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Color name
HEX #6F511C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F511C it is the complementary color #90AEE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F511C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F511C shade: #745117, #85632A, #96753D, #A78750 and #B89963

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F511C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F511C shade: #6F511C, #5E3F09, #4D2D00, #3C1B00 and #2B0900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F511C shade: #6E501C, #6E3A1C, #6E241C and #6E1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F511C shade: #6E501C, #6E671C, #5F6E1C, #496E1C and #336E1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F511C shade matches the following richer shades: #6E501C, #795310 and #845605

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F511C shade: #6E501C, #634D27, #584A32, #4D473D and #424448

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F511C shade: #6E241C, #6E3A1C, #6E501C, #6E661C and #606E1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F511C shade: #2C200B, #4D3813, #6E501C, #8F6824 and #B0802C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F511C shade: #6F511C, #296E1C and #2F1C6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F511C shade: #6F511C, #1C6E50 and #501C6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F511C shade: #6F511C, #296E1C, #1C3A6E and #601C6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F511C shade: #6F511C, #1C6E27, #1C3A6E and #6E1C63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 75 / 56

HEX #6F511C

RGB 111 81 28

HSL 38.31, 0.6%, 0.27%

LAB 36.65, 6.8, 34.76

 

Complementary color

CMYK 37 / 23 / 0 / 11

HEX #90AEE3

RGB 144 174 227

HSL 218.31, 0.6%, 0.73%

LAB 70.7, 2.57, -29.93

 

CMYK 0 / 30 / 80 / 55

HEX #745117

RGB 116 81 23

HSL 37.42, 0.67%, 0.27%

LAB 37.22, 8.96, 37.86

 

CMYK 0 / 26 / 68 / 48

HEX #85632A

RGB 133 99 42

HSL 37.58, 0.52%, 0.34%

LAB 44.34, 7.39, 36.78

 

CMYK 0 / 22 / 59 / 41

HEX #96753D

RGB 150 117 61

HSL 37.75, 0.42%, 0.41%

LAB 51.32, 6.15, 35.4

 

CMYK 0 / 19 / 52 / 35

HEX #A78750

RGB 167 135 80

HSL 37.93, 0.35%, 0.48%

LAB 58.15, 5.15, 33.98

 

CMYK 0 / 17 / 46 / 28

HEX #B89963

RGB 184 153 99

HSL 38.12, 0.37%, 0.55%

LAB 64.86, 4.33, 32.61

 

CMYK 0 / 27 / 75 / 56

HEX #6F511C

RGB 111 81 28

HSL 38.31, 0.6%, 0.27%

LAB 36.65, 6.8, 34.76

 

CMYK 0 / 33 / 90 / 63

HEX #5E3F09

RGB 94 63 9

HSL 38.12, 0.83%, 0.2%

LAB 29.3, 8.62, 35.28

 

CMYK 0 / 42 / 100 / 70

HEX #4D2D00

RGB 77 45 0

HSL 35.06, 1%, 0.15%

LAB 21.78, 11.06, 31.03

 

CMYK 0 / 55 / 100 / 76

HEX #3C1B00

RGB 60 27 0

HSL 27, 1%, 0.12%

LAB 14.09, 14, 21.17

 

CMYK 0 / 79 / 100 / 83

HEX #2B0900

RGB 43 9 0

HSL 12.56, 1%, 0.08%

LAB 6.4, 16.32, 9.91

 

CMYK 0 / 27 / 75 / 57

HEX #6E501C

RGB 110 80 28

HSL 38.05, 0.59%, 0.27%

LAB 36.25, 6.92, 34.31

 

CMYK 0 / 47 / 75 / 57

HEX #6E3A1C

RGB 110 58 28

HSL 21.95, 0.59%, 0.27%

LAB 30.46, 20.25, 28.15

 

CMYK 0 / 67 / 75 / 57

HEX #6E241C

RGB 110 36 28

HSL 5.85, 0.59%, 0.27%

LAB 25.75, 32.32, 22.83

 

CMYK 0 / 75 / 75 / 57

HEX #6E1C1C

RGB 110 28 28

HSL 0, 0.59%, 0.27%

LAB 24.42, 35.93, 21.28

 

CMYK 0 / 27 / 75 / 57

HEX #6E501C

RGB 110 80 28

HSL 38.05, 0.59%, 0.27%

LAB 36.25, 6.92, 34.31

 

CMYK 0 / 6 / 75 / 57

HEX #6E671C

RGB 110 103 28

HSL 54.88, 0.59%, 0.27%

LAB 42.91, -6.7, 41.02

 

CMYK 14 / 0 / 75 / 57

HEX #5F6E1C

RGB 95 110 28

HSL 70.98, 0.59%, 0.27%

LAB 43.75, -17.61, 41.41

 

CMYK 34 / 0 / 75 / 57

HEX #496E1C

RGB 73 110 28

HSL 87.07, 0.59%, 0.27%

LAB 42.23, -27.12, 39.39

 

CMYK 54 / 0 / 75 / 57

HEX #336E1C

RGB 51 110 28

HSL 103.17, 0.59%, 0.27%

LAB 41.12, -35.13, 37.9

 

CMYK 0 / 27 / 75 / 57

HEX #6E501C

RGB 110 80 28

HSL 38.05, 0.59%, 0.27%

LAB 36.25, 6.92, 34.31

 

CMYK 0 / 31 / 87 / 53

HEX #795310

RGB 121 83 16

HSL 38.29, 0.77%, 0.27%

LAB 38.36, 9.9, 41.91

 

CMYK 0 / 35 / 96 / 48

HEX #845605

RGB 132 86 5

HSL 38.27, 0.93%, 0.27%

LAB 40.53, 13.11, 47.49

 

CMYK 0 / 27 / 75 / 57

HEX #6E501C

RGB 110 80 28

HSL 38.05, 0.59%, 0.27%

LAB 36.25, 6.92, 34.31

 

CMYK 0 / 22 / 61 / 61

HEX #634D27

RGB 99 77 39

HSL 38, 0.43%, 0.27%

LAB 34.2, 4.23, 25.79

 

CMYK 0 / 16 / 43 / 65

HEX #584A32

RGB 88 74 50

HSL 37.89, 0.28%, 0.27%

LAB 32.26, 2.04, 16.53

 

CMYK 0 / 8 / 21 / 70

HEX #4D473D

RGB 77 71 61

HSL 37.5, 0.12%, 0.27%

LAB 30.45, 0.58, 6.93

 

CMYK 8 / 6 / 0 / 72

HEX #424448

RGB 66 68 72

HSL 220, 0.04%, 0.27%

LAB 28.8, 0.1, -2.7

 

CMYK 0 / 67 / 75 / 57

HEX #6E241C

RGB 110 36 28

HSL 5.85, 0.59%, 0.27%

LAB 25.75, 32.32, 22.83

 

CMYK 0 / 47 / 75 / 57

HEX #6E3A1C

RGB 110 58 28

HSL 21.95, 0.59%, 0.27%

LAB 30.46, 20.25, 28.15

 

CMYK 0 / 27 / 75 / 57

HEX #6E501C

RGB 110 80 28

HSL 38.05, 0.59%, 0.27%

LAB 36.25, 6.92, 34.31

 

CMYK 0 / 7 / 75 / 57

HEX #6E661C

RGB 110 102 28

HSL 54.15, 0.59%, 0.27%

LAB 42.61, -6.13, 40.73

 

CMYK 13 / 0 / 75 / 57

HEX #606E1C

RGB 96 110 28

HSL 70.24, 0.59%, 0.27%

LAB 43.83, -17.15, 41.52

 

CMYK 0 / 27 / 75 / 83

HEX #2C200B

RGB 44 32 11

HSL 38.18, 0.6%, 0.11%

LAB 13.19, 2.76, 15.03

 

CMYK 0 / 27 / 75 / 70

HEX #4D3813

RGB 77 56 19

HSL 38.28, 0.6%, 0.19%

LAB 25.12, 4.88, 25.97

 

CMYK 0 / 27 / 75 / 57

HEX #6E501C

RGB 110 80 28

HSL 38.05, 0.59%, 0.27%

LAB 36.25, 6.92, 34.31

 

CMYK 0 / 27 / 75 / 44

HEX #8F6824

RGB 143 104 36

HSL 38.13, 0.6%, 0.35%

LAB 46.8, 8.77, 42.59

 

CMYK 0 / 27 / 75 / 31

HEX #B0802C

RGB 176 128 44

HSL 38.18, 0.6%, 0.43%

LAB 56.93, 10.55, 50.47

 

CMYK 0 / 27 / 75 / 56

HEX #6F511C

RGB 111 81 28

HSL 38.31, 0.6%, 0.27%

LAB 36.65, 6.8, 34.76

 

CMYK 63 / 0 / 75 / 57

HEX #296E1C

RGB 41 110 28

HSL 110.49, 0.59%, 0.27%

LAB 40.75, -38.05, 37.4

 

CMYK 57 / 75 / 0 / 57

HEX #2F1C6E

RGB 47 28 110

HSL 253.9, 0.59%, 0.27%

LAB 18.19, 32.19, -44.38

 

CMYK 0 / 27 / 75 / 56

HEX #6F511C

RGB 111 81 28

HSL 38.31, 0.6%, 0.27%

LAB 36.65, 6.8, 34.76

 

CMYK 75 / 0 / 27 / 57

HEX #1C6E50

RGB 28 110 80

HSL 158.05, 0.59%, 0.27%

LAB 41.18, -31.98, 9.86

 

CMYK 27 / 75 / 0 / 57

HEX #501C6E

RGB 80 28 110

HSL 278.05, 0.59%, 0.27%

LAB 22.52, 38.83, -37.14

 

CMYK 0 / 27 / 75 / 56

HEX #6F511C

RGB 111 81 28

HSL 38.31, 0.6%, 0.27%

LAB 36.65, 6.8, 34.76

 

CMYK 63 / 0 / 75 / 57

HEX #296E1C

RGB 41 110 28

HSL 110.49, 0.59%, 0.27%

LAB 40.75, -38.05, 37.4

 

CMYK 75 / 47 / 0 / 57

HEX #1C3A6E

RGB 28 58 110

HSL 218.05, 0.59%, 0.27%

LAB 24.95, 8.4, -33.48

 

CMYK 13 / 75 / 0 / 57

HEX #601C6E

RGB 96 28 110

HSL 289.76, 0.59%, 0.27%

LAB 25.09, 42.52, -32.88

 

CMYK 0 / 27 / 75 / 56

HEX #6F511C

RGB 111 81 28

HSL 38.31, 0.6%, 0.27%

LAB 36.65, 6.8, 34.76

 

CMYK 75 / 0 / 65 / 57

HEX #1C6E27

RGB 28 110 39

HSL 128.05, 0.59%, 0.27%

LAB 40.48, -39.83, 31.97

 

CMYK 75 / 47 / 0 / 57

HEX #1C3A6E

RGB 28 58 110

HSL 218.05, 0.59%, 0.27%

LAB 24.95, 8.4, -33.48

 

CMYK 0 / 75 / 10 / 57

HEX #6E1C63

RGB 110 28 99

HSL 308.05, 0.59%, 0.27%

LAB 26.87, 43.95, -22.77

 

Description

Color code: HEX #6F511C | qconv.com Color code: HEX #6F511C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 81 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 81 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 75 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 75% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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