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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F76A4 it is the complementary color #90895B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F76A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F76A4 shade: #74769F, #8588B2, #969AC5, #A7ACD8 and #B8BEEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F76A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F76A4 shade: #6F76A4, #5E6491, #4D527E, #3C406B and #2B2E58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F76A4 shade: #6F76A5, #766FA5, #856FA5, #936FA5 and #A26FA5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F76A4 shade: #6F76A5 and #6F6FA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F76A4 shade matches the following richer shades: #6F76A5, #5C68B8, #495ACB, #364CDE and #233EF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F76A4 shade: #6F76A5, #828492, #95927F, #A8A06C and #BBAE59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F76A4 shade: #6F93A5, #6F84A5, #6F76A5, #766FA5 and #846FA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F76A4 shade: #4A5077, #5A6190, #6F76A5, #888EB5 and #A1A6C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F76A4 shade: #6F76A4, #A56FA1 and #8BA56F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F76A4 shade: #6F76A4, #A56F76 and #76A56F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F76A4 shade: #6F76A4, #A56FA1, #A59D6F and #6FA572

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F76A4 shade: #6F76A4, #A56F91, #A59D6F and #6FA583

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 28 / 0 / 36

HEX #6F76A4

RGB 111 118 164

HSL 232.08, 0.23%, 0.54%

LAB 50.71, 8.55, -25.49

 

Complementary color

CMYK 0 / 5 / 37 / 44

HEX #90895B

RGB 144 137 91

HSL 52.08, 0.23%, 0.46%

LAB 56.66, -4.64, 25.64

 

CMYK 27 / 26 / 0 / 38

HEX #74769F

RGB 116 118 159

HSL 237.21, 0.18%, 0.54%

LAB 50.89, 8.78, -22.26

 

CMYK 25 / 24 / 0 / 30

HEX #8588B2

RGB 133 136 178

HSL 236, 0.23%, 0.61%

LAB 57.86, 8.35, -22.41

 

CMYK 24 / 22 / 0 / 23

HEX #969AC5

RGB 150 154 197

HSL 234.89, 0.29%, 0.68%

LAB 64.66, 7.98, -22.59

 

CMYK 23 / 20 / 0 / 15

HEX #A7ACD8

RGB 167 172 216

HSL 233.88, 0.39%, 0.75%

LAB 71.34, 7.64, -22.8

 

CMYK 22 / 19 / 0 / 8

HEX #B8BEEB

RGB 184 190 235

HSL 232.94, 0.56%, 0.82%

LAB 77.88, 7.33, -23.02

 

CMYK 32 / 28 / 0 / 36

HEX #6F76A4

RGB 111 118 164

HSL 232.08, 0.23%, 0.54%

LAB 50.71, 8.55, -25.49

 

CMYK 35 / 31 / 0 / 43

HEX #5E6491

RGB 94 100 145

HSL 232.94, 0.21%, 0.47%

LAB 43.56, 9.09, -25.46

 

CMYK 39 / 35 / 0 / 51

HEX #4D527E

RGB 77 82 126

HSL 233.88, 0.24%, 0.4%

LAB 36.21, 9.76, -25.5

 

CMYK 44 / 40 / 0 / 58

HEX #3C406B

RGB 60 64 107

HSL 234.89, 0.28%, 0.33%

LAB 28.61, 10.59, -25.62

 

CMYK 51 / 48 / 0 / 65

HEX #2B2E58

RGB 43 46 88

HSL 236, 0.34%, 0.26%

LAB 20.72, 11.71, -25.85

 

CMYK 33 / 28 / 0 / 35

HEX #6F76A5

RGB 111 118 165

HSL 232.22, 0.23%, 0.54%

LAB 50.75, 8.82, -26.01

 

CMYK 28 / 33 / 0 / 35

HEX #766FA5

RGB 118 111 165

HSL 247.78, 0.23%, 0.54%

LAB 49.42, 15.15, -28.03

 

CMYK 19 / 33 / 0 / 35

HEX #856FA5

RGB 133 111 165

HSL 264.44, 0.23%, 0.54%

LAB 50.77, 19.88, -25.83

 

CMYK 11 / 33 / 0 / 35

HEX #936FA5

RGB 147 111 165

HSL 280, 0.23%, 0.54%

LAB 52.16, 24.45, -23.56

 

CMYK 2 / 33 / 0 / 35

HEX #A26FA5

RGB 162 111 165

HSL 296.67, 0.23%, 0.54%

LAB 53.78, 29.43, -20.94

 

CMYK 33 / 28 / 0 / 35

HEX #6F76A5

RGB 111 118 165

HSL 232.22, 0.23%, 0.54%

LAB 50.75, 8.82, -26.01

 

CMYK 33 / 33 / 0 / 35

HEX #6F6FA5

RGB 111 111 165

HSL 240, 0.23%, 0.54%

LAB 48.84, 13.03, -28.97

 

CMYK 33 / 28 / 0 / 35

HEX #6F76A5

RGB 111 118 165

HSL 232.22, 0.23%, 0.54%

LAB 50.75, 8.82, -26.01

 

CMYK 50 / 43 / 0 / 28

HEX #5C68B8

RGB 92 104 184

HSL 232.17, 0.39%, 0.54%

LAB 46.49, 17.84, -43.85

 

CMYK 64 / 56 / 0 / 20

HEX #495ACB

RGB 73 90 203

HSL 232.15, 0.56%, 0.54%

LAB 42.82, 29.17, -60.81

 

CMYK 76 / 66 / 0 / 13

HEX #364CDE

RGB 54 76 222

HSL 232.14, 0.72%, 0.54%

LAB 39.96, 42.1, -76.43

 

CMYK 85 / 74 / 0 / 5

HEX #233EF1

RGB 35 62 241

HSL 232.14, 0.88%, 0.54%

LAB 38.12, 55.42, -90.28

 

CMYK 33 / 28 / 0 / 35

HEX #6F76A5

RGB 111 118 165

HSL 232.22, 0.23%, 0.54%

LAB 50.75, 8.82, -26.01

 

CMYK 11 / 10 / 0 / 43

HEX #828492

RGB 130 132 146

HSL 232.5, 0.07%, 0.54%

LAB 55.4, 2.19, -7.75

 

CMYK 0 / 2 / 15 / 42

HEX #95927F

RGB 149 146 127

HSL 51.82, 0.09%, 0.54%

LAB 60.32, -2.3, 10.47

 

CMYK 0 / 5 / 36 / 34

HEX #A8A06C

RGB 168 160 108

HSL 52, 0.26%, 0.54%

LAB 65.4, -5.1, 28.19

 

CMYK 0 / 7 / 52 / 27

HEX #BBAE59

RGB 187 174 89

HSL 52.04, 0.42%, 0.54%

LAB 70.57, -6.63, 44.82

 

CMYK 33 / 11 / 0 / 35

HEX #6F93A5

RGB 111 147 165

HSL 200, 0.23%, 0.54%

LAB 58.94, -7.96, -13.49

 

CMYK 33 / 20 / 0 / 35

HEX #6F84A5

RGB 111 132 165

HSL 216.67, 0.23%, 0.54%

LAB 54.66, 0.56, -20

 

CMYK 33 / 28 / 0 / 35

HEX #6F76A5

RGB 111 118 165

HSL 232.22, 0.23%, 0.54%

LAB 50.75, 8.82, -26.01

 

CMYK 28 / 33 / 0 / 35

HEX #766FA5

RGB 118 111 165

HSL 247.78, 0.23%, 0.54%

LAB 49.42, 15.15, -28.03

 

CMYK 20 / 33 / 0 / 35

HEX #846FA5

RGB 132 111 165

HSL 263.33, 0.23%, 0.54%

LAB 50.68, 19.56, -25.98

 

CMYK 38 / 33 / 0 / 53

HEX #4A5077

RGB 74 80 119

HSL 232, 0.23%, 0.38%

LAB 35.05, 8.03, -22.99

 

CMYK 38 / 33 / 0 / 44

HEX #5A6190

RGB 90 97 144

HSL 232.22, 0.23%, 0.46%

LAB 42.36, 9.47, -26.75

 

CMYK 33 / 28 / 0 / 35

HEX #6F76A5

RGB 111 118 165

HSL 232.22, 0.23%, 0.54%

LAB 50.75, 8.82, -26.01

 

CMYK 25 / 22 / 0 / 29

HEX #888EB5

RGB 136 142 181

HSL 232, 0.23%, 0.62%

LAB 59.81, 6.57, -21.1

 

CMYK 18 / 15 / 0 / 23

HEX #A1A6C4

RGB 161 166 196

HSL 231.43, 0.23%, 0.7%

LAB 68.63, 4.51, -15.93

 

CMYK 32 / 28 / 0 / 36

HEX #6F76A4

RGB 111 118 164

HSL 232.08, 0.23%, 0.54%

LAB 50.71, 8.55, -25.49

 

CMYK 0 / 33 / 2 / 35

HEX #A56FA1

RGB 165 111 161

HSL 304.44, 0.23%, 0.54%

LAB 53.96, 29.67, -18.3

 

CMYK 16 / 0 / 33 / 35

HEX #8BA56F

RGB 139 165 111

HSL 88.89, 0.23%, 0.54%

LAB 64.6, -18.85, 25.1

 

CMYK 32 / 28 / 0 / 36

HEX #6F76A4

RGB 111 118 164

HSL 232.08, 0.23%, 0.54%

LAB 50.71, 8.55, -25.49

 

CMYK 0 / 33 / 28 / 35

HEX #A56F76

RGB 165 111 118

HSL 352.22, 0.23%, 0.54%

LAB 52.59, 22.42, 4.88

 

CMYK 28 / 0 / 33 / 35

HEX #76A56F

RGB 118 165 111

HSL 112.22, 0.23%, 0.54%

LAB 63.27, -26.54, 23.09

 

CMYK 32 / 28 / 0 / 36

HEX #6F76A4

RGB 111 118 164

HSL 232.08, 0.23%, 0.54%

LAB 50.71, 8.55, -25.49

 

CMYK 0 / 33 / 2 / 35

HEX #A56FA1

RGB 165 111 161

HSL 304.44, 0.23%, 0.54%

LAB 53.96, 29.67, -18.3

 

CMYK 0 / 5 / 33 / 35

HEX #A59D6F

RGB 165 157 111

HSL 51.11, 0.23%, 0.54%

LAB 64.37, -4.33, 25.16

 

CMYK 33 / 0 / 31 / 35

HEX #6FA572

RGB 111 165 114

HSL 123.33, 0.23%, 0.54%

LAB 62.93, -28.43, 20.93

 

CMYK 32 / 28 / 0 / 36

HEX #6F76A4

RGB 111 118 164

HSL 232.08, 0.23%, 0.54%

LAB 50.71, 8.55, -25.49

 

CMYK 0 / 33 / 12 / 35

HEX #A56F91

RGB 165 111 145

HSL 322.22, 0.23%, 0.54%

LAB 53.4, 26.74, -9.81

 

CMYK 0 / 5 / 33 / 35

HEX #A59D6F

RGB 165 157 111

HSL 51.11, 0.23%, 0.54%

LAB 64.37, -4.33, 25.16

 

CMYK 33 / 0 / 21 / 35

HEX #6FA583

RGB 111 165 131

HSL 142.22, 0.23%, 0.54%

LAB 63.28, -25.24, 12.04

 

Description

Color code: HEX #6F76A4 | qconv.com Color code: HEX #6F76A4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 118 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 118 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 28 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 28% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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