56.66

 

CMYK 1 / 0 / 59 / 16

HEX #D3D558

RGB 211 213 88

HSL 60.96, 0.6%, 0.59%

LAB 82.99, -16.64, 59.97

 

CMYK 0 / 15 / 59 / 16

HEX #D5B558

RGB 213 181 88

HSL 44.64, 0.6%, 0.59%

LAB 74.76, 0.57, 50.8

 

CMYK 48 / 0 / 59 / 16

HEX #6ED558

RGB 110 213 88

HSL 109.44, 0.6%, 0.59%

LAB 77.05, -53.27, 51.67

 

CMYK 59 / 0 / 54 / 16

HEX #58D563

RGB 88 213 99

HSL 125.28, 0.6%, 0.59%

LAB 76.41, -57.64, 45.68

 

CMYK 59 / 0 / 38 / 16

HEX #58D585

RGB 88 213 133

HSL 141.6, 0.6%, 0.59%

LAB 76.89, -52.38, 29.43

 

CMYK 59 / 0 / 22 / 16

HEX #58D5A7

RGB 88 213 167

HSL 157.92, 0.6%, 0.59%

LAB 77.55, -45.56, 12.49

 

CMYK 59 / 0 / 6 / 16

HEX #58D5C9

RGB 88 213 201

HSL 174.24, 0.6%, 0.59%

LAB 78.39, -37.36, -4.47

 

CMYK 48 / 0 / 59 / 16

HEX #6ED558

RGB 110 213 88

HSL 109.44, 0.6%, 0.59%

LAB 77.05, -53.27, 51.67

 

CMYK 57 / 0 / 69 / 10

HEX #63E647

RGB 99 230 71

HSL 109.43, 0.76%, 0.59%

LAB 81.68, -64.07, 63.61

 

CMYK 64 / 0 / 78 / 3

HEX #58F736

RGB 88 247 54

HSL 109.43, 0.92%, 0.59%

LAB 86.44, -73.35, 73.82

 

CMYK 48 / 0 / 59 / 16

HEX #6ED558

RGB 110 213 88

HSL 109.44, 0.6%, 0.59%

LAB 77.05, -53.27, 51.67

 

CMYK 38 / 0 / 46 / 23

HEX #79C469

RGB 121 196 105

HSL 109.45, 0.44%, 0.59%

LAB 72.6, -40.82, 38.37

 

CMYK 26 / 0 / 32 / 30

HEX #84B37A

RGB 132 179 122

HSL 109.47, 0.27%, 0.59%

LAB 68.42, -26.72, 24.22

 

CMYK 12 / 0 / 15 / 36

HEX #8FA28A

RGB 143 162 138

HSL 107.5, 0.11%, 0.59%

LAB 64.58, -11.34, 10.25

 

CMYK 1 / 6 / 0 / 39

HEX #9A929B

RGB 154 146 155

HSL 293.33, 0.04%, 0.59%

LAB 61.48, 4.66, -3.69

 

CMYK 16 / 0 / 59 / 16

HEX #B2D558

RGB 178 213 88

HSL 76.8, 0.6%, 0.59%

LAB 80.6, -29.85, 56.66

 

CMYK 32 / 0 / 59 / 16

HEX #90D558

RGB 144 213 88

HSL 93.12, 0.6%, 0.59%

LAB 78.59, -42.45, 53.84

 

CMYK 48 / 0 / 59 / 16

HEX #6FD558

RGB 111 213 88

HSL 108.96, 0.6%, 0.59%

LAB 77.08, -52.99, 51.72

 

CMYK 59 / 0 / 54 / 16

HEX #58D562

RGB 88 213 98

HSL 124.8, 0.6%, 0.59%

LAB 76.4, -57.77, 46.14

 

CMYK 59 / 0 / 38 / 16

HEX #58D584

RGB 88 213 132

HSL 141.12, 0.6%, 0.59%

LAB 76.88, -52.56, 29.92

 

CMYK 62 / 0 / 75 / 31

HEX #43AF2C

RGB 67 175 44

HSL 109.47, 0.6%, 0.43%

LAB 63.37, -54.46, 54.46

 

CMYK 60 / 0 / 73 / 20

HEX #51CD37

RGB 81 205 55

HSL 109.6, 0.6%, 0.51%

LAB 73.34, -60.88, 60.7

 

CMYK 48 / 0 / 59 / 16

HEX #6ED558

RGB 110 213 88

HSL 109.44, 0.6%, 0.59%

LAB 77.05, -53.27, 51.67

 

CMYK 37 / 0 / 45 / 13

HEX #8BDD79

RGB 139 221 121

HSL 109.2, 0.6%, 0.67%

LAB 81.06, -43.81, 41.25

 

CMYK 27 / 0 / 33 / 10

HEX #A7E69A

RGB 167 230 154

HSL 109.74, 0.6%, 0.75%

LAB 85.58, -34.02, 30.83

 

CMYK 48 / 0 / 58 / 16

HEX #6FD559

RGB 111 213 89

HSL 109.35, 0.6%, 0.59%

LAB 77.09, -52.88, 51.29

 

CMYK 59 / 1 / 0 / 16

HEX #58D3D5

RGB 88 211 213

HSL 180.96, 0.6%, 0.59%

LAB 78.15, -33.23, -11.27

 

CMYK 0 / 59 / 24 / 16

HEX #D558A1

RGB 213 88 161

HSL 324.96, 0.6%, 0.59%

LAB 55.78, 56.86, -14.94

 

CMYK 48 / 0 / 58 / 16

HEX #6FD559

RGB 111 213 89

HSL 109.35, 0.6%, 0.59%

LAB 77.09, -52.88, 51.29

 

CMYK 59 / 48 / 0 / 16

HEX #586FD5

RGB 88 111 213

HSL 228.96, 0.6%, 0.59%

LAB 49.8, 22.08, -55.25

 

CMYK 0 / 59 / 48 / 16

HEX #D5586F

RGB 213 88 111

HSL 348.96, 0.6%, 0.59%

LAB 54.32, 51.15, 12.38

 

CMYK 48 / 0 / 58 / 16

HEX #6FD559

RGB 111 213 89

HSL 109.35, 0.6%, 0.59%

LAB 77.09, -52.88, 51.29

 

CMYK 59 / 1 / 0 / 16

HEX #58D3D5

RGB 88 211 213

HSL 180.96, 0.6%, 0.59%

LAB 78.15, -33.23, -11.27

 

CMYK 11 / 59 / 0 / 16

HEX #BE58D5

RGB 190 88 213

HSL 288.96, 0.6%, 0.59%

LAB 54.79, 59.06, -46.69

 

CMYK 0 / 58 / 59 / 16

HEX #D55A58

RGB 213 90 88

HSL 0.96, 0.6%, 0.59%

LAB 54.2, 48.33, 25.74

 

CMYK 48 / 0 / 58 / 16

HEX #6FD559

RGB 111 213 89

HSL 109.35, 0.6%, 0.59%

LAB 77.09, -52.88, 51.29

 

CMYK 59 / 19 / 0 / 16

HEX #58ADD5

RGB 88 173 213

HSL 199.2, 0.6%, 0.59%

LAB 67.1, -14.1, -28.02

 

CMYK 11 / 59 / 0 / 16

HEX #BE58D5

RGB 190 88 213

HSL 288.96, 0.6%, 0.59%

LAB 54.79, 59.06, -46.69

 

CMYK 0 / 40 / 59 / 16

HEX #D57F58

RGB 213 127 88

HSL 18.72, 0.6%, 0.59%

LAB 61.68, 29.57, 35.22

 

Description

Color code: HEX #6FD559 | qconv.com Color code: HEX #6FD559 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 213 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 213 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 58 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 58% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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