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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FCBD9 it is the complementary color #903426. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FCBD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FCBD9 shade: #74CBD4, #85DDE7, #96EFFA, #A7FFFF and #B8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FCBD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FCBD9 shade: #6FCBD9, #5EB9C6, #4DA7B3, #3C95A0 and #2B838D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FCBD9 shade: #6ECAD8, #6EAED8, #6E91D8, #6E74D8 and #846ED8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FCBD9 shade: #6ECAD8, #6EAED8, #6E91D8, #6E74D8 and #6E6ED8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FCBD9 shade matches the following richer shades: #6ECAD8, #5FD5E7 and #50E0F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FCBD9 shade: #6ECAD8, #7DBFCA, #8CB5BB, #9BAAAC and #A99F9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FCBD9 shade: #6ED8AC, #6ED8C8, #6ECCD8, #6EB0D8 and #6E93D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FCBD9 shade: #33AEC1, #4DBFD0, #6ECAD8, #8FD6E1 and #AFE2EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FCBD9 shade: #6FCBD9, #906ED8 and #D8BA6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FCBD9 shade: #6FCBD9, #D86ECC and #CCD86E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FCBD9 shade: #6FCBD9, #906ED8, #D87A6E and #B7D86E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FCBD9 shade: #6FCBD9, #B06ED8, #D87A6E and #97D86E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 6 / 0 / 15

HEX #6FCBD9

RGB 111 203 217

HSL 187.92, 0.58%, 0.64%

LAB 76.74, -23.69, -15.45

 

Complementary color

CMYK 0 / 64 / 74 / 44

HEX #903426

RGB 144 52 38

HSL 7.92, 0.58%, 0.36%

LAB 35.05, 38.08, 29.06

 

CMYK 45 / 4 / 0 / 17

HEX #74CBD4

RGB 116 203 212

HSL 185.63, 0.53%, 0.64%

LAB 76.79, -23.87, -12.66

 

CMYK 42 / 4 / 0 / 9

HEX #85DDE7

RGB 133 221 231

HSL 186.12, 0.67%, 0.71%

LAB 83.16, -23.92, -13.2

 

CMYK 40 / 4 / 0 / 2

HEX #96EFFA

RGB 150 239 250

HSL 186.6, 0.91%, 0.78%

LAB 89.45, -23.94, -13.72

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 28 / 0 / 0 / 0

HEX #B8FFFF

RGB 184 255 255

HSL 180, 1%, 0.86%

LAB 95.55, -21.73, -7.06

 

CMYK 49 / 6 / 0 / 15

HEX #6FCBD9

RGB 111 203 217

HSL 187.92, 0.58%, 0.64%

LAB 76.74, -23.69, -15.45

 

CMYK 53 / 7 / 0 / 22

HEX #5EB9C6

RGB 94 185 198

HSL 187.5, 0.48%, 0.57%

LAB 70.28, -23.51, -14.91

 

CMYK 57 / 7 / 0 / 30

HEX #4DA7B3

RGB 77 167 179

HSL 187.06, 0.4%, 0.5%

LAB 63.73, -23.23, -14.32

 

CMYK 63 / 7 / 0 / 37

HEX #3C95A0

RGB 60 149 160

HSL 186.6, 0.45%, 0.43%

LAB 57.07, -22.83, -13.69

 

CMYK 70 / 7 / 0 / 45

HEX #2B838D

RGB 43 131 141

HSL 186.12, 0.53%, 0.36%

LAB 50.3, -22.21, -12.98

 

CMYK 49 / 6 / 0 / 15

HEX #6ECAD8

RGB 110 202 216

HSL 187.92, 0.58%, 0.64%

LAB 76.38, -23.68, -15.45

 

CMYK 49 / 19 / 0 / 15

HEX #6EAED8

RGB 110 174 216

HSL 203.77, 0.58%, 0.64%

LAB 68.42, -9.08, -27.57

 

CMYK 49 / 33 / 0 / 15

HEX #6E91D8

RGB 110 145 216

HSL 220.19, 0.58%, 0.64%

LAB 60.36, 7.28, -40.09

 

CMYK 49 / 46 / 0 / 15

HEX #6E74D8

RGB 110 116 216

HSL 236.6, 0.58%, 0.64%

LAB 52.69, 24.58, -52.23

 

CMYK 39 / 49 / 0 / 15

HEX #846ED8

RGB 132 110 216

HSL 252.45, 0.58%, 0.64%

LAB 52.97, 33.38, -51.69

 

CMYK 49 / 6 / 0 / 15

HEX #6ECAD8

RGB 110 202 216

HSL 187.92, 0.58%, 0.64%

LAB 76.38, -23.68, -15.45

 

CMYK 49 / 19 / 0 / 15

HEX #6EAED8

RGB 110 174 216

HSL 203.77, 0.58%, 0.64%

LAB 68.42, -9.08, -27.57

 

CMYK 49 / 33 / 0 / 15

HEX #6E91D8

RGB 110 145 216

HSL 220.19, 0.58%, 0.64%

LAB 60.36, 7.28, -40.09

 

CMYK 49 / 46 / 0 / 15

HEX #6E74D8

RGB 110 116 216

HSL 236.6, 0.58%, 0.64%

LAB 52.69, 24.58, -52.23

 

CMYK 49 / 49 / 0 / 15

HEX #6E6ED8

RGB 110 110 216

HSL 240, 0.58%, 0.64%

LAB 51.18, 28.21, -54.65

 

CMYK 49 / 6 / 0 / 15

HEX #6ECAD8

RGB 110 202 216

HSL 187.92, 0.58%, 0.64%

LAB 76.38, -23.68, -15.45

 

CMYK 59 / 8 / 0 / 9

HEX #5FD5E7

RGB 95 213 231

HSL 187.94, 0.74%, 0.64%

LAB 79.49, -27.96, -18.86

 

CMYK 67 / 9 / 0 / 4

HEX #50E0F6

RGB 80 224 246

HSL 187.95, 0.9%, 0.64%

LAB 82.74, -31.34, -21.96

 

CMYK 49 / 6 / 0 / 15

HEX #6ECAD8

RGB 110 202 216

HSL 187.92, 0.58%, 0.64%

LAB 76.38, -23.68, -15.45

 

CMYK 38 / 5 / 0 / 21

HEX #7DBFCA

RGB 125 191 202

HSL 188.57, 0.42%, 0.64%

LAB 73.47, -18.12, -12.17

 

CMYK 25 / 3 / 0 / 27

HEX #8CB5BB

RGB 140 181 187

HSL 187.66, 0.26%, 0.64%

LAB 71.02, -12.28, -7.54

 

CMYK 10 / 1 / 0 / 33

HEX #9BAAAC

RGB 155 170 172

HSL 187.06, 0.09%, 0.64%

LAB 68.53, -4.82, -2.83

 

CMYK 0 / 6 / 7 / 34

HEX #A99F9D

RGB 169 159 157

HSL 10, 0.07%, 0.64%

LAB 66.26, 3.27, 2.34

 

CMYK 49 / 0 / 20 / 15

HEX #6ED8AC

RGB 110 216 172

HSL 155.09, 0.58%, 0.64%

LAB 79.27, -40.93, 12.37

 

CMYK 49 / 0 / 7 / 15

HEX #6ED8C8

RGB 110 216 200

HSL 170.94, 0.58%, 0.64%

LAB 79.95, -34.54, -1.56

 

CMYK 49 / 6 / 0 / 15

HEX #6ECCD8

RGB 110 204 216

HSL 186.79, 0.58%, 0.64%

LAB 76.96, -24.68, -14.59

 

CMYK 49 / 19 / 0 / 15

HEX #6EB0D8

RGB 110 176 216

HSL 202.64, 0.58%, 0.64%

LAB 68.98, -10.16, -26.7

 

CMYK 49 / 32 / 0 / 15

HEX #6E93D8

RGB 110 147 216

HSL 219.06, 0.58%, 0.64%

LAB 60.91, 6.12, -39.23

 

CMYK 74 / 10 / 0 / 24

HEX #33AEC1

RGB 51 174 193

HSL 188.03, 0.58%, 0.48%

LAB 65.61, -26.68, -19.33

 

CMYK 63 / 8 / 0 / 18

HEX #4DBFD0

RGB 77 191 208

HSL 187.79, 0.58%, 0.56%

LAB 71.82, -26.85, -18.11

 

CMYK 49 / 6 / 0 / 15

HEX #6ECAD8

RGB 110 202 216

HSL 187.92, 0.58%, 0.64%

LAB 76.38, -23.68, -15.45

 

CMYK 36 / 5 / 0 / 12

HEX #8FD6E1

RGB 143 214 225

HSL 188.05, 0.58%, 0.72%

LAB 81.49, -19.41, -12.46

 

CMYK 25 / 3 / 0 / 8

HEX #AFE2EA

RGB 175 226 234

HSL 188.14, 0.58%, 0.8%

LAB 86.73, -14.51, -9.25

 

CMYK 49 / 6 / 0 / 15

HEX #6FCBD9

RGB 111 203 217

HSL 187.92, 0.58%, 0.64%

LAB 76.74, -23.69, -15.45

 

CMYK 33 / 49 / 0 / 15

HEX #906ED8

RGB 144 110 216

HSL 259.25, 0.58%, 0.64%

LAB 54.07, 36.41, -49.87

 

CMYK 0 / 14 / 49 / 15

HEX #D8BA6E

RGB 216 186 110

HSL 43.02, 0.58%, 0.64%

LAB 76.58, 1.01, 42.27

 

CMYK 49 / 6 / 0 / 15

HEX #6FCBD9

RGB 111 203 217

HSL 187.92, 0.58%, 0.64%

LAB 76.74, -23.69, -15.45

 

CMYK 0 / 49 / 6 / 15

HEX #D86ECC

RGB 216 110 204

HSL 306.79, 0.58%, 0.64%

LAB 61.75, 53.98, -30.44

 

CMYK 6 / 0 / 49 / 15

HEX #CCD86E

RGB 204 216 110

HSL 66.79, 0.58%, 0.64%

LAB 83.48, -19.15, 50.42

 

CMYK 49 / 6 / 0 / 15

HEX #6FCBD9

RGB 111 203 217

HSL 187.92, 0.58%, 0.64%

LAB 76.74, -23.69, -15.45

 

CMYK 33 / 49 / 0 / 15

HEX #906ED8

RGB 144 110 216

HSL 259.25, 0.58%, 0.64%

LAB 54.07, 36.41, -49.87

 

CMYK 0 / 44 / 49 / 15

HEX #D87A6E

RGB 216 122 110

HSL 6.79, 0.58%, 0.64%

LAB 61.35, 35.26, 22.65

 

CMYK 15 / 0 / 49 / 15

HEX #B7D86E

RGB 183 216 110

HSL 78.68, 0.58%, 0.64%

LAB 82, -27.33, 48.29

 

CMYK 49 / 6 / 0 / 15

HEX #6FCBD9

RGB 111 203 217

HSL 187.92, 0.58%, 0.64%

LAB 76.74, -23.69, -15.45

 

CMYK 19 / 49 / 0 / 15

HEX #B06ED8

RGB 176 110 216

HSL 277.36, 0.58%, 0.64%

LAB 57.41, 44.94, -44.37

 

CMYK 0 / 44 / 49 / 15

HEX #D87A6E

RGB 216 122 110

HSL 6.79, 0.58%, 0.64%

LAB 61.35, 35.26, 22.65

 

CMYK 30 / 0 / 49 / 15

HEX #97D86E

RGB 151 216 110

HSL 96.79, 0.58%, 0.64%

LAB 80.08, -39.01, 45.51

 

Description

Color code: HEX #6FCBD9 | qconv.com Color code: HEX #6FCBD9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 203 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 203 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 6 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 6% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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