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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FC2C3 it is the complementary color #903D3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FC2C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FC2C3 shade: #74C2BE, #85D4D1, #96E6E4, #A7F8F7 and #B8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FC2C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FC2C3 shade: #6FC2C3, #5EB0B0, #4D9E9D, #3C8C8A and #2B7A77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FC2C3 shade: #6FC2C3, #6FABC3, #6F95C3, #6F7EC3 and #776FC3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FC2C3 shade: #6FC2C3, #6FABC3, #6F95C3, #6F7EC3 and #6F6FC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FC2C3 shade matches the following richer shades: #6FC2C3, #5FD2D3, #4EE2E4 and #3EF2F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FC2C3 shade: #6FC2C3, #80B2B2, #90A2A2, #A19191 and #B18181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FC2C3 shade: #6FC396, #6FC3AD, #6FC3C3, #6FADC3 and #6F96C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FC2C3 shade: #429C9E, #52B5B7, #6FC2C3, #8CCECF and #A9DBDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FC2C3 shade: #6FC2C3, #806FC3 and #C3A16F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FC2C3 shade: #6FC2C3, #C36FC3 and #C3C36F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FC2C3 shade: #6FC2C3, #806FC3, #C36F6F and #B2C36F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FC2C3 shade: #6FC2C3, #996FC3, #C36F6F and #99C36F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 1 / 0 / 24

HEX #6FC2C3

RGB 111 194 195

HSL 180.71, 0.41%, 0.6%

LAB 73.48, -24.95, -8.41

 

Complementary color

CMYK 0 / 58 / 58 / 44

HEX #903D3C

RGB 144 61 60

HSL 0.71, 0.41%, 0.4%

LAB 37.1, 35.08, 18.12

 

CMYK 40 / 0 / 2 / 24

HEX #74C2BE

RGB 116 194 190

HSL 176.92, 0.39%, 0.61%

LAB 73.55, -24.96, -5.56

 

CMYK 37 / 0 / 1 / 17

HEX #85D4D1

RGB 133 212 209

HSL 177.72, 0.48%, 0.68%

LAB 80, -24.88, -6.2

 

CMYK 35 / 0 / 1 / 10

HEX #96E6E4

RGB 150 230 228

HSL 178.5, 0.62%, 0.75%

LAB 86.34, -24.79, -6.8

 

CMYK 33 / 0 / 0 / 3

HEX #A7F8F7

RGB 167 248 247

HSL 179.26, 0.85%, 0.81%

LAB 92.6, -24.7, -7.38

 

CMYK 28 / 0 / 0 / 0

HEX #B8FFFF

RGB 184 255 255

HSL 180, 1%, 0.86%

LAB 95.55, -21.73, -7.06

 

CMYK 43 / 1 / 0 / 24

HEX #6FC2C3

RGB 111 194 195

HSL 180.71, 0.41%, 0.6%

LAB 73.48, -24.95, -8.41

 

CMYK 47 / 0 / 0 / 31

HEX #5EB0B0

RGB 94 176 176

HSL 180, 0.34%, 0.53%

LAB 66.95, -24.94, -7.77

 

CMYK 51 / 0 / 1 / 38

HEX #4D9E9D

RGB 77 158 157

HSL 179.26, 0.34%, 0.46%

LAB 60.31, -24.86, -7.07

 

CMYK 57 / 0 / 1 / 45

HEX #3C8C8A

RGB 60 140 138

HSL 178.5, 0.4%, 0.39%

LAB 53.55, -24.69, -6.31

 

CMYK 65 / 0 / 2 / 52

HEX #2B7A77

RGB 43 122 119

HSL 177.72, 0.48%, 0.32%

LAB 46.66, -24.35, -5.46

 

CMYK 43 / 1 / 0 / 24

HEX #6FC2C3

RGB 111 194 195

HSL 180.71, 0.41%, 0.6%

LAB 73.48, -24.95, -8.41

 

CMYK 43 / 12 / 0 / 24

HEX #6FABC3

RGB 111 171 195

HSL 197.14, 0.41%, 0.6%

LAB 66.86, -13.09, -18.36

 

CMYK 43 / 24 / 0 / 24

HEX #6F95C3

RGB 111 149 195

HSL 212.86, 0.41%, 0.6%

LAB 60.62, -0.94, -27.91

 

CMYK 43 / 35 / 0 / 24

HEX #6F7EC3

RGB 111 126 195

HSL 229.29, 0.41%, 0.6%

LAB 54.28, 12.5, -37.78

 

CMYK 39 / 43 / 0 / 24

HEX #776FC3

RGB 119 111 195

HSL 245.71, 0.41%, 0.6%

LAB 50.96, 23.62, -42.99

 

CMYK 43 / 1 / 0 / 24

HEX #6FC2C3

RGB 111 194 195

HSL 180.71, 0.41%, 0.6%

LAB 73.48, -24.95, -8.41

 

CMYK 43 / 12 / 0 / 24

HEX #6FABC3

RGB 111 171 195

HSL 197.14, 0.41%, 0.6%

LAB 66.86, -13.09, -18.36

 

CMYK 43 / 24 / 0 / 24

HEX #6F95C3

RGB 111 149 195

HSL 212.86, 0.41%, 0.6%

LAB 60.62, -0.94, -27.91

 

CMYK 43 / 35 / 0 / 24

HEX #6F7EC3

RGB 111 126 195

HSL 229.29, 0.41%, 0.6%

LAB 54.28, 12.5, -37.78

 

CMYK 43 / 43 / 0 / 24

HEX #6F6FC3

RGB 111 111 195

HSL 240, 0.41%, 0.6%

LAB 50.32, 21.55, -44.03

 

CMYK 43 / 1 / 0 / 24

HEX #6FC2C3

RGB 111 194 195

HSL 180.71, 0.41%, 0.6%

LAB 73.48, -24.95, -8.41

 

CMYK 55 / 0 / 0 / 17

HEX #5FD2D3

RGB 95 210 211

HSL 180.52, 0.57%, 0.6%

LAB 78.01, -32.01, -10.38

 

CMYK 66 / 1 / 0 / 11

HEX #4EE2E4

RGB 78 226 228

HSL 180.8, 0.74%, 0.6%

LAB 82.71, -37.68, -12.48

 

CMYK 75 / 1 / 0 / 4

HEX #3EF2F4

RGB 62 242 244

HSL 180.66, 0.89%, 0.6%

LAB 87.51, -42.37, -13.75

 

CMYK 43 / 1 / 0 / 24

HEX #6FC2C3

RGB 111 194 195

HSL 180.71, 0.41%, 0.6%

LAB 73.48, -24.95, -8.41

 

CMYK 28 / 0 / 0 / 30

HEX #80B2B2

RGB 128 178 178

HSL 180, 0.25%, 0.6%

LAB 69.22, -16.39, -5.33

 

CMYK 11 / 0 / 0 / 36

HEX #90A2A2

RGB 144 162 162

HSL 180, 0.09%, 0.6%

LAB 65.26, -6.3, -2.16

 

CMYK 0 / 10 / 10 / 37

HEX #A19191

RGB 161 145 145

HSL 0, 0.08%, 0.6%

LAB 61.54, 5.94, 2.16

 

CMYK 0 / 27 / 27 / 31

HEX #B18181

RGB 177 129 129

HSL 0, 0.24%, 0.6%

LAB 58.63, 18.53, 7.31

 

CMYK 43 / 0 / 23 / 24

HEX #6FC396

RGB 111 195 150

HSL 147.86, 0.41%, 0.6%

LAB 72.64, -35.76, 14.78

 

CMYK 43 / 0 / 11 / 24

HEX #6FC3AD

RGB 111 195 173

HSL 164.29, 0.41%, 0.6%

LAB 73.17, -30.78, 3.1

 

CMYK 43 / 0 / 0 / 24

HEX #6FC3C3

RGB 111 195 195

HSL 180, 0.41%, 0.6%

LAB 73.77, -25.45, -7.98

 

CMYK 43 / 11 / 0 / 24

HEX #6FADC3

RGB 111 173 195

HSL 195.71, 0.41%, 0.6%

LAB 67.43, -14.16, -17.49

 

CMYK 43 / 23 / 0 / 24

HEX #6F96C3

RGB 111 150 195

HSL 212.14, 0.41%, 0.6%

LAB 60.9, -1.51, -27.48

 

CMYK 58 / 1 / 0 / 38

HEX #429C9E

RGB 66 156 158

HSL 181.3, 0.41%, 0.44%

LAB 59.35, -25.86, -9.11

 

CMYK 55 / 1 / 0 / 28

HEX #52B5B7

RGB 82 181 183

HSL 181.19, 0.41%, 0.52%

LAB 68.21, -28.12, -9.8

 

CMYK 43 / 1 / 0 / 24

HEX #6FC2C3

RGB 111 194 195

HSL 180.71, 0.41%, 0.6%

LAB 73.48, -24.95, -8.41

 

CMYK 32 / 0 / 0 / 19

HEX #8CCECF

RGB 140 206 207

HSL 180.9, 0.41%, 0.68%

LAB 78.59, -20.5, -7.17

 

CMYK 23 / 0 / 0 / 14

HEX #A9DBDB

RGB 169 219 219

HSL 180, 0.41%, 0.76%

LAB 84.08, -16.02, -5.29

 

CMYK 43 / 1 / 0 / 24

HEX #6FC2C3

RGB 111 194 195

HSL 180.71, 0.41%, 0.6%

LAB 73.48, -24.95, -8.41

 

CMYK 34 / 43 / 0 / 24

HEX #806FC3

RGB 128 111 195

HSL 252.14, 0.41%, 0.6%

LAB 51.72, 26.03, -41.73

 

CMYK 0 / 17 / 43 / 24

HEX #C3A16F

RGB 195 161 111

HSL 35.71, 0.41%, 0.6%

LAB 68.2, 5.81, 30.7

 

CMYK 43 / 1 / 0 / 24

HEX #6FC2C3

RGB 111 194 195

HSL 180.71, 0.41%, 0.6%

LAB 73.48, -24.95, -8.41

 

CMYK 0 / 43 / 0 / 24

HEX #C36FC3

RGB 195 111 195

HSL 300, 0.41%, 0.6%

LAB 58.89, 45.66, -29.98

 

CMYK 0 / 0 / 43 / 24

HEX #C3C36F

RGB 195 195 111

HSL 60, 0.41%, 0.6%

LAB 77.15, -12.12, 42.07

 

CMYK 43 / 1 / 0 / 24

HEX #6FC2C3

RGB 111 194 195

HSL 180.71, 0.41%, 0.6%

LAB 73.48, -24.95, -8.41

 

CMYK 34 / 43 / 0 / 24

HEX #806FC3

RGB 128 111 195

HSL 252.14, 0.41%, 0.6%

LAB 51.72, 26.03, -41.73

 

CMYK 0 / 43 / 43 / 24

HEX #C36F6F

RGB 195 111 111

HSL 0, 0.41%, 0.6%

LAB 56.21, 33.16, 14.61

 

CMYK 9 / 0 / 43 / 24

HEX #B2C36F

RGB 178 195 111

HSL 72.14, 0.41%, 0.6%

LAB 75.85, -18.9, 40.17

 

CMYK 43 / 1 / 0 / 24

HEX #6FC2C3

RGB 111 194 195

HSL 180.71, 0.41%, 0.6%

LAB 73.48, -24.95, -8.41

 

CMYK 22 / 43 / 0 / 24

HEX #996FC3

RGB 153 111 195

HSL 270, 0.41%, 0.6%

LAB 54.11, 33.12, -37.8

 

CMYK 0 / 43 / 43 / 24

HEX #C36F6F

RGB 195 111 111

HSL 0, 0.41%, 0.6%

LAB 56.21, 33.16, 14.61

 

CMYK 22 / 0 / 43 / 24

HEX #99C36F

RGB 153 195 111

HSL 90, 0.41%, 0.6%

LAB 74.16, -28.46, 37.68

 

Description

Color code: HEX #6FC2C3 | qconv.com Color code: HEX #6FC2C3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 194 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 194 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 1 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 1% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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