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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F4D94 it is the complementary color #90B26B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F4D94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F4D94 shade: #744D8F, #855FA2, #9671B5, #A783C8 and #B895DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F4D94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F4D94 shade: #6F4D94, #5E3B81, #4D296E, #3C175B and #2B0548

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F4D94 shade: #6F4C94, #824C94, #944C93, #944C7F and #944C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F4D94 shade: #6F4C94, #5B4C94 and #4C4C94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F4D94 shade matches the following richer shades: #6F4C94, #6E3AA6, #6D28B8, #6C16CB and #6C04DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F4D94 shade: #6F4C94, #6F5E82, #707170, #71835E and #72954B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F4D94 shade: #4C5194, #5B4C94, #6E4C94, #814C94 and #944C94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F4D94 shade: #46305E, #5A3E79, #6F4C94, #835EAC and #9879BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F4D94 shade: #6F4D94, #944C64 and #4C9451

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F4D94 shade: #6F4D94, #946E4C and #4C946E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F4D94 shade: #6F4D94, #944C64, #73944C and #4C947C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F4D94 shade: #6F4D94, #944C4F, #73944C and #4C9492

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 48 / 0 / 42

HEX #6F4D94

RGB 111 77 148

HSL 268.73, 0.32%, 0.44%

LAB 39.28, 29.2, -33.86

 

Complementary color

CMYK 19 / 0 / 40 / 30

HEX #90B26B

RGB 144 178 107

HSL 88.73, 0.32%, 0.56%

LAB 68.63, -24.06, 32.56

 

CMYK 19 / 46 / 0 / 44

HEX #744D8F

RGB 116 77 143

HSL 275.45, 0.3%, 0.43%

LAB 39.59, 29.48, -30.32

 

CMYK 18 / 41 / 0 / 36

HEX #855FA2

RGB 133 95 162

HSL 274.03, 0.26%, 0.5%

LAB 46.68, 28.62, -30.42

 

CMYK 17 / 38 / 0 / 29

HEX #9671B5

RGB 150 113 181

HSL 272.65, 0.31%, 0.58%

LAB 53.63, 27.82, -30.53

 

CMYK 17 / 35 / 0 / 22

HEX #A783C8

RGB 167 131 200

HSL 271.3, 0.39%, 0.65%

LAB 60.44, 27.1, -30.65

 

CMYK 16 / 32 / 0 / 14

HEX #B895DB

RGB 184 149 219

HSL 270, 0.49%, 0.72%

LAB 67.13, 26.43, -30.79

 

CMYK 25 / 48 / 0 / 42

HEX #6F4D94

RGB 111 77 148

HSL 268.73, 0.32%, 0.44%

LAB 39.28, 29.2, -33.86

 

CMYK 27 / 54 / 0 / 49

HEX #5E3B81

RGB 94 59 129

HSL 270, 0.37%, 0.37%

LAB 32.02, 30.19, -33.86

 

CMYK 30 / 63 / 0 / 57

HEX #4D296E

RGB 77 41 110

HSL 271.3, 0.46%, 0.3%

LAB 24.61, 31.19, -33.8

 

CMYK 34 / 75 / 0 / 64

HEX #3C175B

RGB 60 23 91

HSL 272.65, 0.6%, 0.22%

LAB 17.13, 31.97, -33.52

 

CMYK 40 / 93 / 0 / 72

HEX #2B0548

RGB 43 5 72

HSL 274.03, 0.87%, 0.15%

LAB 9.72, 32.07, -32.7

 

CMYK 25 / 49 / 0 / 42

HEX #6F4C94

RGB 111 76 148

HSL 269.17, 0.32%, 0.44%

LAB 39.05, 29.8, -34.24

 

CMYK 12 / 49 / 0 / 42

HEX #824C94

RGB 130 76 148

HSL 285, 0.32%, 0.44%

LAB 41.3, 35.48, -30.53

 

CMYK 0 / 49 / 1 / 42

HEX #944C93

RGB 148 76 147

HSL 300.83, 0.32%, 0.44%

LAB 43.61, 40.76, -26.15

 

CMYK 0 / 49 / 14 / 42

HEX #944C7F

RGB 148 76 127

HSL 317.5, 0.32%, 0.44%

LAB 42.76, 37.16, -15.35

 

CMYK 0 / 49 / 27 / 42

HEX #944C6C

RGB 148 76 108

HSL 333.33, 0.32%, 0.44%

LAB 42.07, 34.15, -4.72

 

CMYK 25 / 49 / 0 / 42

HEX #6F4C94

RGB 111 76 148

HSL 269.17, 0.32%, 0.44%

LAB 39.05, 29.8, -34.24

 

CMYK 39 / 49 / 0 / 42

HEX #5B4C94

RGB 91 76 148

HSL 252.5, 0.32%, 0.44%

LAB 36.99, 24.13, -37.63

 

CMYK 49 / 49 / 0 / 42

HEX #4C4C94

RGB 76 76 148

HSL 240, 0.32%, 0.44%

LAB 35.68, 20.23, -39.79

 

CMYK 25 / 49 / 0 / 42

HEX #6F4C94

RGB 111 76 148

HSL 269.17, 0.32%, 0.44%

LAB 39.05, 29.8, -34.24

 

CMYK 34 / 65 / 0 / 35

HEX #6E3AA6

RGB 110 58 166

HSL 268.89, 0.48%, 0.44%

LAB 36.17, 44.31, -49.69

 

CMYK 41 / 78 / 0 / 28

HEX #6D28B8

RGB 109 40 184

HSL 268.75, 0.64%, 0.44%

LAB 34.46, 56.96, -63.19

 

CMYK 47 / 89 / 0 / 20

HEX #6C16CB

RGB 108 22 203

HSL 268.51, 0.8%, 0.44%

LAB 34.14, 66.99, -74.89

 

CMYK 51 / 98 / 0 / 13

HEX #6C04DD

RGB 108 4 221

HSL 268.76, 0.96%, 0.44%

LAB 34.99, 73.97, -83.89

 

CMYK 25 / 49 / 0 / 42

HEX #6F4C94

RGB 111 76 148

HSL 269.17, 0.32%, 0.44%

LAB 39.05, 29.8, -34.24

 

CMYK 15 / 28 / 0 / 49

HEX #6F5E82

RGB 111 94 130

HSL 268.33, 0.16%, 0.44%

LAB 42.76, 14.43, -17.56

 

CMYK 1 / 0 / 1 / 56

HEX #707170

RGB 112 113 112

HSL 120, 0%, 0.44%

LAB 47.53, -0.58, 0.41

 

CMYK 14 / 0 / 28 / 49

HEX #71835E

RGB 113 131 94

HSL 89.19, 0.16%, 0.44%

LAB 52.46, -13.65, 17.9

 

CMYK 23 / 0 / 50 / 42

HEX #72954B

RGB 114 149 75

HSL 88.38, 0.33%, 0.44%

LAB 57.64, -25.27, 34.97

 

CMYK 49 / 45 / 0 / 42

HEX #4C5194

RGB 76 81 148

HSL 235.83, 0.32%, 0.44%

LAB 37.04, 17.01, -37.63

 

CMYK 39 / 49 / 0 / 42

HEX #5B4C94

RGB 91 76 148

HSL 252.5, 0.32%, 0.44%

LAB 36.99, 24.13, -37.63

 

CMYK 26 / 49 / 0 / 42

HEX #6E4C94

RGB 110 76 148

HSL 268.33, 0.32%, 0.44%

LAB 38.94, 29.51, -34.42

 

CMYK 13 / 49 / 0 / 42

HEX #814C94

RGB 129 76 148

HSL 284.17, 0.32%, 0.44%

LAB 41.17, 35.18, -30.74

 

CMYK 0 / 49 / 0 / 42

HEX #944C94

RGB 148 76 148

HSL 300, 0.32%, 0.44%

LAB 43.66, 40.95, -26.67

 

CMYK 26 / 49 / 0 / 63

HEX #46305E

RGB 70 48 94

HSL 268.7, 0.32%, 0.28%

LAB 24.4, 20.46, -23.8

 

CMYK 26 / 49 / 0 / 53

HEX #5A3E79

RGB 90 62 121

HSL 268.47, 0.32%, 0.36%

LAB 31.81, 25.09, -29.23

 

CMYK 25 / 49 / 0 / 42

HEX #6F4C94

RGB 111 76 148

HSL 269.17, 0.32%, 0.44%

LAB 39.05, 29.8, -34.24

 

CMYK 24 / 45 / 0 / 33

HEX #835EAC

RGB 131 94 172

HSL 268.46, 0.32%, 0.52%

LAB 46.72, 30.99, -36.26

 

CMYK 18 / 35 / 0 / 27

HEX #9879BA

RGB 152 121 186

HSL 268.62, 0.32%, 0.6%

LAB 55.98, 24.97, -29.73

 

CMYK 25 / 48 / 0 / 42

HEX #6F4D94

RGB 111 77 148

HSL 268.73, 0.32%, 0.44%

LAB 39.28, 29.2, -33.86

 

CMYK 0 / 49 / 32 / 42

HEX #944C64

RGB 148 76 100

HSL 340, 0.32%, 0.44%

LAB 41.82, 33.02, -0.15

 

CMYK 49 / 0 / 45 / 42

HEX #4C9451

RGB 76 148 81

HSL 124.17, 0.32%, 0.44%

LAB 55.39, -37.18, 28.57

 

CMYK 25 / 48 / 0 / 42

HEX #6F4D94

RGB 111 77 148

HSL 268.73, 0.32%, 0.44%

LAB 39.28, 29.2, -33.86

 

CMYK 0 / 26 / 49 / 42

HEX #946E4C

RGB 148 110 76

HSL 28.33, 0.32%, 0.44%

LAB 49.46, 10.68, 24.78

 

CMYK 49 / 0 / 26 / 42

HEX #4C946E

RGB 76 148 110

HSL 148.33, 0.32%, 0.44%

LAB 55.93, -31.77, 13.26

 

CMYK 25 / 48 / 0 / 42

HEX #6F4D94

RGB 111 77 148

HSL 268.73, 0.32%, 0.44%

LAB 39.28, 29.2, -33.86

 

CMYK 0 / 49 / 32 / 42

HEX #944C64

RGB 148 76 100

HSL 340, 0.32%, 0.44%

LAB 41.82, 33.02, -0.15

 

CMYK 22 / 0 / 49 / 42

HEX #73944C

RGB 115 148 76

HSL 87.5, 0.32%, 0.44%

LAB 57.41, -24.26, 34.19

 

CMYK 49 / 0 / 16 / 42

HEX #4C947C

RGB 76 148 124

HSL 160, 0.32%, 0.44%

LAB 56.26, -28.6, 5.77

 

CMYK 25 / 48 / 0 / 42

HEX #6F4D94

RGB 111 77 148

HSL 268.73, 0.32%, 0.44%

LAB 39.28, 29.2, -33.86

 

CMYK 0 / 49 / 47 / 42

HEX #944C4F

RGB 148 76 79

HSL 357.5, 0.32%, 0.44%

LAB 41.26, 30.45, 12.05

 

CMYK 22 / 0 / 49 / 42

HEX #73944C

RGB 115 148 76

HSL 87.5, 0.32%, 0.44%

LAB 57.41, -24.26, 34.19

 

CMYK 49 / 0 / 1 / 42

HEX #4C9492

RGB 76 148 146

HSL 178.33, 0.32%, 0.44%

LAB 56.87, -22.99, -5.92

 

Description

Color code: HEX #6F4D94 | qconv.com Color code: HEX #6F4D94 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 77 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 77 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 48 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 48% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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