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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FAF29 it is the complementary color #9050D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FAF29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FAF29 shade: #74AF24, #85C137, #96D34A, #A7E55D and #B8F770

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FAF29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FAF29 shade: #6FAF29, #5E9D16, #4D8B03, #3C7900 and #2B6700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FAF29 shade: #6EAE29, #92AE29, #AEA529, #AE8129 and #AE5E29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FAF29 shade: #6EAE29, #4AAE29, #29AE2B, #29AE4F and #29AE73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FAF29 shade matches the following richer shades: #6EAE29, #6FBF17 and #70D006

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FAF29 shade: #6EAE29, #6D9C3A, #6D8B4B, #6C7A5D and #6B686E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FAF29 shade: #AEA529, #93AE29, #70AE29, #4CAE29 and #29AE29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FAF29 shade: #446B19, #598C21, #6EAE29, #83CF31 and #97D652

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FAF29 shade: #6FAF29, #29AE81 and #AE29A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FAF29 shade: #6FAF29, #2970AE and #AE2970

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FAF29 shade: #6FAF29, #29AE81, #6729AE and #AE2955

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FAF29 shade: #6FAF29, #29AEA9, #6729AE and #AE292D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 77 / 31

HEX #6FAF29

RGB 111 175 41

HSL 88.66, 0.62%, 0.42%

LAB 65.12, -41.34, 57.79

 

Complementary color

CMYK 33 / 63 / 0 / 16

HEX #9050D6

RGB 144 80 214

HSL 268.66, 0.62%, 0.58%

LAB 47.65, 52.31, -59.01

 

CMYK 34 / 0 / 79 / 31

HEX #74AF24

RGB 116 175 36

HSL 85.47, 0.66%, 0.41%

LAB 65.36, -39.78, 59.68

 

CMYK 31 / 0 / 72 / 24

HEX #85C137

RGB 133 193 55

HSL 86.09, 0.56%, 0.49%

LAB 71.83, -40.29, 59.88

 

CMYK 29 / 0 / 65 / 17

HEX #96D34A

RGB 150 211 74

HSL 86.72, 0.61%, 0.56%

LAB 78.21, -40.63, 59.45

 

CMYK 27 / 0 / 59 / 10

HEX #A7E55D

RGB 167 229 93

HSL 87.35, 0.72%, 0.63%

LAB 84.51, -40.85, 58.68

 

CMYK 26 / 0 / 55 / 3

HEX #B8F770

RGB 184 247 112

HSL 88, 0.89%, 0.7%

LAB 90.73, -40.98, 57.72

 

CMYK 37 / 0 / 77 / 31

HEX #6FAF29

RGB 111 175 41

HSL 88.66, 0.62%, 0.42%

LAB 65.12, -41.34, 57.79

 

CMYK 40 / 0 / 86 / 38

HEX #5E9D16

RGB 94 157 22

HSL 88, 0.75%, 0.35%

LAB 58.56, -40.66, 56.94

 

CMYK 45 / 0 / 98 / 45

HEX #4D8B03

RGB 77 139 3

HSL 87.35, 0.96%, 0.28%

LAB 51.89, -39.67, 54.65

 

CMYK 50 / 0 / 100 / 53

HEX #3C7900

RGB 60 121 0

HSL 90.25, 1%, 0.24%

LAB 45.13, -38.15, 49.58

 

CMYK 58 / 0 / 100 / 60

HEX #2B6700

RGB 43 103 0

HSL 94.95, 1%, 0.2%

LAB 38.22, -36.35, 43.86

 

CMYK 37 / 0 / 76 / 32

HEX #6EAE29

RGB 110 174 41

HSL 88.87, 0.62%, 0.42%

LAB 64.76, -41.27, 57.43

 

CMYK 16 / 0 / 76 / 32

HEX #92AE29

RGB 146 174 41

HSL 72.63, 0.62%, 0.42%

LAB 66.93, -27.21, 60.25

 

CMYK 0 / 5 / 76 / 32

HEX #AEA529

RGB 174 165 41

HSL 55.94, 0.62%, 0.42%

LAB 66.57, -10.6, 60.71

 

CMYK 0 / 26 / 76 / 32

HEX #AE8129

RGB 174 129 41

HSL 39.7, 0.62%, 0.42%

LAB 56.94, 8.96, 51.64

 

CMYK 0 / 46 / 76 / 32

HEX #AE5E29

RGB 174 94 41

HSL 23.91, 0.62%, 0.42%

LAB 48.47, 28.46, 43.26

 

CMYK 37 / 0 / 76 / 32

HEX #6EAE29

RGB 110 174 41

HSL 88.87, 0.62%, 0.42%

LAB 64.76, -41.27, 57.43

 

CMYK 57 / 0 / 76 / 32

HEX #4AAE29

RGB 74 174 41

HSL 105.11, 0.62%, 0.42%

LAB 63.25, -52.56, 55.44

 

CMYK 76 / 0 / 75 / 32

HEX #29AE2B

RGB 41 174 43

HSL 120.9, 0.62%, 0.42%

LAB 62.44, -59.25, 53.68

 

CMYK 76 / 0 / 55 / 32

HEX #29AE4F

RGB 41 174 79

HSL 137.14, 0.62%, 0.42%

LAB 62.77, -55.27, 38.55

 

CMYK 76 / 0 / 34 / 32

HEX #29AE73

RGB 41 174 115

HSL 153.38, 0.62%, 0.42%

LAB 63.33, -48.83, 20.52

 

CMYK 37 / 0 / 76 / 32

HEX #6EAE29

RGB 110 174 41

HSL 88.87, 0.62%, 0.42%

LAB 64.76, -41.27, 57.43

 

CMYK 42 / 0 / 88 / 25

HEX #6FBF17

RGB 111 191 23

HSL 88.57, 0.79%, 0.42%

LAB 69.97, -48.74, 66.85

 

CMYK 46 / 0 / 97 / 18

HEX #70D006

RGB 112 208 6

HSL 88.51, 0.94%, 0.42%

LAB 75.18, -55.38, 73.43

 

CMYK 37 / 0 / 76 / 32

HEX #6EAE29

RGB 110 174 41

HSL 88.87, 0.62%, 0.42%

LAB 64.76, -41.27, 57.43

 

CMYK 30 / 0 / 63 / 39

HEX #6D9C3A

RGB 109 156 58

HSL 88.78, 0.46%, 0.42%

LAB 59.28, -32.35, 45.06

 

CMYK 22 / 0 / 46 / 45

HEX #6D8B4B

RGB 109 139 75

HSL 88.13, 0.3%, 0.42%

LAB 54.26, -22.21, 30.73

 

CMYK 11 / 0 / 24 / 52

HEX #6C7A5D

RGB 108 122 93

HSL 88.97, 0.13%, 0.42%

LAB 49.37, -10.86, 14.19

 

CMYK 3 / 5 / 0 / 57

HEX #6B686E

RGB 107 104 110

HSL 270, 0.03%, 0.42%

LAB 44.45, 2.41, -2.95

 

CMYK 0 / 5 / 76 / 32

HEX #AEA529

RGB 174 165 41

HSL 55.94, 0.62%, 0.42%

LAB 66.57, -10.6, 60.71

 

CMYK 16 / 0 / 76 / 32

HEX #93AE29

RGB 147 174 41

HSL 72.18, 0.62%, 0.42%

LAB 67, -26.79, 60.34

 

CMYK 36 / 0 / 76 / 32

HEX #70AE29

RGB 112 174 41

HSL 87.97, 0.62%, 0.42%

LAB 64.86, -40.55, 57.56

 

CMYK 56 / 0 / 76 / 32

HEX #4CAE29

RGB 76 174 41

HSL 104.21, 0.62%, 0.42%

LAB 63.32, -52.03, 55.53

 

CMYK 76 / 0 / 76 / 32

HEX #29AE29

RGB 41 174 41

HSL 120, 0.62%, 0.42%

LAB 62.43, -59.4, 54.36

 

CMYK 36 / 0 / 77 / 58

HEX #446B19

RGB 68 107 25

HSL 88.54, 0.62%, 0.26%

LAB 40.92, -27.9, 39.19

 

CMYK 36 / 0 / 76 / 45

HEX #598C21

RGB 89 140 33

HSL 88.6, 0.62%, 0.34%

LAB 52.94, -34.53, 48.38

 

CMYK 37 / 0 / 76 / 32

HEX #6EAE29

RGB 110 174 41

HSL 88.87, 0.62%, 0.42%

LAB 64.76, -41.27, 57.43

 

CMYK 37 / 0 / 76 / 19

HEX #83CF31

RGB 131 207 49

HSL 88.86, 0.62%, 0.5%

LAB 75.87, -47.33, 65.83

 

CMYK 29 / 0 / 62 / 16

HEX #97D652

RGB 151 214 82

HSL 88.64, 0.62%, 0.58%

LAB 79.2, -40.95, 57.23

 

CMYK 37 / 0 / 77 / 31

HEX #6FAF29

RGB 111 175 41

HSL 88.66, 0.62%, 0.42%

LAB 65.12, -41.34, 57.79

 

CMYK 76 / 0 / 26 / 32

HEX #29AE81

RGB 41 174 129

HSL 159.7, 0.62%, 0.42%

LAB 63.61, -45.7, 13.26

 

CMYK 0 / 76 / 5 / 32

HEX #AE29A5

RGB 174 41 165

HSL 304.06, 0.62%, 0.42%

LAB 43.21, 65.3, -37.28

 

CMYK 37 / 0 / 77 / 31

HEX #6FAF29

RGB 111 175 41

HSL 88.66, 0.62%, 0.42%

LAB 65.12, -41.34, 57.79

 

CMYK 76 / 36 / 0 / 32

HEX #2970AE

RGB 41 112 174

HSL 207.97, 0.62%, 0.42%

LAB 45.79, -0.11, -39.29

 

CMYK 0 / 76 / 36 / 32

HEX #AE2970

RGB 174 41 112

HSL 327.97, 0.62%, 0.42%

LAB 40.82, 58.17, -8.62

 

CMYK 37 / 0 / 77 / 31

HEX #6FAF29

RGB 111 175 41

HSL 88.66, 0.62%, 0.42%

LAB 65.12, -41.34, 57.79

 

CMYK 76 / 0 / 26 / 32

HEX #29AE81

RGB 41 174 129

HSL 159.7, 0.62%, 0.42%

LAB 63.61, -45.7, 13.26

 

CMYK 41 / 76 / 0 / 32

HEX #6729AE

RGB 103 41 174

HSL 267.97, 0.62%, 0.42%

LAB 32.97, 53.13, -59.7

 

CMYK 0 / 76 / 51 / 32

HEX #AE2955

RGB 174 41 85

HSL 340.15, 0.62%, 0.42%

LAB 39.98, 55.54, 7.15

 

CMYK 37 / 0 / 77 / 31

HEX #6FAF29

RGB 111 175 41

HSL 88.66, 0.62%, 0.42%

LAB 65.12, -41.34, 57.79

 

CMYK 76 / 0 / 3 / 32

HEX #29AEA9

RGB 41 174 169

HSL 177.74, 0.62%, 0.42%

LAB 64.65, -35.1, -7.45

 

CMYK 41 / 76 / 0 / 32

HEX #6729AE

RGB 103 41 174

HSL 267.97, 0.62%, 0.42%

LAB 32.97, 53.13, -59.7

 

CMYK 0 / 76 / 74 / 32

HEX #AE292D

RGB 174 41 45

HSL 358.2, 0.62%, 0.42%

LAB 39.2, 53, 31.12

 

Description

Color code: HEX #6FAF29 | qconv.com Color code: HEX #6FAF29 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 175 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 175 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 77 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 77% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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