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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FC1DF it is the complementary color #903E20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FC1DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FC1DF shade: #74C1DA, #85D3ED, #96E5FF, #A7F7FF and #B8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FC1DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FC1DF shade: #6FC1DF, #5EAFCC, #4D9DB9, #3C8BA6 and #2B7993

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FC1DF shade: #6DC0DF, #6DA1DF, #6D83DF, #756DDF and #946DDF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FC1DF shade: #6DC0DF, #6DA1DF, #6D83DF and #6D6DDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FC1DF shade matches the following richer shades: #6DC0DF, #5EC7ED and #50CEFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FC1DF shade: #6DC0DF, #7BBAD0, #8AB3C2, #98ACB4 and #A6A5A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FC1DF shade: #6DDFC0, #6DDFDF, #6DC0DF, #6DA2DF and #6D83DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FC1DF shade: #2DA1CC, #4BB2D7, #6DC0DF, #8ECFE6 and #B0DDEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FC1DF shade: #6FC1DF, #A26DDF and #DFD06D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FC1DF shade: #6FC1DF, #DF6DC0 and #C0DF6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FC1DF shade: #6FC1DF, #A26DDF, #DF8B6D and #AADF6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FC1DF shade: #6FC1DF, #C46DDF, #DF8B6D and #87DF6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 13 / 0 / 13

HEX #6FC1DF

RGB 111 193 223

HSL 196.07, 0.64%, 0.65%

LAB 74.09, -16.96, -22.7

 

Complementary color

CMYK 0 / 57 / 78 / 44

HEX #903E20

RGB 144 62 32

HSL 16.07, 0.64%, 0.35%

LAB 36.89, 32.8, 34.46

 

CMYK 47 / 11 / 0 / 15

HEX #74C1DA

RGB 116 193 218

HSL 194.71, 0.58%, 0.65%

LAB 74.14, -17.2, -19.91

 

CMYK 44 / 11 / 0 / 7

HEX #85D3ED

RGB 133 211 237

HSL 195, 0.74%, 0.73%

LAB 80.57, -17.36, -20.31

 

CMYK 41 / 10 / 0 / 0

HEX #96E5FF

RGB 150 229 255

HSL 194.86, 1%, 0.79%

LAB 86.87, -17.74, -20.22

 

CMYK 35 / 3 / 0 / 0

HEX #A7F7FF

RGB 167 247 255

HSL 185.45, 1%, 0.83%

LAB 92.56, -22.38, -11.6

 

CMYK 28 / 0 / 0 / 0

HEX #B8FFFF

RGB 184 255 255

HSL 180, 1%, 0.86%

LAB 95.55, -21.73, -7.06

 

CMYK 50 / 13 / 0 / 13

HEX #6FC1DF

RGB 111 193 223

HSL 196.07, 0.64%, 0.65%

LAB 74.09, -16.96, -22.7

 

CMYK 54 / 14 / 0 / 20

HEX #5EAFCC

RGB 94 175 204

HSL 195.82, 0.52%, 0.58%

LAB 67.58, -16.64, -22.31

 

CMYK 58 / 15 / 0 / 27

HEX #4D9DB9

RGB 77 157 185

HSL 195.56, 0.44%, 0.51%

LAB 60.95, -16.22, -21.91

 

CMYK 64 / 16 / 0 / 35

HEX #3C8BA6

RGB 60 139 166

HSL 195.28, 0.47%, 0.44%

LAB 54.22, -15.64, -21.47

 

CMYK 71 / 18 / 0 / 42

HEX #2B7993

RGB 43 121 147

HSL 195, 0.55%, 0.37%

LAB 47.36, -14.82, -20.99

 

CMYK 51 / 14 / 0 / 13

HEX #6DC0DF

RGB 109 192 223

HSL 196.32, 0.64%, 0.65%

LAB 73.73, -16.88, -23.27

 

CMYK 51 / 28 / 0 / 13

HEX #6DA1DF

RGB 109 161 223

HSL 212.63, 0.64%, 0.65%

LAB 65.02, -0.04, -36.7

 

CMYK 51 / 41 / 0 / 13

HEX #6D83DF

RGB 109 131 223

HSL 228.42, 0.64%, 0.65%

LAB 56.89, 17.48, -49.48

 

CMYK 48 / 51 / 0 / 13

HEX #756DDF

RGB 117 109 223

HSL 244.21, 0.64%, 0.65%

LAB 51.89, 32.46, -57.44

 

CMYK 34 / 51 / 0 / 13

HEX #946DDF

RGB 148 109 223

HSL 260.53, 0.64%, 0.65%

LAB 54.62, 39.79, -52.92

 

CMYK 51 / 14 / 0 / 13

HEX #6DC0DF

RGB 109 192 223

HSL 196.32, 0.64%, 0.65%

LAB 73.73, -16.88, -23.27

 

CMYK 51 / 28 / 0 / 13

HEX #6DA1DF

RGB 109 161 223

HSL 212.63, 0.64%, 0.65%

LAB 65.02, -0.04, -36.7

 

CMYK 51 / 41 / 0 / 13

HEX #6D83DF

RGB 109 131 223

HSL 228.42, 0.64%, 0.65%

LAB 56.89, 17.48, -49.48

 

CMYK 51 / 51 / 0 / 13

HEX #6D6DDF

RGB 109 109 223

HSL 240, 0.64%, 0.65%

LAB 51.29, 30.74, -58.44

 

CMYK 51 / 14 / 0 / 13

HEX #6DC0DF

RGB 109 192 223

HSL 196.32, 0.64%, 0.65%

LAB 73.73, -16.88, -23.27

 

CMYK 60 / 16 / 0 / 7

HEX #5EC7ED

RGB 94 199 237

HSL 195.94, 0.8%, 0.65%

LAB 75.66, -19.39, -27.92

 

CMYK 68 / 18 / 0 / 1

HEX #50CEFC

RGB 80 206 252

HSL 196.05, 0.97%, 0.65%

LAB 77.8, -20.63, -32.7

 

CMYK 51 / 14 / 0 / 13

HEX #6DC0DF

RGB 109 192 223

HSL 196.32, 0.64%, 0.65%

LAB 73.73, -16.88, -23.27

 

CMYK 41 / 11 / 0 / 18

HEX #7BBAD0

RGB 123 186 208

HSL 195.53, 0.47%, 0.65%

LAB 72.15, -14.51, -17.44

 

CMYK 29 / 8 / 0 / 24

HEX #8AB3C2

RGB 138 179 194

HSL 196.07, 0.31%, 0.65%

LAB 70.55, -10.17, -12.1

 

CMYK 16 / 4 / 0 / 29

HEX #98ACB4

RGB 152 172 180

HSL 197.14, 0.16%, 0.65%

LAB 69.09, -5.23, -6.45

 

CMYK 0 / 1 / 1 / 35

HEX #A6A5A5

RGB 166 165 165

HSL 0, 0.01%, 0.65%

LAB 67.82, 0.36, 0.12

 

CMYK 51 / 0 / 14 / 13

HEX #6DDFC0

RGB 109 223 192

HSL 163.68, 0.64%, 0.65%

LAB 81.75, -39.86, 5.3

 

CMYK 51 / 0 / 0 / 13

HEX #6DDFDF

RGB 109 223 223

HSL 180, 0.64%, 0.65%

LAB 82.57, -32.26, -9.94

 

CMYK 51 / 14 / 0 / 13

HEX #6DC0DF

RGB 109 192 223

HSL 196.32, 0.64%, 0.65%

LAB 73.73, -16.88, -23.27

 

CMYK 51 / 27 / 0 / 13

HEX #6DA2DF

RGB 109 162 223

HSL 212.11, 0.64%, 0.65%

LAB 65.29, -0.6, -36.26

 

CMYK 51 / 41 / 0 / 13

HEX #6D83DF

RGB 109 131 223

HSL 228.42, 0.64%, 0.65%

LAB 56.89, 17.48, -49.48

 

CMYK 78 / 21 / 0 / 20

HEX #2DA1CC

RGB 45 161 204

HSL 196.23, 0.64%, 0.49%

LAB 62, -17.04, -31.01

 

CMYK 65 / 17 / 0 / 16

HEX #4BB2D7

RGB 75 178 215

HSL 195.86, 0.64%, 0.57%

LAB 68.2, -18.43, -27.47

 

CMYK 51 / 14 / 0 / 13

HEX #6DC0DF

RGB 109 192 223

HSL 196.32, 0.64%, 0.65%

LAB 73.73, -16.88, -23.27

 

CMYK 38 / 10 / 0 / 10

HEX #8ECFE6

RGB 142 207 230

HSL 195.68, 0.64%, 0.73%

LAB 79.66, -14.87, -17.89

 

CMYK 26 / 7 / 0 / 7

HEX #B0DDEE

RGB 176 221 238

HSL 196.45, 0.65%, 0.81%

LAB 85.56, -10.78, -13.09

 

CMYK 50 / 13 / 0 / 13

HEX #6FC1DF

RGB 111 193 223

HSL 196.07, 0.64%, 0.65%

LAB 74.09, -16.96, -22.7

 

CMYK 27 / 51 / 0 / 13

HEX #A26DDF

RGB 162 109 223

HSL 267.89, 0.64%, 0.65%

LAB 56.03, 43.36, -50.58

 

CMYK 0 / 7 / 51 / 13

HEX #DFD06D

RGB 223 208 109

HSL 52.11, 0.64%, 0.65%

LAB 82.86, -7.59, 50.52

 

CMYK 50 / 13 / 0 / 13

HEX #6FC1DF

RGB 111 193 223

HSL 196.07, 0.64%, 0.65%

LAB 74.09, -16.96, -22.7

 

CMYK 0 / 51 / 14 / 13

HEX #DF6DC0

RGB 223 109 192

HSL 316.32, 0.64%, 0.65%

LAB 62.02, 54.58, -23.15

 

CMYK 14 / 0 / 51 / 13

HEX #C0DF6D

RGB 192 223 109

HSL 76.32, 0.64%, 0.65%

LAB 84.53, -27.31, 51.93

 

CMYK 50 / 13 / 0 / 13

HEX #6FC1DF

RGB 111 193 223

HSL 196.07, 0.64%, 0.65%

LAB 74.09, -16.96, -22.7

 

CMYK 27 / 51 / 0 / 13

HEX #A26DDF

RGB 162 109 223

HSL 267.89, 0.64%, 0.65%

LAB 56.03, 43.36, -50.58

 

CMYK 0 / 38 / 51 / 13

HEX #DF8B6D

RGB 223 139 109

HSL 15.79, 0.64%, 0.65%

LAB 65.95, 28.89, 29.46

 

CMYK 24 / 0 / 51 / 13

HEX #AADF6D

RGB 170 223 109

HSL 87.89, 0.64%, 0.65%

LAB 83.14, -35.54, 49.94

 

CMYK 50 / 13 / 0 / 13

HEX #6FC1DF

RGB 111 193 223

HSL 196.07, 0.64%, 0.65%

LAB 74.09, -16.96, -22.7

 

CMYK 12 / 51 / 0 / 13

HEX #C46DDF

RGB 196 109 223

HSL 285.79, 0.64%, 0.65%

LAB 59.89, 52.37, -44.22

 

CMYK 0 / 38 / 51 / 13

HEX #DF8B6D

RGB 223 139 109

HSL 15.79, 0.64%, 0.65%

LAB 65.95, 28.89, 29.46

 

CMYK 39 / 0 / 51 / 13

HEX #87DF6D

RGB 135 223 109

HSL 106.32, 0.64%, 0.65%

LAB 81.31, -47.44, 47.3

 

Description

Color code: HEX #6FC1DF | qconv.com Color code: HEX #6FC1DF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 193 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 193 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 13 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 13% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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