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Color name
HEX #6F5ADE3F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F5ADE3F it is the complementary color #90A5213F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F5ADE3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F5ADE3F shade: #745AD93F, #856CEC3F, #967EFF3F, #A790FF3F and #B8A2FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F5ADE3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F5ADE3F shade: #6F5ADE3F, #5E48CB3F, #4D36B83F, #3C24A53F and #2B12923F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F5ADE3F shade: #6E59DE, #9259DE, #B659DE, #DA59DE and #DE59BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F5ADE3F shade: #6E59DE and #5959DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F5ADE3F shade matches the following richer shades: #6E59DE, #6349EE and #5839FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F5ADE3F shade: #6E59DE, #7969CE, #8479BE, #8F89AE and #9A999E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F5ADE3F shade: #598CDE, #5968DE, #6D59DE, #9059DE and #B459DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F5ADE3F shade: #3E26BF, #5036D7, #6E59DE, #8C7BE5 and #AA9EEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F5ADE3F shade: #6F5ADE, #DE59B0 and #7ADE59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F5ADE3F shade: #6F5ADE, #DE6D59 and #59DE6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F5ADE3F shade: #6F5ADE, #DE59B0, #CADE59 and #59DE88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F5ADE3F shade: #6F5ADE, #DE5988, #CADE59 and #59DEB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 15 / 0 / 3

HEX #6F5ADE3F

RGBA 111 90 222 0.25

HSLA 249.55, 0.67%, 0.61%, 0.25

LABA 46.93, 42.11, -64.9, 0.25

 

Complementary color

CMYK 3 / 0 / 20 / 9

HEX #90A5213F

RGBA 144 165 33 0.25

HSLA 69.55, 0.67%, 0.39%, 0.25

LABA 64.12, -24, 60.1, 0.25

 

CMYK 12 / 15 / 0 / 4

HEX #745AD93F

RGBA 116 90 217 0.25

HSLA 252.28, 0.63%, 0.6%, 0.25

LABA 47.02, 41.66, -61.89, 0.25

 

CMYK 11 / 14 / 0 / 2

HEX #856CEC3F

RGBA 133 108 236 0.25

HSLA 251.72, 0.77%, 0.67%, 0.25

LABA 53.78, 40.32, -61.63, 0.25

 

CMYK 10 / 13 / 0 / 0

HEX #967EFF3F

RGBA 150 126 255 0.25

HSLA 251.16, 1%, 0.75%, 0.25

LABA 60.45, 39.1, -61.37, 0.25

 

CMYK 9 / 11 / 0 / 0

HEX #A790FF3F

RGBA 167 144 255 0.25

HSLA 252.43, 1%, 0.78%, 0.25

LABA 66.05, 33.03, -52.38, 0.25

 

CMYK 7 / 9 / 0 / 0

HEX #B8A2FF3F

RGBA 184 162 255 0.25

HSLA 254.19, 1%, 0.82%, 0.25

LABA 71.73, 27.48, -43.34, 0.25

 

CMYK 13 / 15 / 0 / 3

HEX #6F5ADE3F

RGBA 111 90 222 0.25

HSLA 249.55, 0.67%, 0.61%, 0.25

LABA 46.93, 42.11, -64.9, 0.25

 

CMYK 13 / 16 / 0 / 5

HEX #5E48CB3F

RGBA 94 72 203 0.25

HSLA 250.08, 0.56%, 0.54%, 0.25

LABA 40.12, 43.68, -65.13, 0.25

 

CMYK 15 / 18 / 0 / 7

HEX #4D36B83F

RGBA 77 54 184 0.25

HSLA 250.62, 0.55%, 0.47%, 0.25

LABA 33.3, 45.32, -65.22, 0.25

 

CMYK 16 / 20 / 0 / 9

HEX #3C24A53F

RGBA 60 36 165 0.25

HSLA 251.16, 0.64%, 0.39%, 0.25

LABA 26.56, 46.83, -64.99, 0.25

 

CMYK 18 / 22 / 0 / 11

HEX #2B12923F

RGBA 43 18 146 0.25

HSLA 251.72, 0.78%, 0.32%, 0.25

LABA 20.13, 47.69, -64.04, 0.25

 

CMYK 50 / 60 / 0 / 13

HEX #6E59DE

RGB 110 89 222

HSL 249.47, 0.67%, 0.61%

LAB 46.62, 42.5, -65.4

 

CMYK 34 / 60 / 0 / 13

HEX #9259DE

RGB 146 89 222

HSL 265.71, 0.67%, 0.61%

LAB 50.13, 50.04, -59.55

 

CMYK 18 / 60 / 0 / 13

HEX #B659DE

RGB 182 89 222

HSL 281.95, 0.67%, 0.61%

LAB 54.41, 58.43, -52.46

 

CMYK 2 / 60 / 0 / 13

HEX #DA59DE

RGB 218 89 222

HSL 298.2, 0.67%, 0.61%

LAB 59.27, 67.17, -44.44

 

CMYK 0 / 60 / 14 / 13

HEX #DE59BE

RGB 222 89 190

HSL 314.44, 0.67%, 0.61%

LAB 58.41, 63.09, -27.58

 

CMYK 50 / 60 / 0 / 13

HEX #6E59DE

RGB 110 89 222

HSL 249.47, 0.67%, 0.61%

LAB 46.62, 42.5, -65.4

 

CMYK 60 / 60 / 0 / 13

HEX #5959DE

RGB 89 89 222

HSL 240, 0.67%, 0.61%

LAB 45, 38.74, -68.11

 

CMYK 50 / 60 / 0 / 13

HEX #6E59DE

RGB 110 89 222

HSL 249.47, 0.67%, 0.61%

LAB 46.62, 42.5, -65.4

 

CMYK 58 / 69 / 0 / 7

HEX #6349EE

RGB 99 73 238

HSL 249.45, 0.83%, 0.61%

LAB 43.64, 54.33, -79.36

 

CMYK 65 / 78 / 0 / 0

HEX #5839FE

RGB 88 57 254

HSL 249.44, 0.99%, 0.61%

LAB 41.46, 65.58, -91.95

 

CMYK 50 / 60 / 0 / 13

HEX #6E59DE

RGB 110 89 222

HSL 249.47, 0.67%, 0.61%

LAB 46.62, 42.5, -65.4

 

CMYK 41 / 49 / 0 / 19

HEX #7969CE

RGB 121 105 206

HSL 249.5, 0.51%, 0.61%

LAB 50.24, 30.83, -50.41

 

CMYK 31 / 36 / 0 / 25

HEX #8479BE

RGB 132 121 190

HSL 249.57, 0.35%, 0.61%

LAB 54.34, 19.9, -34.72

 

CMYK 18 / 21 / 0 / 32

HEX #8F89AE

RGB 143 137 174

HSL 249.73, 0.19%, 0.61%

LAB 58.78, 10.04, -18.65

 

CMYK 3 / 3 / 0 / 38

HEX #9A999E

RGB 154 153 158

HSL 252, 0.03%, 0.61%

LAB 63.44, 1.34, -2.49

 

CMYK 60 / 37 / 0 / 13

HEX #598CDE

RGB 89 140 222

HSL 216.99, 0.67%, 0.61%

LAB 58.18, 7.64, -46.94

 

CMYK 60 / 53 / 0 / 13

HEX #5968DE

RGB 89 104 222

HSL 233.23, 0.67%, 0.61%

LAB 48.63, 29.58, -62.22

 

CMYK 51 / 60 / 0 / 13

HEX #6D59DE

RGB 109 89 222

HSL 249.02, 0.67%, 0.61%

LAB 46.54, 42.3, -65.54

 

CMYK 35 / 60 / 0 / 13

HEX #9059DE

RGB 144 89 222

HSL 264.81, 0.67%, 0.61%

LAB 49.92, 49.6, -59.91

 

CMYK 19 / 60 / 0 / 13

HEX #B459DE

RGB 180 89 222

HSL 281.05, 0.67%, 0.61%

LAB 54.16, 57.95, -52.88

 

CMYK 68 / 80 / 0 / 25

HEX #3E26BF

RGB 62 38 191

HSL 249.41, 0.67%, 0.45%

LAB 29.84, 53.82, -75.1

 

CMYK 63 / 75 / 0 / 16

HEX #5036D7

RGB 80 54 215

HSL 249.69, 0.67%, 0.53%

LAB 36.46, 54.99, -78.11

 

CMYK 50 / 60 / 0 / 13

HEX #6E59DE

RGB 110 89 222

HSL 249.47, 0.67%, 0.61%

LAB 46.62, 42.5, -65.4

 

CMYK 39 / 46 / 0 / 10

HEX #8C7BE5

RGB 140 123 229

HSL 249.62, 0.67%, 0.69%

LAB 57.46, 31.34, -51.79

 

CMYK 28 / 33 / 0 / 7

HEX #AA9EEC

RGB 170 158 236

HSL 249.23, 0.67%, 0.77%

LAB 68.79, 21.15, -37.66

 

CMYK 50 / 59 / 0 / 13

HEX #6F5ADE

RGB 111 90 222

HSL 249.55, 0.67%, 0.61%

LAB 46.93, 42.11, -64.9

 

CMYK 0 / 60 / 21 / 13

HEX #DE59B0

RGB 222 89 176

HSL 320.75, 0.67%, 0.61%

LAB 57.86, 61.08, -20.38

 

CMYK 45 / 0 / 60 / 13

HEX #7ADE59

RGB 122 222 89

HSL 105.11, 0.67%, 0.61%

LAB 80.24, -53.22, 55

 

CMYK 50 / 59 / 0 / 13

HEX #6F5ADE

RGB 111 90 222

HSL 249.55, 0.67%, 0.61%

LAB 46.93, 42.11, -64.9

 

CMYK 0 / 51 / 60 / 13

HEX #DE6D59

RGB 222 109 89

HSL 9.02, 0.67%, 0.61%

LAB 59.15, 42.47, 31.78

 

CMYK 60 / 0 / 51 / 13

HEX #59DE6D

RGB 89 222 109

HSL 129.02, 0.67%, 0.61%

LAB 79.31, -59.4, 44.47

 

CMYK 50 / 59 / 0 / 13

HEX #6F5ADE

RGB 111 90 222

HSL 249.55, 0.67%, 0.61%

LAB 46.93, 42.11, -64.9

 

CMYK 0 / 60 / 21 / 13

HEX #DE59B0

RGB 222 89 176

HSL 320.75, 0.67%, 0.61%

LAB 57.86, 61.08, -20.38

 

CMYK 9 / 0 / 60 / 13

HEX #CADE59

RGB 202 222 89

HSL 69.02, 0.67%, 0.61%

LAB 84.75, -24.6, 61.28

 

CMYK 60 / 0 / 39 / 13

HEX #59DE88

RGB 89 222 136

HSL 141.2, 0.67%, 0.61%

LAB 79.7, -55.18, 31.6

 

CMYK 50 / 59 / 0 / 13

HEX #6F5ADE

RGB 111 90 222

HSL 249.55, 0.67%, 0.61%

LAB 46.93, 42.11, -64.9

 

CMYK 0 / 60 / 39 / 13

HEX #DE5988

RGB 222 89 136

HSL 338.8, 0.67%, 0.61%

LAB 56.54, 56.13, 0.98

 

CMYK 9 / 0 / 60 / 13

HEX #CADE59

RGB 202 222 89

HSL 69.02, 0.67%, 0.61%

LAB 84.75, -24.6, 61.28

 

CMYK 60 / 0 / 21 / 13

HEX #59DEB0

RGB 89 222 176

HSL 159.25, 0.67%, 0.61%

LAB 80.46, -47.19, 11.84

 

Description

Color code: HEX #6F5ADE3F | qconv.com Color code: HEX #6F5ADE3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 90 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 90 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 15 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 15% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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