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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F84C0 it is the complementary color #907B3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F84C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F84C0 shade: #7484BB, #8596CE, #96A8E1, #A7BAF4 and #B8CCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F84C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F84C0 shade: #6F84C0, #5E72AD, #4D609A, #3C4E87 and #2B3C74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F84C0 shade: #6E83BF, #6F6EBF, #856EBF, #9B6EBF and #B06EBF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F84C0 shade: #6E83BF and #6E6EBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F84C0 shade matches the following richer shades: #6E83BF, #5D7BD0, #4C73E1 and #3B6AF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F84C0 shade: #6E83BF, #7F8BAE, #90939D, #A09B8C and #B1A37C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F84C0 shade: #6EAFBF, #6E99BF, #6E83BF, #6E6EBF and #836EBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F84C0 shade: #435998, #516AB3, #6E83BF, #8A9BCC and #A7B4D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F84C0 shade: #6F84C0, #BA6EBF and #A4BF6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F84C0 shade: #6F84C0, #BF6E83 and #83BF6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F84C0 shade: #6F84C0, #BA6EBF, #BFA96E and #73BF6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F84C0 shade: #6F84C0, #BF6EAC, #BFA96E and #6EBF81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 31 / 0 / 25

HEX #6F84C0

RGB 111 132 192

HSL 224.44, 0.39%, 0.59%

LAB 55.77, 8.06, -33.74

 

Complementary color

CMYK 0 / 15 / 56 / 44

HEX #907B3F

RGB 144 123 63

HSL 44.44, 0.39%, 0.41%

LAB 52.35, 0.21, 35.41

 

CMYK 38 / 29 / 0 / 27

HEX #7484BB

RGB 116 132 187

HSL 226.48, 0.34%, 0.59%

LAB 55.89, 8, -30.68

 

CMYK 35 / 27 / 0 / 19

HEX #8596CE

RGB 133 150 206

HSL 226.03, 0.43%, 0.66%

LAB 62.72, 7.5, -30.71

 

CMYK 33 / 25 / 0 / 12

HEX #96A8E1

RGB 150 168 225

HSL 225.6, 0.56%, 0.74%

LAB 69.42, 7.05, -30.78

 

CMYK 32 / 24 / 0 / 4

HEX #A7BAF4

RGB 167 186 244

HSL 225.19, 0.78%, 0.81%

LAB 75.99, 6.66, -30.88

 

CMYK 28 / 20 / 0 / 0

HEX #B8CCFF

RGB 184 204 255

HSL 223.1, 1%, 0.86%

LAB 82.16, 4.4, -27.2

 

CMYK 42 / 31 / 0 / 25

HEX #6F84C0

RGB 111 132 192

HSL 224.44, 0.39%, 0.59%

LAB 55.77, 8.06, -33.74

 

CMYK 46 / 34 / 0 / 32

HEX #5E72AD

RGB 94 114 173

HSL 224.81, 0.33%, 0.52%

LAB 48.8, 8.76, -33.8

 

CMYK 50 / 38 / 0 / 40

HEX #4D609A

RGB 77 96 154

HSL 225.19, 0.33%, 0.45%

LAB 41.65, 9.62, -33.92

 

CMYK 56 / 42 / 0 / 47

HEX #3C4E87

RGB 60 78 135

HSL 225.6, 0.38%, 0.38%

LAB 34.31, 10.71, -34.11

 

CMYK 63 / 48 / 0 / 55

HEX #2B3C74

RGB 43 60 116

HSL 226.03, 0.46%, 0.31%

LAB 26.75, 12.17, -34.37

 

CMYK 42 / 31 / 0 / 25

HEX #6E83BF

RGB 110 131 191

HSL 224.44, 0.39%, 0.59%

LAB 55.39, 8.1, -33.77

 

CMYK 42 / 42 / 0 / 25

HEX #6F6EBF

RGB 111 110 191

HSL 240.74, 0.39%, 0.59%

LAB 49.85, 20.98, -42.48

 

CMYK 30 / 42 / 0 / 25

HEX #856EBF

RGB 133 110 191

HSL 257.04, 0.39%, 0.59%

LAB 51.72, 26.96, -39.4

 

CMYK 19 / 42 / 0 / 25

HEX #9B6EBF

RGB 155 110 191

HSL 273.33, 0.39%, 0.59%

LAB 53.9, 33.35, -35.82

 

CMYK 8 / 42 / 0 / 25

HEX #B06EBF

RGB 176 110 191

HSL 288.89, 0.39%, 0.59%

LAB 56.23, 39.67, -32.01

 

CMYK 42 / 31 / 0 / 25

HEX #6E83BF

RGB 110 131 191

HSL 224.44, 0.39%, 0.59%

LAB 55.39, 8.1, -33.77

 

CMYK 42 / 42 / 0 / 25

HEX #6E6EBF

RGB 110 110 191

HSL 240, 0.39%, 0.59%

LAB 49.77, 20.73, -42.61

 

CMYK 42 / 31 / 0 / 25

HEX #6E83BF

RGB 110 131 191

HSL 224.44, 0.39%, 0.59%

LAB 55.39, 8.1, -33.77

 

CMYK 55 / 41 / 0 / 18

HEX #5D7BD0

RGB 93 123 208

HSL 224.35, 0.55%, 0.59%

LAB 53, 14.08, -47.27

 

CMYK 66 / 49 / 0 / 12

HEX #4C73E1

RGB 76 115 225

HSL 224.3, 0.71%, 0.59%

LAB 50.96, 21.6, -60.19

 

CMYK 76 / 56 / 0 / 5

HEX #3B6AF2

RGB 59 106 242

HSL 224.59, 0.88%, 0.59%

LAB 49.07, 31.05, -72.83

 

CMYK 42 / 31 / 0 / 25

HEX #6E83BF

RGB 110 131 191

HSL 224.44, 0.39%, 0.59%

LAB 55.39, 8.1, -33.77

 

CMYK 27 / 20 / 0 / 32

HEX #7F8BAE

RGB 127 139 174

HSL 224.68, 0.22%, 0.59%

LAB 58.07, 3.75, -19.84

 

CMYK 8 / 6 / 0 / 38

HEX #90939D

RGB 144 147 157

HSL 226.15, 0.06%, 0.59%

LAB 60.99, 0.94, -5.64

 

CMYK 0 / 3 / 13 / 37

HEX #A09B8C

RGB 160 155 140

HSL 45, 0.1%, 0.59%

LAB 64.01, -0.86, 8.51

 

CMYK 0 / 8 / 30 / 31

HEX #B1A37C

RGB 177 163 124

HSL 44.15, 0.25%, 0.59%

LAB 67.27, -1.02, 22.14

 

CMYK 42 / 8 / 0 / 25

HEX #6EAFBF

RGB 110 175 191

HSL 191.85, 0.39%, 0.59%

LAB 67.83, -16.54, -14.69

 

CMYK 42 / 20 / 0 / 25

HEX #6E99BF

RGB 110 153 191

HSL 208.15, 0.39%, 0.59%

LAB 61.53, -4.59, -24.26

 

CMYK 42 / 31 / 0 / 25

HEX #6E83BF

RGB 110 131 191

HSL 224.44, 0.39%, 0.59%

LAB 55.39, 8.1, -33.77

 

CMYK 42 / 42 / 0 / 25

HEX #6E6EBF

RGB 110 110 191

HSL 240, 0.39%, 0.59%

LAB 49.77, 20.73, -42.61

 

CMYK 31 / 42 / 0 / 25

HEX #836EBF

RGB 131 110 191

HSL 255.56, 0.39%, 0.59%

LAB 51.54, 26.39, -39.7

 

CMYK 56 / 41 / 0 / 40

HEX #435998

RGB 67 89 152

HSL 224.47, 0.39%, 0.43%

LAB 38.91, 11.02, -37.11

 

CMYK 55 / 41 / 0 / 30

HEX #516AB3

RGB 81 106 179

HSL 224.69, 0.39%, 0.51%

LAB 46.06, 12.46, -41.67

 

CMYK 42 / 31 / 0 / 25

HEX #6E83BF

RGB 110 131 191

HSL 224.44, 0.39%, 0.59%

LAB 55.39, 8.1, -33.77

 

CMYK 32 / 24 / 0 / 20

HEX #8A9BCC

RGB 138 155 204

HSL 224.55, 0.39%, 0.67%

LAB 64.33, 5.54, -27.09

 

CMYK 23 / 17 / 0 / 15

HEX #A7B4D8

RGB 167 180 216

HSL 224.08, 0.39%, 0.75%

LAB 73.43, 3.24, -19.62

 

CMYK 42 / 31 / 0 / 25

HEX #6F84C0

RGB 111 132 192

HSL 224.44, 0.39%, 0.59%

LAB 55.77, 8.06, -33.74

 

CMYK 3 / 42 / 0 / 25

HEX #BA6EBF

RGB 186 110 191

HSL 296.3, 0.39%, 0.59%

LAB 57.42, 42.71, -30.08

 

CMYK 14 / 0 / 42 / 25

HEX #A4BF6E

RGB 164 191 110

HSL 80, 0.39%, 0.59%

LAB 73.73, -22.48, 37.79

 

CMYK 42 / 31 / 0 / 25

HEX #6F84C0

RGB 111 132 192

HSL 224.44, 0.39%, 0.59%

LAB 55.77, 8.06, -33.74

 

CMYK 0 / 42 / 31 / 25

HEX #BF6E83

RGB 191 110 131

HSL 344.44, 0.39%, 0.59%

LAB 55.95, 34.61, 2.52

 

CMYK 31 / 0 / 42 / 25

HEX #83BF6E

RGB 131 191 110

HSL 104.44, 0.39%, 0.59%

LAB 71.7, -34.56, 34.8

 

CMYK 42 / 31 / 0 / 25

HEX #6F84C0

RGB 111 132 192

HSL 224.44, 0.39%, 0.59%

LAB 55.77, 8.06, -33.74

 

CMYK 3 / 42 / 0 / 25

HEX #BA6EBF

RGB 186 110 191

HSL 296.3, 0.39%, 0.59%

LAB 57.42, 42.71, -30.08

 

CMYK 0 / 12 / 42 / 25

HEX #BFA96E

RGB 191 169 110

HSL 43.7, 0.39%, 0.59%

LAB 69.88, -0.26, 33.34

 

CMYK 40 / 0 / 42 / 25

HEX #73BF6E

RGB 115 191 110

HSL 116.3, 0.39%, 0.59%

LAB 70.89, -39.82, 33.6

 

CMYK 42 / 31 / 0 / 25

HEX #6F84C0

RGB 111 132 192

HSL 224.44, 0.39%, 0.59%

LAB 55.77, 8.06, -33.74

 

CMYK 0 / 42 / 10 / 25

HEX #BF6EAC

RGB 191 110 172

HSL 314.07, 0.39%, 0.59%

LAB 57.28, 40.85, -19.34

 

CMYK 0 / 12 / 42 / 25

HEX #BFA96E

RGB 191 169 110

HSL 43.7, 0.39%, 0.59%

LAB 69.88, -0.26, 33.34

 

CMYK 42 / 0 / 32 / 25

HEX #6EBF81

RGB 110 191 129

HSL 134.07, 0.39%, 0.59%

LAB 70.98, -38.22, 23.74

 

Description

Color code: HEX #6F84C0 | qconv.com Color code: HEX #6F84C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 132 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 132 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 31 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 31% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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