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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FBF5E it is the complementary color #9040A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FBF5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FBF5E shade: #74BF59, #85D16C, #96E37F, #A7F592 and #B8FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FBF5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FBF5E shade: #6FBF5E, #5EAD4B, #4D9B38, #3C8925 and #2B7712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FBF5E shade: #6FBF5F, #89BF5F, #A4BF5F, #BEBF5F and #BFA75F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FBF5E shade: #6FBF5F, #5FBF68, #5FBF82, #5FBF9C and #5FBFB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FBF5E shade matches the following richer shades: #6FBF5F, #64D14C, #58E33A and #4CF628

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FBF5E shade: #6FBF5F, #7BAD71, #879B83, #938995 and #9F76A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FBF5E shade: #A4BF5F, #8ABF5F, #70BF5F, #5FBF67 and #5FBF80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FBF5E shade: #49913A, #58AF46, #6FBF5F, #8ACB7C and #A4D79A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FBF5E shade: #6FBF5E, #5FBDBF and #BF5F97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FBF5E shade: #6FBF5E, #5F70BF and #BF5F70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FBF5E shade: #6FBF5E, #5FBDBF, #AD5FBF and #BF605F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FBF5E shade: #6FBF5E, #5FA0BF, #AD5FBF and #BF7D5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 51 / 25

HEX #6FBF5E

RGB 111 191 94

HSL 109.48, 0.43%, 0.56%

LAB 70.49, -43.28, 41.1

 

Complementary color

CMYK 11 / 60 / 0 / 37

HEX #9040A1

RGB 144 64 161

HSL 289.48, 0.43%, 0.44%

LAB 41.48, 48.47, -37.93

 

CMYK 39 / 0 / 53 / 25

HEX #74BF59

RGB 116 191 89

HSL 104.12, 0.44%, 0.55%

LAB 70.66, -42.29, 43.78

 

CMYK 36 / 0 / 48 / 18

HEX #85D16C

RGB 133 209 108

HSL 105.15, 0.52%, 0.62%

LAB 77.08, -42.22, 42.59

 

CMYK 34 / 0 / 44 / 11

HEX #96E37F

RGB 150 227 127

HSL 106.2, 0.64%, 0.69%

LAB 83.42, -42.1, 41.39

 

CMYK 32 / 0 / 40 / 4

HEX #A7F592

RGB 167 245 146

HSL 107.27, 0.83%, 0.77%

LAB 89.67, -41.93, 40.22

 

CMYK 28 / 0 / 35 / 0

HEX #B8FFA5

RGB 184 255 165

HSL 107.33, 1%, 0.82%

LAB 93.64, -38.19, 36.17

 

CMYK 42 / 0 / 51 / 25

HEX #6FBF5E

RGB 111 191 94

HSL 109.48, 0.43%, 0.56%

LAB 70.49, -43.28, 41.1

 

CMYK 46 / 0 / 57 / 32

HEX #5EAD4B

RGB 94 173 75

HSL 108.37, 0.4%, 0.49%

LAB 63.98, -43.28, 42.31

 

CMYK 50 / 0 / 64 / 39

HEX #4D9B38

RGB 77 155 56

HSL 107.27, 0.47%, 0.41%

LAB 57.37, -43.11, 43.41

 

CMYK 56 / 0 / 73 / 46

HEX #3C8925

RGB 60 137 37

HSL 106.2, 0.57%, 0.34%

LAB 50.67, -42.66, 44.16

 

CMYK 64 / 0 / 85 / 53

HEX #2B7712

RGB 43 119 18

HSL 105.15, 0.74%, 0.27%

LAB 43.87, -41.71, 44.05

 

CMYK 42 / 0 / 50 / 25

HEX #6FBF5F

RGB 111 191 95

HSL 110, 0.43%, 0.56%

LAB 70.5, -43.15, 40.62

 

CMYK 28 / 0 / 50 / 25

HEX #89BF5F

RGB 137 191 95

HSL 93.75, 0.43%, 0.56%

LAB 71.83, -34.36, 42.55

 

CMYK 14 / 0 / 50 / 25

HEX #A4BF5F

RGB 164 191 95

HSL 76.88, 0.43%, 0.56%

LAB 73.53, -24.13, 45

 

CMYK 1 / 0 / 50 / 25

HEX #BEBF5F

RGB 190 191 95

HSL 60.63, 0.43%, 0.56%

LAB 75.47, -13.65, 47.78

 

CMYK 0 / 13 / 50 / 25

HEX #BFA75F

RGB 191 167 95

HSL 45, 0.43%, 0.56%

LAB 69.14, -0.69, 40.19

 

CMYK 42 / 0 / 50 / 25

HEX #6FBF5F

RGB 111 191 95

HSL 110, 0.43%, 0.56%

LAB 70.5, -43.15, 40.62

 

CMYK 50 / 0 / 46 / 25

HEX #5FBF68

RGB 95 191 104

HSL 125.63, 0.43%, 0.56%

LAB 69.96, -46.58, 35.3

 

CMYK 50 / 0 / 32 / 25

HEX #5FBF82

RGB 95 191 130

HSL 141.88, 0.43%, 0.56%

LAB 70.39, -42.15, 22.3

 

CMYK 50 / 0 / 18 / 25

HEX #5FBF9C

RGB 95 191 156

HSL 158.13, 0.43%, 0.56%

LAB 70.94, -36.77, 9.04

 

CMYK 50 / 0 / 5 / 25

HEX #5FBFB6

RGB 95 191 182

HSL 174.38, 0.43%, 0.56%

LAB 71.6, -30.52, -4.17

 

CMYK 42 / 0 / 50 / 25

HEX #6FBF5F

RGB 111 191 95

HSL 110, 0.43%, 0.56%

LAB 70.5, -43.15, 40.62

 

CMYK 52 / 0 / 64 / 18

HEX #64D14C

RGB 100 209 76

HSL 109.17, 0.59%, 0.56%

LAB 75.35, -55.74, 54.86

 

CMYK 61 / 0 / 74 / 11

HEX #58E33A

RGB 88 227 58

HSL 109.35, 0.75%, 0.56%

LAB 80.36, -66.57, 66.74

 

CMYK 69 / 0 / 84 / 4

HEX #4CF628

RGB 76 246 40

HSL 109.51, 0.92%, 0.56%

LAB 85.81, -75.99, 76.69

 

CMYK 42 / 0 / 50 / 25

HEX #6FBF5F

RGB 111 191 95

HSL 110, 0.43%, 0.56%

LAB 70.5, -43.15, 40.62

 

CMYK 29 / 0 / 35 / 32

HEX #7BAD71

RGB 123 173 113

HSL 110, 0.27%, 0.56%

LAB 65.97, -28.38, 25.67

 

CMYK 13 / 0 / 15 / 39

HEX #879B83

RGB 135 155 131

HSL 110, 0.11%, 0.56%

LAB 61.85, -11.8, 10.23

 

CMYK 1 / 8 / 0 / 42

HEX #938995

RGB 147 137 149

HSL 290, 0.05%, 0.56%

LAB 58.29, 6.04, -5.05

 

CMYK 5 / 29 / 0 / 35

HEX #9F76A7

RGB 159 118 167

HSL 290.2, 0.22%, 0.56%

LAB 55.19, 24.84, -19.96

 

CMYK 14 / 0 / 50 / 25

HEX #A4BF5F

RGB 164 191 95

HSL 76.88, 0.43%, 0.56%

LAB 73.53, -24.13, 45

 

CMYK 28 / 0 / 50 / 25

HEX #8ABF5F

RGB 138 191 95

HSL 93.13, 0.43%, 0.56%

LAB 71.89, -33.99, 42.63

 

CMYK 41 / 0 / 50 / 25

HEX #70BF5F

RGB 112 191 95

HSL 109.38, 0.43%, 0.56%

LAB 70.55, -42.84, 40.69

 

CMYK 50 / 0 / 46 / 25

HEX #5FBF67

RGB 95 191 103

HSL 125, 0.43%, 0.56%

LAB 69.95, -46.73, 35.79

 

CMYK 50 / 0 / 33 / 25

HEX #5FBF80

RGB 95 191 128

HSL 140.63, 0.43%, 0.56%

LAB 70.35, -42.53, 23.31

 

CMYK 50 / 0 / 60 / 43

HEX #49913A

RGB 73 145 58

HSL 109.66, 0.43%, 0.4%

LAB 54, -39.96, 38.61

 

CMYK 50 / 0 / 60 / 31

HEX #58AF46

RGB 88 175 70

HSL 109.71, 0.43%, 0.48%

LAB 64.3, -46.48, 44.97

 

CMYK 42 / 0 / 50 / 25

HEX #6FBF5F

RGB 111 191 95

HSL 110, 0.43%, 0.56%

LAB 70.5, -43.15, 40.62

 

CMYK 32 / 0 / 39 / 20

HEX #8ACB7C

RGB 138 203 124

HSL 109.37, 0.43%, 0.64%

LAB 75.8, -35.71, 33

 

CMYK 24 / 0 / 28 / 16

HEX #A4D79A

RGB 164 215 154

HSL 110.16, 0.43%, 0.72%

LAB 81.2, -27.98, 24.9

 

CMYK 42 / 0 / 51 / 25

HEX #6FBF5E

RGB 111 191 94

HSL 109.48, 0.43%, 0.56%

LAB 70.49, -43.28, 41.1

 

CMYK 50 / 1 / 0 / 25

HEX #5FBDBF

RGB 95 189 191

HSL 181.25, 0.43%, 0.56%

LAB 71.28, -27.19, -9.58

 

CMYK 0 / 50 / 21 / 25

HEX #BF5F97

RGB 191 95 151

HSL 325, 0.43%, 0.56%

LAB 53.49, 45.27, -12.87

 

CMYK 42 / 0 / 51 / 25

HEX #6FBF5E

RGB 111 191 94

HSL 109.48, 0.43%, 0.56%

LAB 70.49, -43.28, 41.1

 

CMYK 50 / 41 / 0 / 25

HEX #5F70BF

RGB 95 112 191

HSL 229.38, 0.43%, 0.56%

LAB 49.23, 15.81, -43.53

 

CMYK 0 / 50 / 41 / 25

HEX #BF5F70

RGB 191 95 112

HSL 349.38, 0.43%, 0.56%

LAB 52.32, 40.19, 8.5

 

CMYK 42 / 0 / 51 / 25

HEX #6FBF5E

RGB 111 191 94

HSL 109.48, 0.43%, 0.56%

LAB 70.49, -43.28, 41.1

 

CMYK 50 / 1 / 0 / 25

HEX #5FBDBF

RGB 95 189 191

HSL 181.25, 0.43%, 0.56%

LAB 71.28, -27.19, -9.58

 

CMYK 9 / 50 / 0 / 25

HEX #AD5FBF

RGB 173 95 191

HSL 288.75, 0.43%, 0.56%

LAB 52.76, 46.78, -37.46

 

CMYK 0 / 50 / 50 / 25

HEX #BF605F

RGB 191 96 95

HSL 0.62, 0.43%, 0.56%

LAB 52.14, 37.93, 18.3

 

CMYK 42 / 0 / 51 / 25

HEX #6FBF5E

RGB 111 191 94

HSL 109.48, 0.43%, 0.56%

LAB 70.49, -43.28, 41.1

 

CMYK 50 / 16 / 0 / 25

HEX #5FA0BF

RGB 95 160 191

HSL 199.38, 0.43%, 0.56%

LAB 62.79, -12.18, -22.4

 

CMYK 9 / 50 / 0 / 25

HEX #AD5FBF

RGB 173 95 191

HSL 288.75, 0.43%, 0.56%

LAB 52.76, 46.78, -37.46

 

CMYK 0 / 35 / 50 / 25

HEX #BF7D5F

RGB 191 125 95

HSL 18.75, 0.43%, 0.56%

LAB 58.57, 22.31, 26.85

 

Description

Color code: HEX #6FBF5E | qconv.com Color code: HEX #6FBF5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 191 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 191 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 51 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 51% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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