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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F982A it is the complementary color #9067D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F982A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F982A shade: #749825, #85AA38, #96BC4B, #A7CE5E and #B8E071

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F982A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F982A shade: #6F982A, #5E8617, #4D7404, #3C6200 and #2B5000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F982A shade: #6F982A, #8D982A, #98862A, #98682A and #984A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F982A shade: #6F982A, #51982A, #33982A, #2A983E and #2A985C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F982A shade matches the following richer shades: #6F982A, #73A81A and #77B70A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F982A shade: #6F982A, #6B8839, #677949, #636959 and #5F5968

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F982A shade: #98862A, #8D982A, #70982A, #52982A and #35982A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F982A shade: #405718, #577821, #6F982A, #87B933 and #9BCD48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F982A shade: #6F982A, #2A9868 and #942A98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F982A shade: #6F982A, #2A7098 and #982A70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F982A shade: #6F982A, #2A9868, #522A98 and #982A5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F982A shade: #6F982A, #2A9889, #522A98 and #982A38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 72 / 40

HEX #6F982A

RGB 111 152 42

HSL 82.36, 0.57%, 0.38%

LAB 58.04, -30.94, 50.5

 

Complementary color

CMYK 32 / 52 / 0 / 16

HEX #9067D5

RGB 144 103 213

HSL 262.36, 0.57%, 0.62%

LAB 52.32, 39.62, -50.95

 

CMYK 24 / 0 / 76 / 40

HEX #749825

RGB 116 152 37

HSL 78.78, 0.61%, 0.37%

LAB 58.32, -29.22, 52.73

 

CMYK 22 / 0 / 67 / 33

HEX #85AA38

RGB 133 170 56

HSL 79.47, 0.5%, 0.44%

LAB 64.98, -29.71, 52.49

 

CMYK 20 / 0 / 60 / 26

HEX #96BC4B

RGB 150 188 75

HSL 80.18, 0.46%, 0.52%

LAB 71.53, -30.05, 51.75

 

CMYK 19 / 0 / 54 / 19

HEX #A7CE5E

RGB 167 206 94

HSL 80.89, 0.53%, 0.59%

LAB 77.97, -30.27, 50.77

 

CMYK 18 / 0 / 50 / 12

HEX #B8E071

RGB 184 224 113

HSL 81.62, 0.64%, 0.66%

LAB 84.33, -30.42, 49.69

 

CMYK 27 / 0 / 72 / 40

HEX #6F982A

RGB 111 152 42

HSL 82.36, 0.57%, 0.38%

LAB 58.04, -30.94, 50.5

 

CMYK 30 / 0 / 83 / 47

HEX #5E8617

RGB 94 134 23

HSL 81.62, 0.71%, 0.31%

LAB 51.26, -30.35, 50.19

 

CMYK 34 / 0 / 97 / 55

HEX #4D7404

RGB 77 116 4

HSL 80.89, 0.93%, 0.24%

LAB 44.34, -29.47, 48.43

 

CMYK 39 / 0 / 100 / 62

HEX #3C6200

RGB 60 98 0

HSL 83.27, 1%, 0.19%

LAB 37.29, -28.09, 43.48

 

CMYK 46 / 0 / 100 / 69

HEX #2B5000

RGB 43 80 0

HSL 87.75, 1%, 0.16%

LAB 30.04, -26.5, 37.45

 

CMYK 27 / 0 / 72 / 40

HEX #6F982A

RGB 111 152 42

HSL 82.36, 0.57%, 0.38%

LAB 58.04, -30.94, 50.5

 

CMYK 7 / 0 / 72 / 40

HEX #8D982A

RGB 141 152 42

HSL 66, 0.57%, 0.38%

LAB 60.15, -18.32, 53.29

 

CMYK 0 / 12 / 72 / 40

HEX #98862A

RGB 152 134 42

HSL 50.18, 0.57%, 0.38%

LAB 55.98, -3.77, 49.51

 

CMYK 0 / 32 / 72 / 40

HEX #98682A

RGB 152 104 42

HSL 33.82, 0.57%, 0.38%

LAB 47.93, 13.23, 41.31

 

CMYK 0 / 51 / 72 / 40

HEX #984A2A

RGB 152 74 42

HSL 17.45, 0.57%, 0.38%

LAB 40.8, 30.18, 33.6

 

CMYK 27 / 0 / 72 / 40

HEX #6F982A

RGB 111 152 42

HSL 82.36, 0.57%, 0.38%

LAB 58.04, -30.94, 50.5

 

CMYK 47 / 0 / 72 / 40

HEX #51982A

RGB 81 152 42

HSL 98.73, 0.57%, 0.38%

LAB 56.46, -41.89, 48.39

 

CMYK 66 / 0 / 72 / 40

HEX #33982A

RGB 51 152 42

HSL 115.09, 0.57%, 0.38%

LAB 55.41, -50.1, 46.98

 

CMYK 72 / 0 / 59 / 40

HEX #2A983E

RGB 42 152 62

HSL 130.91, 0.57%, 0.38%

LAB 55.38, -49.69, 38.04

 

CMYK 72 / 0 / 39 / 40

HEX #2A985C

RGB 42 152 92

HSL 147.27, 0.57%, 0.38%

LAB 55.81, -44.74, 22.96

 

CMYK 27 / 0 / 72 / 40

HEX #6F982A

RGB 111 152 42

HSL 82.36, 0.57%, 0.38%

LAB 58.04, -30.94, 50.5

 

CMYK 32 / 0 / 85 / 34

HEX #73A81A

RGB 115 168 26

HSL 82.39, 0.73%, 0.38%

LAB 63.11, -37.5, 60.38

 

CMYK 35 / 0 / 95 / 28

HEX #77B70A

RGB 119 183 10

HSL 82.2, 0.9%, 0.38%

LAB 67.88, -42.93, 67.31

 

CMYK 27 / 0 / 72 / 40

HEX #6F982A

RGB 111 152 42

HSL 82.36, 0.57%, 0.38%

LAB 58.04, -30.94, 50.5

 

CMYK 21 / 0 / 58 / 47

HEX #6B8839

RGB 107 136 57

HSL 82.03, 0.41%, 0.38%

LAB 52.98, -23.54, 38.41

 

CMYK 15 / 0 / 40 / 53

HEX #677949

RGB 103 121 73

HSL 82.5, 0.25%, 0.38%

LAB 48.31, -15.46, 24.17

 

CMYK 6 / 0 / 15 / 59

HEX #636959

RGB 99 105 89

HSL 82.5, 0.08%, 0.38%

LAB 43.47, -5.52, 8.22

 

CMYK 9 / 14 / 0 / 59

HEX #5F5968

RGB 95 89 104

HSL 264, 0.08%, 0.38%

LAB 38.86, 5.64, -7.71

 

CMYK 0 / 12 / 72 / 40

HEX #98862A

RGB 152 134 42

HSL 50.18, 0.57%, 0.38%

LAB 55.98, -3.77, 49.51

 

CMYK 7 / 0 / 72 / 40

HEX #8D982A

RGB 141 152 42

HSL 66, 0.57%, 0.38%

LAB 60.15, -18.32, 53.29

 

CMYK 26 / 0 / 72 / 40

HEX #70982A

RGB 112 152 42

HSL 81.82, 0.57%, 0.38%

LAB 58.1, -30.54, 50.59

 

CMYK 46 / 0 / 72 / 40

HEX #52982A

RGB 82 152 42

HSL 98.18, 0.57%, 0.38%

LAB 56.5, -41.56, 48.45

 

CMYK 65 / 0 / 72 / 40

HEX #35982A

RGB 53 152 42

HSL 114, 0.57%, 0.38%

LAB 55.46, -49.66, 47.05

 

CMYK 26 / 0 / 72 / 66

HEX #405718

RGB 64 87 24

HSL 81.9, 0.57%, 0.22%

LAB 33.93, -19.63, 32.42

 

CMYK 28 / 0 / 73 / 53

HEX #577821

RGB 87 120 33

HSL 82.76, 0.57%, 0.3%

LAB 46.4, -25.9, 41.84

 

CMYK 27 / 0 / 72 / 40

HEX #6F982A

RGB 111 152 42

HSL 82.36, 0.57%, 0.38%

LAB 58.04, -30.94, 50.5

 

CMYK 27 / 0 / 72 / 27

HEX #87B933

RGB 135 185 51

HSL 82.39, 0.57%, 0.46%

LAB 69.53, -36.23, 59.08

 

CMYK 24 / 0 / 65 / 20

HEX #9BCD48

RGB 155 205 72

HSL 82.56, 0.57%, 0.54%

LAB 76.74, -36.24, 58.78

 

CMYK 27 / 0 / 72 / 40

HEX #6F982A

RGB 111 152 42

HSL 82.36, 0.57%, 0.38%

LAB 58.04, -30.94, 50.5

 

CMYK 72 / 0 / 32 / 40

HEX #2A9868

RGB 42 152 104

HSL 153.82, 0.57%, 0.38%

LAB 56.04, -42.22, 16.62

 

CMYK 3 / 72 / 0 / 40

HEX #942A98

RGB 148 42 152

HSL 297.82, 0.57%, 0.38%

LAB 38.23, 57.09, -37.63

 

CMYK 27 / 0 / 72 / 40

HEX #6F982A

RGB 111 152 42

HSL 82.36, 0.57%, 0.38%

LAB 58.04, -30.94, 50.5

 

CMYK 72 / 26 / 0 / 40

HEX #2A7098

RGB 42 112 152

HSL 201.82, 0.57%, 0.38%

LAB 44.73, -8.05, -28.02

 

CMYK 0 / 72 / 26 / 40

HEX #982A70

RGB 152 42 112

HSL 321.82, 0.57%, 0.38%

LAB 36.93, 51.9, -14.9

 

CMYK 27 / 0 / 72 / 40

HEX #6F982A

RGB 111 152 42

HSL 82.36, 0.57%, 0.38%

LAB 58.04, -30.94, 50.5

 

CMYK 72 / 0 / 32 / 40

HEX #2A9868

RGB 42 152 104

HSL 153.82, 0.57%, 0.38%

LAB 56.04, -42.22, 16.62

 

CMYK 46 / 72 / 0 / 40

HEX #522A98

RGB 82 42 152

HSL 261.82, 0.57%, 0.38%

LAB 28.69, 43.23, -53.51

 

CMYK 0 / 72 / 41 / 40

HEX #982A5A

RGB 152 42 90

HSL 333.82, 0.57%, 0.38%

LAB 36.12, 49.24, -2.15

 

CMYK 27 / 0 / 72 / 40

HEX #6F982A

RGB 111 152 42

HSL 82.36, 0.57%, 0.38%

LAB 58.04, -30.94, 50.5

 

CMYK 72 / 0 / 10 / 40

HEX #2A9889

RGB 42 152 137

HSL 171.82, 0.57%, 0.38%

LAB 56.84, -33.91, -0.94

 

CMYK 46 / 72 / 0 / 40

HEX #522A98

RGB 82 42 152

HSL 261.82, 0.57%, 0.38%

LAB 28.69, 43.23, -53.51

 

CMYK 0 / 72 / 63 / 40

HEX #982A38

RGB 152 42 56

HSL 352.36, 0.57%, 0.38%

LAB 35.24, 46.26, 18.48

 

Description

Color code: HEX #6F982A | qconv.com Color code: HEX #6F982A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 152 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 152 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 72 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 72% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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