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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FCC63 it is the complementary color #90339C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FCC63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FCC63 shade: #74CC5E, #85DE71, #96F084, #A7FF97 and #B8FFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FCC63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FCC63 shade: #6FCC63, #5EBA50, #4DA83D, #3C962A and #2B8417

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FCC63 shade: #6DCC61, #8ACC61, #A7CC61, #C4CC61 and #CCB761

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FCC63 shade: #6DCC61, #61CC72, #61CC8E, #61CCAB and #61CCC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FCC63 shade matches the following richer shades: #6DCC61, #60DD50, #53EE3F and #46FF2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FCC63 shade: #6DCC61, #7ABB72, #87AA83, #949994 and #A288A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FCC63 shade: #A6CC61, #8ACC61, #6ECC61, #61CC71 and #61CC8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FCC63 shade: #42A536, #51C242, #6DCC61, #8AD680 and #A7E09F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FCC63 shade: #6FCC63, #61C3CC and #CC6198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FCC63 shade: #6FCC63, #616ECC and #CC616E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FCC63 shade: #6FCC63, #61C3CC, #BF61CC and #CC6A61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FCC63 shade: #6FCC63, #61A3CC, #BF61CC and #CC8A61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 51 / 20

HEX #6FCC63

RGB 111 204 99

HSL 113.14, 0.51%, 0.59%

LAB 74.49, -48.09, 43.54

 

Complementary color

CMYK 8 / 67 / 0 / 39

HEX #90339C

RGB 144 51 156

HSL 293.14, 0.51%, 0.41%

LAB 39.07, 53.38, -38.76

 

CMYK 43 / 0 / 54 / 20

HEX #74CC5E

RGB 116 204 94

HSL 108, 0.52%, 0.58%

LAB 74.64, -47.2, 46.16

 

CMYK 40 / 0 / 49 / 13

HEX #85DE71

RGB 133 222 113

HSL 108.99, 0.62%, 0.66%

LAB 80.97, -47.16, 44.96

 

CMYK 38 / 0 / 45 / 6

HEX #96F084

RGB 150 240 132

HSL 110, 0.78%, 0.73%

LAB 87.23, -47.04, 43.76

 

CMYK 35 / 0 / 41 / 0

HEX #A7FF97

RGB 167 255 151

HSL 110.77, 1%, 0.8%

LAB 92.56, -45.6, 41.49

 

CMYK 28 / 0 / 33 / 0

HEX #B8FFAA

RGB 184 255 170

HSL 110.12, 1%, 0.83%

LAB 93.72, -37.46, 33.79

 

CMYK 46 / 0 / 51 / 20

HEX #6FCC63

RGB 111 204 99

HSL 113.14, 0.51%, 0.59%

LAB 74.49, -48.09, 43.54

 

CMYK 49 / 0 / 57 / 27

HEX #5EBA50

RGB 94 186 80

HSL 112.08, 0.43%, 0.52%

LAB 68.08, -48.04, 44.76

 

CMYK 54 / 0 / 64 / 34

HEX #4DA83D

RGB 77 168 61

HSL 111.03, 0.47%, 0.45%

LAB 61.59, -47.79, 45.86

 

CMYK 60 / 0 / 72 / 41

HEX #3C962A

RGB 60 150 42

HSL 110, 0.56%, 0.38%

LAB 55.01, -47.23, 46.65

 

CMYK 67 / 0 / 83 / 48

HEX #2B8417

RGB 43 132 23

HSL 108.99, 0.7%, 0.3%

LAB 48.36, -46.16, 46.7

 

CMYK 47 / 0 / 52 / 20

HEX #6DCC61

RGB 109 204 97

HSL 113.27, 0.51%, 0.59%

LAB 74.38, -48.93, 44.35

 

CMYK 32 / 0 / 52 / 20

HEX #8ACC61

RGB 138 204 97

HSL 97.01, 0.51%, 0.59%

LAB 75.73, -39.65, 46.3

 

CMYK 18 / 0 / 52 / 20

HEX #A7CC61

RGB 167 204 97

HSL 80.75, 0.51%, 0.59%

LAB 77.44, -29.04, 48.74

 

CMYK 4 / 0 / 52 / 20

HEX #C4CC61

RGB 196 204 97

HSL 64.49, 0.51%, 0.59%

LAB 79.49, -17.58, 51.67

 

CMYK 0 / 10 / 52 / 20

HEX #CCB761

RGB 204 183 97

HSL 48.22, 0.51%, 0.59%

LAB 74.55, -3.54, 46.01

 

CMYK 47 / 0 / 52 / 20

HEX #6DCC61

RGB 109 204 97

HSL 113.27, 0.51%, 0.59%

LAB 74.38, -48.93, 44.35

 

CMYK 52 / 0 / 44 / 20

HEX #61CC72

RGB 97 204 114

HSL 129.53, 0.51%, 0.59%

LAB 74.15, -49.83, 35.6

 

CMYK 52 / 0 / 30 / 20

HEX #61CC8E

RGB 97 204 142

HSL 145.23, 0.51%, 0.59%

LAB 74.62, -44.95, 21.71

 

CMYK 52 / 0 / 16 / 20

HEX #61CCAB

RGB 97 204 171

HSL 161.5, 0.51%, 0.59%

LAB 75.24, -38.8, 7.1

 

CMYK 52 / 0 / 2 / 20

HEX #61CCC8

RGB 97 204 200

HSL 177.76, 0.51%, 0.59%

LAB 76.01, -31.67, -7.43

 

CMYK 47 / 0 / 52 / 20

HEX #6DCC61

RGB 109 204 97

HSL 113.27, 0.51%, 0.59%

LAB 74.38, -48.93, 44.35

 

CMYK 57 / 0 / 64 / 13

HEX #60DD50

RGB 96 221 80

HSL 113.19, 0.67%, 0.59%

LAB 78.91, -60.81, 57.08

 

CMYK 65 / 0 / 74 / 7

HEX #53EE3F

RGB 83 238 63

HSL 113.14, 0.84%, 0.59%

LAB 83.62, -70.9, 68.28

 

CMYK 73 / 0 / 82 / 0

HEX #46FF2E

RGB 70 255 46

HSL 113.11, 1%, 0.59%

LAB 88.46, -79.4, 77.65

 

CMYK 47 / 0 / 52 / 20

HEX #6DCC61

RGB 109 204 97

HSL 113.27, 0.51%, 0.59%

LAB 74.38, -48.93, 44.35

 

CMYK 35 / 0 / 39 / 27

HEX #7ABB72

RGB 122 187 114

HSL 113.42, 0.35%, 0.59%

LAB 70.1, -35.16, 30.57

 

CMYK 21 / 0 / 23 / 33

HEX #87AA83

RGB 135 170 131

HSL 113.85, 0.19%, 0.59%

LAB 66.17, -19.65, 16.28

 

CMYK 3 / 0 / 3 / 40

HEX #949994

RGB 148 153 148

HSL 120, 0.02%, 0.59%

LAB 62.69, -2.77, 1.99

 

CMYK 2 / 18 / 0 / 35

HEX #A288A5

RGB 162 136 165

HSL 293.79, 0.14%, 0.59%

LAB 59.89, 15.17, -11.66

 

CMYK 19 / 0 / 52 / 20

HEX #A6CC61

RGB 166 204 97

HSL 81.31, 0.51%, 0.59%

LAB 77.37, -29.42, 48.65

 

CMYK 32 / 0 / 52 / 20

HEX #8ACC61

RGB 138 204 97

HSL 97.01, 0.51%, 0.59%

LAB 75.73, -39.65, 46.3

 

CMYK 46 / 0 / 52 / 20

HEX #6ECC61

RGB 110 204 97

HSL 112.71, 0.51%, 0.59%

LAB 74.42, -48.63, 44.41

 

CMYK 52 / 0 / 45 / 20

HEX #61CC71

RGB 97 204 113

HSL 128.97, 0.51%, 0.59%

LAB 74.14, -49.98, 36.09

 

CMYK 52 / 0 / 30 / 20

HEX #61CC8E

RGB 97 204 142

HSL 145.23, 0.51%, 0.59%

LAB 74.62, -44.95, 21.71

 

CMYK 60 / 0 / 67 / 35

HEX #42A536

RGB 66 165 54

HSL 113.51, 0.51%, 0.43%

LAB 60.19, -50.23, 47.26

 

CMYK 58 / 0 / 66 / 24

HEX #51C242

RGB 81 194 66

HSL 112.97, 0.51%, 0.51%

LAB 69.98, -56.05, 52.98

 

CMYK 47 / 0 / 52 / 20

HEX #6DCC61

RGB 109 204 97

HSL 113.27, 0.51%, 0.59%

LAB 74.38, -48.93, 44.35

 

CMYK 36 / 0 / 40 / 16

HEX #8AD680

RGB 138 214 128

HSL 113.02, 0.51%, 0.67%

LAB 79.07, -40.09, 35.2

 

CMYK 25 / 0 / 29 / 12

HEX #A7E09F

RGB 167 224 159

HSL 112.62, 0.51%, 0.75%

LAB 83.98, -30.45, 26.12

 

CMYK 46 / 0 / 51 / 20

HEX #6FCC63

RGB 111 204 99

HSL 113.14, 0.51%, 0.59%

LAB 74.49, -48.09, 43.54

 

CMYK 52 / 4 / 0 / 20

HEX #61C3CC

RGB 97 195 204

HSL 185.05, 0.51%, 0.59%

LAB 73.5, -26.23, -13.34

 

CMYK 0 / 52 / 25 / 20

HEX #CC6198

RGB 204 97 152

HSL 329.16, 0.51%, 0.59%

LAB 55.74, 48.63, -9.88

 

CMYK 46 / 0 / 51 / 20

HEX #6FCC63

RGB 111 204 99

HSL 113.14, 0.51%, 0.59%

LAB 74.49, -48.09, 43.54

 

CMYK 52 / 46 / 0 / 20

HEX #616ECC

RGB 97 110 204

HSL 232.71, 0.51%, 0.59%

LAB 49.56, 21.61, -50.46

 

CMYK 0 / 52 / 46 / 20

HEX #CC616E

RGB 204 97 110

HSL 352.71, 0.51%, 0.59%

LAB 54.57, 43.64, 13.11

 

CMYK 46 / 0 / 51 / 20

HEX #6FCC63

RGB 111 204 99

HSL 113.14, 0.51%, 0.59%

LAB 74.49, -48.09, 43.54

 

CMYK 52 / 4 / 0 / 20

HEX #61C3CC

RGB 97 195 204

HSL 185.05, 0.51%, 0.59%

LAB 73.5, -26.23, -13.34

 

CMYK 6 / 52 / 0 / 20

HEX #BF61CC

RGB 191 97 204

HSL 292.71, 0.51%, 0.59%

LAB 56.07, 53.3, -39.54

 

CMYK 0 / 48 / 52 / 20

HEX #CC6A61

RGB 204 106 97

HSL 5.05, 0.51%, 0.59%

LAB 56.1, 37.85, 22.77

 

CMYK 46 / 0 / 51 / 20

HEX #6FCC63

RGB 111 204 99

HSL 113.14, 0.51%, 0.59%

LAB 74.49, -48.09, 43.54

 

CMYK 52 / 20 / 0 / 20

HEX #61A3CC

RGB 97 163 204

HSL 202.99, 0.51%, 0.59%

LAB 64.24, -9.53, -27.42

 

CMYK 6 / 52 / 0 / 20

HEX #BF61CC

RGB 191 97 204

HSL 292.71, 0.51%, 0.59%

LAB 56.07, 53.3, -39.54

 

CMYK 0 / 32 / 52 / 20

HEX #CC8A61

RGB 204 138 97

HSL 22.99, 0.51%, 0.59%

LAB 63.24, 20.7, 32.07

 

Description

Color code: HEX #6FCC63 | qconv.com Color code: HEX #6FCC63 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 204 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 204 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 51 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 51% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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