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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FAFD5 it is the complementary color #90502A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FAFD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FAFD5 shade: #74AFD0, #85C1E3, #96D3F6, #A7E5FF and #B8F7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FAFD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FAFD5 shade: #6FAFD5, #5E9DC2, #4D8BAF, #3C799C and #2B6789

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FAFD5 shade: #71B0D6, #7195D6, #717AD6, #8371D6 and #9E71D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FAFD5 shade: #71B0D6, #7195D6, #717AD6 and #7171D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FAFD5 shade matches the following richer shades: #71B0D6, #62B4E5 and #53B8F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FAFD5 shade: #71B0D6, #80ACC7, #8EA8B8, #9DA5A9 and #ACA19A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FAFD5 shade: #71D6C5, #71CCD6, #71B1D6, #7196D6 and #717BD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FAFD5 shade: #378BBD, #519ECC, #71B0D6, #91C2DF and #B1D4E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FAFD5 shade: #6FAFD5, #AA71D6 and #D6D271

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FAFD5 shade: #6FAFD5, #D671B1 and #B1D671

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FAFD5 shade: #6FAFD5, #AA71D6, #D69671 and #9CD671

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FAFD5 shade: #6FAFD5, #C871D6, #D69671 and #7ED671

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 18 / 0 / 16

HEX #6FAFD5

RGB 111 175 213

HSL 202.35, 0.55%, 0.64%

LAB 68.64, -10.25, -25.58

 

Complementary color

CMYK 0 / 44 / 71 / 44

HEX #90502A

RGB 144 80 42

HSL 22.35, 0.55%, 0.36%

LAB 40.95, 23.45, 33.44

 

CMYK 44 / 16 / 0 / 18

HEX #74AFD0

RGB 116 175 208

HSL 201.52, 0.49%, 0.64%

LAB 68.7, -10.43, -22.72

 

CMYK 41 / 15 / 0 / 11

HEX #85C1E3

RGB 133 193 227

HSL 201.7, 0.63%, 0.71%

LAB 75.25, -10.64, -23.01

 

CMYK 39 / 14 / 0 / 4

HEX #96D3F6

RGB 150 211 246

HSL 201.88, 0.84%, 0.78%

LAB 81.69, -10.81, -23.32

 

CMYK 35 / 10 / 0 / 0

HEX #A7E5FF

RGB 167 229 255

HSL 197.73, 1%, 0.83%

LAB 87.71, -13.4, -18.86

 

CMYK 28 / 3 / 0 / 0

HEX #B8F7FF

RGB 184 247 255

HSL 186.76, 1%, 0.86%

LAB 93.42, -17.8, -10.22

 

CMYK 48 / 18 / 0 / 16

HEX #6FAFD5

RGB 111 175 213

HSL 202.35, 0.55%, 0.64%

LAB 68.64, -10.25, -25.58

 

CMYK 52 / 19 / 0 / 24

HEX #5E9DC2

RGB 94 157 194

HSL 202.2, 0.45%, 0.56%

LAB 61.99, -9.88, -25.31

 

CMYK 56 / 21 / 0 / 31

HEX #4D8BAF

RGB 77 139 175

HSL 202.04, 0.39%, 0.49%

LAB 55.21, -9.41, -25.04

 

CMYK 62 / 22 / 0 / 39

HEX #3C799C

RGB 60 121 156

HSL 201.88, 0.44%, 0.42%

LAB 48.3, -8.78, -24.77

 

CMYK 69 / 25 / 0 / 46

HEX #2B6789

RGB 43 103 137

HSL 201.7, 0.52%, 0.35%

LAB 41.25, -7.9, -24.48

 

CMYK 47 / 18 / 0 / 16

HEX #71B0D6

RGB 113 176 214

HSL 202.57, 0.55%, 0.64%

LAB 69.05, -10.03, -25.49

 

CMYK 47 / 30 / 0 / 16

HEX #7195D6

RGB 113 149 214

HSL 218.61, 0.55%, 0.64%

LAB 61.53, 5.08, -37.12

 

CMYK 47 / 43 / 0 / 16

HEX #717AD6

RGB 113 122 214

HSL 234.65, 0.55%, 0.64%

LAB 54.33, 21.05, -48.48

 

CMYK 39 / 47 / 0 / 16

HEX #8371D6

RGB 131 113 214

HSL 250.69, 0.55%, 0.64%

LAB 53.48, 30.82, -49.74

 

CMYK 26 / 47 / 0 / 16

HEX #9E71D6

RGB 158 113 214

HSL 266.73, 0.55%, 0.64%

LAB 56.02, 37.91, -45.55

 

CMYK 47 / 18 / 0 / 16

HEX #71B0D6

RGB 113 176 214

HSL 202.57, 0.55%, 0.64%

LAB 69.05, -10.03, -25.49

 

CMYK 47 / 30 / 0 / 16

HEX #7195D6

RGB 113 149 214

HSL 218.61, 0.55%, 0.64%

LAB 61.53, 5.08, -37.12

 

CMYK 47 / 43 / 0 / 16

HEX #717AD6

RGB 113 122 214

HSL 234.65, 0.55%, 0.64%

LAB 54.33, 21.05, -48.48

 

CMYK 47 / 47 / 0 / 16

HEX #7171D6

RGB 113 113 214

HSL 240, 0.55%, 0.64%

LAB 52.04, 26.47, -52.13

 

CMYK 47 / 18 / 0 / 16

HEX #71B0D6

RGB 113 176 214

HSL 202.57, 0.55%, 0.64%

LAB 69.05, -10.03, -25.49

 

CMYK 57 / 21 / 0 / 10

HEX #62B4E5

RGB 98 180 229

HSL 202.44, 0.72%, 0.64%

LAB 70.1, -11.05, -32.13

 

CMYK 66 / 24 / 0 / 5

HEX #53B8F3

RGB 83 184 243

HSL 202.13, 0.87%, 0.64%

LAB 71.28, -11.49, -37.96

 

CMYK 47 / 18 / 0 / 16

HEX #71B0D6

RGB 113 176 214

HSL 202.57, 0.55%, 0.64%

LAB 69.05, -10.03, -25.49

 

CMYK 36 / 14 / 0 / 22

HEX #80ACC7

RGB 128 172 199

HSL 202.82, 0.39%, 0.64%

LAB 68.18, -8.04, -18.48

 

CMYK 23 / 9 / 0 / 28

HEX #8EA8B8

RGB 142 168 184

HSL 202.86, 0.23%, 0.64%

LAB 67.44, -5.38, -11.21

 

CMYK 7 / 2 / 0 / 34

HEX #9DA5A9

RGB 157 165 169

HSL 200, 0.07%, 0.64%

LAB 67.23, -2.03, -3.05

 

CMYK 0 / 6 / 10 / 33

HEX #ACA19A

RGB 172 161 154

HSL 23.33, 0.1%, 0.64%

LAB 66.97, 2.75, 5.07

 

CMYK 47 / 0 / 8 / 16

HEX #71D6C5

RGB 113 214 197

HSL 169.9, 0.55%, 0.64%

LAB 79.41, -33.64, -0.75

 

CMYK 47 / 5 / 0 / 16

HEX #71CCD6

RGB 113 204 214

HSL 185.94, 0.55%, 0.64%

LAB 77.01, -24.54, -13.42

 

CMYK 47 / 17 / 0 / 16

HEX #71B1D6

RGB 113 177 214

HSL 201.98, 0.55%, 0.64%

LAB 69.33, -10.57, -25.05

 

CMYK 47 / 30 / 0 / 16

HEX #7196D6

RGB 113 150 214

HSL 218.02, 0.55%, 0.64%

LAB 61.81, 4.5, -36.69

 

CMYK 47 / 43 / 0 / 16

HEX #717BD6

RGB 113 123 214

HSL 234.06, 0.55%, 0.64%

LAB 54.59, 20.45, -48.07

 

CMYK 71 / 26 / 0 / 26

HEX #378BBD

RGB 55 139 189

HSL 202.39, 0.55%, 0.48%

LAB 55.02, -8.77, -33.4

 

CMYK 60 / 23 / 0 / 20

HEX #519ECC

RGB 81 158 204

HSL 202.44, 0.55%, 0.56%

LAB 62.14, -10.07, -30.72

 

CMYK 47 / 18 / 0 / 16

HEX #71B0D6

RGB 113 176 214

HSL 202.57, 0.55%, 0.64%

LAB 69.05, -10.03, -25.49

 

CMYK 35 / 13 / 0 / 13

HEX #91C2DF

RGB 145 194 223

HSL 202.31, 0.55%, 0.72%

LAB 76.03, -9.04, -19.61

 

CMYK 24 / 9 / 0 / 9

HEX #B1D4E8

RGB 177 212 232

HSL 201.82, 0.54%, 0.8%

LAB 83.05, -7.18, -13.66

 

CMYK 48 / 18 / 0 / 16

HEX #6FAFD5

RGB 111 175 213

HSL 202.35, 0.55%, 0.64%

LAB 68.64, -10.25, -25.58

 

CMYK 21 / 47 / 0 / 16

HEX #AA71D6

RGB 170 113 214

HSL 273.86, 0.55%, 0.64%

LAB 57.28, 41.22, -43.48

 

CMYK 0 / 2 / 47 / 16

HEX #D6D271

RGB 214 210 113

HSL 57.62, 0.55%, 0.64%

LAB 82.69, -11.89, 48.22

 

CMYK 48 / 18 / 0 / 16

HEX #6FAFD5

RGB 111 175 213

HSL 202.35, 0.55%, 0.64%

LAB 68.64, -10.25, -25.58

 

CMYK 0 / 47 / 17 / 16

HEX #D671B1

RGB 214 113 177

HSL 321.98, 0.55%, 0.64%

LAB 61.03, 47.52, -16.23

 

CMYK 17 / 0 / 47 / 16

HEX #B1D671

RGB 177 214 113

HSL 81.98, 0.55%, 0.64%

LAB 81.09, -28.33, 45.65

 

CMYK 48 / 18 / 0 / 16

HEX #6FAFD5

RGB 111 175 213

HSL 202.35, 0.55%, 0.64%

LAB 68.64, -10.25, -25.58

 

CMYK 21 / 47 / 0 / 16

HEX #AA71D6

RGB 170 113 214

HSL 273.86, 0.55%, 0.64%

LAB 57.28, 41.22, -43.48

 

CMYK 0 / 30 / 47 / 16

HEX #D69671

RGB 214 150 113

HSL 21.98, 0.55%, 0.64%

LAB 67.5, 19.76, 29.1

 

CMYK 27 / 0 / 47 / 16

HEX #9CD671

RGB 156 214 113

HSL 94.46, 0.55%, 0.64%

LAB 79.81, -36.01, 43.79

 

CMYK 48 / 18 / 0 / 16

HEX #6FAFD5

RGB 111 175 213

HSL 202.35, 0.55%, 0.64%

LAB 68.64, -10.25, -25.58

 

CMYK 7 / 47 / 0 / 16

HEX #C871D6

RGB 200 113 214

HSL 291.68, 0.55%, 0.64%

LAB 60.73, 49.68, -37.81

 

CMYK 0 / 30 / 47 / 16

HEX #D69671

RGB 214 150 113

HSL 21.98, 0.55%, 0.64%

LAB 67.5, 19.76, 29.1

 

CMYK 41 / 0 / 47 / 16

HEX #7ED671

RGB 126 214 113

HSL 112.28, 0.55%, 0.64%

LAB 78.3, -45.94, 41.58

 

Description

Color code: HEX #6FAFD5 | qconv.com Color code: HEX #6FAFD5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 175 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 175 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 18 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 18% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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