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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FBA48 it is the complementary color #9045B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FBA48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FBA48 shade: #74BA43, #85CC56, #96DE69, #A7F07C and #B8FF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FBA48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FBA48 shade: #6FBA48, #5EA835, #4D9622, #3C840F and #2B7200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FBA48 shade: #70BA4A, #8FBA4A, #ADBA4A, #BAA94A and #BA8B4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FBA48 shade: #70BA4A, #52BA4A, #4ABA60, #4ABA7E and #4ABA9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FBA48 shade matches the following richer shades: #70BA4A, #6ACE36, #64E321 and #5DF70D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FBA48 shade: #70BA4A, #77A65E, #7D9272, #837E86 and #8A699B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FBA48 shade: #ADBA4A, #8FBA4A, #71BA4A, #53BA4A and #4ABA5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FBA48 shade: #4C8131, #5E9F3C, #70BA4A, #88C668 and #9FD186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FBA48 shade: #6FBA48, #4ABAA9 and #BA4A9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FBA48 shade: #6FBA48, #4A71BA and #BA4A71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FBA48 shade: #6FBA48, #4ABAA9, #934ABA and #BA4A5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FBA48 shade: #6FBA48, #4AA9BA, #934ABA and #BA5B4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 61 / 27

HEX #6FBA48

RGB 111 186 72

HSL 99.47, 0.45%, 0.51%

LAB 68.73, -43.63, 49.35

 

Complementary color

CMYK 21 / 62 / 0 / 28

HEX #9045B7

RGB 144 69 183

HSL 279.47, 0.45%, 0.49%

LAB 43.66, 50.66, -47.49

 

CMYK 38 / 0 / 64 / 27

HEX #74BA43

RGB 116 186 67

HSL 95.29, 0.47%, 0.5%

LAB 68.92, -42.41, 51.81

 

CMYK 35 / 0 / 58 / 20

HEX #85CC56

RGB 133 204 86

HSL 96.1, 0.54%, 0.57%

LAB 75.35, -42.54, 50.89

 

CMYK 32 / 0 / 53 / 13

HEX #96DE69

RGB 150 222 105

HSL 96.92, 0.64%, 0.64%

LAB 81.7, -42.57, 49.82

 

CMYK 30 / 0 / 48 / 6

HEX #A7F07C

RGB 167 240 124

HSL 97.76, 0.79%, 0.71%

LAB 87.96, -42.53, 48.69

 

CMYK 28 / 0 / 44 / 0

HEX #B8FF8F

RGB 184 255 143

HSL 98.04, 1%, 0.78%

LAB 93.32, -41.12, 46.5

 

CMYK 40 / 0 / 61 / 27

HEX #6FBA48

RGB 111 186 72

HSL 99.47, 0.45%, 0.51%

LAB 68.73, -43.63, 49.35

 

CMYK 44 / 0 / 68 / 34

HEX #5EA835

RGB 94 168 53

HSL 98.61, 0.52%, 0.43%

LAB 62.2, -43.4, 50.14

 

CMYK 49 / 0 / 77 / 41

HEX #4D9622

RGB 77 150 34

HSL 97.76, 0.63%, 0.36%

LAB 55.59, -42.92, 50.41

 

CMYK 55 / 0 / 89 / 48

HEX #3C840F

RGB 60 132 15

HSL 96.92, 0.8%, 0.29%

LAB 48.88, -42.05, 49.56

 

CMYK 62 / 0 / 100 / 55

HEX #2B7200

RGB 43 114 0

HSL 97.37, 1%, 0.22%

LAB 42.07, -40.6, 46.9

 

CMYK 40 / 0 / 60 / 27

HEX #70BA4A

RGB 112 186 74

HSL 99.64, 0.45%, 0.51%

LAB 68.79, -43.1, 48.54

 

CMYK 23 / 0 / 60 / 27

HEX #8FBA4A

RGB 143 186 74

HSL 83.04, 0.45%, 0.51%

LAB 70.49, -31.91, 50.91

 

CMYK 7 / 0 / 60 / 27

HEX #ADBA4A

RGB 173 186 74

HSL 66.96, 0.45%, 0.51%

LAB 72.56, -19.86, 53.78

 

CMYK 0 / 9 / 60 / 27

HEX #BAA94A

RGB 186 169 74

HSL 50.89, 0.45%, 0.51%

LAB 68.97, -5.6, 50.13

 

CMYK 0 / 25 / 60 / 27

HEX #BA8B4A

RGB 186 139 74

HSL 34.82, 0.45%, 0.51%

LAB 61.13, 10.66, 41.17

 

CMYK 40 / 0 / 60 / 27

HEX #70BA4A

RGB 112 186 74

HSL 99.64, 0.45%, 0.51%

LAB 68.79, -43.1, 48.54

 

CMYK 56 / 0 / 60 / 27

HEX #52BA4A

RGB 82 186 74

HSL 115.71, 0.45%, 0.51%

LAB 67.58, -51.99, 46.84

 

CMYK 60 / 0 / 48 / 27

HEX #4ABA60

RGB 74 186 96

HSL 131.79, 0.45%, 0.51%

LAB 67.59, -51.02, 36.21

 

CMYK 60 / 0 / 32 / 27

HEX #4ABA7E

RGB 74 186 126

HSL 147.86, 0.45%, 0.51%

LAB 68.08, -45.73, 21.18

 

CMYK 60 / 0 / 16 / 27

HEX #4ABA9D

RGB 74 186 157

HSL 164.46, 0.45%, 0.51%

LAB 68.76, -38.82, 5.28

 

CMYK 40 / 0 / 60 / 27

HEX #70BA4A

RGB 112 186 74

HSL 99.64, 0.45%, 0.51%

LAB 68.79, -43.1, 48.54

 

CMYK 49 / 0 / 74 / 19

HEX #6ACE36

RGB 106 206 54

HSL 99.47, 0.61%, 0.51%

LAB 74.49, -54.68, 62.47

 

CMYK 56 / 0 / 85 / 11

HEX #64E321

RGB 100 227 33

HSL 99.28, 0.78%, 0.51%

LAB 80.6, -64.98, 73.84

 

CMYK 62 / 0 / 95 / 3

HEX #5DF70D

RGB 93 247 13

HSL 99.49, 0.94%, 0.51%

LAB 86.44, -73.72, 81.6

 

CMYK 40 / 0 / 60 / 27

HEX #70BA4A

RGB 112 186 74

HSL 99.64, 0.45%, 0.51%

LAB 68.79, -43.1, 48.54

 

CMYK 28 / 0 / 43 / 35

HEX #77A65E

RGB 119 166 94

HSL 99.17, 0.29%, 0.51%

LAB 63.34, -29.24, 32.28

 

CMYK 14 / 0 / 22 / 43

HEX #7D9272

RGB 125 146 114

HSL 99.38, 0.13%, 0.51%

LAB 58.16, -13.73, 14.53

 

CMYK 2 / 6 / 0 / 47

HEX #837E86

RGB 131 126 134

HSL 277.5, 0.03%, 0.51%

LAB 53.46, 3.48, -3.66

 

CMYK 11 / 32 / 0 / 39

HEX #8A699B

RGB 138 105 155

HSL 279.6, 0.2%, 0.51%

LAB 49.34, 22.77, -22.13

 

CMYK 7 / 0 / 60 / 27

HEX #ADBA4A

RGB 173 186 74

HSL 66.96, 0.45%, 0.51%

LAB 72.56, -19.86, 53.78

 

CMYK 23 / 0 / 60 / 27

HEX #8FBA4A

RGB 143 186 74

HSL 83.04, 0.45%, 0.51%

LAB 70.49, -31.91, 50.91

 

CMYK 39 / 0 / 60 / 27

HEX #71BA4A

RGB 113 186 74

HSL 99.11, 0.45%, 0.51%

LAB 68.84, -42.77, 48.61

 

CMYK 55 / 0 / 60 / 27

HEX #53BA4A

RGB 83 186 74

HSL 115.18, 0.45%, 0.51%

LAB 67.61, -51.74, 46.88

 

CMYK 60 / 0 / 49 / 27

HEX #4ABA5E

RGB 74 186 94

HSL 130.71, 0.45%, 0.51%

LAB 67.56, -51.32, 37.18

 

CMYK 41 / 0 / 62 / 49

HEX #4C8131

RGB 76 129 49

HSL 99.75, 0.45%, 0.35%

LAB 48.83, -32.98, 37.07

 

CMYK 41 / 0 / 62 / 38

HEX #5E9F3C

RGB 94 159 60

HSL 99.39, 0.45%, 0.43%

LAB 59.44, -38.93, 44.11

 

CMYK 40 / 0 / 60 / 27

HEX #70BA4A

RGB 112 186 74

HSL 99.64, 0.45%, 0.51%

LAB 68.79, -43.1, 48.54

 

CMYK 31 / 0 / 47 / 22

HEX #88C668

RGB 136 198 104

HSL 99.57, 0.45%, 0.59%

LAB 73.95, -36.83, 40.71

 

CMYK 24 / 0 / 36 / 18

HEX #9FD186

RGB 159 209 134

HSL 100, 0.45%, 0.67%

LAB 78.86, -29.88, 32.09

 

CMYK 40 / 0 / 61 / 27

HEX #6FBA48

RGB 111 186 72

HSL 99.47, 0.45%, 0.51%

LAB 68.73, -43.63, 49.35

 

CMYK 60 / 0 / 9 / 27

HEX #4ABAA9

RGB 74 186 169

HSL 170.89, 0.45%, 0.51%

LAB 69.07, -35.79, -0.85

 

CMYK 0 / 60 / 15 / 27

HEX #BA4A9E

RGB 186 74 158

HSL 315, 0.45%, 0.51%

LAB 49.26, 54.81, -23.52

 

CMYK 40 / 0 / 61 / 27

HEX #6FBA48

RGB 111 186 72

HSL 99.47, 0.45%, 0.51%

LAB 68.73, -43.63, 49.35

 

CMYK 60 / 39 / 0 / 27

HEX #4A71BA

RGB 74 113 186

HSL 219.11, 0.45%, 0.51%

LAB 48.02, 8.99, -42.64

 

CMYK 0 / 60 / 39 / 27

HEX #BA4A71

RGB 186 74 113

HSL 339.11, 0.45%, 0.51%

LAB 47.66, 48.83, 1.1

 

CMYK 40 / 0 / 61 / 27

HEX #6FBA48

RGB 111 186 72

HSL 99.47, 0.45%, 0.51%

LAB 68.73, -43.63, 49.35

 

CMYK 60 / 0 / 9 / 27

HEX #4ABAA9

RGB 74 186 169

HSL 170.89, 0.45%, 0.51%

LAB 69.07, -35.79, -0.85

 

CMYK 21 / 60 / 0 / 27

HEX #934ABA

RGB 147 74 186

HSL 279.11, 0.45%, 0.51%

LAB 45.15, 49.57, -46.85

 

CMYK 0 / 60 / 51 / 27

HEX #BA4A5B

RGB 186 74 91

HSL 350.89, 0.45%, 0.51%

LAB 47.09, 46.62, 13.68

 

CMYK 40 / 0 / 61 / 27

HEX #6FBA48

RGB 111 186 72

HSL 99.47, 0.45%, 0.51%

LAB 68.73, -43.63, 49.35

 

CMYK 60 / 9 / 0 / 27

HEX #4AA9BA

RGB 74 169 186

HSL 189.11, 0.45%, 0.51%

LAB 64.46, -22.78, -17.13

 

CMYK 21 / 60 / 0 / 27

HEX #934ABA

RGB 147 74 186

HSL 279.11, 0.45%, 0.51%

LAB 45.15, 49.57, -46.85

 

CMYK 0 / 51 / 60 / 27

HEX #BA5B4A

RGB 186 91 74

HSL 9.11, 0.45%, 0.51%

LAB 50, 36.86, 27.63

 

Description

Color code: HEX #6FBA48 | qconv.com Color code: HEX #6FBA48 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 186 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 186 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 61 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 61% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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