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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F4DA5 it is the complementary color #90B25A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F4DA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F4DA5 shade: #744DA0, #855FB3, #9671C6, #A783D9 and #B895EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F4DA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F4DA5 shade: #6F4DA5, #5E3B92, #4D297F, #3C176C and #2B0559

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F4DA5 shade: #6E4DA3, #854DA3, #9D4DA3, #A34D92 and #A34D7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F4DA5 shade: #6E4DA3, #574DA3 and #4D4DA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F4DA5 shade matches the following richer shades: #6E4DA3, #6A39B6, #6526CA and #6113DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F4DA5 shade: #6E4DA3, #726090, #77737C, #7B8769 and #809A55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F4DA5 shade: #4D5AA3, #574DA3, #6E4DA3, #854DA3 and #9C4DA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F4DA5 shade: #48326B, #5B4087, #6E4DA3, #8363B6 and #997FC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F4DA5 shade: #6F4DA5, #A34D71 and #4EA34D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F4DA5 shade: #6F4DA5, #A36E4D and #4DA36E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F4DA5 shade: #6F4DA5, #A34D71, #82A34D and #4DA37F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F4DA5 shade: #6F4DA5, #A34D57, #82A34D and #4DA399

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 53 / 0 / 35

HEX #6F4DA5

RGB 111 77 165

HSL 263.18, 0.36%, 0.47%

LAB 40.25, 33.61, -42.52

 

Complementary color

CMYK 19 / 0 / 49 / 30

HEX #90B25A

RGB 144 178 90

HSL 83.18, 0.36%, 0.53%

LAB 68.39, -26.13, 40.94

 

CMYK 28 / 52 / 0 / 37

HEX #744DA0

RGB 116 77 160

HSL 268.19, 0.35%, 0.46%

LAB 40.51, 33.67, -39.1

 

CMYK 26 / 47 / 0 / 30

HEX #855FB3

RGB 133 95 179

HSL 267.14, 0.36%, 0.54%

LAB 47.53, 32.71, -39.07

 

CMYK 24 / 43 / 0 / 22

HEX #9671C6

RGB 150 113 198

HSL 266.12, 0.43%, 0.61%

LAB 54.42, 31.82, -39.05

 

CMYK 23 / 40 / 0 / 15

HEX #A783D9

RGB 167 131 217

HSL 265.12, 0.53%, 0.68%

LAB 61.18, 31, -39.05

 

CMYK 22 / 37 / 0 / 7

HEX #B895EC

RGB 184 149 236

HSL 264.14, 0.7%, 0.75%

LAB 67.83, 30.25, -39.07

 

CMYK 33 / 53 / 0 / 35

HEX #6F4DA5

RGB 111 77 165

HSL 263.18, 0.36%, 0.47%

LAB 40.25, 33.61, -42.52

 

CMYK 36 / 60 / 0 / 43

HEX #5E3B92

RGB 94 59 146

HSL 264.14, 0.42%, 0.4%

LAB 33.1, 34.72, -42.62

 

CMYK 39 / 68 / 0 / 50

HEX #4D297F

RGB 77 41 127

HSL 265.12, 0.51%, 0.33%

LAB 25.85, 35.81, -42.62

 

CMYK 44 / 79 / 0 / 58

HEX #3C176C

RGB 60 23 108

HSL 266.12, 0.65%, 0.26%

LAB 18.61, 36.61, -42.33

 

CMYK 52 / 94 / 0 / 65

HEX #2B0559

RGB 43 5 89

HSL 267.14, 0.89%, 0.18%

LAB 11.58, 36.54, -41.35

 

CMYK 33 / 53 / 0 / 36

HEX #6E4DA3

RGB 110 77 163

HSL 263.02, 0.36%, 0.47%

LAB 40.03, 32.82, -41.7

 

CMYK 18 / 53 / 0 / 36

HEX #854DA3

RGB 133 77 163

HSL 279.07, 0.36%, 0.47%

LAB 42.67, 39.14, -37.33

 

CMYK 4 / 53 / 0 / 36

HEX #9D4DA3

RGB 157 77 163

HSL 295.81, 0.36%, 0.47%

LAB 45.8, 45.97, -32.19

 

CMYK 0 / 53 / 10 / 36

HEX #A34D92

RGB 163 77 146

HSL 311.86, 0.36%, 0.47%

LAB 45.87, 44.67, -21.89

 

CMYK 0 / 53 / 25 / 36

HEX #A34D7B

RGB 163 77 123

HSL 327.91, 0.36%, 0.47%

LAB 44.98, 41.04, -9.35

 

CMYK 33 / 53 / 0 / 36

HEX #6E4DA3

RGB 110 77 163

HSL 263.02, 0.36%, 0.47%

LAB 40.03, 32.82, -41.7

 

CMYK 47 / 53 / 0 / 36

HEX #574DA3

RGB 87 77 163

HSL 246.98, 0.36%, 0.47%

LAB 37.8, 26.99, -45.38

 

CMYK 53 / 53 / 0 / 36

HEX #4D4DA3

RGB 77 77 163

HSL 240, 0.36%, 0.47%

LAB 36.99, 24.7, -46.74

 

CMYK 33 / 53 / 0 / 36

HEX #6E4DA3

RGB 110 77 163

HSL 263.02, 0.36%, 0.47%

LAB 40.03, 32.82, -41.7

 

CMYK 42 / 69 / 0 / 29

HEX #6A39B6

RGB 106 57 182

HSL 263.52, 0.52%, 0.47%

LAB 36.68, 48.13, -58.39

 

CMYK 50 / 81 / 0 / 21

HEX #6526CA

RGB 101 38 202

HSL 263.05, 0.68%, 0.47%

LAB 34.84, 61.04, -73.18

 

CMYK 56 / 91 / 0 / 13

HEX #6113DD

RGB 97 19 221

HSL 263.17, 0.84%, 0.47%

LAB 34.45, 70.8, -84.83

 

CMYK 33 / 53 / 0 / 36

HEX #6E4DA3

RGB 110 77 163

HSL 263.02, 0.36%, 0.47%

LAB 40.03, 32.82, -41.7

 

CMYK 21 / 33 / 0 / 44

HEX #726090

RGB 114 96 144

HSL 262.5, 0.2%, 0.47%

LAB 44.17, 17.62, -23.78

 

CMYK 4 / 7 / 0 / 51

HEX #77737C

RGB 119 115 124

HSL 266.67, 0.04%, 0.47%

LAB 49.05, 3.37, -4.4

 

CMYK 9 / 0 / 22 / 47

HEX #7B8769

RGB 123 135 105

HSL 84, 0.13%, 0.47%

LAB 54.61, -10.07, 14.7

 

CMYK 17 / 0 / 45 / 40

HEX #809A55

RGB 128 154 85

HSL 82.61, 0.29%, 0.47%

LAB 60.21, -21.04, 33.16

 

CMYK 53 / 45 / 0 / 36

HEX #4D5AA3

RGB 77 90 163

HSL 230.93, 0.36%, 0.47%

LAB 40.47, 16.37, -41.16

 

CMYK 47 / 53 / 0 / 36

HEX #574DA3

RGB 87 77 163

HSL 246.98, 0.36%, 0.47%

LAB 37.8, 26.99, -45.38

 

CMYK 33 / 53 / 0 / 36

HEX #6E4DA3

RGB 110 77 163

HSL 263.02, 0.36%, 0.47%

LAB 40.03, 32.82, -41.7

 

CMYK 18 / 53 / 0 / 36

HEX #854DA3

RGB 133 77 163

HSL 279.07, 0.36%, 0.47%

LAB 42.67, 39.14, -37.33

 

CMYK 4 / 53 / 0 / 36

HEX #9C4DA3

RGB 156 77 163

HSL 295.12, 0.36%, 0.47%

LAB 45.66, 45.68, -32.42

 

CMYK 33 / 53 / 0 / 58

HEX #48326B

RGB 72 50 107

HSL 263.16, 0.36%, 0.31%

LAB 25.92, 23.42, -29.81

 

CMYK 33 / 53 / 0 / 47

HEX #5B4087

RGB 91 64 135

HSL 262.82, 0.36%, 0.39%

LAB 33.22, 27.91, -35.68

 

CMYK 33 / 53 / 0 / 36

HEX #6E4DA3

RGB 110 77 163

HSL 263.02, 0.36%, 0.47%

LAB 40.03, 32.82, -41.7

 

CMYK 28 / 46 / 0 / 29

HEX #8363B6

RGB 131 99 182

HSL 263.13, 0.36%, 0.55%

LAB 48.42, 30.56, -39.42

 

CMYK 22 / 35 / 0 / 24

HEX #997FC3

RGB 153 127 195

HSL 262.94, 0.36%, 0.63%

LAB 57.93, 23.92, -31.82

 

CMYK 33 / 53 / 0 / 35

HEX #6F4DA5

RGB 111 77 165

HSL 263.18, 0.36%, 0.47%

LAB 40.25, 33.61, -42.52

 

CMYK 0 / 53 / 31 / 36

HEX #A34D71

RGB 163 77 113

HSL 334.88, 0.36%, 0.47%

LAB 44.64, 39.63, -3.74

 

CMYK 52 / 0 / 53 / 36

HEX #4EA34D

RGB 78 163 77

HSL 119.3, 0.36%, 0.47%

LAB 60.2, -43.59, 36.66

 

CMYK 33 / 53 / 0 / 35

HEX #6F4DA5

RGB 111 77 165

HSL 263.18, 0.36%, 0.47%

LAB 40.25, 33.61, -42.52

 

CMYK 0 / 33 / 53 / 36

HEX #A36E4D

RGB 163 110 77

HSL 23.02, 0.36%, 0.47%

LAB 51.24, 17.27, 26.85

 

CMYK 53 / 0 / 33 / 36

HEX #4DA36E

RGB 77 163 110

HSL 143.02, 0.36%, 0.47%

LAB 60.69, -38.36, 19.82

 

CMYK 33 / 53 / 0 / 35

HEX #6F4DA5

RGB 111 77 165

HSL 263.18, 0.36%, 0.47%

LAB 40.25, 33.61, -42.52

 

CMYK 0 / 53 / 31 / 36

HEX #A34D71

RGB 163 77 113

HSL 334.88, 0.36%, 0.47%

LAB 44.64, 39.63, -3.74

 

CMYK 20 / 0 / 53 / 36

HEX #82A34D

RGB 130 163 77

HSL 83.02, 0.36%, 0.47%

LAB 62.91, -25.67, 40.56

 

CMYK 53 / 0 / 22 / 36

HEX #4DA37F

RGB 77 163 127

HSL 154.88, 0.36%, 0.47%

LAB 61.05, -34.77, 10.9

 

CMYK 33 / 53 / 0 / 35

HEX #6F4DA5

RGB 111 77 165

HSL 263.18, 0.36%, 0.47%

LAB 40.25, 33.61, -42.52

 

CMYK 0 / 53 / 47 / 36

HEX #A34D57

RGB 163 77 87

HSL 353.02, 0.36%, 0.47%

LAB 43.92, 36.51, 11.16

 

CMYK 20 / 0 / 53 / 36

HEX #82A34D

RGB 130 163 77

HSL 83.02, 0.36%, 0.47%

LAB 62.91, -25.67, 40.56

 

CMYK 53 / 0 / 6 / 36

HEX #4DA399

RGB 77 163 153

HSL 173.02, 0.36%, 0.47%

LAB 61.72, -28.42, -2.73

 

Description

Color code: HEX #6F4DA5 | qconv.com Color code: HEX #6F4DA5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 77 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 77 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 53 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 53% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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