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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F8823 it is the complementary color #9077DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F8823. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F8823 shade: #74881E, #859A31, #96AC44, #A7BE57 and #B8D06A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F8823. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F8823 shade: #6F8823, #5E7610, #4D6400, #3C5200 and #2B4000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F8823 shade: #718A24, #8A8824, #8A6C24, #8A5024 and #8A3524

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F8823 shade: #718A24, #558A24, #398A24, #248A29 and #248A45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F8823 shade matches the following richer shades: #718A24, #789816 and #7FA607

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F8823 shade: #718A24, #697C32, #626E40, #5B604E and #54525C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F8823 shade: #8A6B24, #8A8624, #728A24, #578A24 and #3B8A24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F8823 shade: #3B4813, #56691B, #718A24, #8BAB2C and #A6CB35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F8823 shade: #6F8823, #248A50 and #79248A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F8823 shade: #6F8823, #24728A and #8A2472

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F8823 shade: #6F8823, #248A50, #3B248A and #8A245E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F8823 shade: #6F8823, #248A6F, #3B248A and #8A243F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 74 / 47

HEX #6F8823

RGB 111 136 35

HSL 74.85, 0.59%, 0.34%

LAB 53.07, -23.58, 48.24

 

Complementary color

CMYK 35 / 46 / 0 / 14

HEX #9077DC

RGB 144 119 220

HSL 254.85, 0.59%, 0.66%

LAB 56.38, 32.26, -48.45

 

CMYK 15 / 0 / 78 / 47

HEX #74881E

RGB 116 136 30

HSL 71.32, 0.64%, 0.33%

LAB 53.4, -21.69, 50.48

 

CMYK 14 / 0 / 68 / 40

HEX #859A31

RGB 133 154 49

HSL 72, 0.52%, 0.4%

LAB 60.18, -22.36, 50.37

 

CMYK 13 / 0 / 60 / 33

HEX #96AC44

RGB 150 172 68

HSL 72.69, 0.43%, 0.47%

LAB 66.83, -22.86, 49.66

 

CMYK 12 / 0 / 54 / 25

HEX #A7BE57

RGB 167 190 87

HSL 73.4, 0.44%, 0.54%

LAB 73.37, -23.22, 48.67

 

CMYK 12 / 0 / 49 / 18

HEX #B8D06A

RGB 184 208 106

HSL 74.12, 0.52%, 0.62%

LAB 79.81, -23.49, 47.57

 

CMYK 18 / 0 / 74 / 47

HEX #6F8823

RGB 111 136 35

HSL 74.85, 0.59%, 0.34%

LAB 53.07, -23.58, 48.24

 

CMYK 20 / 0 / 86 / 54

HEX #5E7610

RGB 94 118 16

HSL 74.12, 0.76%, 0.26%

LAB 46.14, -22.81, 47.63

 

CMYK 23 / 0 / 100 / 61

HEX #4D6400

RGB 77 100 0

HSL 73.8, 1%, 0.2%

LAB 39.06, -21.74, 45.31

 

CMYK 27 / 0 / 100 / 68

HEX #3C5200

RGB 60 82 0

HSL 76.1, 1%, 0.16%

LAB 31.8, -20.17, 39.26

 

CMYK 33 / 0 / 100 / 75

HEX #2B4000

RGB 43 64 0

HSL 79.69, 1%, 0.13%

LAB 24.26, -18.56, 32.42

 

CMYK 18 / 0 / 74 / 46

HEX #718A24

RGB 113 138 36

HSL 74.71, 0.59%, 0.34%

LAB 53.83, -23.67, 48.66

 

CMYK 0 / 1 / 74 / 46

HEX #8A8824

RGB 138 136 36

HSL 58.82, 0.59%, 0.34%

LAB 55.22, -11.54, 50.68

 

CMYK 0 / 22 / 74 / 46

HEX #8A6C24

RGB 138 108 36

HSL 42.35, 0.59%, 0.34%

LAB 47.31, 4.13, 42.92

 

CMYK 0 / 42 / 74 / 46

HEX #8A5024

RGB 138 80 36

HSL 25.88, 0.59%, 0.34%

LAB 40.03, 20.46, 35.38

 

CMYK 0 / 62 / 74 / 46

HEX #8A3524

RGB 138 53 36

HSL 10, 0.59%, 0.34%

LAB 34.14, 35.21, 28.92

 

CMYK 18 / 0 / 74 / 46

HEX #718A24

RGB 113 138 36

HSL 74.71, 0.59%, 0.34%

LAB 53.83, -23.67, 48.66

 

CMYK 38 / 0 / 74 / 46

HEX #558A24

RGB 85 138 36

HSL 91.18, 0.59%, 0.34%

LAB 52.1, -34.92, 46.37

 

CMYK 59 / 0 / 74 / 46

HEX #398A24

RGB 57 138 36

HSL 107.65, 0.59%, 0.34%

LAB 50.89, -43.96, 44.75

 

CMYK 74 / 0 / 70 / 46

HEX #248A29

RGB 36 138 41

HSL 122.94, 0.59%, 0.34%

LAB 50.35, -48.25, 41.97

 

CMYK 74 / 0 / 50 / 46

HEX #248A45

RGB 36 138 69

HSL 139.41, 0.59%, 0.34%

LAB 50.67, -44.5, 28.73

 

CMYK 18 / 0 / 74 / 46

HEX #718A24

RGB 113 138 36

HSL 74.71, 0.59%, 0.34%

LAB 53.83, -23.67, 48.66

 

CMYK 21 / 0 / 86 / 40

HEX #789816

RGB 120 152 22

HSL 74.77, 0.75%, 0.34%

LAB 58.52, -28.23, 57.49

 

CMYK 23 / 0 / 96 / 35

HEX #7FA607

RGB 127 166 7

HSL 74.72, 0.92%, 0.34%

LAB 63.18, -32.31, 64.15

 

CMYK 18 / 0 / 74 / 46

HEX #718A24

RGB 113 138 36

HSL 74.71, 0.59%, 0.34%

LAB 53.83, -23.67, 48.66

 

CMYK 15 / 0 / 60 / 51

HEX #697C32

RGB 105 124 50

HSL 75.41, 0.43%, 0.34%

LAB 49.07, -18.89, 37.34

 

CMYK 11 / 0 / 42 / 57

HEX #626E40

RGB 98 110 64

HSL 75.65, 0.26%, 0.34%

LAB 44.4, -12.78, 24.15

 

CMYK 5 / 0 / 19 / 62

HEX #5B604E

RGB 91 96 78

HSL 76.67, 0.1%, 0.34%

LAB 39.82, -5.55, 9.64

 

CMYK 9 / 11 / 0 / 64

HEX #54525C

RGB 84 82 92

HSL 252, 0.06%, 0.34%

LAB 35.38, 3.03, -5.53

 

CMYK 0 / 22 / 74 / 46

HEX #8A6B24

RGB 138 107 36

HSL 41.76, 0.59%, 0.34%

LAB 47.03, 4.7, 42.64

 

CMYK 0 / 3 / 74 / 46

HEX #8A8624

RGB 138 134 36

HSL 57.65, 0.59%, 0.34%

LAB 54.64, -10.46, 50.13

 

CMYK 17 / 0 / 74 / 46

HEX #728A24

RGB 114 138 36

HSL 74.12, 0.59%, 0.34%

LAB 53.9, -23.24, 48.75

 

CMYK 37 / 0 / 74 / 46

HEX #578A24

RGB 87 138 36

HSL 90, 0.59%, 0.34%

LAB 52.21, -34.18, 46.51

 

CMYK 57 / 0 / 74 / 46

HEX #3B8A24

RGB 59 138 36

HSL 106.47, 0.59%, 0.34%

LAB 50.96, -43.41, 44.84

 

CMYK 18 / 0 / 74 / 72

HEX #3B4813

RGB 59 72 19

HSL 74.72, 0.58%, 0.18%

LAB 28.41, -14.12, 28.88

 

CMYK 18 / 0 / 74 / 59

HEX #56691B

RGB 86 105 27

HSL 74.62, 0.59%, 0.26%

LAB 41.47, -19.09, 39.32

 

CMYK 18 / 0 / 74 / 46

HEX #718A24

RGB 113 138 36

HSL 74.71, 0.59%, 0.34%

LAB 53.83, -23.67, 48.66

 

CMYK 19 / 0 / 74 / 33

HEX #8BAB2C

RGB 139 171 44

HSL 75.12, 0.59%, 0.42%

LAB 65.59, -28.51, 57.8

 

CMYK 18 / 0 / 74 / 20

HEX #A6CB35

RGB 166 203 53

HSL 74.8, 0.59%, 0.5%

LAB 76.72, -32.23, 66.05

 

CMYK 18 / 0 / 74 / 47

HEX #6F8823

RGB 111 136 35

HSL 74.85, 0.59%, 0.34%

LAB 53.07, -23.58, 48.24

 

CMYK 74 / 0 / 42 / 46

HEX #248A50

RGB 36 138 80

HSL 145.88, 0.59%, 0.34%

LAB 50.84, -42.51, 22.98

 

CMYK 12 / 74 / 0 / 46

HEX #79248A

RGB 121 36 138

HSL 290, 0.59%, 0.34%

LAB 32.17, 50.66, -38.98

 

CMYK 18 / 0 / 74 / 47

HEX #6F8823

RGB 111 136 35

HSL 74.85, 0.59%, 0.34%

LAB 53.07, -23.58, 48.24

 

CMYK 74 / 17 / 0 / 46

HEX #24728A

RGB 36 114 138

HSL 194.12, 0.59%, 0.34%

LAB 44.58, -15.04, -19.94

 

CMYK 0 / 74 / 17 / 46

HEX #8A2472

RGB 138 36 114

HSL 314.12, 0.59%, 0.34%

LAB 33.73, 50.63, -21.3

 

CMYK 18 / 0 / 74 / 47

HEX #6F8823

RGB 111 136 35

HSL 74.85, 0.59%, 0.34%

LAB 53.07, -23.58, 48.24

 

CMYK 74 / 0 / 42 / 46

HEX #248A50

RGB 36 138 80

HSL 145.88, 0.59%, 0.34%

LAB 50.84, -42.51, 22.98

 

CMYK 57 / 74 / 0 / 46

HEX #3B248A

RGB 59 36 138

HSL 253.53, 0.59%, 0.34%

LAB 23.76, 38.43, -53.02

 

CMYK 0 / 74 / 32 / 46

HEX #8A245E

RGB 138 36 94

HSL 325.88, 0.59%, 0.34%

LAB 32.86, 47.88, -9.86

 

CMYK 18 / 0 / 74 / 47

HEX #6F8823

RGB 111 136 35

HSL 74.85, 0.59%, 0.34%

LAB 53.07, -23.58, 48.24

 

CMYK 74 / 0 / 20 / 46

HEX #248A6F

RGB 36 138 111

HSL 164.12, 0.59%, 0.34%

LAB 51.5, -35.41, 6.26

 

CMYK 57 / 74 / 0 / 46

HEX #3B248A

RGB 59 36 138

HSL 253.53, 0.59%, 0.34%

LAB 23.76, 38.43, -53.02

 

CMYK 0 / 74 / 54 / 46

HEX #8A243F

RGB 138 36 63

HSL 344.12, 0.59%, 0.34%

LAB 31.86, 44.6, 8.92

 

Description

Color code: HEX #6F8823 | qconv.com Color code: HEX #6F8823 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 136 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 136 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 74 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 74% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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