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Color name
HEX #6FAC2E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FAC2E it is the complementary color #9053D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FAC2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FAC2E shade: #74AC29, #85BE3C, #96D04F, #A7E262 and #B8F475

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FAC2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FAC2E shade: #6FAC2E, #5E9A1B, #4D8808, #3C7600 and #2B6400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FAC2E shade: #70AD2E, #92AD2E, #ADA62E, #AD842E and #AD622E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FAC2E shade: #70AD2E, #4DAD2E, #2EAD31, #2EAD53 and #2EAD76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FAC2E shade matches the following richer shades: #70AD2E, #70BF1C and #71D10B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FAC2E shade: #70AD2E, #6F9C40, #6F8A52, #6E7863 and #6D6675

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FAC2E shade: #ADA72E, #92AD2E, #70AD2E, #4EAD2E and #2EAD30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FAC2E shade: #466C1D, #5B8D25, #70AD2E, #85CB3A and #99D35B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FAC2E shade: #6FAC2E, #2EAD85 and #AD2EA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FAC2E shade: #6FAC2E, #2E70AD and #AD2E70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FAC2E shade: #6FAC2E, #2EAD85, #6C2EAD and #AD2E56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FAC2E shade: #6FAC2E, #2EADAB, #6C2EAD and #AD2E30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 73 / 33

HEX #6FAC2E

RGB 111 172 46

HSL 89.05, 0.58%, 0.43%

LAB 64.23, -39.74, 55.18

 

Complementary color

CMYK 31 / 60 / 0 / 18

HEX #9053D1

RGB 144 83 209

HSL 269.05, 0.58%, 0.57%

LAB 47.9, 49.56, -55.74

 

CMYK 33 / 0 / 76 / 33

HEX #74AC29

RGB 116 172 41

HSL 85.65, 0.62%, 0.42%

LAB 64.47, -38.2, 57.26

 

CMYK 30 / 0 / 68 / 25

HEX #85BE3C

RGB 133 190 60

HSL 86.31, 0.52%, 0.49%

LAB 70.97, -38.63, 57.12

 

CMYK 28 / 0 / 62 / 18

HEX #96D04F

RGB 150 208 79

HSL 86.98, 0.58%, 0.56%

LAB 77.38, -38.91, 56.48

 

CMYK 26 / 0 / 57 / 11

HEX #A7E262

RGB 167 226 98

HSL 87.66, 0.69%, 0.64%

LAB 83.7, -39.07, 55.58

 

CMYK 25 / 0 / 52 / 4

HEX #B8F475

RGB 184 244 117

HSL 88.35, 0.85%, 0.71%

LAB 89.94, -39.16, 54.55

 

CMYK 35 / 0 / 73 / 33

HEX #6FAC2E

RGB 111 172 46

HSL 89.05, 0.58%, 0.43%

LAB 64.23, -39.74, 55.18

 

CMYK 39 / 0 / 82 / 40

HEX #5E9A1B

RGB 94 154 27

HSL 88.35, 0.7%, 0.35%

LAB 57.63, -39.17, 54.8

 

CMYK 43 / 0 / 94 / 47

HEX #4D8808

RGB 77 136 8

HSL 87.66, 0.89%, 0.28%

LAB 50.92, -38.27, 52.98

 

CMYK 49 / 0 / 100 / 54

HEX #3C7600

RGB 60 118 0

HSL 89.49, 1%, 0.23%

LAB 44.11, -36.91, 48.79

 

CMYK 57 / 0 / 100 / 61

HEX #2B6400

RGB 43 100 0

HSL 94.2, 1%, 0.2%

LAB 37.17, -35.15, 43.03

 

CMYK 35 / 0 / 73 / 32

HEX #70AD2E

RGB 112 173 46

HSL 88.82, 0.58%, 0.43%

LAB 64.59, -39.81, 55.56

 

CMYK 16 / 0 / 73 / 32

HEX #92AD2E

RGB 146 173 46

HSL 72.76, 0.58%, 0.43%

LAB 66.67, -26.47, 58.3

 

CMYK 0 / 4 / 73 / 32

HEX #ADA62E

RGB 173 166 46

HSL 56.69, 0.58%, 0.43%

LAB 66.79, -11.34, 59.15

 

CMYK 0 / 24 / 73 / 32

HEX #AD842E

RGB 173 132 46

HSL 40.63, 0.58%, 0.43%

LAB 57.64, 7.07, 50.21

 

CMYK 0 / 43 / 73 / 32

HEX #AD622E

RGB 173 98 46

HSL 24.57, 0.58%, 0.43%

LAB 49.27, 26.08, 41.6

 

CMYK 35 / 0 / 73 / 32

HEX #70AD2E

RGB 112 173 46

HSL 88.82, 0.58%, 0.43%

LAB 64.59, -39.81, 55.56

 

CMYK 55 / 0 / 73 / 32

HEX #4DAD2E

RGB 77 173 46

HSL 105.35, 0.58%, 0.43%

LAB 63.06, -51.04, 53.53

 

CMYK 73 / 0 / 72 / 32

HEX #2EAD31

RGB 46 173 49

HSL 121.42, 0.58%, 0.43%

LAB 62.24, -57.64, 51.3

 

CMYK 73 / 0 / 52 / 32

HEX #2EAD53

RGB 46 173 83

HSL 137.48, 0.58%, 0.43%

LAB 62.59, -53.57, 36.37

 

CMYK 73 / 0 / 32 / 32

HEX #2EAD76

RGB 46 173 118

HSL 154.02, 0.58%, 0.43%

LAB 63.16, -47.11, 18.67

 

CMYK 35 / 0 / 73 / 32

HEX #70AD2E

RGB 112 173 46

HSL 88.82, 0.58%, 0.43%

LAB 64.59, -39.81, 55.56

 

CMYK 41 / 0 / 85 / 25

HEX #70BF1C

RGB 112 191 28

HSL 89.08, 0.74%, 0.43%

LAB 70.03, -48.24, 65.88

 

CMYK 46 / 0 / 95 / 18

HEX #71D10B

RGB 113 209 11

HSL 89.09, 0.9%, 0.43%

LAB 75.54, -55.37, 73.23

 

CMYK 35 / 0 / 73 / 32

HEX #70AD2E

RGB 112 173 46

HSL 88.82, 0.58%, 0.43%

LAB 64.59, -39.81, 55.56

 

CMYK 29 / 0 / 59 / 39

HEX #6F9C40

RGB 111 156 64

HSL 89.35, 0.42%, 0.43%

LAB 59.46, -31.02, 42.52

 

CMYK 20 / 0 / 41 / 46

HEX #6F8A52

RGB 111 138 82

HSL 88.93, 0.25%, 0.43%

LAB 54.2, -19.96, 26.9

 

CMYK 8 / 0 / 18 / 53

HEX #6E7863

RGB 110 120 99

HSL 88.57, 0.1%, 0.43%

LAB 49.07, -7.89, 10.29

 

CMYK 7 / 13 / 0 / 54

HEX #6D6675

RGB 109 102 117

HSL 268, 0.07%, 0.43%

LAB 44.29, 5.88, -7.4

 

CMYK 0 / 3 / 73 / 32

HEX #ADA72E

RGB 173 167 46

HSL 57.17, 0.58%, 0.43%

LAB 67.07, -11.86, 59.42

 

CMYK 16 / 0 / 73 / 32

HEX #92AD2E

RGB 146 173 46

HSL 72.76, 0.58%, 0.43%

LAB 66.67, -26.47, 58.3

 

CMYK 35 / 0 / 73 / 32

HEX #70AD2E

RGB 112 173 46

HSL 88.82, 0.58%, 0.43%

LAB 64.59, -39.81, 55.56

 

CMYK 55 / 0 / 73 / 32

HEX #4EAD2E

RGB 78 173 46

HSL 104.88, 0.58%, 0.43%

LAB 63.1, -50.76, 53.58

 

CMYK 73 / 0 / 72 / 32

HEX #2EAD30

RGB 46 173 48

HSL 120.94, 0.58%, 0.43%

LAB 62.24, -57.72, 51.68

 

CMYK 35 / 0 / 73 / 58

HEX #466C1D

RGB 70 108 29

HSL 88.86, 0.58%, 0.27%

LAB 41.4, -27.29, 38.07

 

CMYK 35 / 0 / 74 / 45

HEX #5B8D25

RGB 91 141 37

HSL 88.85, 0.58%, 0.35%

LAB 53.39, -33.96, 47.38

 

CMYK 35 / 0 / 73 / 32

HEX #70AD2E

RGB 112 173 46

HSL 88.82, 0.58%, 0.43%

LAB 64.59, -39.81, 55.56

 

CMYK 34 / 0 / 71 / 20

HEX #85CB3A

RGB 133 203 58

HSL 88.97, 0.58%, 0.51%

LAB 74.83, -44.42, 61.81

 

CMYK 27 / 0 / 57 / 17

HEX #99D35B

RGB 153 211 91

HSL 89, 0.58%, 0.59%

LAB 78.53, -38.08, 52.56

 

CMYK 35 / 0 / 73 / 33

HEX #6FAC2E

RGB 111 172 46

HSL 89.05, 0.58%, 0.43%

LAB 64.23, -39.74, 55.18

 

CMYK 73 / 0 / 23 / 32

HEX #2EAD85

RGB 46 173 133

HSL 161.1, 0.58%, 0.43%

LAB 63.48, -43.68, 10.87

 

CMYK 0 / 73 / 6 / 32

HEX #AD2EA3

RGB 173 46 163

HSL 304.72, 0.58%, 0.43%

LAB 43.48, 63.21, -35.67

 

CMYK 35 / 0 / 73 / 33

HEX #6FAC2E

RGB 111 172 46

HSL 89.05, 0.58%, 0.43%

LAB 64.23, -39.74, 55.18

 

CMYK 73 / 35 / 0 / 32

HEX #2E70AD

RGB 46 112 173

HSL 208.82, 0.58%, 0.43%

LAB 45.89, 0.18, -38.54

 

CMYK 0 / 73 / 35 / 32

HEX #AD2E70

RGB 173 46 112

HSL 328.82, 0.58%, 0.43%

LAB 41.23, 56.24, -8.03

 

CMYK 35 / 0 / 73 / 33

HEX #6FAC2E

RGB 111 172 46

HSL 89.05, 0.58%, 0.43%

LAB 64.23, -39.74, 55.18

 

CMYK 73 / 0 / 23 / 32

HEX #2EAD85

RGB 46 173 133

HSL 161.1, 0.58%, 0.43%

LAB 63.48, -43.68, 10.87

 

CMYK 38 / 73 / 0 / 32

HEX #6C2EAD

RGB 108 46 173

HSL 269.29, 0.58%, 0.43%

LAB 34.31, 51.55, -56.89

 

CMYK 0 / 73 / 50 / 32

HEX #AD2E56

RGB 173 46 86

HSL 341.1, 0.58%, 0.43%

LAB 40.43, 53.63, 7.12

 

CMYK 35 / 0 / 73 / 33

HEX #6FAC2E

RGB 111 172 46

HSL 89.05, 0.58%, 0.43%

LAB 64.23, -39.74, 55.18

 

CMYK 73 / 0 / 1 / 32

HEX #2EADAB

RGB 46 173 171

HSL 179.06, 0.58%, 0.43%

LAB 64.49, -33.47, -8.8

 

CMYK 38 / 73 / 0 / 32

HEX #6C2EAD

RGB 108 46 173

HSL 269.29, 0.58%, 0.43%

LAB 34.31, 51.55, -56.89

 

CMYK 0 / 73 / 72 / 32

HEX #AD2E30

RGB 173 46 48

HSL 359.06, 0.58%, 0.43%

LAB 39.67, 51.09, 29.82

 

Description

Color code: HEX #6FAC2E | qconv.com Color code: HEX #6FAC2E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 172 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 172 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 73 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 73% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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