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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F82CDCE it is the complementary color #907D32CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F82CDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F82CDCE shade: #7482C8CE, #8594DBCE, #96A6EECE, #A7B8FFCE and #B8CAFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F82CDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F82CDCE shade: #6F82CDCE, #5E70BACE, #4D5EA7CE, #3C4C94CE and #2B3A81CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F82CDCE shade: #7082CD, #7670CD, #8F70CD, #A870CD and #C170CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F82CDCE shade: #7082CD and #7070CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F82CDCE shade matches the following richer shades: #7082CD, #6079DC, #5070EC and #4166FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F82CDCE shade: #7082CD, #7F8CBD, #8F95AD, #9F9E9E and #AEA88E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F82CDCE shade: #70B5CD, #709DCD, #7084CD, #7470CD and #8D70CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F82CDCE shade: #3D53AD, #5168C2, #7082CD, #8E9DD7 and #ADB7E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F82CDCE shade: #6F82CD, #CB70CD and #A9CD70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F82CDCE shade: #6F82CD, #CD7084 and #84CD70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F82CDCE shade: #6F82CD, #CB70CD, #CDB870 and #71CD70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F82CDCE shade: #6F82CD, #CD70B2, #CDB870 and #70CD8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 30 / 0 / 16

HEX #6F82CDCE

RGBA 111 130 205 0.81

HSLA 227.87, 0.48%, 0.62%, 0.81

LABA 55.84, 13.07, -41.01, 0.81

 

Complementary color

CMYK 0 / 11 / 53 / 35

HEX #907D32CE

RGBA 144 125 50 0.81

HSLA 47.87, 0.48%, 0.38%, 0.81

LABA 52.76, -1.93, 42.38, 0.81

 

CMYK 34 / 28 / 0 / 17

HEX #7482C8CE

RGBA 116 130 200 0.81

HSLA 230, 0.43%, 0.62%, 0.81

LABA 55.94, 12.88, -38, 0.81

 

CMYK 32 / 26 / 0 / 11

HEX #8594DBCE

RGBA 133 148 219 0.81

HSLA 229.53, 0.54%, 0.69%, 0.81

LABA 62.74, 12.18, -37.92, 0.81

 

CMYK 30 / 25 / 0 / 5

HEX #96A6EECE

RGBA 150 166 238 0.81

HSLA 229.09, 0.72%, 0.76%, 0.81

LABA 69.42, 11.58, -37.89, 0.81

 

CMYK 28 / 23 / 0 / 0

HEX #A7B8FFCE

RGBA 167 184 255 0.81

HSLA 228.41, 1%, 0.83%, 0.81

LABA 75.89, 10.54, -36.94, 0.81

 

CMYK 23 / 17 / 0 / 0

HEX #B8CAFFCE

RGBA 184 202 255 0.81

HSLA 224.79, 1%, 0.86%, 0.81

LABA 81.65, 5.47, -27.98, 0.81

 

CMYK 37 / 30 / 0 / 16

HEX #6F82CDCE

RGBA 111 130 205 0.81

HSLA 227.87, 0.48%, 0.62%, 0.81

LABA 55.84, 13.07, -41.01, 0.81

 

CMYK 40 / 32 / 0 / 22

HEX #5E70BACE

RGBA 94 112 186 0.81

HSLA 228.26, 0.4%, 0.55%, 0.81

LABA 48.9, 14.01, -41.18, 0.81

 

CMYK 44 / 35 / 0 / 28

HEX #4D5EA7CE

RGBA 77 94 167 0.81

HSLA 228.67, 0.37%, 0.48%, 0.81

LABA 41.8, 15.15, -41.41, 0.81

 

CMYK 48 / 39 / 0 / 34

HEX #3C4C94CE

RGBA 60 76 148 0.81

HSLA 229.09, 0.42%, 0.41%, 0.81

LABA 34.53, 16.58, -41.69, 0.81

 

CMYK 54 / 45 / 0 / 40

HEX #2B3A81CE

RGBA 43 58 129 0.81

HSLA 229.53, 0.5%, 0.34%, 0.81

LABA 27.09, 18.45, -42.03, 0.81

 

CMYK 45 / 37 / 0 / 20

HEX #7082CD

RGB 112 130 205

HSL 228.39, 0.48%, 0.62%

LAB 55.9, 13.32, -40.9

 

CMYK 42 / 45 / 0 / 20

HEX #7670CD

RGB 118 112 205

HSL 243.87, 0.48%, 0.62%

LAB 51.66, 25.62, -47.59

 

CMYK 30 / 45 / 0 / 20

HEX #8F70CD

RGB 143 112 205

HSL 260, 0.48%, 0.62%

LAB 53.85, 32.16, -43.98

 

CMYK 18 / 45 / 0 / 20

HEX #A870CD

RGB 168 112 205

HSL 276.13, 0.48%, 0.62%

LAB 56.41, 39.18, -39.78

 

CMYK 6 / 45 / 0 / 20

HEX #C170CD

RGB 193 112 205

HSL 292.26, 0.48%, 0.62%

LAB 59.28, 46.44, -35.07

 

CMYK 45 / 37 / 0 / 20

HEX #7082CD

RGB 112 130 205

HSL 228.39, 0.48%, 0.62%

LAB 55.9, 13.32, -40.9

 

CMYK 45 / 45 / 0 / 20

HEX #7070CD

RGB 112 112 205

HSL 240, 0.48%, 0.62%

LAB 51.2, 24.15, -48.36

 

CMYK 45 / 37 / 0 / 20

HEX #7082CD

RGB 112 130 205

HSL 228.39, 0.48%, 0.62%

LAB 55.9, 13.32, -40.9

 

CMYK 56 / 45 / 0 / 14

HEX #6079DC

RGB 96 121 220

HSL 227.9, 0.64%, 0.62%

LAB 53.31, 19.81, -53.55

 

CMYK 66 / 53 / 0 / 7

HEX #5070EC

RGB 80 112 236

HSL 227.69, 0.8%, 0.62%

LAB 51.09, 27.89, -66.15

 

CMYK 74 / 60 / 0 / 1

HEX #4166FC

RGB 65 102 252

HSL 228.13, 0.97%, 0.62%

LAB 49.07, 37.72, -78.38

 

CMYK 45 / 37 / 0 / 20

HEX #7082CD

RGB 112 130 205

HSL 228.39, 0.48%, 0.62%

LAB 55.9, 13.32, -40.9

 

CMYK 33 / 26 / 0 / 26

HEX #7F8CBD

RGB 127 140 189

HSL 227.42, 0.32%, 0.62%

LAB 58.92, 7.03, -27.06

 

CMYK 17 / 14 / 0 / 32

HEX #8F95AD

RGB 143 149 173

HSL 228, 0.15%, 0.62%

LAB 61.96, 2.96, -13.27

 

CMYK 0 / 1 / 1 / 38

HEX #9F9E9E

RGB 159 158 158

HSL 0, 0.01%, 0.62%

LAB 65.19, 0.36, 0.12

 

CMYK 0 / 3 / 18 / 32

HEX #AEA88E

RGB 174 168 142

HSL 48.75, 0.16%, 0.62%

LAB 68.72, -2.27, 14.22

 

CMYK 45 / 12 / 0 / 20

HEX #70B5CD

RGB 112 181 205

HSL 195.48, 0.48%, 0.62%

LAB 70.11, -15.43, -18.94

 

CMYK 45 / 23 / 0 / 20

HEX #709DCD

RGB 112 157 205

HSL 210.97, 0.48%, 0.62%

LAB 63.32, -2.36, -29.34

 

CMYK 45 / 36 / 0 / 20

HEX #7084CD

RGB 112 132 205

HSL 227.1, 0.48%, 0.62%

LAB 56.44, 12.13, -40.06

 

CMYK 43 / 45 / 0 / 20

HEX #7470CD

RGB 116 112 205

HSL 242.58, 0.48%, 0.62%

LAB 51.51, 25.12, -47.85

 

CMYK 31 / 45 / 0 / 20

HEX #8D70CD

RGB 141 112 205

HSL 258.71, 0.48%, 0.62%

LAB 53.66, 31.62, -44.29

 

CMYK 65 / 52 / 0 / 32

HEX #3D53AD

RGB 61 83 173

HSL 228.21, 0.48%, 0.46%

LAB 38.19, 21.1, -50.8

 

CMYK 58 / 46 / 0 / 24

HEX #5168C2

RGB 81 104 194

HSL 227.79, 0.48%, 0.54%

LAB 46.37, 18.72, -49.87

 

CMYK 45 / 37 / 0 / 20

HEX #7082CD

RGB 112 130 205

HSL 228.39, 0.48%, 0.62%

LAB 55.9, 13.32, -40.9

 

CMYK 34 / 27 / 0 / 16

HEX #8E9DD7

RGB 142 157 215

HSL 227.67, 0.48%, 0.7%

LAB 65.57, 8.41, -31.26

 

CMYK 23 / 19 / 0 / 11

HEX #ADB7E2

RGB 173 183 226

HSL 228.68, 0.48%, 0.78%

LAB 74.98, 5.74, -22.66

 

CMYK 46 / 37 / 0 / 20

HEX #6F82CD

RGB 111 130 205

HSL 227.87, 0.48%, 0.62%

LAB 55.84, 13.07, -41.01

 

CMYK 1 / 45 / 0 / 20

HEX #CB70CD

RGB 203 112 205

HSL 298.71, 0.48%, 0.62%

LAB 60.51, 49.36, -33.06

 

CMYK 18 / 0 / 45 / 20

HEX #A9CD70

RGB 169 205 112

HSL 83.23, 0.48%, 0.62%

LAB 78.03, -27.16, 42.25

 

CMYK 46 / 37 / 0 / 20

HEX #6F82CD

RGB 111 130 205

HSL 227.87, 0.48%, 0.62%

LAB 55.84, 13.07, -41.01

 

CMYK 0 / 45 / 36 / 20

HEX #CD7084

RGB 205 112 132

HSL 347.1, 0.48%, 0.62%

LAB 58.26, 38.77, 5.5

 

CMYK 36 / 0 / 45 / 20

HEX #84CD70

RGB 132 205 112

HSL 107.1, 0.48%, 0.62%

LAB 75.91, -40.28, 39.14

 

CMYK 46 / 37 / 0 / 20

HEX #6F82CD

RGB 111 130 205

HSL 227.87, 0.48%, 0.62%

LAB 55.84, 13.07, -41.01

 

CMYK 1 / 45 / 0 / 20

HEX #CB70CD

RGB 203 112 205

HSL 298.71, 0.48%, 0.62%

LAB 60.51, 49.36, -33.06

 

CMYK 0 / 10 / 45 / 20

HEX #CDB870

RGB 205 184 112

HSL 46.45, 0.48%, 0.62%

LAB 75.1, -2.26, 39.18

 

CMYK 45 / 0 / 45 / 20

HEX #71CD70

RGB 113 205 112

HSL 119.35, 0.48%, 0.62%

LAB 75.04, -46.16, 37.86

 

CMYK 46 / 37 / 0 / 20

HEX #6F82CD

RGB 111 130 205

HSL 227.87, 0.48%, 0.62%

LAB 55.84, 13.07, -41.01

 

CMYK 0 / 45 / 13 / 20

HEX #CD70B2

RGB 205 112 178

HSL 317.42, 0.48%, 0.62%

LAB 59.69, 45.31, -18.94

 

CMYK 0 / 10 / 45 / 20

HEX #CDB870

RGB 205 184 112

HSL 46.45, 0.48%, 0.62%

LAB 75.1, -2.26, 39.18

 

CMYK 45 / 0 / 33 / 20

HEX #70CD8A

RGB 112 205 138

HSL 136.77, 0.48%, 0.62%

LAB 75.42, -42.25, 24.99

 

Description

Color code: HEX #6F82CDCE | qconv.com Color code: HEX #6F82CDCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 130 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 130 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 30 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 30% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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