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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FB4CD3F it is the complementary color #904B323F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FB4CD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FB4CD3F shade: #74B4C83F, #85C6DB3F, #96D8EE3F, #A7EAFF3F and #B8FCFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FB4CD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FB4CD3F shade: #6FB4CD3F, #5EA2BA3F, #4D90A73F, #3C7E943F and #2B6C813F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FB4CD3F shade: #70B4CD, #709BCD, #7082CD, #7770CD and #9070CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FB4CD3F shade: #70B4CD, #709BCD, #7082CD and #7070CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FB4CD3F shade matches the following richer shades: #70B4CD, #60BBDC, #50C3EC and #41CAFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FB4CD3F shade: #70B4CD, #7FADBD, #8FA5AD, #9F9E9E and #AE978E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FB4CD3F shade: #70CDB2, #70CDCB, #70B5CD, #709DCD and #7084CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FB4CD3F shade: #3D8FAD, #51A4C2, #70B4CD, #8EC4D7 and #ADD4E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FB4CD3F shade: #6FB4CD, #9970CD and #CDBF70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FB4CD3F shade: #6FB4CD, #CD70B5 and #B5CD70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FB4CD3F shade: #6FB4CD, #9970CD, #CD8770 and #A3CD70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FB4CD3F shade: #6FB4CD, #B570CD, #CD8770 and #87CD70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 3 / 0 / 5

HEX #6FB4CD3F

RGBA 111 180 205 0.25

HSLA 195.96, 0.48%, 0.62%, 0.25

LABA 69.77, -15.14, -19.45, 0.25

 

Complementary color

CMYK 0 / 12 / 16 / 11

HEX #904B323F

RGBA 144 75 50 0.25

HSLA 15.96, 0.48%, 0.38%, 0.25

LABA 39.9, 26.78, 27.7, 0.25

 

CMYK 11 / 3 / 0 / 5

HEX #74B4C83F

RGBA 116 180 200 0.25

HSLA 194.29, 0.43%, 0.62%, 0.25

LABA 69.84, -15.25, -16.58, 0.25

 

CMYK 10 / 2 / 0 / 4

HEX #85C6DB3F

RGBA 133 198 219 0.25

HSLA 194.65, 0.54%, 0.69%, 0.25

LABA 76.37, -15.34, -16.99, 0.25

 

CMYK 9 / 2 / 0 / 2

HEX #96D8EE3F

RGBA 150 216 238 0.25

HSLA 195, 0.72%, 0.76%, 0.25

LABA 82.79, -15.4, -17.4, 0.25

 

CMYK 9 / 2 / 0 / 0

HEX #A7EAFF3F

RGBA 167 234 255 0.25

HSLA 194.32, 1%, 0.83%, 0.25

LABA 89.06, -15.93, -16.84, 0.25

 

CMYK 7 / 0 / 0 / 0

HEX #B8FCFF3F

RGBA 184 252 255 0.25

HSLA 182.54, 1%, 0.86%, 0.25

LABA 94.75, -20.26, -8.25, 0.25

 

CMYK 11 / 3 / 0 / 5

HEX #6FB4CD3F

RGBA 111 180 205 0.25

HSLA 195.96, 0.48%, 0.62%, 0.25

LABA 69.77, -15.14, -19.45, 0.25

 

CMYK 12 / 3 / 0 / 7

HEX #5EA2BA3F

RGBA 94 162 186 0.25

HSLA 195.65, 0.4%, 0.55%, 0.25

LABA 63.15, -14.93, -19.06, 0.25

 

CMYK 13 / 3 / 0 / 9

HEX #4D90A73F

RGBA 77 144 167 0.25

HSLA 195.33, 0.37%, 0.48%, 0.25

LABA 56.4, -14.63, -18.65, 0.25

 

CMYK 15 / 4 / 0 / 10

HEX #3C7E943F

RGBA 60 126 148 0.25

HSLA 195, 0.42%, 0.41%, 0.25

LABA 49.52, -14.21, -18.21, 0.25

 

CMYK 17 / 4 / 0 / 12

HEX #2B6C813F

RGBA 43 108 129 0.25

HSLA 194.65, 0.5%, 0.34%, 0.25

LABA 42.5, -13.6, -17.74, 0.25

 

CMYK 45 / 12 / 0 / 20

HEX #70B4CD

RGB 112 180 205

HSL 196.13, 0.48%, 0.62%

LAB 69.82, -14.9, -19.38

 

CMYK 45 / 24 / 0 / 20

HEX #709BCD

RGB 112 155 205

HSL 212.26, 0.48%, 0.62%

LAB 62.76, -1.23, -30.2

 

CMYK 45 / 37 / 0 / 20

HEX #7082CD

RGB 112 130 205

HSL 228.39, 0.48%, 0.62%

LAB 55.9, 13.32, -40.9

 

CMYK 42 / 45 / 0 / 20

HEX #7770CD

RGB 119 112 205

HSL 244.52, 0.48%, 0.62%

LAB 51.74, 25.87, -47.45

 

CMYK 30 / 45 / 0 / 20

HEX #9070CD

RGB 144 112 205

HSL 260.65, 0.48%, 0.62%

LAB 53.95, 32.44, -43.82

 

CMYK 45 / 12 / 0 / 20

HEX #70B4CD

RGB 112 180 205

HSL 196.13, 0.48%, 0.62%

LAB 69.82, -14.9, -19.38

 

CMYK 45 / 24 / 0 / 20

HEX #709BCD

RGB 112 155 205

HSL 212.26, 0.48%, 0.62%

LAB 62.76, -1.23, -30.2

 

CMYK 45 / 37 / 0 / 20

HEX #7082CD

RGB 112 130 205

HSL 228.39, 0.48%, 0.62%

LAB 55.9, 13.32, -40.9

 

CMYK 45 / 45 / 0 / 20

HEX #7070CD

RGB 112 112 205

HSL 240, 0.48%, 0.62%

LAB 51.2, 24.15, -48.36

 

CMYK 45 / 12 / 0 / 20

HEX #70B4CD

RGB 112 180 205

HSL 196.13, 0.48%, 0.62%

LAB 69.82, -14.9, -19.38

 

CMYK 56 / 15 / 0 / 14

HEX #60BBDC

RGB 96 187 220

HSL 195.97, 0.64%, 0.62%

LAB 71.69, -17.84, -24.8

 

CMYK 66 / 17 / 0 / 7

HEX #50C3EC

RGB 80 195 236

HSL 195.77, 0.8%, 0.62%

LAB 74.06, -19.95, -29.88

 

CMYK 74 / 20 / 0 / 1

HEX #41CAFC

RGB 65 202 252

HSL 196.04, 0.97%, 0.62%

LAB 76.31, -20.49, -35.04

 

CMYK 45 / 12 / 0 / 20

HEX #70B4CD

RGB 112 180 205

HSL 196.13, 0.48%, 0.62%

LAB 69.82, -14.9, -19.38

 

CMYK 33 / 8 / 0 / 26

HEX #7FADBD

RGB 127 173 189

HSL 195.48, 0.32%, 0.62%

LAB 68.07, -11.39, -13.12

 

CMYK 17 / 5 / 0 / 32

HEX #8FA5AD

RGB 143 165 173

HSL 196, 0.15%, 0.62%

LAB 66.34, -5.91, -6.71

 

CMYK 0 / 1 / 1 / 38

HEX #9F9E9E

RGB 159 158 158

HSL 0, 0.01%, 0.62%

LAB 65.19, 0.36, 0.12

 

CMYK 0 / 13 / 18 / 32

HEX #AE978E

RGB 174 151 142

HSL 16.88, 0.16%, 0.62%

LAB 64.23, 7.04, 7.87

 

CMYK 45 / 0 / 13 / 20

HEX #70CDB2

RGB 112 205 178

HSL 162.58, 0.48%, 0.62%

LAB 76.27, -34.11, 4.88

 

CMYK 45 / 0 / 1 / 20

HEX #70CDCB

RGB 112 205 203

HSL 178.71, 0.48%, 0.62%

LAB 76.93, -28.1, -7.61

 

CMYK 45 / 12 / 0 / 20

HEX #70B5CD

RGB 112 181 205

HSL 195.48, 0.48%, 0.62%

LAB 70.11, -15.43, -18.94

 

CMYK 45 / 23 / 0 / 20

HEX #709DCD

RGB 112 157 205

HSL 210.97, 0.48%, 0.62%

LAB 63.32, -2.36, -29.34

 

CMYK 45 / 36 / 0 / 20

HEX #7084CD

RGB 112 132 205

HSL 227.1, 0.48%, 0.62%

LAB 56.44, 12.13, -40.06

 

CMYK 65 / 17 / 0 / 32

HEX #3D8FAD

RGB 61 143 173

HSL 196.07, 0.48%, 0.46%

LAB 55.74, -15.39, -23.14

 

CMYK 58 / 15 / 0 / 24

HEX #51A4C2

RGB 81 164 194

HSL 195.93, 0.48%, 0.54%

LAB 63.5, -16.43, -23.03

 

CMYK 45 / 12 / 0 / 20

HEX #70B4CD

RGB 112 180 205

HSL 196.13, 0.48%, 0.62%

LAB 69.82, -14.9, -19.38

 

CMYK 34 / 9 / 0 / 16

HEX #8EC4D7

RGB 142 196 215

HSL 195.62, 0.48%, 0.7%

LAB 76.15, -12.9, -15.11

 

CMYK 23 / 6 / 0 / 11

HEX #ADD4E2

RGB 173 212 226

HSL 195.85, 0.48%, 0.78%

LAB 82.63, -9.71, -11.13

 

CMYK 46 / 12 / 0 / 20

HEX #6FB4CD

RGB 111 180 205

HSL 195.96, 0.48%, 0.62%

LAB 69.77, -15.14, -19.45

 

CMYK 25 / 45 / 0 / 20

HEX #9970CD

RGB 153 112 205

HSL 266.45, 0.48%, 0.62%

LAB 54.83, 34.93, -42.36

 

CMYK 0 / 7 / 45 / 20

HEX #CDBF70

RGB 205 191 112

HSL 50.97, 0.48%, 0.62%

LAB 76.93, -5.91, 41.47

 

CMYK 46 / 12 / 0 / 20

HEX #6FB4CD

RGB 111 180 205

HSL 195.96, 0.48%, 0.62%

LAB 69.77, -15.14, -19.45

 

CMYK 0 / 45 / 12 / 20

HEX #CD70B5

RGB 205 112 181

HSL 315.48, 0.48%, 0.62%

LAB 59.8, 45.8, -20.49

 

CMYK 12 / 0 / 45 / 20

HEX #B5CD70

RGB 181 205 112

HSL 75.48, 0.48%, 0.62%

LAB 78.84, -22.57, 43.44

 

CMYK 46 / 12 / 0 / 20

HEX #6FB4CD

RGB 111 180 205

HSL 195.96, 0.48%, 0.62%

LAB 69.77, -15.14, -19.45

 

CMYK 25 / 45 / 0 / 20

HEX #9970CD

RGB 153 112 205

HSL 266.45, 0.48%, 0.62%

LAB 54.83, 34.93, -42.36

 

CMYK 0 / 34 / 45 / 20

HEX #CD8770

RGB 205 135 112

HSL 14.84, 0.48%, 0.62%

LAB 62.91, 24.19, 23.38

 

CMYK 20 / 0 / 45 / 20

HEX #A3CD70

RGB 163 205 112

HSL 87.1, 0.48%, 0.62%

LAB 77.65, -29.4, 41.69

 

CMYK 46 / 12 / 0 / 20

HEX #6FB4CD

RGB 111 180 205

HSL 195.96, 0.48%, 0.62%

LAB 69.77, -15.14, -19.45

 

CMYK 12 / 45 / 0 / 20

HEX #B570CD

RGB 181 112 205

HSL 284.52, 0.48%, 0.62%

LAB 57.87, 42.94, -37.39

 

CMYK 0 / 34 / 45 / 20

HEX #CD8770

RGB 205 135 112

HSL 14.84, 0.48%, 0.62%

LAB 62.91, 24.19, 23.38

 

CMYK 34 / 0 / 45 / 20

HEX #87CD70

RGB 135 205 112

HSL 105.16, 0.48%, 0.62%

LAB 76.06, -39.29, 39.36

 

Description

Color code: HEX #6FB4CD3F | qconv.com Color code: HEX #6FB4CD3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 180 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 180 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 3 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 3% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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