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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F8CD4 it is the complementary color #90732B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F8CD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F8CD4 shade: #748CCF, #859EE2, #96B0F5, #A7C2FF and #B8D4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F8CD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F8CD4 shade: #6F8CD4, #5E7AC1, #4D68AE, #3C569B and #2B4488

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F8CD4 shade: #6E8BD4, #6E6FD4, #876ED4, #A36ED4 and #BE6ED4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F8CD4 shade: #6E8BD4, #6E6FD4 and #6E6ED4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F8CD4 shade matches the following richer shades: #6E8BD4, #5E84E3 and #4F7EF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F8CD4 shade: #6E8BD4, #7D91C4, #8C98B5, #9B9EA6 and #ABA597

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F8CD4 shade: #6EC3D4, #6EA7D4, #6E8CD4, #6E71D4 and #856ED4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F8CD4 shade: #375CB8, #4E72CA, #6E8BD4, #8DA4DD and #ADBEE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F8CD4 shade: #6F8CD4, #C96ED4 and #B5D46E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F8CD4 shade: #6F8CD4, #D46E8C and #8CD46E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F8CD4 shade: #6F8CD4, #C96ED4, #D4B56E and #78D46E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F8CD4 shade: #6F8CD4, #D46EBF, #D4B56E and #6ED482

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 34 / 0 / 17

HEX #6F8CD4

RGB 111 140 212

HSL 222.77, 0.54%, 0.63%

LAB 58.87, 9.25, -40.18

 

Complementary color

CMYK 0 / 20 / 70 / 44

HEX #90732B

RGB 144 115 43

HSL 42.77, 0.54%, 0.37%

LAB 49.94, 3.29, 42.65

 

CMYK 44 / 32 / 0 / 19

HEX #748CCF

RGB 116 140 207

HSL 224.18, 0.49%, 0.63%

LAB 58.95, 9.01, -37.23

 

CMYK 41 / 30 / 0 / 11

HEX #859EE2

RGB 133 158 226

HSL 223.87, 0.62%, 0.7%

LAB 65.7, 8.38, -37.19

 

CMYK 39 / 28 / 0 / 4

HEX #96B0F5

RGB 150 176 245

HSL 223.58, 0.83%, 0.77%

LAB 72.31, 7.83, -37.19

 

CMYK 35 / 24 / 0 / 0

HEX #A7C2FF

RGB 167 194 255

HSL 221.59, 1%, 0.83%

LAB 78.47, 5.05, -32.95

 

CMYK 28 / 17 / 0 / 0

HEX #B8D4FF

RGB 184 212 255

HSL 216.34, 1%, 0.86%

LAB 84.22, 0.14, -24.05

 

CMYK 48 / 34 / 0 / 17

HEX #6F8CD4

RGB 111 140 212

HSL 222.77, 0.54%, 0.63%

LAB 58.87, 9.25, -40.18

 

CMYK 51 / 37 / 0 / 24

HEX #5E7AC1

RGB 94 122 193

HSL 223.03, 0.44%, 0.56%

LAB 52.01, 10.11, -40.3

 

CMYK 56 / 40 / 0 / 32

HEX #4D68AE

RGB 77 104 174

HSL 223.3, 0.39%, 0.49%

LAB 44.99, 11.17, -40.46

 

CMYK 61 / 45 / 0 / 39

HEX #3C569B

RGB 60 86 155

HSL 223.58, 0.44%, 0.42%

LAB 37.81, 12.51, -40.68

 

CMYK 68 / 50 / 0 / 47

HEX #2B4488

RGB 43 68 136

HSL 223.87, 0.52%, 0.35%

LAB 30.46, 14.26, -40.94

 

CMYK 48 / 34 / 0 / 17

HEX #6E8BD4

RGB 110 139 212

HSL 222.94, 0.54%, 0.63%

LAB 58.54, 9.59, -40.71

 

CMYK 48 / 48 / 0 / 17

HEX #6E6FD4

RGB 110 111 212

HSL 239.41, 0.54%, 0.63%

LAB 51.19, 26.39, -52.35

 

CMYK 36 / 48 / 0 / 17

HEX #876ED4

RGB 135 110 212

HSL 254.71, 0.54%, 0.63%

LAB 53.01, 33.04, -49.34

 

CMYK 23 / 48 / 0 / 17

HEX #A36ED4

RGB 163 110 212

HSL 271.18, 0.54%, 0.63%

LAB 55.78, 40.48, -44.77

 

CMYK 10 / 48 / 0 / 17

HEX #BE6ED4

RGB 190 110 212

HSL 287.06, 0.54%, 0.63%

LAB 58.84, 48, -39.74

 

CMYK 48 / 34 / 0 / 17

HEX #6E8BD4

RGB 110 139 212

HSL 222.94, 0.54%, 0.63%

LAB 58.54, 9.59, -40.71

 

CMYK 48 / 48 / 0 / 17

HEX #6E6FD4

RGB 110 111 212

HSL 239.41, 0.54%, 0.63%

LAB 51.19, 26.39, -52.35

 

CMYK 48 / 48 / 0 / 17

HEX #6E6ED4

RGB 110 110 212

HSL 240, 0.54%, 0.63%

LAB 50.94, 26.99, -52.76

 

CMYK 48 / 34 / 0 / 17

HEX #6E8BD4

RGB 110 139 212

HSL 222.94, 0.54%, 0.63%

LAB 58.54, 9.59, -40.71

 

CMYK 59 / 42 / 0 / 11

HEX #5E84E3

RGB 94 132 227

HSL 222.86, 0.7%, 0.63%

LAB 56.51, 15.03, -52.37

 

CMYK 67 / 48 / 0 / 5

HEX #4F7EF2

RGB 79 126 242

HSL 222.7, 0.86%, 0.63%

LAB 55.07, 21.19, -63.08

 

CMYK 48 / 34 / 0 / 17

HEX #6E8BD4

RGB 110 139 212

HSL 222.94, 0.54%, 0.63%

LAB 58.54, 9.59, -40.71

 

CMYK 36 / 26 / 0 / 23

HEX #7D91C4

RGB 125 145 196

HSL 223.1, 0.38%, 0.63%

LAB 60.42, 5.43, -28.7

 

CMYK 23 / 16 / 0 / 29

HEX #8C98B5

RGB 140 152 181

HSL 222.44, 0.22%, 0.63%

LAB 62.82, 2.15, -16.5

 

CMYK 7 / 5 / 0 / 35

HEX #9B9EA6

RGB 155 158 166

HSL 223.64, 0.06%, 0.63%

LAB 65.1, 0.52, -4.54

 

CMYK 0 / 4 / 12 / 33

HEX #ABA597

RGB 171 165 151

HSL 42, 0.11%, 0.63%

LAB 67.87, -0.32, 8.02

 

CMYK 48 / 8 / 0 / 17

HEX #6EC3D4

RGB 110 195 212

HSL 190, 0.54%, 0.63%

LAB 74.25, -21.23, -16.5

 

CMYK 48 / 21 / 0 / 17

HEX #6EA7D4

RGB 110 167 212

HSL 206.47, 0.54%, 0.63%

LAB 66.29, -6.4, -28.63

 

CMYK 48 / 34 / 0 / 17

HEX #6E8CD4

RGB 110 140 212

HSL 222.35, 0.54%, 0.63%

LAB 58.81, 9, -40.28

 

CMYK 48 / 47 / 0 / 17

HEX #6E71D4

RGB 110 113 212

HSL 238.24, 0.54%, 0.63%

LAB 51.7, 25.18, -51.55

 

CMYK 37 / 48 / 0 / 17

HEX #856ED4

RGB 133 110 212

HSL 253.53, 0.54%, 0.63%

LAB 52.83, 32.54, -49.63

 

CMYK 70 / 50 / 0 / 28

HEX #375CB8

RGB 55 92 184

HSL 222.79, 0.54%, 0.47%

LAB 41.1, 18.28, -52.6

 

CMYK 61 / 44 / 0 / 21

HEX #4E72CA

RGB 78 114 202

HSL 222.58, 0.54%, 0.55%

LAB 49.4, 14.62, -49.64

 

CMYK 48 / 34 / 0 / 17

HEX #6E8BD4

RGB 110 139 212

HSL 222.94, 0.54%, 0.63%

LAB 58.54, 9.59, -40.71

 

CMYK 36 / 26 / 0 / 13

HEX #8DA4DD

RGB 141 164 221

HSL 222.75, 0.54%, 0.71%

LAB 67.6, 5.75, -31.44

 

CMYK 25 / 18 / 0 / 9

HEX #ADBEE7

RGB 173 190 231

HSL 222.41, 0.55%, 0.79%

LAB 76.97, 3.09, -22.33

 

CMYK 48 / 34 / 0 / 17

HEX #6F8CD4

RGB 111 140 212

HSL 222.77, 0.54%, 0.63%

LAB 58.87, 9.25, -40.18

 

CMYK 5 / 48 / 0 / 17

HEX #C96ED4

RGB 201 110 212

HSL 293.53, 0.54%, 0.63%

LAB 60.18, 51.1, -37.54

 

CMYK 15 / 0 / 48 / 17

HEX #B5D46E

RGB 181 212 110

HSL 78.24, 0.54%, 0.63%

LAB 80.76, -26.18, 46.76

 

CMYK 48 / 34 / 0 / 17

HEX #6F8CD4

RGB 111 140 212

HSL 222.77, 0.54%, 0.63%

LAB 58.87, 9.25, -40.18

 

CMYK 0 / 48 / 34 / 17

HEX #D46E8C

RGB 212 110 140

HSL 342.35, 0.54%, 0.63%

LAB 59.01, 43.26, 2.07

 

CMYK 34 / 0 / 48 / 17

HEX #8CD46E

RGB 140 212 110

HSL 102.35, 0.54%, 0.63%

LAB 78.34, -40.98, 43.24

 

CMYK 48 / 34 / 0 / 17

HEX #6F8CD4

RGB 111 140 212

HSL 222.77, 0.54%, 0.63%

LAB 58.87, 9.25, -40.18

 

CMYK 5 / 48 / 0 / 17

HEX #C96ED4

RGB 201 110 212

HSL 293.53, 0.54%, 0.63%

LAB 60.18, 51.1, -37.54

 

CMYK 0 / 15 / 48 / 17

HEX #D4B56E

RGB 212 181 110

HSL 41.76, 0.54%, 0.63%

LAB 74.93, 2, 40.14

 

CMYK 43 / 0 / 48 / 17

HEX #78D46E

RGB 120 212 110

HSL 114.12, 0.54%, 0.63%

LAB 77.4, -47.31, 41.88

 

CMYK 48 / 34 / 0 / 17

HEX #6F8CD4

RGB 111 140 212

HSL 222.77, 0.54%, 0.63%

LAB 58.87, 9.25, -40.18

 

CMYK 0 / 48 / 10 / 17

HEX #D46EBF

RGB 212 110 191

HSL 312.35, 0.54%, 0.63%

LAB 60.7, 50.62, -24.73

 

CMYK 0 / 15 / 48 / 17

HEX #D4B56E

RGB 212 181 110

HSL 41.76, 0.54%, 0.63%

LAB 74.93, 2, 40.14

 

CMYK 48 / 0 / 39 / 17

HEX #6ED482

RGB 110 212 130

HSL 131.76, 0.54%, 0.63%

LAB 77.29, -47.16, 31.62

 

Description

Color code: HEX #6F8CD4 | qconv.com Color code: HEX #6F8CD4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 140 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 140 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 34 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 34% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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